THE COLD BAY-CHIGNIK DISTRICT. by W. R. SMITH and ARTHUR A
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Glossary Glossary
Glossary Glossary Albedo A measure of an object’s reflectivity. A pure white reflecting surface has an albedo of 1.0 (100%). A pitch-black, nonreflecting surface has an albedo of 0.0. The Moon is a fairly dark object with a combined albedo of 0.07 (reflecting 7% of the sunlight that falls upon it). The albedo range of the lunar maria is between 0.05 and 0.08. The brighter highlands have an albedo range from 0.09 to 0.15. Anorthosite Rocks rich in the mineral feldspar, making up much of the Moon’s bright highland regions. Aperture The diameter of a telescope’s objective lens or primary mirror. Apogee The point in the Moon’s orbit where it is furthest from the Earth. At apogee, the Moon can reach a maximum distance of 406,700 km from the Earth. Apollo The manned lunar program of the United States. Between July 1969 and December 1972, six Apollo missions landed on the Moon, allowing a total of 12 astronauts to explore its surface. Asteroid A minor planet. A large solid body of rock in orbit around the Sun. Banded crater A crater that displays dusky linear tracts on its inner walls and/or floor. 250 Basalt A dark, fine-grained volcanic rock, low in silicon, with a low viscosity. Basaltic material fills many of the Moon’s major basins, especially on the near side. Glossary Basin A very large circular impact structure (usually comprising multiple concentric rings) that usually displays some degree of flooding with lava. The largest and most conspicuous lava- flooded basins on the Moon are found on the near side, and most are filled to their outer edges with mare basalts. -
Martian Crater Morphology
ANALYSIS OF THE DEPTH-DIAMETER RELATIONSHIP OF MARTIAN CRATERS A Capstone Experience Thesis Presented by Jared Howenstine Completion Date: May 2006 Approved By: Professor M. Darby Dyar, Astronomy Professor Christopher Condit, Geology Professor Judith Young, Astronomy Abstract Title: Analysis of the Depth-Diameter Relationship of Martian Craters Author: Jared Howenstine, Astronomy Approved By: Judith Young, Astronomy Approved By: M. Darby Dyar, Astronomy Approved By: Christopher Condit, Geology CE Type: Departmental Honors Project Using a gridded version of maritan topography with the computer program Gridview, this project studied the depth-diameter relationship of martian impact craters. The work encompasses 361 profiles of impacts with diameters larger than 15 kilometers and is a continuation of work that was started at the Lunar and Planetary Institute in Houston, Texas under the guidance of Dr. Walter S. Keifer. Using the most ‘pristine,’ or deepest craters in the data a depth-diameter relationship was determined: d = 0.610D 0.327 , where d is the depth of the crater and D is the diameter of the crater, both in kilometers. This relationship can then be used to estimate the theoretical depth of any impact radius, and therefore can be used to estimate the pristine shape of the crater. With a depth-diameter ratio for a particular crater, the measured depth can then be compared to this theoretical value and an estimate of the amount of material within the crater, or fill, can then be calculated. The data includes 140 named impact craters, 3 basins, and 218 other impacts. The named data encompasses all named impact structures of greater than 100 kilometers in diameter. -
Charlie Daniels Bio
CHARLIE DANIELS BIO Charlie Daniels is partly Western and partly Southern. His signature “bull rider” hat and belt buckle, his lifestyle on Twin Pines Ranch (a boyhood dream come true), his love of horses, cowboy lore and the heroes of championship rodeo, Western movies, and Louis L’Amour novels, identify him as a Westerner. The son of a lumberjack and a Southerner by birth, his music - rock, country, bluegrass, blues, gospel — is quintessentially Southern. It hasn’t been so much a style of music, but more the values consistently reflected in several styles that have connected Charlie Daniels with millions of fans. For decades, he has steadfastly refused to label his music as anything other than “CDB music,” music that has been popularized on a variety of radio formats. Like so many great American success stories, the Charlie Daniels saga begins in rural obscurity. Born in 1936 in Wilmington, North Carolina, he was raised on a musical diet that included Pentecostal gospel, local bluegrass bands, and the rhythm & blues and country music emanating respectively from Nashville’s 50,000-watt mega broadcasters WLAC and WSM. While enroute to California in 1959 the group paused in Texas to record “Jaguar,” an instrumental produced by the Bob Johnston, which was picked up for national distribution by Epic. The two wrote “It Hurts Me,” which became the B-side of a 1964 Presley hit. In 1969, Daniels moved to middle Tennessee to find work as a session guitarist in Nashville. Among his more notable sessions were the Bob Dylan albums of 1969-70 Nashville Skyline, New Morning, and Self Portrait. -
Bio 2018 Charlie Daniels
CHARLIE DANIELS Bio 2018 www.charliedaniels.com www.twitter.com/charliedaniels www.youtube.com/charliedanielsvideos www.facebook.com/charliedanielsband www.instaGram.com/thecharliedanielsband From his Dove Award winning gospel albums to his genre-defining Southern rock anthems and his CMA Award-winning country hits, few artists have left a more indelible mark on America’s musical landscape than Charlie Daniels. An outspoken patriot, beloved mentor to young artists and still a road warrior at age 80, Charlie has parlayed his passion for music into a multi-platinum career and a platform to support the military, underprivileged children and others in need. Raised among the longleaf pines of North Carolina, Charlie began his career playing bluegrass music with the Misty Mountain Boys. After moving to Nashville in 1967, he began making a name for himself as a songwriter, session musician and producer. Elvis Presley recorded a tune Charlie co-wrote titled “It Hurts Me,” which was released on the flip side of “Kissin’ Cousins.” He played on such landmark albums as Bob Dylan’s Nashville Skyline and tried his hand at producing the Youngbloods’ Elephant Mountain and Ride the Wind. His own unique voice as an artist emerged as Charlie recorded his self-titled solo album in 1970 for Capitol Records. Two years later he formed the Charlie Daniels Band and the group scored its first hit with the top ten “Uneasy Rider.” Since then the CDB has populated radio with such memorable hits as “Long Haired Country Boy,” “The South’s Gonna Do It Again,” “In America,” “The Legend of Wooley Swamp” and of course, his signature song, “The Devil Went Down to Georgia,” which won a Grammy for Best Country Vocal Performance by a Duo or Group in 1979 as well as single of the year at the Country Music Association Awards. -
Jesse Colin Young, Critically Acclaimed Solo Artist and Lead
Jesse Colin Young, critically acclaimed solo artist and lead singer of the legendary classic rock band, The Youngbloods, took the nation by storm when The Youngblood's single “Get Together” became a worldwide Top 10 hit and a prominent soundtrack for peace. After seven group releases, Young began the production of more than 15 acclaimed solo albums including Song for Juli, Light Shine, Songbird and a live album with his great touring band titled On the Road. In 2005 he released the most comprehensive collection of his music to date—The Very Best of Jesse Colin Young. For the first-time ever, songs from his solo career as well as hits from The Youngbloods were placed in two CD package. Jesse was born and raised in Queens, New York in 1941, with his earliest family memories being filled with the joy of music and celebration. His mother was a violinist with a beautiful singing voice and perfect pitch. His father was a Harvard educated accountant with a passion for classical music. Along with his older sister, the family spent evenings gathered around the piano singing Harvard fight songs and other lively tunes. In 1959 the talented student won a scholarship to Phillips Andover. The rigorous curriculum and strict discipline the school required ultimately resulted in Jesse being kicked out of the exclusive academy—an event which forever changed the course of his life. The blues were calling his name and the next few years were spent exploring the music of T-Bone Walker, John Lee Hooker and Muddy Waters for inspiration and consolation. -
Proposed Miscellaneous Rule Revisions
DEPARTMENT OF AGRICULTURE, CONSERVATION AND FORESTRY MAINE LAND USE PLANNING COMMISSION PROPOSED MISCELLANEOUS RULE REVISIONS Comment Draft The following revisions propose amendments to Chapter 10, land Use Subdistricts and Standards for areas within the Jurisdiction of the Maine Land Use Planning Commission. This document only includes relevant sections of Chapter 10, indicates additions in underline, deletions as strikethroughs, and relocations as double underline and double strikethroughs. Generally, these revisions include the following data corrections for one or more listings: ‐ Lake identification numbers; ‐ Resource ratings, resource class, land use designations, or management classification; ‐ Alphabetical order; ‐ Columnar data shifts; ‐ Minor civil division and lake name changes; and ‐ Improve legibility by changing font and adding border; and ‐ Add a footnote for lakes with more than one management class ALPHABETICAL LIST OF LAKES SHOWING WILDLANDS LAKE ASSESSMENT FINDINGS IF&W SIZE RESOURCE RATINGS RESOURCE LAND USE MGNT PRINCIPAL LAKE NAME LAKE # TOWN NAME REG (AC) FSH WLD SC SH BOT CLT PHY CLASS ACCESS DEV CLASS ABBIE P 3360 BOWMANTOWN TWP D 12 S 2 AC DEV ABOL DEADWATER 2058 T02 R10 WELS F 150 O S S 1B AC UNDEV ACKLEY P 2200 MOUNT CHASE F 19 S 2 AC UNDEV ALDER L 1778 T11 R04 WELS G 160 3 AC UNDEV ALDER P 0120 T03 R05 BKP WKR D 108 3 INAC UNDEV ALDER P 2504 ALDER BROOK TWP E 37 S S S 2 AC UNDEV ALLAGASH L 9787 T08 R14 WELS E 4260 O O O O S O 1A AC UNDEV 2 ALLAGASH P 2970 T09 R15 WELS G 89 S S 2 AC UNDEV ALLEN P 4516 T35 -
Water on the Moon, III. Volatiles & Activity
Water on The Moon, III. Volatiles & Activity Arlin Crotts (Columbia University) For centuries some scientists have argued that there is activity on the Moon (or water, as recounted in Parts I & II), while others have thought the Moon is simply a dead, inactive world. [1] The question comes in several forms: is there a detectable atmosphere? Does the surface of the Moon change? What causes interior seismic activity? From a more modern viewpoint, we now know that as much carbon monoxide as water was excavated during the LCROSS impact, as detailed in Part I, and a comparable amount of other volatiles were found. At one time the Moon outgassed prodigious amounts of water and hydrogen in volcanic fire fountains, but released similar amounts of volatile sulfur (or SO2), and presumably large amounts of carbon dioxide or monoxide, if theory is to be believed. So water on the Moon is associated with other gases. Astronomers have agreed for centuries that there is no firm evidence for “weather” on the Moon visible from Earth, and little evidence of thick atmosphere. [2] How would one detect the Moon’s atmosphere from Earth? An obvious means is atmospheric refraction. As you watch the Sun set, its image is displaced by Earth’s atmospheric refraction at the horizon from the position it would have if there were no atmosphere, by roughly 0.6 degree (a bit more than the Sun’s angular diameter). On the Moon, any atmosphere would cause an analogous effect for a star passing behind the Moon during an occultation (multiplied by two since the light travels both into and out of the lunar atmosphere). -
Music Festival Continues
«Sk «»S»^L-iU*e-> :r^s^^l&??Sfe^ -i'-i..---/"'-*:^.„***%."£ '^*^K'*'t!~*'' ^^WKjtr*sSi*M(r«r. ^•sfStfS&Sag^J^V^S^St*" Tj^ggaKSBPS^S -**'-',""' -x^-.-*>,--- K--i~ >-\\-v--;iy J"- >. V / ^. Music Festival Continues • There are still EIGHT events forthcoming Bock Discusses Art and Science in the SPRING MUSIC FESTIVAL, by Rosa Cerrato are you buying it now ana not yesterday or a asked if he had any stock io recommend? presented by the Music Department. Even if month ago. You also had a form filled in Mr. Zicklin answered,that he always shied you have missed hearing a Beethoven piano by Peter Coringrato and Sheila Lithco Room 204B was the place where "money central which went into all this in greater away from that^ because it can get sonata; From the Diary of a Fly (Yes!) by talked and nobody walked," that is nobody detail. You bad cash positions, if you dangerous. Another question was that .The Relationship Between Renaissance FINAL NOTICE Bela Bartok for piano solo; a concert ver ideals. It was not until the Renaissance that walked away from the discussion. I guess thought the department was going down you . everybody tells you when to buy stocks but sion (with minimal choreography) of that Art and Science was discussed before the man begins to concern himself with per money is' one of those topics mat you just couldn't have 100 per cent cash because the not when to get out? He answered "Does it phenomenal non-book TRIBAL-LOVE- Baruch History Society on~ Thursday April spectives in art - that is the focus upon man can't walk away from. -
Lick Observatory Records: Photographs UA.036.Ser.07
http://oac.cdlib.org/findaid/ark:/13030/c81z4932 Online items available Lick Observatory Records: Photographs UA.036.Ser.07 Kate Dundon, Alix Norton, Maureen Carey, Christine Turk, Alex Moore University of California, Santa Cruz 2016 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Lick Observatory Records: UA.036.Ser.07 1 Photographs UA.036.Ser.07 Contributing Institution: University of California, Santa Cruz Title: Lick Observatory Records: Photographs Creator: Lick Observatory Identifier/Call Number: UA.036.Ser.07 Physical Description: 101.62 Linear Feet127 boxes Date (inclusive): circa 1870-2002 Language of Material: English . https://n2t.net/ark:/38305/f19c6wg4 Conditions Governing Access Collection is open for research. Conditions Governing Use Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. Preferred Citation Lick Observatory Records: Photographs. UA36 Ser.7. Special Collections and Archives, University Library, University of California, Santa Cruz. Alternative Format Available Images from this collection are available through UCSC Library Digital Collections. Historical note These photographs were produced or collected by Lick observatory staff and faculty, as well as UCSC Library personnel. Many of the early photographs of the major instruments and Observatory buildings were taken by Henry E. Matthews, who served as secretary to the Lick Trust during the planning and construction of the Observatory. -
Summary of Sexual Abuse Claims in Chapter 11 Cases of Boy Scouts of America
Summary of Sexual Abuse Claims in Chapter 11 Cases of Boy Scouts of America There are approximately 101,135sexual abuse claims filed. Of those claims, the Tort Claimants’ Committee estimates that there are approximately 83,807 unique claims if the amended and superseded and multiple claims filed on account of the same survivor are removed. The summary of sexual abuse claims below uses the set of 83,807 of claim for purposes of claims summary below.1 The Tort Claimants’ Committee has broken down the sexual abuse claims in various categories for the purpose of disclosing where and when the sexual abuse claims arose and the identity of certain of the parties that are implicated in the alleged sexual abuse. Attached hereto as Exhibit 1 is a chart that shows the sexual abuse claims broken down by the year in which they first arose. Please note that there approximately 10,500 claims did not provide a date for when the sexual abuse occurred. As a result, those claims have not been assigned a year in which the abuse first arose. Attached hereto as Exhibit 2 is a chart that shows the claims broken down by the state or jurisdiction in which they arose. Please note there are approximately 7,186 claims that did not provide a location of abuse. Those claims are reflected by YY or ZZ in the codes used to identify the applicable state or jurisdiction. Those claims have not been assigned a state or other jurisdiction. Attached hereto as Exhibit 3 is a chart that shows the claims broken down by the Local Council implicated in the sexual abuse. -
The Youngbloods the Best of the Youngbloods Mp3, Flac, Wma
The Youngbloods The Best Of The Youngbloods mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Best Of The Youngbloods Country: US Released: 1990 MP3 version RAR size: 1852 mb FLAC version RAR size: 1867 mb WMA version RAR size: 1789 mb Rating: 4.6 Votes: 542 Other Formats: ASF VQF DMF RA MIDI AU AIFF Tracklist Hide Credits Get Together 1 4:35 Written-By – Chet Powers Darkness, Darkness 2 3:48 Written-By – Young* Sunlight 3 3:07 Written-By – Young* Grizzly Bear 4 2:21 Written-By – Jerry Corbitt Euphoria 5 2:15 Written-By – Remailly The Wine Song 6 2:41 Written-By – Young* C.C. Rider 7 2:35 Written-By – Unknown Artist Sugar Babe 8 2:11 Written-By – Young*, Unknown Artist Sham 9 2:45 Written-By – Young* Quicksand 10 2:42 Music By – Young*Words By – Young*, Levinger* Companies, etc. Manufactured By – BMG Music Distributed By – BMG Music Credits Producer – Bob Cullen (tracks: 9, 10), Charles E. Daniels* (tracks: 2,3), Felix Pappalardi (tracks: 1, 4, to 7), The Youngbloods (tracks: 5, 8, 9, 10) Remastered By – Rick Rowe Notes Digital producers: Don Wardell, Susan Ruskin. Barcode and Other Identifiers Barcode: 0 7863 53280 2 Other versions Category Artist Title (Format) Label Category Country Year The Best Of The RCA LSP-4399 The Youngbloods Youngbloods (LP, Comp, LSP-4399 US 1970 Victor Hol) The Best Of The RCA LSP-4399 The Youngbloods Youngbloods (LP, Comp, LSP-4399 US 1970 Victor Ind) The Best Of The LSP-4399 The Youngbloods RCA LSP-4399 Canada 1970 Youngbloods (LP, Comp) The Best Of The RCA, 3280-2-R The Youngbloods Youngbloods -
304 Index Index Index
_full_alt_author_running_head (change var. to _alt_author_rh): 0 _full_alt_articletitle_running_head (change var. to _alt_arttitle_rh): 0 _full_article_language: en 304 Index Index Index Adamson, Robert (1821–1848) 158 Astronomische Gesellschaft 216 Akkasbashi, Reza (1843–1889) viiii, ix, 73, Astrolog 72 75-78, 277 Astronomical unit, the 192-94 Airy, George Biddell (1801–1892) 137, 163, 174 Astrophysics xiv, 7, 41, 57, 118, 119, 139, 144, Albedo 129, 132, 134 199, 216, 219 Aldrin, Edwin Buzz (1930) xii, 244, 245, 248, Atlas Photographique de la Lune x, 15, 126, 251, 261 127, 279 Almagestum Novum viii, 44-46, 274 Autotypes 186 Alpha Particle Spectrometer 263 Alpine mountains of Monte Rosa and BAAS “(British Association for the Advance- the Zugspitze, the 163 ment of Science)” 26, 27, 125, 128, 137, Al-Biruni (973–1048) 61 152, 158, 174, 277 Al-Fath Muhammad Sultan, Abu (n.d.) 64 BAAS Lunar Committee 125, 172 Al-Sufi, Abd al-Rahman (903–986) 61, 62 Bahram Mirza (1806–1882) 72 Al-Tusi, Nasir al-Din (1202–1274) 61 Baillaud, Édouard Benjamin (1848–1934) 119 Amateur astronomer xv, 26, 50, 51, 56, 60, Ball, Sir Robert (1840–1913) 147 145, 151 Barlow Lens 195, 203 Amir Kabir (1807–1852) 71 Barnard, Edward Emerson (1857–1923) 136 Amir Nezam Garusi (1820–1900) 87 Barnard Davis, Joseph (1801–1881) 180 Analysis of the Moon’s environment 239 Beamish, Richard (1789–1873) 178-81 Andromeda nebula xii, 208, 220-22 Becker, Ernst (1843–1912) 81 Antoniadi, Eugène M. (1870–1944) 269 Beer, Wilhelm Wolff (1797–1850) ix, 54, 56, Apollo Missions NASA 32, 231, 237, 239, 240, 60, 123, 124, 126, 130, 139, 142, 144, 157, 258, 261, 272 190 Apollo 8 xii, 32, 239-41 Bell Laboratories 270 Apollo 11 xii, 59, 237, 240, 244-46, 248-52, Beg, Ulugh (1394–1449) 63, 64 261, 280 Bergedorf 207 Apollo 13 254 Bergedorfer Spektraldurchmusterung 216 Apollo 14 240, 253-55 Biancani, Giuseppe (n.d.) 40, 274 Apollo 15 255 Biot, Jean Baptiste (1774–1862) 1,8, 9, 121 Apollo 16 240, 255-57 Birt, William R.