In Conversation with Joe Dante
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MEJOR PELICULA 127 HOURS Christian Colson, Danny Boyle
MEJOR PELICULA 127 HOURS Christian Colson, Danny Boyle, John Smithson BLACK SWAN Mike Medavoy, Arnold Messer, Brian Oliver, Scott Franklin GREENBERG Scott Rudin, Jennifer Jason Leigh THE KIDS ARE ALL RIGHT Gary Gilbert, Jeffrey Levy-Hinte, Celine Rattray, Jordan Horowitz, Daniela Taplin Lundberg, Philippe Hellmann WINTER´S BONE Alix Madigan-Yorkin, Anne Rosellini MEJOR DIRECTOR DARREN ARONOFSKY Black Swan DANNY BOYLE 127 Hours LISA CHODOLENKO The Kids are all right DEBRA GRANIK Winter´s Bone JOHN CAMERON MITCHELL Rabbit Hole MEJOR ÓPERA PRIMA EVERYTHING STRANGE AND NEW Frazer Bradshaw, Laura Techera Francia, A.D Liano GET LOW Aaron Schneider, Dean Zanuck, David Gundlach THE LAST EXORCISM Daniel Stamm, Eric Newman, Eli Roth, Marc Abraham, Thomas A. Bliss NIGHT CATCHES US Tanya Hamilton, Ronald Simons, Sean Costello, Jason Orans TINY FURNITURE Lena Dunham, Kyle Martin, Alicia Van Couvering PREMIO JOHN CASSAVETES DADDY LONGLEGS Josh Safdie, Benny Safdie, Casey Neistat, Tom Scott THE EXPLODING GIRL Bradley Rust Gray, So Yong Kim, Karin Chien, Ben Howe LBS Matthew Bonifacio, Carmine Famiglietti LOVERS OF HATE Bryan Poyser, Megan Gilbride OBSELIDIA Diane Bell, Chris Byrne, Matthew Medlin MEJOR GUIÓN LISA CHOLODENKO, STUART BLUMBERG The Kids are all right DEBRA GRANIK, ANNE ROSELLINI Winter´s Bone NICOLE HOLOFCENER Please Give DAVID LINDSAY-ABAIRE Rabbit Hole TODD SOLONDZ Life during wartime MEJOR GUIÓN DEBUTANTE DIANE BELL Obselidia LENA DUNHAM Tiny Furniture NIK FACKLER Lovely, Still ROBERT GLAUDINI Jack goes boating DANA ADAM SHAPIRO, EVAN M. WIENER Monogamy MEJOR ACTRIZ PROTAGÓNICA ANNETTE BENING The Kids are all right GRETA GERWIG Greenberg NICOLE KIDMAN Rabbit Hole JENNIFER LAWERENCE Winter´s Bone NATALIE PORTMAN Black Swan MICHELLE WILLIAMS Blue Valentine MEJOR ACTOR PROTAGÓNICO RONALD BRONSTEIN Daddy Longlegs AARON ECKHART Rabbit Hole JAMES FRANCO 127 Hours JOHN C. -
Liste Des Chaines /Filmes/Vods/Series
Liste des Chaines /Filmes/VODs/Series www.laboutiqueiptv.com Colonne1 Tunisia 1 Tunisia 2 Tunisia Nat 3 Elhiwar Ettounsi ATTESSIA Nessma Hannibal Telvza Tv Al Janoubia Tunisna MTunisia Sahel TV Al Mustakillah Zitouna Al Insen Carthage TV AR-MECCA CANAL ALGERIE ENTV Algeria 3 AR-Algerie-Tamazight-tv4 TV5 Samira Echorouk Echourouk News Echorouk Benna Ennahar Elheddaf Dzair Dzair News Numidia News El Djazairia 1 EL BILAD Beur Fadjr Bahia Berbere Al Magharibia 1 AlaoulaInterHD ALAoulaInter AR-AlAoula-Layoune Liste des Chaines /Filmes/VODs/Series www.laboutiqueiptv.com 2M Maroc Arryadia AR-Arrabiaa AlMaghrebia Assadissa Maroc Tamazight AR-Medi-1_TV AR-MBC1_HD AR-MBC_1 AR-MBC_2 AR-MBC2_HD AR-MBC_4 AR-MBC4_HD AR-MBC-MAX AR-MBC_MAX-HD AR-MBC-Action AR-MBC_Action-HD AR-MBC-DRAMA AR-MBC_Drama-HD AR-MBC_MASR AR-MBC-masr2 AR-MBC_Bollywood-HD AR-MBC_Bollywood AR-Rotana_Cinema-HD AR-Rotana-Cinema-EGY AR-Rotana-Cinema-KSA AR-Rotana_Aflam AR-Rotana_Masria-HD AR-Rotana-Masriya AR-Rotana-Clip AR-Rotana_Music-HD AR-Rotana-Music AR-Rotana-Khalijiya HD AR-Rotana-Khalijiya AR-Rotana_Classic-HD AR-Rotana-Classic AR-ART_Aflam_1 AR-ART_Aflam-2 AR-ART_Cinema AR-ART_Hekayat-1 AR-ART_Hekayat-2 AR-BeIn_Movies1_HD AR-BeIn_Movies2_HD AR-BeIn_Movies3_HD AR-BeIn_Movies4_HD Ar-Bein-Gourmet Ar-Bein-Junior Liste des Chaines /Filmes/VODs/Series www.laboutiqueiptv.com Ar-BeinDrama AR-StarCinema-1 AR-StarCinema-2 AR-Toktok_Cima AR-Cima AR-AL-SHASHA-CINEMA AR-4G-AFLAM AR-4G-CIMA AR-4G-CLASSIC AR-4G-DRAMA AR-4G-FILM AR-CINEMA-1 AR-CINEMA-2 AR-CIMA-TUBE AR-CINEMA-TUBE AR-Darbaka-Aflam -
Bamcinématek Presents Joe Dante at the Movies, 18 Days of 40 Genre-Busting Films, Aug 5—24
BAMcinématek presents Joe Dante at the Movies, 18 days of 40 genre-busting films, Aug 5—24 “One of the undisputed masters of modern genre cinema.” —Tom Huddleston, Time Out London Dante to appear in person at select screenings Aug 5—Aug 7 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Jul 18, 2016/Brooklyn, NY—From Friday, August 5, through Wednesday, August 24, BAMcinématek presents Joe Dante at the Movies, a sprawling collection of Dante’s essential film and television work along with offbeat favorites hand-picked by the director. Additionally, Dante will appear in person at the August 5 screening of Gremlins (1984), August 6 screening of Matinee (1990), and the August 7 free screening of rarely seen The Movie Orgy (1968). Original and unapologetically entertaining, the films of Joe Dante both celebrate and skewer American culture. Dante got his start working for Roger Corman, and an appreciation for unpretentious, low-budget ingenuity runs throughout his films. The series kicks off with the essential box-office sensation Gremlins (1984—Aug 5, 8 & 20), with Zach Galligan and Phoebe Cates. Billy (Galligan) finds out the hard way what happens when you feed a Mogwai after midnight and mini terrors take over his all-American town. Continuing the necessary viewing is the “uninhibited and uproarious monster bash,” (Michael Sragow, New Yorker) Gremlins 2: The New Batch (1990—Aug 6 & 20). Dante’s sequel to his commercial hit plays like a spoof of the original, with occasional bursts of horror and celebrity cameos. In The Howling (1981), a news anchor finds herself the target of a shape-shifting serial killer in Dante’s take on the werewolf genre. -
Feature Films
MARCELO ZARVOS AWARDS/NOMINATIONS CINEMA BRAZIL GRAND PRIZE FLORES RARAS NOMINATION (2014) Best Original Music ONLINE FILM & TELEVISION PHIL SPECTOR ASSOCIATION AWARD NOMINATION (2013) Best Music in a Non-Series BLACK REEL AWARDS BROOKLYN’S FINEST NOMINATION (2011) Best Original Score EMMY AWARD NOMINATION YOU DON’T KNOW JACK (2010) Music Composition For A Miniseries, Movie or Special (Dramatic Underscore) EMMY AWARD NOMINATION TAKING CHANCE (2009) Music Composition For A Miniseries, Movie or Special (Dramatic Underscore) BRAZILIA FESTIVAL OF UMA HISTÓRIA DE FUTEBOL BRAZILIAN CINEMA AWARD (1998) 35mm Shorts- Best Music FEATURE FILMS MAPPLETHORPE Eliza Dushku, Nate Dushku, Ondi Timoner, Richard J. Interloper Films Bosner, prods. Ondi Timoner, dir. THE CHAPERONE Kelly Carmichael, Rose Ganguzza, Elizabeth McGovern, Anonymous Content Gary Hamilton, prods. Michael Engler, dir. BEST OF ENEMIES Tobey Maguire, Matt Berenson, Matthew Plouffe, Danny Netflix / Likely Story Strong, prods. Robin Bissell, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 MARCELO ZARVOS LAND OF STEADY HABITS Nicole Holofcener, Anthony Bregman, Stefanie Azpiazu, Netflix / Likely Story prods. Nicole Holofcener, dir. WONDER David Hoberman, Todd Lieberman, prods. Lionsgate Stephen Chbosky, dir. FENCES Scott Rudin, Denzel Washington, prods. Paramount Pictures Denzel Washington, dir. ROCK THE KASBAH Steve Bing, Bill Block, Mitch Glazer, Jacob Pechenik, Open Road Films Ethan Smith, prods. Barry Levinson, dir. OUR KIND OF TRAITOR Simon Cornwell, Stephen Cornwell, Gail Egan, prods. The Ink Factory Susanna White, dir. AMERICAN ULTRA David Alpert, Anthony Bregman, Kevin Scott Frakes, Lionsgate Britton Rizzio, prods. Nima Nourizadeh, dir. THE CHOICE Theresa Park, Peter Safran, Nicholas Sparks, prods. Lionsgate Ross Katz, dir. CELL Michael Benaroya, Shara Kay, Richard Saperstein, Brian Benaroya Pictures Witten, prods. -
Cruel Auteurism Affective Digital Mediations Toward Film-Composition Bonnie Lenore Kyburz
Cruel Auteurism affective digital mediations toward film-composition bonnie lenore kyburz CRUEL AUTEURISM AFFECTIVE DIGITAL MEDIATIONS TOWARD FILM-COMPOSITION #WRITING Series Editor: Cheryl E. Ball The# writing series publishes open-access digital and low-cost print editions of monographs that address issues in digital rhetoric, new media studies, dig- ital humanities, techno-pedagogy, and similar areas of interest. The WAC Clearinghouse, Colorado State University Open Press, and the Uni- versity Press of Colorado are collaborating so that books in this series are widely available through free digital distribution and in a low-cost print edi- tion. The publishers and the series editor are committed to the principle that knowledge should freely circulate. We see the opportunities that new technol- ogies have for further democratizing knowledge. And we see that to share the power of writing is to share the means for all to articulate their needs, interest, and learning into the great experiment of literacy. Other Books in the Series Derek N. Mueller, Network Sense: Methods for Visualizing a Discipline (2017) CRUEL AUTEURISM AFFECTIVE DIGITAL MEDIATIONS TOWARD FILM-COMPOSITION By bonnie lenore kyburz The WAC Clearinghouse wac.colostate.edu Fort Collins, Colorado University Press of Colorado upcolorado.com Louisville, Colorado The WAC Clearinghouse, Fort Collins, Colorado 80523 University Press of Colorado, Lousville, Colorado 80027 © 2019 by bonnie lenore kyburz. This work is licensed under a Creative Commons Attribu- tion-NonCommercial-NoDerivatives 4.0 International. ISBN 978-1-64215-002-5 (PDF) | 978-1-64215-018-6 (ePub) | 978-1-60732-918-3 (pbk.) Printed in the United States of America Library of Congress Cataloging-in-Publication Data Names: Kyburz, Bonnie Lenore, author. -
OPPOSITION Ro Revrsrons Concernrnc Sraremenrs by PARTICIPATING WRITERS to the CREDIT ARBITRATION COMMITTEE
OPPOSITION ro REVrsroNS coNcERNrNc srArEMENrs By PARTICIPATING WRITERS TO THE CREDIT ARBITRATION COMMITTEE The undersigned have all been involved in WGA credit arbitrations, where we are thrust into a competitive process intended to produce "a true and accurate statement of screen authorship." Each credit arbitration is conducted by three anonymous arbiters, whose experience, familiarity with the rules, and willingness to invest the necessary time and effort are only one part of the process. For a multitude of financial and career reasons, the stakes are incredibly high, and statements constitute a participating writer's only chance to speak on his/her own behalf and contribute to the task of thoroughly and accurately evaluating all the material, so that nothing is mis-attributed, given improper weight, or left unconsidered. These statements not only give writers a voice while their fates are being decided, but, if properly crafted, can help mitigate unintentional oversights or confusion on the part of arbiters, many of whom are just as oven¡rhelmed as the writers are, by the guild's extensive rules regarding credit, and by what is often a truly staggering amount of literary material. Writing a thoughtful, comprehensive, and objective statement is always a formidable challenge, and for writers unfamiliar with the process, the learning curve can be quite steep. Simultaneously having to become familiar with the Credits Manual, read and effectively analyze a daunting volume of literary material, and then synthesize this massive amount of information into a cogent, helpful, and readable statement is an arduous task for any writer, particularly if she/he happens to be in the middle of another stressful writing assignment. -
Alendar the Ruth Sokolof Theater
Film Streams Programming Calendar The Ruth Sokolof Theater . October – December 2013 v7.2 L’Avventura 1960 Alexander Payne Presents October 4 – December 24 In celebration of his new film, NEBRASKA, and Film Streams’ upcoming Feature V event, Alexander Payne has curated his second repertory series at the Ruth Sokolof Theater. We are truly honored to host some favorite films of one of the world’s most important directors and preeminent cinephiles. Featuring, among others, two films each by Michelangelo Antonioni, Akira Kurosawa, and Yasujirô Ozu, “Alexander Payne Presents” will be a movie-lover’s feast. To call Payne a friend of Film Streams would be an understatement. A found- ing board member and ardent supporter, it’s safe to say he’s a huge reason we’re here. His first repertory series at the Ruth Sokolof Theater – which was Le rayon vert 1986 Dersu Uzala 1975 the very first classic film program at the Theater – included works like SEVEN Walkabout 1971 Le amiche 1955 SAMURAI, 8 ½, THE LAST DETAIL, THE WILD BUNCH, and LA NOTTE. I findanzati 1963 High and Low 1963 He is best known as the writer-director of five feature films – CITIZEN RUTH, ELECTION, ABOUT SCHMIDT, SIDEWAYS, THE DESCENDANTS – and as L’avventura 1960 An Autumn director of the forthcoming NEBRASKA. Onibaba 1964 Afternoon 1962 Come and See 1985 Payne himself has said that one of the reasons he is able to create such moving Tokyo Story 1953 and artistically interesting films is because of his obsessive study of movies. Summertime 1955 Payne’s credentials as a connoisseur of world cinema are many. -
Listing Affiches Enfants Petits
LISTING AFFICHES ENFANTS PETITS FORMATS – AILO : UNE ODYSSEE EN LAPONIE (affiche roulée-tube) – ALICE COMEDIES vol. 2 – AMIR ET MINA – ARTHUR ET LA MAGIE DE NOEL – BAYALA – CAPITAINE MORTEN – CHATS PAR CI, CHATS PAR LA – JACOB ET LES CHIENS QUI PARLENT – LA CHASSE A L'OURS – LA FAMEUSE INVASION DES OURS EN SICILE – LA PETITE FABRIQUE DES NUAGES – LA PETITE TAUPE AIME LA NATURE – LA REVOLTE DES JOUETS – LE CRISTAL MAGIQUE – LES INCOGNITOS – LES PETITS CONTES DE LA NUIT (2 Ex.) – LE PRINCE SERPENT – LE VOYAGE DANS LA LUNE – LITTLE FESTIVAL – L'ODYSSEE DE CHOUM – PAT ET MAT EN HIVER – RETRO CHAPLIN – RITA & MACHIN (2 Ex.) – UN PETIT AIR DE FAMILLE (2 Ex.) – ZIBILLA OU LA VIE ZEBREE ENFANTS GRANDS FORMATS – AILO : UNE ODYSSEE EN LAPONIE (affiche roulée-tube) – BAYALA – JEAN-CHRISTOPHE ET WINNIE – LA CHASSE A L'OURS – LA FAMEUSE INVASION DES OURS EN SICILE (affiche roulée) – LA FAMILLE ADDAMS – LA PETITE FABRIQUE DES NUAGES – LE GRAND MECHANT RENARD (affiche roulée-tube) – LES PETITS CONTES DE LA NUIT – LE VOYAGE DANS LA LUNE – LE VOYAGE DU PRINCE – LITTLE FESTIVAL – LOUPS TENDRES ET LOUFOQUES (2 Ex.) – PACHAMAMA (affiche roulée) – RETRO CHAPLIN – UN PETIT AIR DE FAMILLE – ZEBULON (3 Ex.) ADULTES PETITS FORMATS – 1:54 – Yan England – 2 JOURS – Raymond Depardon – 5 EST LE NUMERO PARFAIT - Igort – 45 ANS – Andrew Haigh – 100 KILOS D'ETOILES – Marie-Sophie Chambon (2 Ex.) – 1917 – Sam Mendes – ACUSADA – Gonzalo Tobal – ADAM – Maryam Touzani – ADULTS IN THE ROOM – Costa-Gavras – ALL ABOUT ALBERT – Nicole Holofcener – AMANDA – Mikhaël Hers – AMIN -
SEAN PORTER Director of Photography Seanporterdp.Com
SEAN PORTER Director of Photography seanporterdp.com PROJECTS DIRECTORS STUDIOS/PRODUCERS THE GREATEST BEER RUN EVER Peter Farrelly SKYDANCE / APPLE TV+ Feature Film Jake Myers, Andrew Muscato Brad Carlson THE OLD MAN Jon Watts LITTLEFIELD COMPANY / FOX 21 / FX Pilot and Episode 2 Judd Rea, Dan Shotz, Jon Steinberg GENERA+ION Daniel Barnz HBO MAX Pilot Zelda Barnz Paul Marks, Ben Barnz, Lena Dunham GREEN BOOK Peter Farrelly PARTICIPANT MEDIA Winner, Best Picture – Academy Award Jim Burke, Brian Hayes Currie Winner, Best Original Screenplay – Academy Award Nick Vallelonga Winner, Best Supporting Actor – Academy Award ROUGH NIGHT Lucia Aniello SONY Paul Downs, Matt Tolmach 20TH CENTURY WOMEN Mike Mills ANNAPURNA PICTURES Youree Henley, Anne Carey Megan Ellison THE TRUST Alex Brewer Official Selection – SXSW Film Festival Ben Brewer Braxton Pope, Molly Hassell GREEN ROOM Jeremy Saulnier FILM SCIENCE Official Selection – Sundance Film Festival Anish Savjani, Neil Kopp Vincent Savino IT FELT LIKE LOVE Eliza Hittman BAY BRIDGE PRODUCTIONS Nominee, Best Cinematography – VARIANCE FILMS Independent Spirit Awards Hunter Gray, Tyler Brodie Official Selection – Sundance Film Festival KUMIKO, THE TREASURE HUNTER David Zellner Nathan Zellner, Cameron Lamb Winner, Special Jury Prize – Sundance Film Festival Jim Taylor, Jim Burke Official Selection – Berlin Film Festival Alexander Payne, Chris Olson EDEN Megan Griffiths PHASE 4 FILMS Winner, Audience Award – SXSW Jacob Mosler, Mischa Jakupcak Nominee, Best Cinematography – Milan Int’l Film Festival BASS -
SCMS 2019 Conference Program
CELEBRATING SIXTY YEARS SCMS 1959-2019 SCMSCONFERENCE 2019PROGRAM Sheraton Grand Seattle MARCH 13–17 Letter from the President Dear 2019 Conference Attendees, This year marks the 60th anniversary of the Society for Cinema and Media Studies. Formed in 1959, the first national meeting of what was then called the Society of Cinematologists was held at the New York University Faculty Club in April 1960. The two-day national meeting consisted of a business meeting where they discussed their hope to have a journal; a panel on sources, with a discussion of “off-beat films” and the problem of renters returning mutilated copies of Battleship Potemkin; and a luncheon, including Erwin Panofsky, Parker Tyler, Dwight MacDonald and Siegfried Kracauer among the 29 people present. What a start! The Society has grown tremendously since that first meeting. We changed our name to the Society for Cinema Studies in 1969, and then added Media to become SCMS in 2002. From 29 people at the first meeting, we now have approximately 3000 members in 38 nations. The conference has 423 panels, roundtables and workshops and 23 seminars across five-days. In 1960, total expenses for the society were listed as $71.32. Now, they are over $800,000 annually. And our journal, first established in 1961, then renamed Cinema Journal in 1966, was renamed again in October 2018 to become JCMS: The Journal of Cinema and Media Studies. This conference shows the range and breadth of what is now considered “cinematology,” with panels and awards on diverse topics that encompass game studies, podcasts, animation, reality TV, sports media, contemporary film, and early cinema; and approaches that include affect studies, eco-criticism, archival research, critical race studies, and queer theory, among others. -
Rassegna INDICE RASSEGNA STAMPA Rassegna
rassegna INDICE RASSEGNA STAMPA rassegna Festival Cinematografici Nazione Lucca 18/04/2019 p. 15 JOE DANTE, HORROR ANTISTRESS 1 Nazione Siena 18/04/2019 p. I CAPOLAVORI DI HELMUT NEWTON GLI SCATTI PIU' BELLI A 2 26/27 SAN GIMIGNANO I CAPOLAVORI DI HELMUT N Repubblica Firenze 18/04/2019 p. 14 RUTGER HAUER AL FILM FESTIVAL 3 Tirreno Lucca 18/04/2019 p. 11 LA REGISTA LUCCHESE PATRIZIA LAZZARI VINCE IL PREMIO 4 "DONNE IN CORTO" Iniziative ed eventi Nazione Firenze 18/04/2019 p. 28 "ESSERE LEONARDO DA VINCI" PROIEZIONE-SPETTACOLO 5 AL CINEMA NELL'ANTEPRIMA CON FINAZZER FLORY Indice Rassegna Stampa Pagina I Pagina 15 yucca Foglio 1 LA RASSEGNA Joe Dante, horror antistress Il regista di Gremlins, super star al Lucca Film Festival EVENTO Premio alla carriera áZ questa sera all'Astra t< ;1 IL REGISTA Joe Dante ri- ceverà il premio alla carrie- ra questa sera alle 20.30 al cinema Astra e introdurrà la prima italiana di "Night- mare Cinema", lavoro col- lettivo e antologia horror di cinque registi in cui Joe Dante ha girato l'episodio "Mirari". Il regista sarà omaggiato da una selezio- ne dei suoi film più rappre- sentativi che ripercorreran- no la sua carriera. Sabato terrà una masterclass, con il giornalista e critico cine- matografico Paolo Zelati che insieme a Stefano Gior- gi ha curato l'omaggio. VIP II famoso cineasta, che ha diretto anche Piranha insieme al IL FILM horror come valvola an- produttore Mick Garris (sulla sinistra) al termine dell'incontro ti stress. E se lo dice un vero mae- sta della sua antologia horror far produrre il lavoro. -
Programma Ufficiale
PROGRAMMA UFFICIALE 13-19 APRILE 13-21 APRILE 30 MARZO-24 APRILE EUROPA CINEMA LUCCA FILM FESTIVAL MOSTRE SERATA TRIBUTO A BLADE RUNNER CON RUTGER HAUER SABATO 20 APRILE 22.00 PIAZZA SAN MICHELE Indice 2. PROGRAMMA PROIEZIONI LUCCA 10. PROGRAMMA PROIEZIONI VIAREGGIO 11. PROGRAMMA MOSTRE 12. COSTI E MODALITA DI ACCESSO 13. MAPPE 1 SABATO 13 CINEMA CENTRALE AUDITORIUM VINCENZO DA MASSA CARRARA 10.30 SEZIONE EDUCATIONAL 10.00 SEZIONE EDUCATIONAL ANTEPRIMA ITALIANA CORPI, VISSUTO E IMMAGINARIO A SCUOLA, TRA INFANZIA SERENDIP E ADOLESCENZA. Marco Napoli, 2018, 70', col. PROGETTO A CURA DEL PROF. WALTER RINALDI 15.00 SOMMER Philip Gröning, 1986, 105', b/n. 17.00 ANTEPRIMA ITALIANA MIO FRATELLO SI CHIAMA ROBERT ED È UN IDIOTA (MEIN BRUDER HEISST ROBERT UND IST EIN IDIOT) Philip Gröning, 2018, 174', col. CINEMA ASTRA 17.00 CONVERSAZIONE CON PAOLO TAVIANI A SEGUIRE GOOD MORNING BABILONIA (VERSIONE RESTAURATA) Paolo e Vittorio Taviani, 1987, 117', col. “RESTAURO REALIZZATO DA CSC-CINETECA NAZIONALE E ISTITUTO LUCE CINECITTÀ A PARTIRE DAL NEGATIVO ORIGINALE 35MM E DAL SONORO MAGNETICO ORIGINALE CONSERVATI PRESSO LUCE-CI- NECITTÀ”. 20.30 RED CARPET CON PROIEZIONI ED EFFETTI SONORI PER L’ANTEPRIMA ITALIANA DI LA LLORONA-LACRIME DEL MALE Michael Chaves, 2019, 93', col. DISTRIBUITO DA WARNER BROS. 2 13 DOMENICA 14 CINEMA CENTRALE 17.00 INCONTRO CON IL REGISTA LUCA FERRI A SEGUIRE 15.00 CONCORSO LUNGOMETRAGGI PIERINO THOSE WHO WORK (CEUX QUI TRAVAILLENT) Luca Ferri, 2018, 70', b/n Antoine Russbach, Belgio-Svizzera, 2018, 101', col. 17.00 THE DAY AFTER I AM GONE Nimrod Eldar, Israele, 2019, 95', col.