Elimatta Google Honours Aboriginal Inventor, Author and Preacher
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Can’T Be What You Can’T See’: the Transition of Aboriginal and Torres Strait Islander Students Into Higher Education
‘Can’t be what you can’t see’: The Transition of Aboriginal and Torres Strait Islander Students into higher education Literature Review 2014 Fremantle Broome Sydney Cover Artwork: ‘Seeing Country’ by Yangkana Laurel Yangkana Laurel is a Walmajarri artist and educator from the Kadjina Community in the Kimberley region of Western Australia on the edge of the Great Sandy Desert - part of Millijidee Station. Along with her sisters, brothers and mothers, Yangkana advocated to set up the remote Wulungarra Community School. Yangkana’s commitment to education in this small community is replicated across the many universities we visited and encapsulated in the innovative models that support more Aboriginal and Torres Strait Islander students to transition to higher education. ‘Can’t be what you can’t see’: The Transition of Aboriginal and Torres Strait Islander Students into higher education Literature Review 2014 The University of Notre Dame Australia (UNDA) Southern Cross University (SCU) Batchelor Institute of Indigenous Tertiary Education (BIITE) Project Leaders: Professor Lyn Henderson-Yates (UNDA), Professor Patrick Dodson (UNDA), Professor Marguerite Maher (UNDA), Project Management: Bruce Gorring (UNDA), Sue Thomas (UNDA) Project Team Members: Stephen Kinnane (UNDA), Dr Judith Wilks (SCU), Katie Wilson (SCU), Terri Hughes (BIITE), Sue Thomas (UNDA), Professor Neil Drew (UNDA), Dr Keith McNaught (UNDA), Dr Kevin Watson (UNDA) Report Authors: Dr Judith Wilks (SCU), Katie Wilson (SCU) “Can’t be what you can’t see”: The Transition of Aboriginal and Torres Strait Islander students into higher education: Literature Review: 20/12/13 OLT ID SI11-2138 (UNDA; SCU; BIITE) Support for the production of this report/publication has been provided by the Australian Government Office for Learning and Teaching. -
A Collaborative History of Social Innovation in South Australia
Hawke Research Institute for Sustainable Societies University of South Australia St Bernards Road Magill South Australia 5072 Australia www.unisa.edu.au/hawkeinstitute © Rob Manwaring and University of South Australia 2008 A COLLABORATIVE HISTORY OF SOCIAL INNOVATION IN SOUTH AUSTRALIA Rob Manwaring∗ Abstract In this paper I outline a collaborative history of social innovation in South Australia, a state that has a striking record of social innovation. What makes this history so intriguing is that on the face of it, South Australia would seem an unlikely location for such experimentation. This paper outlines the main periods of innovation. Appended to it is the first attempt to collate all these social innovations in one document. This paper is unique in that its account of the history of social innovation has been derived after public consultation in South Australia, and is a key output from Geoff Mulgan’s role as an Adelaide Thinker in Residence.1 The paper analyses why, at times, South Australia appears to have punched above its weight as a leader in social innovation. Drawing on Giddens’ ‘structuration’ model, the paper uses South Australian history as a case study to determine how far structure and/or agency can explain the main periods of social innovation. Introduction South Australia has a great and rich (albeit uneven) history of social innovation, and has at times punched above its weight. What makes this history so intriguing is that on the face of it, South Australia is quite an unlikely place for such innovation. South Australia is a relatively new entity; it has a relatively small but highly urbanised population, and is geographically isolated from other Australian urban centres and other developed nations. -
DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11Am, 18.7.2013
THE NATIONAL ABORIGINAL & TORRES STRAIT ISLANDER MUSIC, SPORT, ENTERTAINMENT & COMMUNITY AWARDS DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11am, 18.7.2013 BC TV’s gripping, award-winning drama Redfern in the NBA finals, Patrick Mills, are finalists in the Male Sportsperson Now is a multiple finalist across the acting and of the Year category, joining two-time world champion boxer Daniel television categories in the 2013 Deadly Awards, Geale, rugby union’s Kurtley Beale and soccer’s Jade North. with award-winning director Ivan Sen’s Mystery Across the arts, Australia’s best Indigenous dancers, artists and ARoad and Satellite Boy starring the iconic David Gulpilil. writers are well represented. Ali Cobby Eckermann, the SA writer These were some of the big names in television and film who brought us the beautiful story Ruby Moonlight in poetry, announced at the launch of the 2013 Deadlys® today, at SBS is a finalist with her haunting memoir Too Afraid to Cry, which headquarters in Sydney, joining plenty of talent, achievement tells her story as a Stolen Generations’ survivor. Pioneering and contribution across all the award categories. Indigenous award-winning writer Bruce Pascoe is also a finalist with his inspiring story for lower primary-school readers, Fog Male Artist of the Year, which recognises the achievement of a Dox – a story about courage, acceptance and respect. Aboriginal and Torres Strait Islander musicians, will be a difficult category for voters to decide on given Archie Roach, Dan Sultan, The Deadly Award categories of Health, Education, Employment, Troy Cassar-Daley, Gurrumul and Frank Yamma are nominated. -
Australian Stories of Social Enterprise
Australian Stories of Social Enterprise Cheryl Kernot and Joanne McNeill First Edition © Copyright The University of New South Wales 2011 All rights reserved. No part of this book may be reproduced without permission from the publishers or their agents. Published by The University of New South Wales Sydney, NSW, 2052 Design, layout and printing by Breakout Design Print Web National Library of Australia Cataloguing-in-Publication entry Authors: Cheryl Kernot and Joanne McNeill Title: Australian Social Enterprises: Stories of Challenge ISBN: 978-0-9808764-1-3 Subjects: Social business enterprise, Social firm, Impact maximization, Social entrepreneurship, Social business, Social responsibility, Public/social/ private partnership, Grameen family of organizations, Social venture capital, Corporate social responsibility, Corporate Social Entrepreneurship, Citizen enterprise Acknowledgements The authors would like to acknowledge the participation of all the interviewees. We understand that every time we ask these busy people to participate in sector development activities we take them away from running their enterprises. Their efforts are central to growing this emerging sector and we honour those efforts as they undertake the challenges of their respective social enterprises. We would also like to acknowledge the support of our respective employers. This includes the patience our colleagues and team mates have afforded us while we have juggled our responsibilities. This project is an extension of our core roles and we greatly appreciate the time that has been extended to us to make it happen. A special acknowledgement goes to Ananya Nandakumar at CSI who has been an invaluable support in transcribing, researching, writing, proofing and overseeing contract details. Methodology The project has sought to provide a vehicle for Australian social enterprise practitioners to tell their stories. -
The Uniqueness of the Blackwords Resource: Memoir of an Indexer
The Uniqueness of the BlackWords Resource: Memoir of an Indexer IRENE HOWE AustLit, University of Queensland Since its launch in 2007 BlackWords has enjoyed strong Indigenous leadership and a dedicated Indigenous team, allowing Indigenous storytellers, academics and researchers to determine its look, content, and scope. The BlackWords team of researchers and indexers is a community consisting of individuals from across institutions such as the University of Queensland, the University of Western Australia, Flinders University, the University of Sydney, the University of Wollongong and AIATSIS, each of whom has brought their own expertise and specialist interest to the database (BlackWords; Holt; Kilner 62). In a sense, Indigenous control of BlackWords falls within the context of the traditional Aboriginal kinship system. BlackWords has had many mothers, fathers, aunties, uncles, sisters, brothers, cousins and non-Indigenous members, who have nurtured it from its early establishment. Within this relationship, they represent the national team consisting of national coordinators and research assistants. This extended family are those people who are members and/or descendants of diverse Aboriginal and Torres Strait Island groups and communities as distant as Western Australia and the Torres Straits Islands. The non-Indigenous, or those with no blood relations, come in the form of the cross-cultural connection between BlackWords and AustLit. For example, Joan Keating, a Senior Researcher and Content Editor from AustLit, gave valuable help to the BlackWords team. From its establishment in 2006, she contributed her knowledge, guidance, training and skills, providing information on bibliographic protocols, and indexing procedures. Kerry Kilner, in her role as Director of AustLit, has also been instrumental in the establishment and continued development of BlackWords. -
Community Bulletin
Bird Sanctuary Ecology Summit The Ecology Summit is a two-day event to be held in July/ August 2015. The summit will be aimed at understanding the ecology of the Bird Sanctuary through two streams; using storytelling to evaluate changes in ecology and local community sentiment and exploring current data being gathered to understand how we can best protect shorebirds and other important environmental components throughout the years. To register your interest in attending, or presenting at, the summit contact Arkellah Irving. Community Bulletin The Lakes Hub is an initiative of the Milang and District Community Association Inc. funded by the Australian Government and the South Australian Government's Murray Futures program. Number 222 26 May 2015 Planting season gearing up A lifetime working in the environment, but there is always more to learn. This Lakes Hub contacts fortnight, having never been involved in a tubestock planting as large as the Milang Office CLLMM vegetation works, I leant about how ‘holding stations’ work, helping phone 08 8537 0808 collect up all the plants from the nurseries and redistributing them out to the [email protected] planting sites on a daily basis. Meningie Office This lovely group of blokes are phone 08 8575 1830 the seasonal fire crew from the [email protected] Natural Resources Adelaide and www.lakeshub.com Mount Lofty Ranges Region Fire facebook.com/lakeshub Management Unit. They are Faith Coleman here for the planting season, Interim Lakes Hub Coordinator with a range of tasks, including Andrew Dawes managing the Noonameena Lakes Hub – Info. & Admin. Officer Meningie and Poltalloc hold stations, Robynne Barrett weeding and planting near the Lakes Hub Office Admin assistant (part time) Meningie shacks. -
Whiteness, Mimicry and Assimilation in David Unaipon's
Confusing Epistemologies: Whiteness, Mimicry and Assimilation in David Unaipon’s ‘Confusion of Tongue’1 Benjamin Miller, University of New South Wales David Unaipon (1871-1969), Indigenous writer, philosopher, scientist, preacher and musician, was, and is, a figure that defies any attempt to ‘know’ him. The confusion surrounding Unaipon (where did his allegiances lie – with white ‘progress’ or black activism?) is heightened by his mimicry of whiteness. This paper posits that mimicry can be read as an art and a skill, a (second) nature that raises endless questions about identity. For example, is the mimic’s identity consumed by what it models; is mimicry a skill that negotiates a space for hybrid identity; is mimicry another word for that policy which has recently reared its ugly head again – assimilation? This paper focuses on David Unaipon’s relationship to whiteness as read through one of his short ‘legendary tales’, ‘Confusion of Tongue’ (c.1924). It will be shown that Unaipon appropriated and confronted aspects of whiteness in order to use it against itself in a mimetic performance that sought to break the humanist tradition of white universal ‘knowing’ of the Indigenous other. Unaipon provides, even today with his image on the fifty dollar note, a representation of Aboriginality that is hybridised and (to use a phrase that will become clearer as this essay unfolds) that confuses epistemologies. For the purposes of this paper, whiteness theory is combined with discussions of mimicry to provide an example of a reading framework for assimilationist literature that complicates simplistic notions of Aboriginal identity as either ‘traditional’ black or ‘assimilated’ white. -
55 000 Years and Counting
55000 years and counting: celebrating our shared history South Australian Education Pack ....Where Aboriginal Australians have been included in the life of Australia they have made remarkable contributions—economic contributions, particularly in the pastoral and agricultural industry. They are there in the frontier and exploration history of Australia. They are there in the wars. In sport to an extraordinary degree. In literature and art and music. In all these things they have shaped our knowledge of this continent and of ourselves. They have shaped our identity. They are there in the Australian legend. We should never forget—they helped build this nation. Former Prime Minister Paul Keating, Redfern Park, Sydney, 10 December 1992. 230409Reco Edu Cov Red 09.B.indd 2 22/4/09 10:19:32 PM FOREWORD The theme for this education pack is 55 000 years and counting: celebrating “ our shared history. The idea of Australia as a young nation continues to be challenged as the country embraces the ancient and ongoing cultures of the Aboriginal and Torres Strait Islander peoples, the traditional custodians of this land. Acknowledging the nexus between this shared history and the fabric of contemporary Australia is critical for us as a society to forge a future, together. As educators, our role as custodians of knowledge is a profound privilege. With this privilege comes an equally profound responsibility to share this knowledge in a responsible way that encourages our students to acquire an understanding of the relevance and a respect for the factual integrity of the knowledge through inquiry. In all that we do we should have at the forefront of our minds the qualities that our students should embody as a result of the knowledge they acquire to empower them to actively participate in society as responsible citizens. -
Roger-Bonastre-Sirerol-CANTANDO
+ PAPELES DEL FESTIVAL de música española DE CÁDIZ Revista internacional Nº 9 Año 2012 Música hispana y ritual CONSEJERÍA DE CULTURA Y DEPORTE Centro de Documentación Musical de Andalucía Depósito Legal: GR-487/95 I.S.S.N.: 1138-8579 Edita © JUNTA DE ANDALUCÍA. Consejería de Cultura y Deporte. Centro de Documentación Musical de Andalucía Carrera del Darro, 29 18002 Granada [email protected] www.juntadeandalucia.es/cultura/centrodocumentacionmusical Facebook: http://www.facebook.com/DocumentacionMusicalAndalucia Twitter: http://twitter.com/CDMAndalucia Música Oral del Sur + Papeles del Festival de música española de Cádiz es una revista internacional dedicada a la música de transmisión oral, desde el ámbito de la antropología cultural a la recuperación del Patrimonio Musical de Andalucía y a la nueva creación, con especial atención a las mujeres compositoras. Dirigida a musicólogos, investigadores sociales y culturales y en general al público con interés en estos temas. Presidente LUCIANO ALONSO ALONSO, Consejero de Cultura y Deporte de la Junta de Andalucía. Director REYNALDO FERNÁNDEZ MANZANO y MANUEL LORENTE RIVAS Presidente del Consejo Asesor JOSÉ ANTONIO GONZÁLEZ ALCANTUD (Universidad de Granada) Consejo Asesor MARINA ALONSO (Fonoteca del Museo Nacional de Antropología. INAH – Mexico DF) SERGIO BONANZINGA (Universidad de Palermo - Italia) FRANCISCO CANOVAS (Auditorio Nacional de España) EMILIO CASARES RODICIO (Dir. del Instituto Complutense de Ciencias Musicales) TERESA CATALÁN (Conservatorio Superior de Música -
By David Unaipon
Reading Australia: 'Legendary Tales of the Australian Aborigines' by David Unaipon Billy Griffiths Wednesday, 31 August 2016 David Unaipon's Legendary Tales of the Australian Aborigines is part of the classical culture of Australia. The collection is as varied in subject as it is ambitious in scope, ranging from ethnographic essays on sport, hunting, fishing and witchcraft to the legends of ancestral beings who transformed the landscape in the Dreaming. The stories are unified by the voice of Unaipon, Australia's first Indigenous author, whose familiar face now adorns the fifty dollar note. Unaipon led an exceptional life, spanning ninety-five years, working between cultures and across boundaries as an inventor, scientist, preacher, activist and author. Legendary Tales of the Australian Aborigines reveals as much about Unaipon, and the context in which he lived, as it does about the myths and legends of Aboriginal Australia. It is one of the great tragedies of Australian literature that the book was not published under Unaipon's name until 2001, three-quarters of a century after it was written. David Unaipon was born of the Ngarrindjeri people in the Coorong region of South Australia on 28 September 1872, at Point McLeay Mission. At seven his parents, James and Nymbulda Ngunaitponi (later anglicised to Unaipon), sent him to mission school. At thirteen he was taken to Adelaide to work as a servant for C.B. Young, a prominent member of the Aborigines' Friends' Association. 'I only wish the majority of white boys were as bright, intelligent, well-instructed and well-mannered, as the little fellow I am now taking charge of,' Young wrote of Unaipon in 1887 (Jenkin, 1979: p. -
Songs in the Key of Melbourne; Melbourne in the Key of Song
Songs in the key of Melbourne; Melbourne In the Key of Song. Research assignment SRA744 - Urban Patterns and Precedents Matt Novacevski, 2013 “Representations of a city and its life in the arts can be narrative ‘portraits’, local or ‘synoptic’ descriptions, ac- cording to Shapiro. Choosing a particular city—[...your A1 city ?...]— as the object of such representation, examine and discuss what can be learned about the nature of that city from any of those descriptions. Use specific examples for you inferences to give them credibility.” It has been claimed that Melbourne is the subject of popular song more than any Australian city (1). Since the 1970s, the city has been an incubator for the Australian music scene, growing some of Australia’s biggest artists and music industry players (2). In this context, it is natural that this music would that tell us much about the nature of Melbourne. Melbourne has been a muse to musicians and songwriters, which have in turn left to the city a series of cultural portraits in their songs that have not only described Melbourne; they have shaped its reality. Melbourne and its songwriters can be seen to have developed a symbiotic relationship where songwriters are inspired by the many faces of the city, while their songs are cultural documents that influence the way people view and interact with the city. As Keeling says, music acts “as a mirror to and for society, and it plays a very important role in shaping both our social identity and the identity of places” (3). While this project demonstrates the importance of popular music in reflecting and shaping the Melbourne’s sense of place, it does not seek to provide a comprehensive account of all this material - partly because songwriting focused on and inspired by Melbourne has been so prolific. -
Summary of State Heritage Place
South Australian HERITAGE COUNCIL SUMMARY OF STATE HERITAGE PLACE Description and notes with respect to a place entered in the South Australian Heritage Register in accordance with the Heritage Places Act 1993 NAME: Kanmantoo Homestead and Winery Complex PLACE NO: 22796 Including Homestead, Outbuildings, David Unaipon’s Cottage and Stone Winery Buildings ADDRESS: 25-30 Vineyard Road, Kanmantoo SA 5252 Physical Description Farm complex including a large stone house (incorporating an earlier 1850s cottage), numerous domestic and agricultural outbuildiings, small stone cottage (once occupied by David Unaipon) and stone winery buildings. Statement of Heritage Significance This homestead and winery complex has an outstanding quality and integrity and is closely associated with the development of the Kanmantoo area, the viticultural development of the State, with pioneer land agent, pastoralist and vigneron Charles Burney Young, and prominent indigenous Australian David Unaipon. Relevant Criteria under section 16 of the Heritage Places Act 1993 (a) Kanmantoo Homestead and Winery demonstrates important aspects of the evolution or pattern of the State’s history. The history and development of this complex and the people associated with it (especially the Young family and David Unaipon) are closely involved with the agricultural and industrial development of the greater Kanmantoo area, and with the themes of pioneering, surveying, viticultural development and political service in South Australia. Charles Burney Young contributed significantly to the establishment of South Australia’s reputation for producing fine wines, with Kanmantoo’s St George Claret winning a gold medal at the 1889 Great Paris Exposition in 1889, alongside wines from Penfolds & Co at Magill and T Hardy and Sons of Bankside.