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Withheld File 2020 Dividend D-8.Xlsx
LOTTE CHEMICAL PAKISTAN LIMITED FINAL DIVIDEND FOR THE YEAR ENDED 31 DECEMBER 2020 @7.5% RSBOOK CLOSURE FROM 14‐APR‐21 TO 21‐APR‐21 S. NO WARRANT NO FOLIO NO NAME NET AMOUNT PAID STATUS REASON 1 8000001 36074 MR NOOR MUHAMMAD 191 WITHHELD NON‐CNIC/MANDATE 2 8000002 47525 MS ARAMITA PRECY D'SOUZA 927 WITHHELD NON‐CNIC/MANDATE 3 8000003 87080 CITIBANK N.A. HONG KONG 382 WITHHELD NON‐CNIC/MANDATE 4 8000004 87092 W I CARR (FAR EAST) LTD 191 WITHHELD NON‐CNIC/MANDATE 5 8000005 87094 GOVETT ORIENTAL INVESTMENT TRUST 1,530 WITHHELD NON‐CNIC/MANDATE 6 8000006 87099 MORGAN STANLEY TRUST CO 976 WITHHELD NON‐CNIC/MANDATE 7 8000007 87102 EMERGING MARKETS INVESTMENT FUND 96 WITHHELD NON‐CNIC/MANDATE 8 8000008 87141 STATE STREET BANK & TRUST CO. USA 1,626 WITHHELD NON‐CNIC/MANDATE 9 8000009 87147 BANKERS TRUST CO 96 WITHHELD NON‐CNIC/MANDATE 10 8000010 87166 MORGAN STANLEY BANK LUXEMBOURG 191 WITHHELD NON‐CNIC/MANDATE 11 8000011 87228 EMERGING MARKETS TRUST 58 WITHHELD NON‐CNIC/MANDATE 12 8000012 87231 BOSTON SAFE DEPOSIT & TRUST CO 96 WITHHELD NON‐CNIC/MANDATE 13 8000017 6 MR HABIB HAJI ABBA 0 WITHHELD NON‐CNIC/MANDATE 14 8000018 8 MISS HISSA HAJI ABBAS 0 WITHHELD NON‐CNIC/MANDATE 15 8000019 9 MISS LULU HAJI ABBAS 0 WITHHELD NON‐CNIC/MANDATE 16 8000020 10 MR MOHAMMAD ABBAS 18 WITHHELD NON‐CNIC/MANDATE 17 8000021 11 MR MEMON SIKANDAR HAJI ABBAS 12 WITHHELD NON‐CNIC/MANDATE 18 8000022 12 MISS NAHIDA HAJI ABBAS 0 WITHHELD NON‐CNIC/MANDATE 19 8000023 13 SAHIBZADI GHULAM SADIQUAH ABBASI 792 WITHHELD NON‐CNIC/MANDATE 20 8000024 14 SAHIBZADI SHAFIQUAH ABBASI -
FRIDAY 16Th NOVEMBER 2018
FAIZ INTERNATIONAL FESTIVAL 16th – 18th November 2018 Alhamra Halls, Mall Road Lahore All events are free and open for all (Except for Tahira Syed, Tina Sani and Zia Mohyeddin performances) FRIDAY 16th NOVEMBER 2018 Hall 1 Hall 2 Gallery 4:00 – 4:45 pm ک یفی اور فی ض Shabana Azmi, Salima Hashmi (Adeel Hashmi & Mira Hashmi) Exhibition Opening 4:00 – 6:30 5:00-6:00 pm 5:00 pm Preparation Time Preparation Time 6:30 – 7:30 pm 6:00 – 7:00 pm زرد پتوں کا بن جو میرا د یس ہے Guests to be Seated Guests to be Seated 7:00 – 9:00 pm 7:30 – 9:00 pm بھ ُ کاﻻ م ینڈا یس یاد کی راہ گزر A Play by Ajoka Theatre An Evening with Tahira Syed Dedicated to Madeeha Gohar Note: Please download latest copy of the schedule nearer to the Festival as slight changes are expected. SATURDAY 17th NOVEMBER 2018 Time Hall 1 Hall 2 Hall 3 Gallery Adbi Baithak Exhibition Area Master Class on Screen Writing ت ت am 11:00 خواب کی ت لی کے ی چھے Javed Akhtar 12:00 pm (Adeel Hashmi) A performance by Sanjan Nagar Students Meet Uncle Sargam: A Conversation with نور کی لہر ق ق (Over My Shoulder (Alys Faiz ساق تا ر ص کوئی ر ِص ص تا صورت pm 12:00 Blurring the Boundaries: Imaging the Film Farooq Qaiser 12:45 pm Dance Performance Nayyar Rubab (Translator) Salima Hashmi, Imran Abas (Arshad Mehmood) (Lahore Grammar School) (Dr Sheeba Alam) (Mira Hashmi) َ Space, Place & Art: A Discussion on Art for Public ا تا لی ہوس والوں نے خو رسم چلی ہے ح ب عن یر د ت ت ب ی ِ س Spaces & People Patras Bukhari: A Friend, Diplomat, Teacher & Writer ,Natasha Jozi, Rabeya Jalil سمی دی وار صحافت م یں س ناست -
Indian Council for Cultural Relations
INDIAN COUNCIL FOR CULTURAL RELATIONS INCOMING CULTURAL DELEGATIONS April 2010–March 2011 S No. Name of the Country Period Performances artistes/Delegations held in 1. 54-Member Blind Girls Egypt 4-9 April, Delhi Chamber Orchestra 2010 2. 9-Member Amjad Sabri Pakistan 7-10 April, Delhi Group 2010 3. 5-Member Iftakhar Ahmed Pakistan 10-14 April, Delhi Group 2010 4. South Asian Students & Pakistan, 10-23 April, Visit to Delhi, Teachers (10 students & Nepal, 2010 Agra & Jaipur 3 Teachers) Sri Lanka, Bhutan, Afghanistan, Myanmar, Bangladesh and Maldives 5. 180-Member Chinese China 18-21 April, Delhi Music group (Festival of 2010 China) 6. 4-Member Ziauddin Pakistan 1-6 May, Delhi Muhhamad Group 2010 7. 3-Member Farida Khanum Pakistan 1-5 May, Delhi Group 2010 8. 2-day “Africa Festival” 1) 10-member cultural South Africa 18-22 May, Delhi, Jaipur group “UBUHLE 2010 BESINTU” 2) 11-member National Rwanda 17-22 May, Delhi, Lucknow Ballet’Urukereza’ 2010 Delhi, 3) 11-member cultural Tunisia 16-22 May, Chandigarh Group”IFRIGA” 2010 Delhi, Haridwar 4) 12-member National Malawi 17-23 May, Dance troupe “AKA Delhi & Agra KWACHA” 5) 17-member cultural Nigeria 17-22 May, Troupe 2010 9. 14-member Salsa Music Sri Lanka 29 July – Delhi Band La 33 1st August, 2010 10. 3 Day International Dance Festival by Foreign Nationals: 1) Odissi Dance by Malaysia 2nd August Delhi Ramli Ibrahim’s 2010 Group Kathak Dance by Ms. Indonesia 5th August Delhi & Aila El-Edross Mansoorie 2) Bharatanatyam by South Africa 3rd August Mr. Nhlanhla 2010 Vincent Zwane Russia Kuchipudi Dance by Ms. -
FRIDAY 17Th NOVEMBER 2017 4:00 - 5:00 Pm Exhibition Inauguration and Opening Ceremony (Gallery) 5:30 - 6:00 Pm Guests to Be Seated (Hall 2)
FAIZ INTERNATIONAL FESTIVAL 17th – 19th November 2017 Alhamra Halls, Mall Road Lahore All events are free and open for all. (Except Tina Sani performance) FRIDAY 17th NOVEMBER 2017 4:00 - 5:00 pm Exhibition Inauguration and Opening Ceremony (Gallery) 5:30 - 6:00 pm Guests to be seated (Hall 2) لو پھر بسنت آئی pm 7:20 – 6:00 Play by Ajoka Theatre (Hall 2) SATURDAY 18th NOVEMBER 2017 Time Hall 1 Hall 2 Hall 3 Adbi Baithak Gallery Exhibition Area حلقہء زن ج یر م یں ز باں م ت پھر کوئی آ با سر ق ل 11:00 am Urdu language and information technology Discussion on Qawwali Faiz ki shairi main umeed-o-yass 12:00 pm Dr Sarmad Hussain, Dr Agha Ali Raza, Zehra Nigah, Dr Arfa Syeda Dr. Amir Jafri Musharaf Ali Farooqi, Aamir Wali Children Activity (Qasim Jafri) (Sumera Khalil) ب ول (Dr Umar Saif) Children’s Debate competition Literature Schools Festival ی ڑھنے والوں کے بام طلسمات کے در بات کہاں پھہری ہے 12: 15 pm My journey theatre, TV, film The City - A site for history and identity Book launch: A Sentimental Journey ت pm Irfan Khoosat, Navid Shehzad, Samina Shatha Safi, Kamran Lashari Haroon Khalid, Anum Zakaria, Dr. Tahir 1:15 - کوئی صوی ر گائی رہی Peerzada, Samiya Mumtaz Dr Asma Ibrahim Kamran in conversation with Pran رات پھر Sarmad Khoosat) (Attiq Ahmed) Nevile) Photographic ص بح آزادی ق ق ہم تے سب شعر م یں سنوارے پھے کب کب ساق تا ! ر ص کوئی ر ص ص تا کی صورت years of Partition exhibition of Faiz 70 ھی ھی باد م یں ا پھرتے ہ یں - pm 1:30 Dance Performance Faiz ki shairi meiN naghmagii 2:30 pm Remembering Riaz Shahid Dr. -
Trends of Pakistani Films: an Analytical Study of Restoration of Cinema
Trends of Pakistani films: An analytical study of restoration of cinema Fouzia Naz* Sadia Mehmood** ABSTRACT People prefer to go to the cinema as compared to theaters because of its way of execution and performance. Background music, sound effects, lights, direction attract people, and its demonstrations relate people to their lives. It is true that films have a unique and powerful connection between human behavior and societal culture. Pakistani film industry faced the downfall and now it is doing its best to make the films on international standards. In this research article, the background of Pakistani cinema and causes of downfall will be discussed. The main idea of this research article is to identify and study the development of Pakistani film industry. Qualitative and quantitative data collection will be used as the research method of this research. This research article helps in observing different mass media theory based on Pakistani cinema. Moreover, it will be explained what filmmakers critiques and people say regarding revival or restoration. Keywords: downfall, revival, the impact of the Pakistani film industry, Lollywood *Assistant professor, Mass Communication, University of Karachi) **Assistant professor, Mass Communication, University of Karachi) 33 Jhss, Vol. 8, No. 2 , July to December, 2017 The definition of cinema can be explained as “another word of moving a picture”1This is the place where films are shown to the public. Most of the people who are not into the arts get confused in cinema and theater. The theater is the building where live performance is performed2. The similarity between cinema and theaters are both of them execute act and created for public entertainment. -
The Role of Translation in the Resurgence of Pakistani Dramas
International Journal of Sciences: Basic and Applied Research (IJSBAR) ISSN 2307-4531 (Print & Online) http://gssrr.org/index.php?journal=JournalOfBasicAndApplied -------------------------------------------------------------------------------------------------------------------------- The Role of Translation in the Resurgence of Pakistani Dramas Aisha Shoukat* (B.Ed., MA English) Email: [email protected] Abstract The purpose of this research is to investigate the role of translation in the resurgence of Pakistani Drama Industry, as well as to present suggestions and recommendations for the translators to come up the hurdles they face while translating the dramas. The data was collected through survey technique. Questionnaire were distributed among randomly selected participants comprising open ended and close ended questions. At the end of survey the participants were given 3 images to read and give their views regarding the need of translating Pakistani dramas. 40 participants were randomly selected from English department of The University of Lahore, Different cities of Pakistan and Saudi Arabia. Through findings, the research revealed the revival of Pakistani drama industry and the need of translation for the resurgence of the industry in a foreign country. The findings also shows the interest of the foreigners in Pakistani dramas. The study is important for the readers as it would act as a platform for future researchers to explore the new dimensions in literary translation. Keywords: Pakistani dramas; translation; revival; international audience. 1. Introduction Translation is a mean of communication which help us to communicate with others in the world around. It is defined as “The communication of meaning from one language (the source) to another language (the target) ”[16]. The main focus of the study is on the Literary Translation as it is a challenging phenomenon. -
GAP BODHI TARU- Open Access Journal of Humanities
Volume: I, Issue: 2 ISSN: 2581-5857 An International Peer-Reviewed GAP BODHI TARU- Open Access Journal of Humanities TRADITION OF DISSENT IN SUB-CONTINENTAL FILMS: A READING OF MANISH JHA’S MATRUBHOOMI -A NATION WITHOUT WOMEN AND SHOAIB MANSOOR’S BOL Bhavin Purohit Associate Professor, English PRB Arts & PGR Commerce College, Bardoli E-mail : [email protected] ABSTRACT Cinema is one of the most revolutionary art forms today. Locally and globally film as an art form is being used to provoke, agitate, ask questions and generate new politicized communities. Experimental films in India and Pakistan have contested political, social and cultural status quo. Socially, culturally and politically marginalized groups across the globe have found adequate place in film narratives. The ulterior aim of the depiction of different categories of subalternity in films is to expand the idea of ‘art for life’s sake’. Indian film director Manish Jha’s Matrubhoomi- a Nation without Women (2005) and Pakistani film director Shoaib Mansoor’s Bol (2011) depict women issues of two different religions of two different countries. Matrubhoomi is a film based on the issue of female infanticide and female foeticide in a country like India and its effects on gender balance and the recurring social anarchy it creates. Matrubhoomi’s female protagonist Kalki is the last surviving woman who reminding of Draupadi of the Mahabharata undergoes tremendous sexual oppression within family at the hands of male family members who operate as arch patriarchs for her. The film depicts the horrors of life without woman. The narrative of Bol is based in the heart of Lahore and is placed in a house full of daughters. -
Faizghar Newsletter
Issue: January Year: 2016 NEWSLETTER Content Faiz Ghar trip to Rana Luxury Resort .............................................. 3 Faiz International Festival ................................................................... 4 Children at FIF ............................................................................................. 11 Comments .................................................................................................... 13 Workshop on Thinking Skills ................................................................. 14 Capacity Building Training workshops at Faiz Ghar .................... 15 [Faiz Ghar Music Class tribute to Rasheed Attre .......................... 16 Faiz Ghar trip to [Rana Luxury Resort The Faiz Ghar yoga class visited the Rana Luxury Resort and Safari Park at Head Balloki on Sunday, 13th December, 2015. The trip started with live music on the tour bus by the Faiz Ghar music class. On reaching the venue, the group found a quiet spot and spread their yoga mats to attend a vigorous yoga session conducted by Yogi Sham- shad Haider. By the time the session ended, the cold had disappeared, and many had taken o their woollies. The time was ripe for a fruit eating session. The more sporty among the group started playing football and frisbee. By this time the musicians had got their act together. The live music and dance session that followed became livelier when a large group of school girls and their teachers joined in. After a lot of food for the soul, the group was ready to attack Gogay kay Chaney, home made koftas, organic salads, and the most delicious rabri kheer. The group then took a tour of the jungle and the safari park. They enjoyed the wonderful ambience of the bamboo jungle, and the ostriches, deers, parakeet, swans, and many other wild animals and birds. Some members also took rides on the train and colour- ful donkey carts. -
Analisis Semiotik Terhadap Film in the Name of God
ANALISIS SEMIOTIK TERHADAP FILM IN THE NAME OF GOD Skripsi Diajukan untuk Memenuhi Persyaratan Memperoleh Gelar Sarjana Komunikasi Islam (S. Kom. I) Oleh Hani Taqiyya NIM: 107051002739 JURUSAN KOMUNIKASI DAN PENYIARAN ISLAM FAKULTAS ILMU DAKWAH DAN ILMU KOMUNIKASI UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA 2011 M/1432 H LEMBAR PERNYATAAN Dengan ini saya menyatakan bahwa: 1. Skripsi ini merupakan hasil karya asli saya yang diajukan untuk memenuhi salah satu penyataan memperoleh gelar strata 1 di UIN Syarif Hidayatullah Jakarta. 2. Semua sumber yang saya gunakan dalam penulisan ini telah saya cantumkan sesuai dengan ketentuan yang berlaku di UIN Syarif Hidayatullah Jakarta. 3. Jika di kemudian hari terbukti bahwa karya ini bukan hasil karya asli saya atau merupakan hasil jiplakan dari karya orang lain, maka saya bersedia menerima sanksi yang berlaku di UIN Syarif Hidayatullah Jakarta. Ciputat, Mei 2011 Hani Taqiyya ABSTRAK Hani Taqiyya Analisis Semiotik Terhadap Film In The Name of God Pasca kejadian Serangan 11 September 2001 lalu, wajah dunia Islam kian menjadi sorotan. Gencarnya media-media yang mengatakan bahwa otak serangan itu adalah teroris muslim, membawa khalayak kepada konstruksi identitas agama Islam sebagai agama yang penuh dengan kekerasan dan radikalisme. Apalagi setelah beberapa serangan lain yang mengatasnamakan perbuatan tersebut sebagai perbuatan jihad, karena dilakukan atas nama Allah SWT dan untuk menegakkan agama Islam. Sehingga, tidak kata yang lebih populer menyimbolkan kekerasan dan teror atas nama Islam di atas selain jihad, padahal konsep jihad yang seperti itu tidak sesuai dengan agama Islam yang rahmatan lil ‟alamin. Bukan hanya media cetak saja, film sebagai salah satu media massa juga menggambarkan hal tersebut dengan cara yang berbeda. -
Film in Südasien Nadja-Christina Schneider (Hg.)
Südasien-Informationen Nr. 14 Februar 2008 Film in Südasien Nadja-Christina Schneider (Hg.) Südasien-Informationsnetz e.V. Reichenberger Straße 35 D - 10999 Berlin Tel.: 030 – 788 95 411 Fax: 030 – 788 95 253 Email: [email protected] Internet: www.suedasien.info Spendenkonto: Konto 7170695008 Berliner Volksbank BLZ: 100 900 00 ISSN 1860 - 0212 Inhalt Editorial von Nadja-Christina Schneider.............................................................................................................. 3 Einheit in der cineastischen Vielfalt Oder: gibt es „das“ indische Kino? von Nadja-Christina Schneider.............................................................................................................. 5 Kino als Agens sozialen Wandels: Indische Filmregisseure im antikolonialen Umbruch (1935-47) von Annemarie Hafner........................................................................................................................ 10 Die Frau im kommerziellen Hindi-Kino: Symbol indischer Tradition und Kultur von Ariane Jayasuriya ......................................................................................................................... 16 Die Ausbürgerung Einheimischer und die Einbürgerung von Ausländern: Der Hindu-Nationalismus und das Revival des Hindi-Kinos in den 1990er Jahren von Radhika Desai ............................................................................................................................. 21 Wo der Khan nicht regiert: Muslime im indischen Film – Muslime in Bollywoods Filmindustrie -
UNIVERSITY of KARACHI CONFUCIUS INSTITUTE CERTIFICATE COURSE in CHINESE LANGUAGE ADMISSIONS 2017 LIST of SELECTED CANDIDATES Dated: 29-07-2017 S
UNIVERSITY OF KARACHI CONFUCIUS INSTITUTE CERTIFICATE COURSE IN CHINESE LANGUAGE ADMISSIONS 2017 LIST OF SELECTED CANDIDATES Dated: 29-07-2017 S. FORM ACD. NAME FATHER'S NAME LEVEL SHIFT No. No. % 1 502 SHEHARYAR ALI ANSARI IRSHAD ALI ANSARI 57.36 Level-I Morning 2 503 KHURRAM AHMED PASHA RAIS AHMED PASHA 52.82 BC Weekend 3 507 JAVAID ISLAM BHATTI SHAMS UL ISLAM BHATTI 63.82 BC Weekend 4 511 OBAID IQBAL IQBAL AHMED 64.31 Level-I Weekend 5 512 MUHAMMAD BILAL SHABBIR HUSSAIN 50.55 Level-I Weekend 6 514 MUHAMMAD JANSHER PERVEZ MUHAMMAD PERVEZ 51.91 Level-I Morning 7 516 ALI IQBAL SHAHID IQBAL 45.45 Level-I Weekend 8 518 IKHLAQ HUSSAIN MIRZA HUSSAIN 73.91 Level-I Morning 9 519 ALI ABBAS MUHAMMAD ALI 73.91 Level-I Afternoon 10 526 SYED AL E HASSAN RIZVI SYED IZHAR HUSSAIN RIZVI 58.64 Level-I Morning 11 534 MUHAMMAD HAMMAD MUHAMMAD ISHAQ 54.42 Level-I Morning 12 544 MUHAMMAD SHABAN SUNASRA NASEEM HAIDER 72.55 Level-I Weekend 13 545 ZULFIQAR ALI BARKAT ALI 55.64 Level-I Weekend 14 548 SEHRISH KHAN M, IQBAL 58.00 Level-I Morning 15 549 ANSA JABBAR ABDUL JABBAR 54.36 Level-I Afternoon 16 552 DANISH MAHMOOD MAHMOOD RAZA 57.91 Level-I Afternoon 17 553 ARIFA SOHAIL SOHAIL SHEHZAD 59.64 Level-I Morning 18 558 EMAAD UDDIN SIDDIQUI MUMTAZ UDDIN SIDDIQUI 61.27 BC Weekend 19 559 MUHAMMAD AWAIS MIR AZAM 69.86 Level-I Afternoon 20 562 MEHWISH ZAFAR ZAFAR AKHTER 56.09 Level-I Morning 21 563 MARYAM ZAFAR ZAFAR AKHTAR 65.00 BC Weekend 22 564 HAMZA BIN NASIR MUHAMMAD NASIR AWAN 52.27 BC Weekend 23 567 SANA MUHAMMAD HAROON 50.00 Level-I Weekend 24 568 SALMAN -
Roll No Name of Student Urdu Math Eng S.Stud Isl/ME G.Sci Total
Roll Name of Student Urdu Math Eng S.Stud Isl/ME G.Sci Total Remarks Grade Institute No 21001 EMAAN ALI 66 66 63 70 80 63 408 Pass B Honhaar Grammar Secondary School Rawat 21002 EMAAN FATIMA 39 24 47 37 50 40 - Promoted E Honhaar Grammar Secondary School Rawat 21003 PAKEEZA FATIMA 72 78 66 87 86 78 467 Pass A Honhaar Grammar Secondary School Rawat 21004 MOMINA BIBI 72 65 73 63 79 80 432 Pass A Honhaar Grammar Secondary School Rawat 21005 ZAINAB SHAHZAD 79 75 85 88 85 88 500 Pass A1 Honhaar Grammar Secondary School Rawat 21006 KHADIJA HUSSAIN 36 15 58 39 43 49 - Promoted D Honhaar Grammar Secondary School Rawat 21007 SAIRA BIBI 67 15 62 55 61 60 - Promoted C Honhaar Grammar Secondary School Rawat 21008 AIMEN SHAFIQ 70 41 58 62 76 65 372 Pass B Honhaar Grammar Secondary School Rawat 21009 RAHEEN FATIMA 82 71 87 94 90 87 511 Pass A1 Honhaar Grammar Secondary School Rawat 21010 HADIA BINTE ASIM 58 47 62 61 67 68 363 Pass B Honhaar Grammar Secondary School Rawat 21011 RUQQIA SHAHZADI 76 41 71 78 78 62 406 Pass B Honhaar Grammar Secondary School Rawat 21012 MEHROSH ABBAS 51 68 76 79 71 68 413 Pass B Honhaar Grammar Secondary School Rawat 21013 SAJJAL PERVAIZ 80 58 83 75 77 84 457 Pass A Honhaar Grammar Secondary School Rawat 21014 KHADIJA SAJID 69 59 61 71 80 73 413 Pass B Honhaar Grammar Secondary School Rawat 21015 ARFA MIRAJ 55 56 79 70 83 70 413 Pass B Honhaar Grammar Secondary School Rawat 21016 MAHNOOR IMRAN 45 58 67 55 78 62 365 Pass B Honhaar Grammar Secondary School Rawat 21017 SHANZAY NOOR 89 83 88 85 85 90 520 Pass A1 Honhaar Grammar