A Short History of Horror Films

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A Short History of Horror Films Part III: 1936-1950 A Timeline of Horrors (-1950) 1910 1920 1930 1940 1950 European Tales American of Terror Monsters A Timeline of Horrors (1950-) 1950 1960 1970 1980 1990 2000 British Hollywood Video and Euro-Horror Horror Devilry Violence 1 The Decline of the Movie Horrors After the Monsters (1936-1950) The Ghost Breakers The Ghost Breakers, 1940 D: George Marshall A: Bob Hope, Paulette Godard The Uninvited The Uninvited, 1941 D: Lewis Allen A: Ray Milland 2 Cat People Cat People, 1942 D: Jacques Tourneur A: Simone Simon (Irena) I Walked With a Zombie I Walked with a Zombie, 1943 D: Jacques Tourneur, P: Val Lewton Seventh Victim The Seventh Victim, 1943 D: Mark Robson, P: Val Lewton A: Kim Hunter 3 Curse of the Cat People The Curse of the Cat People, 1944 D: Robert Wise, Gunther von Fritsch A: Simone Simon (Irena), Julia Dean Body Snatcher The Body Snatcher, 1945 D: Robert Wise; S: Robert Louis Stevenson A: Boris Karloff, Bela Lugosi, Henry Daniell Picture of Dorian Gray The Picture of Dorian Gray, 1945 D: Albert Lewin; N: Oscar Wilde A: George Sanders, Angela Lansbury 4 and Ivan Albright Dead of Night Dead of Night, 1945 D: Cavalcanti, Crichton, Dearden, Hamer, S: E.F. Benson, H.G. Wells A: Basil Radford, Michael Redgrave Strangler of the Swamp Strangler of the Swamp, 1946 D: Frank Wisbar A: Rosemary LaPlanche 5 The Beast with Five Fingers The Beast with Five Fingers, 1946 D: Robert Florey, S: William Fryer Harvey A: Peter Lorre Spiral Staircase The Spiral Staircase, 1946 D: Robert Siodmak A: Dorothy McGuire, Ethel Barrymore, Elsa Lanchester Abbott and Costello Meet Frankenstein Abbott and Costello Meet Frankenstein, 1948 D: Charles T. Barton A: Bud Abbott, Lou Costello, Bela Lugosi (Dracula), Lon Chaney Jr. (Wolfman) Glenn Strange (Monster) 6.

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Papers of Val Lewton [Finding Aid]. Library of Congress
Val Lewton A Register of His Papers in the Library of Congress Prepared by Mary A. Lacy Revised by Mary A. Lacy with the assistance of Michael W. Giese Manuscript Division, Library of Congress Washington, D.C. 2003 Contact information: http://lcweb.loc.gov/rr/mss/address.html Finding aid encoded by Library of Congress Manuscript Division, 2004 Finding aid URL: http://hdl.loc.gov/loc.mss/eadmss.ms004005 Latest revision: 2004-07-01 Collection Summary Title: Papers of Val Lewton Span Dates: 1924-1982 Bulk Dates: (bulk 1926-1951) ID No.: MSS81531 Creator: Lewton, Val Extent: 90 items; 3 containers plus 4 oversize; 6.2 linear feet; 5 microfilm reels Language: Collection material in English Repository: Manuscript Division, Library of Congress, Washington, D.C. Abstract: Motion picture producer, screenwriter, and novelist. Correspondence, film scripts, scrapbooks, and other papers pertaining chiefly to Lewton's career as a publicity writer and as a story editor for David O. Selznick at Metro-Goldwyn-Mayer (1928-1942); as scriptwriter and producer of Cat People and other horror films for RKO Radio Pictures (1942-1947); and as novelist, especially as author of No Bed of Her Own (1932). Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. Names: Lewton, Val Selznick, David O., 1902-1965 Metro-Goldwyn-Mayer RKO Radio Pictures, inc. Lewton, Val. No bed of her own (1932) Subjects: Cat people (Motion picture) Horror films Motion picture industry--United States Publicity Occupations: Motion picture producers and directors Novelists Screenwriters Administrative Information Provenance: The papers of Val Lewton, motion picture producer, screenwriter, and novelist, were given to the Library of Congress by his son, Val Edwin Lewton, in 1992.
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Ihe Museum of Modern Art No. 11 jest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Saturday, February 6, I965 FOR IMMEDIATE RELEASE The Museum of Modern Art Film Library will present THE HORROR FILM, a series of 20 films, from February 7 through April, 18. Selected by Arthur L. Mayer, the series is planned as a representative sampling, not a comprehensive survey, of the horror genre. The pictures range from the early German fantasies and legends, THE CABINET OF DR. CALIGARI (I9I9), NOSFERATU (1922), to the recent Roger Corman-Vincent Price British series of adaptations of Edgar Allan Poe, represented here by THE MASQUE OF THE RED DEATH (I96IO. Milestones of American horror films, the Universal series in the 1950s, include THE PHANTOM OF THE OPERA (1925), FRANKENSTEIN (1951), his BRIDE (l$55), his SON (1929), and THE MUMMY (1953). The resurgence of the horror film in the 1940s, as seen in a series produced by Val Lewton at RR0, is represented by THE CAT PEOPLE (19^), THE CURSE OF THE CAT PEOPLE (19^4), I WALKED WITH A ZOMBIE (19*£), and THE BODY SNAT0HER (19^5). Richard Griffith, Director of the Film Library, and Mr. Mayer, in their book, The Movies, state that "In true horror films, the archcriminal becomes the archfiend the first and greatest of whom was undoubtedly Lon Chaney. ...The year Lon Chaney died [1951], his director, Tod Browning,filmed DRACULA and therewith launched the full vogue of horror films. What made DRACULA a turning-point was that it did not attempt to explain away its tale of vampirism and supernatural horrors.
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