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Opening of the Samuel Bak Museum
VILNA GAON STATE JEWISH MUSEUM 2017 / 2 5778 / 1 Dear friends of the Museum, Having bid farewell to the old year, we kindly invite you to recall the most important and interesting moments in the Museum’s life in the period from July to December 2017. We thank you for your friendship and hope that you will stay with us in the New Year 2018! All the best, Vilna Gaon State Jewish Museum team OPENING OF THE SAMUEL BAK MUSEUM On 16 November 2017, the official grand opening of a new branch of the Vilna Gaon State Jewish Museum – the Samuel Bak Museum – took place. The new museum exhibits 37 paintings by the world- famous artist Samuel Bak, which the artist donated to Lithuania. Samuel Bak was born in 1933 in Vilnius. At the age of just nine years he held his first exhibition of drawings. Samuel Bak miraculously survived the Nazi occupation and ended up at a displaced persons camp in Germany. Later the artist lived in Israel and Western Europe. In 1993 Samuel Bak settled down in the United States of America where he continues with his creative endeavours. The artist creates in an authentic style of allegoric realism and raises ever topical issues of the world’s fragile nature, search for human identity and ability to recover from a catastrophe. The opening ceremony of the Samuel Bak Museum was attended by over a hundred high-ranking state officials and public figures, foreign diplomats and guests, including the artist himself with his family. Director of the Vilna Gaon State Jewish Museum Markas Zingeris, head of the Samuel Bak Museum Ieva Šadzevičienė, Minister of Culture of the Republic of Lithuania Liana Ruokytė-Jonsson, Mayor of Vilnius Remigijus Šimašius, Member of Parliament Emanuelis Zingeris, and Ambassador of the United States of America Anne Hall addressed the audience. -
Van Der Linden, R: Women After War: Jewish
Women After War: Jewish Women as Displaced Persons in Belsen, 1945-50 By Riley van der Linden V00820139 Supervised by Dr. Kristin Semmens A Graduating Essay Submitted in Partial Fulfillment of the Requirements, in the Honours Programme For the Degree of Bachelor of Arts in the Department of History University of Victoria 26 March 2018 Table of Contents Introduction 2 Chapter One: Displaced Persons Camps in Political and Cultural Context 5 Chapter Two: Jewish Displaced Persons at Belsen DP Camp 12 Chapter Three: The Multi-Faceted Role of Female Jewish DPs in Belsen 25 Conclusion 40 Bibliography 42 !1 Introduction The Third Reich and the Holocaust have been the subject of intense academic study since the end of the Second World War. How the Holocaust developed from prejudiced attitudes to the Final Solution, what occurred within the Nazi concentration (KZ) and death camps, and how the camps eventually came to be liberated have all been studied in great detail. However, the issue of displaced persons (DPs) in Europe in the immediate postwar period is often glossed over, or not discussed at all, in other studies and bodies of work written in English. In more general histories of Europe at this time, most texts will discuss World War II and the Holocaust up until liberation, and immediately begin discussing the post-war fallout in divided Germany in political and economic terms; rarely are the millions of DPs mentioned at all, and if they are, they are talked about in very broad terms. As well, in the few texts in English that do discuss the DP crisis in Europe, rarely is gender used as a category of analysis, nor are individual camps discussed in any great detail. -
Lithuania and the Jews the Holocaust Chapter
UNITED STATES HOLOCAUST MEMORIAL MUSEUM CENTER FOR ADVANCED HOLOCAUST STUDIES Lithuania and the Jews The Holocaust Chapter Symposium Presentations W A S H I N G T O N , D. C. Lithuania and the Jews The Holocaust Chapter Symposium Presentations CENTER FOR ADVANCED HOLOCAUST STUDIES UNITED STATES HOLOCAUST MEMORIAL MUSEUM 2004 The assertions, opinions, and conclusions in this occasional paper are those of the authors. They do not necessarily reflect those of the United States Holocaust Memorial Council or of the United States Holocaust Memorial Museum. First printing, July 2005 Copyright © 2005 United States Holocaust Memorial Museum Contents Foreword.......................................................................................................................................... i Paul A. Shapiro and Carl J. Rheins Lithuanian Collaboration in the “Final Solution”: Motivations and Case Studies........................1 Michael MacQueen Key Aspects of German Anti-Jewish Policy...................................................................................17 Jürgen Matthäus Jewish Cultural Life in the Vilna Ghetto .......................................................................................33 David G. Roskies Appendix: Biographies of Contributors.........................................................................................45 Foreword Centuries of intellectual, religious, and cultural achievements distinguished Lithuania as a uniquely important center of traditional Jewish arts and learning. The Jewish community -
Chance in the Art of Samuel Bak Pucker Gallery | Boston
1 IN THE ART OF CHANCE SAMUEL BAK PUCKER GALLERY | BOSTON 2 Incrementally, 2017 Oil on canvas 24 x 36” BK2051 3 In View of Events to Come, 2017 Oil on canvas 16 x 20” BK2037 IN THE ART OF CHANCE SAMUEL BAK ALBERT EINSTEIN FAMOUSLY SAID THAT GOD DOES NOT PLAY DICE WITH THE universe. Stephen Hawking replied that not only does God play dice, He sometimes confuses us by throwing them where they can’t be seen. Throughout nearly seven decades of artistic production, Samuel Bak has often used dice, within the confines of paper and canvas, as supporting characters. But in this series, they take center stage. He plays with them, deconstructs them, and makes the viewer search for them. He prompts us to ask if there’s more to the laws of the universe than the laws of chance. Dice are hardly new to human civilization. In Hindu mythology, the god Shiva plays dice with his consort, Parvati, and loses. Dice dating back nearly 5,000 years have been excavated in Iran and around the same period Egyptians played a dice game called Senet. The Romans were inveterate gamblers — in all four Gospels Roman soldiers cast lots for Jesus’s clothing at the foot of the cross. Dice were thrown in ancient China and Japan. Our English words — die for one cube, dice for two or more — come from the Latin datum, which means “something given.” In these paintings, Bak considers just what humanity has been given. 4 Humanity doesn’t get to look on from a safe distance. -
General Coporation Tax Allocation Percentage Report 2003
2003 General Corporation Tax Allocation Percentage Report Page - 1- @ONCE.COM INC .02 A AND J TITLE SEARCHING CO INC .01 @RADICAL.MEDIA INC 25.08 A AND L AUTO RENTAL SERVICES INC 1.00 @ROAD INC 1.47 A AND L CESSPOOL SERVICE CORP 96.51 "K" LINE AIR SERVICE U.S.A. INC 20.91 A AND L GENERAL CONTRACTORS INC 2.38 A OTTAVINO PROPERTY CORP 29.38 A AND L INDUSTRIES INC .01 A & A INDUSTRIAL SUPPLIES INC 1.40 A AND L PEN MANUFACTURING CORP 53.53 A & A MAINTENANCE ENTERPRISE INC 2.92 A AND L SEAMON INC 4.46 A & D MECHANICAL INC 64.91 A AND L SHEET METAL FABRICATIONS CORP 69.07 A & E MANAGEMENT SYSTEMS INC 77.46 A AND L TWIN REALTY INC .01 A & E PRO FLOOR AND CARPET .01 A AND M AUTO COLLISION INC .01 A & F MUSIC LTD 91.46 A AND M ROSENTHAL ENTERPRISES INC 51.42 A & H BECKER INC .01 A AND M SPORTS WEAR CORP .01 A & J REFIGERATION INC 4.09 A AND N BUSINESS SERVICES INC 46.82 A & M BRONX BAKING INC 2.40 A AND N DELIVERY SERVICE INC .01 A & M FOOD DISTRIBUTORS INC 93.00 A AND N ELECTRONICS AND JEWELRY .01 A & M LOGOS INTERNATIONAL INC 81.47 A AND N INSTALLATIONS INC .01 A & P LAUNDROMAT INC .01 A AND N PERSONAL TOUCH BILLING SERVICES INC 33.00 A & R CATERING SERVICE INC .01 A AND P COAT APRON AND LINEN SUPPLY INC 32.89 A & R ESTATE BUYERS INC 64.87 A AND R AUTO SALES INC 16.50 A & R MEAT PROVISIONS CORP .01 A AND R GROCERY AND DELI CORP .01 A & S BAGEL INC .28 A AND R MNUCHIN INC 41.05 A & S MOVING & PACKING SERVICE INC 73.95 A AND R SECURITIES CORP 62.32 A & S WHOLESALE JEWELRY CORP 78.41 A AND S FIELD SERVICES INC .01 A A A REFRIGERATION SERVICE INC 31.56 A AND S TEXTILE INC 45.00 A A COOL AIR INC 99.22 A AND T WAREHOUSE MANAGEMENT CORP 88.33 A A LINE AND WIRE CORP 70.41 A AND U DELI GROCERY INC .01 A A T COMMUNICATIONS CORP 10.08 A AND V CONTRACTING CORP 10.87 A A WEINSTEIN REALTY INC 6.67 A AND W GEMS INC 71.49 A ADLER INC 87.27 A AND W MANUFACTURING CORP 13.53 A AND A ALLIANCE MOVING INC .01 A AND X DEVELOPMENT CORP. -
EVERLYPEDIA (Formerly the Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie Van Varik
EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik EVERLYPEDIA PART 2 E to J Contact us re any omissions, corrections, amendments and/or additional information at: [email protected] E______________________________________________ EARL MAY SEED COMPANY - see: MAY SEED COMPANY, EARL and also KMA EASTWOOD, CLINT – Born 31st May 1930. There is a huge quantity of information about Clint Eastwood his life and career on numerous websites, books etc. We focus mainly on his connection to The Everly Brothers and in particular to Phil Everly plus brief overview of his career. American film actor, director, producer, composer and politician. Eastwood first came to prominence as a supporting cast member in the TV series Rawhide (1959–1965). He rose to fame for playing the Man with No Name in Sergio Leone’s Dollars trilogy of spaghetti westerns (A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly) during the 1960s, and as San Francisco Police Department Inspector Harry Callahan in the Dirty Harry films (Dirty Harry, Magnum Force, The Enforcer, Sudden Impact and The Dead Pool) during the 1970s and 1980s. These roles, along with several others in which he plays tough-talking no-nonsense police officers, have made him an enduring cultural icon of masculinity. Eastwood won Academy Awards for Best Director and Producer of the Best Picture, as well as receiving nominations for Best Actor, for his work in the films Unforgiven (1992) and Million Dollar Baby (2004). These films in particular, as well as others including Play Misty for Me (1971), The Outlaw Josey Wales (1976), Pale Rider (1985), In the Line of Fire (1993), The Bridges of Madison County (1995) and Gran Torino (2008), have all received commercial success and critical acclaim. -
THE ART of the QUESTION: Paintings by SAMUEL BAK PARDES II, 1994 Oil on Linen 51 X 77” BK311
THE ART OF THE QUESTION: Paintings by SAMUEL BAK PARDES II, 1994 Oil on Linen 51 X 77” BK311 Front Cover Image: TIMEPIECE, 1999 Oil on Canvas 32 X 40" BK735 CREDITS: Design: Leslie Anne Feagley • Editors: Destiny M. Barletta and Justine H. Choi • Photography: Samuel Bak and Keith McWilliams © 2009, Pucker Art Publications Printed in China by Cross Blue Overseas Printing Company THE ART of the QUESTION Paintings by SAMUEL BAK ACKNOWLEDGEMENTS ith the generous support of Pucker Gallery, AT DREW UNIVERSITY: Gabriele Hitl-Cohen, Director of the three institutions—Wabash College, Drew Korn Gallery; Sara Lynn Henry, Professor of Art History, University, and DePauw University—are col- Emerita and former Chair of the Art Department; Maxine laborating to bring to our campuses Samuel Beach and Anne Yardley, Deans of the Drew Theological Bak’s artwork. For both liberal arts and theological teaching School; Ann Saltzman, Director of the Center for Holocaust and learning, the art of Samuel Bak offers a unique oppor- and Genocide Studies; J. Terry Todd, Director of the Center tunity to engage students, faculty, staff, and our institutions’ for Religion, Culture, and Confl ict; Jonathan Golden, Direc- many publics with the questions rooted in our most basic tor of Hillel; Heather Murray Elkins, Chair of Religion and understandings of what it means to be Jew and Christian, the Arts at Drew; Andrew Scrimgeour, Director, and Ernest liberally educated citizens, and human beings. Just as Bak’s Rubinstein, Theological Librarian, of the Drew University work unites traditions and themes of artistic production Library; and James Hala, NEH Distinguished Professor of from Michelangelo to Mantegna, so too his paintings invite the Humanities. -
SAMUEL BAK - Born in 1933 in Lithuania to a Jewish Family)
SAMUEL BAK - born in 1933 in Lithuania to a Jewish family) - by the end of World War II, Samuel and his mother were the only members of his extensive family to survive the Holocaust. - 1948 he and his mother emigrated to Israel. - Since 1993 he lives in Boston, MA and his work is on display at the Pucker Gallery and at the Facing History Main Offices. Tuesday, October 11, 2011 Samuel Bakʼs Paintings Name:_______________________________Period:_____ Samuel Bak ! -born in_________ in _____________________ to a _____________________________. ! - by the end of World War II,___________________________________________________________________. ! - 1948 he and his mother emigrated to _________________________. ! - Since 1993 he lives in Boston, MA and his work is on display at the Pucker Gallery and the FHAO main offices. Elegy ! -_________________________________________________________________________________________. Discuss how W. H. Auden poem is an example of an elegy:__________________________________________________ _________________________________________________________________________________________________ Paintings Example- Elegy, 1997 Examples of Symbolism Interpretation / Meaning of Painting Overall Impression of the Painting 1- 2- 3- 1- Elegy III, 1997 Examples of Symbolism Interpretation / Meaning of Painting Overall Impression of the Painting 1- 2- 3- 2- Flight From Berlin, 1990-91 Examples of Symbolism Interpretation / Meaning of Painting Overall Impression of the Painting 1- 2- 3- 3- Keeper of Secrets, 1994 Examples of Symbolism -
Witness: the Art of Samuel Bak, Resources for Teachers
University of Nebraska at Omaha DigitalCommons@UNO Teacher Education Faculty Publications Department of Teacher Education 2019 Witness: The Art of Samuel Bak, Resources for Teachers Connie Schaffer Follow this and additional works at: https://digitalcommons.unomaha.edu/tedfacpub Part of the Teacher Education and Professional Development Commons Creation of Wartime III, 1999-2008 Oil on canvas, 50 x 75” Resources for Teachers Extend the experience: Teachers, we are pleased to provide educational resources to accompany Witness: The Art of Samuel Bak. These resources will allow you to extend the discussion of Samuel Bak’s art beyond the exhibit tour. The materials are designed to be used with students who attended the exhibit and can also be used to introduce Samuel Bak’s art to students who could not visit the gallery and with your future classes. Try something new: As a teacher, we recognize you may be primarily drawn to the exhibit, a certain painting, or a symbol by your area of expertise. However, understanding how other disciplines approach Bak’s art can draw you and your students more deeply into the paintings and may prove to be quite enlightening. The strategies listed here can be implemented in varied content areas, and we hope you consider trying a strategy not commonly used within your discipline. Instructional Strategies The following instructional strategies reference exhibit catalogue page numbers, specific paintings, and content. Paintings are also referenced by title if you prefer to access online exhibit images (http://bit.ly/UNOTEDBak). Reading Visual Text: (individual and small group analysis, small and whole group discussion) Background information Samuel Bak’s paintings tell a story and provide witness to the trauma he experienced as a child. -
Still, Life.5
Samuel BAK PUCKER GALLERY . BOSTON . 2006 Still, life... Recent Paintings by Samuel Bak By Saul Touster & Irene Tayler n the history of Western art there are a number of artists, especially since the Renaissance, who have come to be identified Iby their still life paintings: Chardin, Cezanne, Morandi. Although a late-comer as a genre, the modern still life has effected major changes in technique and style in art and shifts in cultural consciousness. For example, cubism evolved mainly through still life painting, from Cezanne’s radical vision to Picasso’s and Braque’s experiments, and moved from being avant garde to become a popular visual sensibility. It is too early to say whether Sam Bak’s work in still life is to stand among the works of those artists. But it is time enough to see that in his still lifes – which are a major part of his oeuvre – he is working significant changes and challenges in the moral environment of Western art. Bak works under the influence of the great tradition in Western art, as has been widely recognized in his painterly style and his appropri- ation of images from great artists of the past. His Genesis paintings were centered on Michelangelo’s imagery in both God’s creation of man – His extended arm and finger – and the Fall as He drove Adam and Eve from the Garden. Likewise, the Dürer figure of Melancholia moves through his paintings as the somber, contempla- tive angel puzzled over the troubled and troubling world viewing its scenes of ruin. Moreover, despite the unique vision of his work, Bak’s still lifes reflect in both theme and technique the influence of two great periods in the history of the genre: 17th century Dutch still lifes, especially the vanitas paintings, and early 20th century Italian artists of the so-called Metaphysicals, Morandi and de Chirico. -
Is There a Life Lesson in the Dedication of the Bak Museum?
Is there a life lesson in the dedication of the Bak Museum in Vilna on 16 November 2017? Matters of return and remembering, openness and generosity, repressing and dreaming all filled our days in Vilna as we accompanied Sam Bak for the realization of a promise. Some seven years ago, as Samuel Bak was sharing his childhood of potential and despair with his grandson, he was called to meet the Prime Minister of Lithuania. In this moment, Bak decided that if there were to be a museum dedicated to his art, it should be in his birthplace. He committed to donate a substantial and comprehensive collection of his art to this endeavor, but many disparate pieces of the puzzle needed to be considered: • The Tolerance Center of the Vilna Gaon State Jewish Museum • The extensive and impressive body of Bak's art spanning six decades • The profound friendship between Rimantas Stankevicius and Bak • The leadership of the brothers Zingeris: Emanuelis and Markas • The availability and full commitment of the Pucker Gallery and its staff As in all of life, timing and luck, vision and hard and creative work must coalesce; then health and good will can move an idea to realization. For more than six years, staff and professionals in Boston and in Vilna worked to establish a unique space and opportunity—a place and chance to remember the fractured past via the challenging visual language that Bak has created, to project an unending and unanswered series of human questions. Humankind's extraordinary capacity for evil and for good is at the center of all of Bak's art. -
Exhibition History 1919-1998
Exhibitions at The Phillips Collection, 1919-1998 [Excerpted from: Passantino, Erika D. and David W. Scott, eds. The Eye of Duncan Phillips: a collection in the making. Washington D.C.: The Phillips Collection, 1999.] This document includes names and dates of exhibitions created by and/or shown at The Phillips Collection. Most entries also include the number of works in each show and brief description of related published materials. 1919 DP.1919.1* "A Group of Paintings From the Collection of our Fellow Member Duncan Phillips. Century, New York. May 18-June 5. 30 works. Partially reconstructed chklst. 1920 DP.1920.1* "Exhibition of Selected Paintings from the Collections of Mrs. D. C. Phillips and Mr. Duncan Phillips of Washington." Corcoran, Washington, D.C. Mar. 3-31. 62 works. Cat. DP.1920.2* "A Loan Exhibition from the Duncan Phillips Collection." Knoedler, New York. Summer. 36 works. Chklst. PMAG.1920.3* "Selected Paintings from the Phillips Memorial Art Gallery." Century, New York. Nov. 20, 1920-Jan. 5, 1921. 43 works (enlarged to 45 by Dec. 20). Cat. 1921 Phillips organized no exhibitions in 1921, spending most of his time preparing for the opening of his gallery. He showed his collection by scheduled appointment only. 1922 PMAG.1922. [Opening Exhibition]. Main Gallery. Feb. 1-opening June 1, 1922. Partially reconstructed chklst. PMAG.1922.1* "Exhibition of Oil Paintings by American Artists Loaned by the Phillips Memorial Art Gallery, Washington, D.C." L.D.M. Sweat Memorial Art Museum, Portland, Maine. Feb. 4-15. 22 works. Cat. PMAG.1922.2 "Second Exhibition of the Phillips Memorial Art Gallery." Main Gallery.