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Page 8 News from Belleek Pottery UK Belleek Collectors’ Group Newsletter 30/2 July 2009 Page 1 UK Belleek Collectors’ Group Newsletter 30/2 July 2009 Contacts: Chris Marvell is the Newsletter editor. Please let him have your contributions for future Newsletters, comments, suggestions, letters for publication, criticisms etc. If you want, Gina Kelland is still happy to receive material for the Newsletter: she will be assisting Chris with her advice and proofreading. If you are sending published articles please either get Copyright clearance yourself or enclose the details of the publisher so Chris can ask for permission. You can contact Chris by an email to [email protected] Chris and Bev Marvell publish and distribute the Newsletter. Chris has set up a database which forms the Group’s “digital” archive, keeping a record of relevant publications and photographs (including photos etc. gathered at meetings and not published in the Newsletter). Some or all of this information will be available on the Internet as our website develops - working with Simon Whitlock, we intend to publish all the back issues of the Newsletter and all of the research done by our Group members on our website. If you have questions about the publication and distribution of the Newsletter, contact Chris or Bev by email at [email protected]. The Group’s Chairman is Eddie Murphy, email [email protected] Our Treasurer is Brian Russell, contact him by email at [email protected] The position of Group Administrator is vacant at present so email to [email protected] will come through to Chris Marvell who will pass it on to the most appropriate person. Our website is administered by Simon Whitlock and can be found at http://www.belleek.org.uk/. To contact Simon, the Webmaster, send email to [email protected]. There is a separate email address to make contact with researchers within the group. This is [email protected]. For information on the annual raffle or to buy tickets, contact Linda Murphy at [email protected]. Credits Photographs: Contributions from many of our members – see the text. Pat and Paul Tubb, Brian Russell, Tom Proteau, Chris Marvell, Margaret and David Montgomery, Eddie Murphy and Patty and Ron (Meadow Lane Shops) Articles by: Pat Tubb, Tony Fox, Brian Russell, Eddie Murphy and wonderful contributions from many of our Members. Other material: Del Domke, Linda and Eddie Murphy, Jan Golaszewski and Pat and Brian Russell. Acknowledgements: Flags courtesy of www.theodora.com/flags used with permission, The Fermanagh Herald, The Impartial Reporter, Quex Park House and Museum, Charles M. Schulz for the Peanuts cartoon, The Wedgwood Museum http://www.wedgwoodmuseum.org.uk and Belleek Pottery http://www.belleek.ie Forthcoming Events 25th and 26th July 2009 20th Anniversary Meeting, Coventry, hosted by Pat, Paul and Patrick Tubb 12th and 13th Sept. 2009 Special Meeting, Knockninny, Northern Ireland with N.I. Group arranged by Tracy and Paddy McKee 17th and 18th Oct. 2009 Autumn Meeting, Bristol, hosted by Maureen and Robin Wootton 13th and 14th Feb. 2010 New Zealand Belleek Collectors Group, Tauranga, North Island, NZ, hosted by Margaret and David Montgomery Newsletter Deadlines Autumn 2009: Deadline for articles and other material is 11th September. Cover Picture… A Birthday Candlestick! …a Belleek Piano Candlestick. This is a rare first period example, highly decorated in Raphaelesque colours. The background is the New York skyline seen from close to the home of a New Jersey Member. This publication is made on behalf of the UK Belleek Collectors’ Group. It is dedicated to improving our knowledge and appreciation of Belleek, the Ware and the Pottery. It is not for profit and intended for the members of the Group and those with like interests. We try to acknowledge and obtain permission for any material or images used. If however you feel that material has been used which breaches your copyright and this causes you a problem, please get in touch with the editor at [email protected] and the item will be removed. Page 2 UK Belleek Collectors’ Group Newsletter 30/2 July 2009 UK Belleek Collectors’ Group Newsletter 30/2 July 2009 From the Editor……………………………………………. page 4 Graham Munton…………………………………………… page 5 Commander Fred Branan Gary………………………………. page 7 News from Belleek Pottery…………………………………... page 8 The Wedgwood Museum wins Art Fund Prize………………… page 9 The Spring Meeting in Kent…….……..…………..…...…… page 10 UK Group 20th Anniversary – From our Members!…….…….... page 20 The 2009 BCIS Convention in New Jersey…………………… page 70 - Pat Tubb Belleek Black Mark Tea Ware – Part 9…..…………………... page 78 - Tony Fox The Belleek Flower Festival………………………………… page 87 - Brian Russell Pat and Brian Russell – Hot off the press!.................................... page 88 Eddie, Linda, Kate Bliss and a Belleek Ashtray………………. Page 89 Ebay Auction Report- some exceptional Items of Belleek.……… page 90 And Finally…..……………………………………….…… page 96 Page 3 UK Belleek Collectors’ Group Newsletter 30/2 July 2009 From the Editor… What a fabulous Convention in New Jersey! It was the first one that Bev and I had attended in the USA and it was a wonderful, friendly gathering – just what you would expect when Belleekers get together from around the World. Pat Tubb has put a very good report together and this appears in the Newsletter. This Convention had fewer attendees than previous ones and this was rightly attributed to the severe economic downturn which has hit the USA even harder than the UK and Ireland. In spite of this, the Convention was highly successful and because of the smaller numbers, had a much more intimate feel with more opportunities to talk (in the Bar!) with Patricia and Fergus, Angela and George and the US and Canadian chapter members. Of course many of these are also members of the UK Group and we certainly made the most of the opportunity to chat with them. In her Keynote Address, Angela Moore gave us the news of major changes to the BCIS. This came as a surprise to many there, but the direction of the BCIS is confirmed as an “Internet –based” collectors group. In a nutshell the Belleek Collectors International Society will continue as follows: • Membership will be free, you only have to register at the www.belleek.ie website to be a member – that’s right, no more subscriptions! • The “Belleek Collector” will continue as a three-times yearly Internet-only publication. This will be available on the www.belleek.ie website. • There will be no more annual renewal pieces sent out. If you have paid this year, you will receive a piece but this will be phased out next year. The consensus of opinion of Chapter Presidents at the Convention was that the Pottery was adopting a lower profile with regard to its collectors and the onus was now much more on the individual chapters to keep the collecting community together. Paul Tubb and I were present at this discussion and heartily agree with this sentiment. None of us want the spirit and enthusiasm of collectors internationally to diminish and so it’s really up to us now to take the lead ourselves to keep the Belleek community strong and growing, although support from the Pottery will continue to be absolutely essential. The UK Group will surely be in the forefront of this: promoting and encouraging international communication and co-operation. This is a very important issue and I for one would like us to consider and discuss it at the forthcoming AGM. We have had the sad news of the death of two of the “Grand Old Men” of Belleek. Graham Munton, well known to many of the UK Group for his inimitable style, sense of humour, good nature and knowledge of Belleek amongst many other subjects, has passed away on 12th July, aged 92 years. Maureen and Graham are truly iconic figures in our Group as you will see from the very many mentions of them in this issue – they have been instrumental in introducing and passing on their love of Belleek to many of us. Fred Gary, the first BCIS Honouree and founder member of the BCIS is the second sad loss. Fred lived in San Diego, California and was a member of the UK Group. He was also the UK Group’s oldest member at the age of 98 years. Both of them will be greatly missed by all who knew them. This issue contains obituaries to both Graham and Fred. Armstrong’s diary: we are getting close to completing all the transcriptions. We will try to pull all this together for a first full version which should appear before our Autumn meeting. This will then be sent out to all those involved with the project and anyone else who is interested – if you want to be involved, it is still not too late to contact me! As said before, this will be a considerable body of work, more than 2000 pages of Armstrong’s insights, thoughts, notes, doodles and scribbles. It is a real treasure trove for the keen Belleek researcher! In this issue, Tony Fox (aided by Bev Marvell) tackle an extremely difficult area in their tea ware series. Difficult because of the rarity of the patterns: Aberdeen, Blarney, Scroll and Sydney. In spite of the rarity, Tony and Bev have again done us proud in finding some exquisite example of tea ware in these patterns. And, oh yes, it’s 20 years since the UK Group held its first Meeting. Since that meeting in the Grosvenor Hotel in London, conceived and arranged by Marion Langham aided by Brian Scott and Jan Golaszewski, many things have changed and some of the original attendees at that meeting are no longer with us.
Recommended publications
  • Newsletter 23-2 For
    UK Belleek Collectors’ Group NNEEWWSSLL EETTTTEERR NNNNNNuuuuuummmmmmbbbbbbeeeeeerrrrrr 222222333333//////222222 SSSSSSeeeeeepppppptttttteeeeeemmmmmmbbbbbbeeeeeerrrrrr 222222000000000000222222 IIIttt hhhaaarrrdddllllyyy ssseeeeeemmmsss 333 mmmooo nnnttthhhsss aaagggooo ttthhhaaattt ttthhheee fffiiiirrrsssttt nnneeewww fffooorrrmmmaaattt nnneeewwwssslllleeetttttteeerrr wwwaaasss pppuuubbblllliiiissshhheeeddd ,,,, nnnooowww hhheeerrreee’’’’sss aaannnooottthhheeerrr.... AAA llllooottt hhhaaasss hhhaaappppppeeennneeeddd,,,, iiiinnnccclllluuudddiiiinnnggg ttthhheee bbbeeesssttt aaatttttteeennndddeeeddd AAAGGGMMM eeevvveeerrr,,,, aaa sssuuucccccceeessssssfffuuullll SSSiiiilllleeennnttt AAAuuuccctttiiiiooonnn,,,, aaa wwwooonnndddeeerrrfffuuullll dddaaayyy iiiinnn BBBooouuurrrnnneee EEEnnnddd wwwiiiittthhh JJJaaaccckkkiiiieee &&& JJJiiiimmm HHHooowwwdddeeennn,,,, aaannnddd ttthhheee eeexxxccciiii tttiiiinnnggg ––– ttthhhooouuuggghhh rrreeegggrrreeettttttaaabbblllleee ––– sssaaalllleee ooofff ttthhheee MMMiiiinnntttooonnn MMMuuussseeeuuummm pppiiiieeeccceee sss bbbyyy DDDooouuulllltttooonnn.... YYYooouuu cccaaannn rrreeeaaaddd aaabbbooouuuttt aaallllllll ttthhhiiiisss,,,, aaannnddd mmmuuuccchhh mmmooorrreee,,,, iiiinnn ttthhheee NNNeeewwwssslllleeetttttteeerrr.... I look forward to receiving articles for publication in your Newsletter, and please continue to send your personal news for publication to our Chairman, Jan Golaszewski. --- Gina Kelland UK Belleek Collectors’ Group Newsletter 23/2, September 2002 Contacts: Gina Kelland compiles the
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  • Figure of Erin Is Perhaps It's Most Famous Figure, but the Lady Is Enigmatic
    UK Belleek Collectors’ Group Newsletter 25/2, September 2004 The Mystery of Erin Belleek's Figure of Erin is perhaps it's most famous figure, but the lady is enigmatic. The figure has been made in just about all periods of Belleek's production and is generally taken to represent either Belleek Pottery itself or Ireland and Irish production. The name "Erin wakening from her slumbers", which is often given to the figure, is highly symbolic... but of what exactly? Does she represent Belleek Pottery when they first became able to produce fine Parian ware or is she allegorical of Hibernia (Ireland), or Irish artistic and industrial Production which had been at a very low level before the mid-1850's and with Belleek Pottery (amongst others) and the efforts of several famous Irish Patriots and Businessmen, truly did begin to waken and show remarkable results? A second mystery is who actually designed and modelled the piece. She is a Belleek Pottery creation, clearly designed to be produced only by Belleek Pottery: no other manufacturer has ever made the piece... but who was the designer? There are two main candidates for this: firstly Robert Williams Armstrong, as Belleek's creative driving force and secondly William Boyton Kirk, who worked mainly for William Henry Kerr at Worcester and was a very well known Irish sculptor and a prominent figure modeller in the 1850's Erin is a magnificent figure. Many Belleek designs are attributed to Armstrong and his name appears on most of the designs that Belleek registered. However, this does not mean that he actually designed all those pieces himself – he did design some of them and for the others acted to represent the Pottery (D.
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  • Ciara Murray
    Working Papers on Design © University of Hertfordshire. To cite this journal article: Murray, Ciara (2010) „Brother Armstrong and the Freemasons: Belleek‟s Masonic Tableware‟, Working Papers on Design, 4, ed. Grace Lees-Maffei, Retrieved <date> from <http://sitem.herts.ac.uk/artdes_research/papers/wpdesign/index.html> Brother Armstrong and the Freemasons: Belleek’s Masonic Tableware Ciara Murray Abstract The Belleek pottery was established in County Fermanagh in 1857. The pottery designed and produced utilitarian stoneware and earthenware but is best known for its Parian porcelain production. The Irish Times describes the pottery: One wonders whether in any other modern works the same quietness and peace could be found…the skilled workers seem to be too deeply engrossed in their delicate hand-work to indulge very much in conversation… Each of the rooms is as well lighted as an artist‟s study, and most of the windows look upon the river, whose friendly voice can be heard all the time in that quiet pottery. (11 July 1930) The writer de-contextualises and romanticises Belleek, thus ignoring much of what makes its design and brand fascinating. Other written sources, such as collector‟s manuals, often trivialise Belleek‟s early design and production further fuelling the reader‟s assumptions and nostalgia for the pottery. Such romantic approaches to Belleek have consistently mystified and obscured the context of the pottery‟s design and its position within the ceramics industry. This paper utilises a range of archival sources to examine a previously unexplored aspect of the pottery‟s production history. Belleek had an established relationship with a single organised body of consumers, the Freemason Brotherhood.
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  • Ceramics Monthly Apr00 Cei04
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  • Pride, Pottery and Nationalism in Nineteenth-Century Ireland
    N A U K A Pride, Pottery and Nationalism in Pawe â Hamera Anglista, amerykanista, dok- Nineteenth-Century tor nauk humanistycznych w zakresie historii; specjali- zuje si Ę w historii i kulturze Wysp Brytyjskich oraz Sta- Ireland nów Zjednoczonych; asys- tent w Instytucie Neofilo- logii Uniwersytetu Pedago- DR PAWE á HAMERA gicznego im. KEN w Krakowie. UNIWERSYTET PEDAGOGICZNY IM. KEN W KRAKOWIE [email protected] INSTYTUT NEOFILOLOGII SUMMARY When people buy pottery they usually do it in order to use it as crockery or as an Throughout the nineteenth century it was ornament. Being a product of artistic expression clayware can have a symbolic oftentimes mentioned by British politicians or the British press that Ireland should uti- meaning as well. It can be inextricably linked with a certain country, town or region, lize its natural resources in order to improve its condition. In the 1850s the discovery of which is visibly impressed on its surface. As a result, the skill of making beautiful feldspar and kaolin in County Fermanagh in things from clay can be connected with national identity. the north-western part of Ireland ushered in the pottery industry on the Emerald Isle. The Belleek pottery allowed the Irish to feel proud. Irish Pottery What is more, the clayware from Belleek The first examples of Irish pottery can be traced back to the found patrons in Queen Victoria and her son, who bought some specimens and, thus, Neolithic period. These were rude and rudimentary examples popularized it in Great Britain. On the heels of of crockery. Some of the earliest extant specimens of Irish pot- the spectacular success of the Belleek came tery, vessels for food or cinerary urns, come from the Bronze age.
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  • Grayson Enterprsies Ltd. One Time Newspaper Rights Page 1 Exclusive Your State Copyright 1989 1,049 Words
    file:///G|/June%20Converted/BELLEEK_1.txt Grayson Enterprsies Ltd. One time newspaper rights Page 1 Exclusive your state Copyright 1989 1,049 words BEAUTIFUL IRISH BELLEEK THE ENCHANTED PORCELAIN Written and photographed by June Grayson Perhaps the leprechauns had something to do with it - the creation of this captivating Irish china that has charmed collectors for the last one hundred and thirty years. Or those wild and wily Irishmen. file:///G|/June%20Converted/BELLEEK_1.txt (1 of 7)5/27/2007 3:42:11 PM file:///G|/June%20Converted/BELLEEK_1.txt In the 1850's, John Bloomfield, owner of Castle Caldwell in northwestern Ireland, discovered a native clay deposit on his estate that had qualities unlike any other clay in the world. For years, the local farmers had used the clay to paint the exterior of their cottages, imparting a vivid white finish that was impervious to moisture. Bloomfield wanted to exploit these clay deposits commercially and provide employment for his tenant farmers still suffering from the potato famine of 1846-1851. With a friend, Robert Armstrong, a London architect, he founded a pottery factory in 1857 in Belleek, a small town on his estate in County Fermanagh. They brought in David McBirney as financial backer. Over the next few years, they distilled the strength of the old Irish chieftains, the purity of the Irish saints, the romance of the Irish harpers, the beauty of the Irish countryside, and the sturdiness of the Irish peasants into the romantic porcelain china now known as Belleek. First displayed at the Dublin Exposition of 1872, Belleek has attracted enthusiastic collectors, including Queen Victoria of England, ever since.
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  • (1) GCE A2 Applied Bus Pub MS Jan09.Indd
    GCE A2 Applied Business January 2009 Mark Schemes Issued: April 2009 NORTHERN IRELAND GENERAL CERTIFICATE OF SECONDARY EDUCATION (GCSE) AND NORTHERN IRELAND GENERAL CERTIFICATE OF EDUCATION (GCE) MARK SCHEMES (2009) Foreword Introduction Mark Schemes are published to assist teachers and students in their preparation for examinations. Through the mark schemes teachers and students will be able to see what examiners are looking for in response to questions and exactly where the marks have been awarded. The publishing of the mark schemes may help to show that examiners are not concerned about finding out what a student does not know but rather with rewarding students for what they do know. The Purpose of Mark Schemes Examination papers are set and revised by teams of examiners and revisers appointed by the Council. The teams of examiners and revisers include experienced teachers who are familiar with the level and standards expected of 16- and 18-year-old students in schools and colleges. The job of the examiners is to set the questions and the mark schemes; and the job of the revisers is to review the questions and mark schemes commenting on a large range of issues about which they must be satisfied before the question papers and mark schemes are finalised. The questions and the mark schemes are developed in association with each other so that the issues of differentiation and positive achievement can be addressed right from the start. Mark schemes therefore are regarded as a part of an integral process which begins with the setting of questions and ends with the marking of the examination.
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  • Newsletter 25-2 For
    UK Belleek Collectors’ Group Newsletter 25/2, September 2004 UUUUUUKKKKKK BBBBBBeeeeeelllllllllllleeeeeeeeeeeekkkkkk CCCCCCoooooolllllllllllleeeeeeccccccttttttoooooorrrrrrssssss’’’’’’ GGGGGGrrrrrroooooouuuuuupppppp NNNNNNeeeeeewwwwwwsssssslllllleeeeeetttttttttttteeeeeerrrrrr NNNNNNuuuuuummmmmmbbbbbbeeeeeerrrrrr 222222555555//////222222 SSSSSSeeeeeepppppptttttteeeeeemmmmmmbbbbbbeeeeeerrrrrr 222222000000000000444444 The lady is of course Erin, symbolic of Ireland and the piece that characterises Bel leek Pottery more than any other. This is a detail from the figure. We all know the piece, no Belleek collector would not, it is pictured in all reference books on Belleek ware… it is a very well known piece. There is however an intriguing air of mystermysteryy about the figure, authoritiesauthorities on Belleek don’t seseemem to know who designed her or what she was really meant to represent, although the association with Belleek Pottery is self evident. So, is there any hidden meaning to Erin, or is she just the lady puttiputtingng out the washing? --- Chris Marvell Page 111 UK Belleek Collectors’ Group Newsletter 25/2, September 2004 Contacts: Chris Marvell edited and published this Newsletter. Gina Kelland will be back as Editor for the next issue after this which will be out in time for the Spring 2005 meeting, so now please let her have your contributions, comments, suggestions, letters for publication, criticisms etc. If you want, Chris is also happy to receive material for the Newsletter. If you are sending published articles please either get Copyright clearance or enclose the details of the publisher so Gina can ask for permission. Gina’s email [email protected] Chris Marvell publishes the Newsletter (and will continue to do so), and he and Bev Marvell distribute it. Chris is also setting up a database which will form the Group’s “digital” archive, keeping a record of relevant publications and photographs (including photos etc.
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  • FINAL History & Heritage Guide.P65
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  • The Foundation of Belleek Pottery – Fact and Fiction………… Page 34 - Chris Marvell
    UUUKKK BBBeeelllUKlll eBelleekeeeee kCollectors’kk CCC Groooupo lNewsletterllllleeeccc 27/1ttt ooMarchorrr 2006sss’’’ GGGrrrooouuuppp NNNeeewwwsssllleeetttttteeerrr Memories of the Group’s 50th Meeting at Royal Worcester ... NNNuuummmbbbeeerrr 222777///111 fully reported in this Newsletter. If you are wondering about the MMM aaarrrccchhh 222000000666 connection between this candelabra and Belleek, it is from the award winning Kerr & Binns Shakespeare Service (designed and modelled for the 1853 Dublin Exhibition by a young Irish sculptor William Boyton Kirk) which is believed to have been made from the feldspar and china clay discovered at Belleek by John Caldwell Bloomfield. The Shakespeare Service combined parian figures with richly painted and gilded porcelain. This is another very full newsletter including the next instalment of Chris Marvell’s articles on the origins of Belleek, Paul Tubb’s genealogical research (this time William Wood Gallimore, Chief Modeller in the early days of the Belleek Pottery), “American Belleek” by Betty Clinton – our first contribution from a U.S. Chapter member – and photo reports on the U.K. Group’s recent activities. - Gina Kelland Page 1 UK Belleek Collectors’ Group Newsletter 27/1 March 2006 Contacts: Gina Kelland is the Newsletter editor. Please let her have your contributions for future Newsletters, comments, suggestions, letters for publication, criticisms etc. If you want, Chris Marvell is also happy to receive material for the Newsletter. If you are sending published articles please either get Copyright clearance yourself or enclose the details of the publisher so Gina can ask for permission. Gina’s email [email protected] Chris Marvell publishes the Newsletter and he and Bev Marvell distribute it.
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  • Illustrated Catalogue of China, Pottery, Porcelains and Glass. to Be Sold at Public Sale December 10 and 11, 1917
    -TK 4250 .B23 1917 AAPG jf^ THE COLLECTION OF THE LATK EDWIN ATLEE BARBER, A. M., PH., D. Director of The Pennsylvania Museum. suF^ p L u a >v ^^^L\C ^JJ- UNDER THE MANAGEMENT OF SAMUEL T. FREEMAN & CO.. AUCTIONEERS, STABLISHEO NOVEMBIR 1Z. 1609. Nos. 1519-21 Chestnut Streei PHILADELPHIA, PA. I • "^-j l-veew^o^ I ^(XY>^u<-\ " I « < ILLUSTRATED CATALOGUE OF CHINA, POTTERY, PORCELAINS AND GLASS . Rare Historical Specimens of Genuine English Lowestoft, Royal Worcester and Other Famous English Wares. Also Tucker & Hemphill, Bennington and Other Important American Factories Long Extinct. AMERICAN GLASS By HENRY W. STIEGEL, New Jersey, Massachusetts, and Other Makers. Also a very Interesting LETTER, written by HENRY WM. STIEGEL, signed and dated Manheim, August the 4, 1774, to Jasper Yeates, Esq., Lancaster. Made by the late EDWIN ATLEE BARBER,-A- M., Ph. D.,. Director of the PHILADELPHIA MUSEUM. TO BE SOLD AT UNRESTRICTED PUBLIC SALE BY ORDER OF THE EXECUTRIX. MONDAY and TUESDAY, DECEMBER 10 and 11, 1917 AT 2.30 P. M.. EACH DAY. IN OUR ART GALLERIES, Nos. 1519-21 CHESTNUT STREET, PHILA., PA. On Exhibition Friday and Saturday, December 7th and 8th, t^^Owing to the great demand for catalogues, we urgently request that they be retained for use at sales, as the quantity is necessarily limited. CATALOGUES COMPILED AND ISSUED BY S4MUEL T. FREEMAN & CO, i '1/y t/BRAR^' y EDWIN ATLEE BARBER, A. M.. PH. D. .«»>•" • This Catalogue is compiled from the Manuscript left by Dr. Barber and the Specimens herein described served Dr. Barber for study and illustrating his many works on Ceramic Art and Glass.
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  • Newsletter 23-1 Web.Pdf
    UK Belleek Collectors’ Group Newsletter 23/1 UK Belleek Collectors’ Group Newsletter Number 23/1 June 2002 Welcome to The UK Belleek Collectors’ Group Newsletter, Number 23/1. The plan is to send out two or three Newsletters each year with reports on meetings that have taken place and anything directly (or even indirectly) related to Belleek, together with articles and information that put Belleek in context. It is your Newsletter, and we will welcome contributions such as research, information about the Pottery, members’ letters and articles, auction information, book reviews, future events, ideas, etc. There will be a separate Newsletter for Members’ News which will be prepared and issued by our Chairman, Jan Golaszewski, so please send your personal news for publication to him. --- Gina Kelland Page 1 UK Belleek Collectors’ Group Newsletter 23/1 Contacts: Gina Kelland will compile the Newsletters, so please let her have her your contributions, comments, suggestions, criticisms, etc. email mailto:[email protected] Chris Marvell will be using his computer facilities to publish the Newsletter, which will be distributed by Chris and Bev Marvell. He is also setting up a database which will form the Group’s archive, keeping a record of relevant publications and photographs (including photos etc. not published in the Newsletter). Chris’s email mailto:[email protected] Jan Golaszewski’s email mailto:[email protected] UK Belleek Collectors’ Group Newsletter 23/1 Contents: Page 3 …………………. Ongar Meeting Report ––– Gina Kelland Page 3 …………………. Goss China ––– Steve Weston Page 6 …………………. Doulton Spanish Ware ––– Jan Golaszewski Page 8 …………………. Meeting Report ––– Other Items Page 9 ………………….
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