DOCSLIB.ORG

Dionne Reservations for Two Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dionne Reservations for Two Mp3, Flac, Wma Dionne Reservations For Two mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul / Pop Album: Reservations For Two Country: UK & Europe Released: 1987 Style: Soul-Jazz, Neo Soul, Easy Listening MP3 version RAR size: 1993 mb FLAC version RAR size: 1831 mb WMA version RAR size: 1733 mb Rating: 4.7 Votes: 152 Other Formats: MP4 VOC VQF ADX APE WMA FLAC Tracklist Hide Credits Love Power Backing Vocals – Joe Pizulo*, Tim FeehanBass – Nathan EastContractor [Musical Contractor] – Frank DecaroDrums – Carlos VegaEngineer [Additional] – Gary Wagner , Tommy VicariEngineer, Mixed By – Mick GuzauskiGuitar – Dann HuffKeyboards – Greg A1 4:32 PhillinganesProgrammed By [Synthesizer Programming] – David BoruffSoloist, Alto Saxophone – Kenny G Synthesizer – David FosterSynthesizer [Added Synthesizer] – Burt Bacharach, Robbie BuchananVocals [Duet With] – Jeffrey OsborneWritten-By, Producer – Burt Bacharach, Carole Bayer Sager Close Enough Backing Vocals – David Lasley, James Ingram, Kevin Dorsey, Phil Perry Drums – John "J.R." Robinson*Engineer – Daren KleinMixed By [Mix Engineer] – Mick GuzauskiPercussion – A2 4:11 Paulinho Da CostaPerformer [All Instruments Except Drums And Percussion Played By] – Aaron Zigman, Jerry KnightProducer, Arranged By [Musical Bridge Arranged By] – Aaron Zigman, Jerry KnightWritten-By – David Lasley, Willie Wilcox You're My Hero Arranged By – Gene PageBacking Vocals – Alfie Silas, Howard Smith, Ivory Stone, Pat Henley*, Robert HenleyBass – Nathan EastDrums – Ed Greene Engineer – Russ A3 TerranaKeyboards – Reginald Burke*Mixed By [Mix Engineer] – Daren Klein, Smokey 4:41 RobinsonProducer – Smokey RobinsonSaxophone – David Li*Synthesizer – William BryantVocals [Duet With] – Smokey RobinsonWritten-By – Ivory Stone, William "Smokey" Robinson* In A World Such As This Backing Vocals – Joe Pizulo*, Tim FeehanBass – Neil StubenhausDrums – John "J.R." Robinson*Engineer [Additional] – Daren Klein, Frank DecaroEngineer, Mixed By – Mick A4 4:16 GuzauskiGuitar – Dann HuffKeyboards – Randy KerberSoloist, Saxophone – David BoruffSynthesizer – Burt Bacharach, Michael BoddickerWritten-By – Bruce Roberts, Burt Bacharach, Carole Bayer Sager Another Chance To Love Drums – John "J.R." Robinson*Engineer – Daren KleinMixed By [Mix Engineer] – Mick A5 GuzauskiPercussion – Paulinho Da CostaPerformer [All Instruments Except Drums And 4:08 Percussion Played By] – Aaron Zigman, Jerry KnightProducer – Aaron Zigman, Jerry KnightVocals [Duet With] – Howard HewettWritten-By – Albert Hammond, Sue Shifrin Reservations For Two Arranged By [Strings And Horn] – Gene PageBacking Vocals – Dionne Warwick, Yogi LeeBass – Nathan EastCoordinator [Prodcution Coordinator] – Russell SidelskyDrums – Paul LeimEngineer [Additional] – Calvin Harris , Russ TerranaEngineer [Assistant] – Bob B1 Loftus, John Dranchak, Larry Smith, Steve James , Steve MacMillian*Engineer, Mixed By – 4:22 Darroll GustamachioGuitar – Dann HuffKeyboards, Synthesizer – Greg PhillinganesKeyboards, Synthesizer, Drums – KashifPercussion – Bashiri JohnsonProducer, Arranged By [Rhythm] – KashifProgrammed By [Synthesizer] – Larry WilliamsVocals [Duet With], Backing Vocals – KashifWritten-By – Gary Prim, Nathan East, Tena Clark Cry On Me Drums – John "J.R." Robinson*Engineer – Daren KleinMixed By [Mix Engineer] – Mick B2 GuzauskiPercussion – Paulinho Da CostaPerformer [All Instruments Except Drums, 4:09 Percussion And Saxophone Played By] – Aaron Zigman, Jerry KnightSoloist, Saxophone – Larry WilliamsWritten-By – Aaron Zigman, Jerry Knight Heartbreak Of Love Bass – Nathan EastContractor [Musical Contractor] – Frank DecaroDrums – Carlos VegaEngineer [Additional] – Daren KleinEngineer [Assistant] – Gary Wagner , Marnie B3 3:53 RileyEngineer, Mixed By – Mick GuzauskiKeyboards – Greg PhillinganesProducer – Burt Bacharach, Carole Bayer SagerSynthesizer – Randy KerberVocals [Duet With] – June PointerWritten-By – Burt Bacharach, Carole Bayer Sager, Diane Warren For Everything You Are Coordinator [Production Coordination] – Russell SidelskyDrums – Paul LeimEngineer [Assistant] – John Dranchak, Larry SmithEngineer, Mixed By – Darroll GustamachioGuitar – B4 Ira Seigel*Keyboards, Synthesizer, Arranged By [Rhythm] – Fred ZarrPercussion – 3:50 Paulinho Da CostaProducer, Keyboards, Synthesizer, Programmed By [Synthesizer], Bass, Arranged By [Rhythm] – KashifProgrammed By [Synthesizer] – Jeff SmithWritten-By – Carol Connors, Lee Holdridge No One In The World Arranged By, Piano, Orchestrated By – Artie ButlerBacking Vocals – Dionne Warwick, Richard Page, Tom Kelly, Tommy FunderburkBass – Neil StubenhausCoordinator [Project Coordinator] – Eric BorensteinDrums – Ed Greene Electric Piano [Rhodes] – Greg B5 3:33 PhillinganesEngineer [Assistant] – Bill Jackson, Tom NistGuitar – Charles FearingOther [Assistant To Barry Manilow] – Marc HulettPercussion – Alan EstesProducer [Associate], Engineer – Michael DeluggProducer, Arranged By – Barry ManilowWritten-By – Ken Hirsch, Martha Sharron* Credits Art Direction – Maude Gilman Design – Ann Petter Executive Producer – Clive Davis Mastered By – Bernie Grundman Photography – Harry Langdon Notes Sonderauflage Sonocord Barcode and Other Identifiers Label Code: LC 3484 Rights Society: GEMA / STEMRA / BIEM Other versions Category Artist Title (Format) Label Category Country Year Reservations For Two (LP, AL-8446 Dionne* Arista AL-8446 US 1987 Album) Dionne Reservations For Two (LP, AL-8446 Arista AL-8446 Canada 1987 Warwick Album) Dionne Reservations For Two (LP, 208 213 Arista 208 213 Portugal 1987 Warwick Album) Reservations For Two (LP, 208 213 Dionne* Arista 208 213 UK & Europe 1987 Album) Reservations For Two (Cass, TC-VG 60071 Dionne* Arista TC-VG 60071 Greece 1987 Album) Related Music albums to Reservations For Two by Dionne Neil Diamond - Headed For The Future Peabo Bryson & Roberta Flack - Born To Love Dionne Warwick - Go With Love (Dionne Warwick Sings The Songs Of Burt Bacharach And Hal David) Roberta Flack - Softly With These Songs - The Best Of Roberta Flack Neil Diamond - Heartlight Peter Allen - Bi-Coastal Dionne Warwicke - Dionne The Temptations - Together Again Dionne Warwick - Don't Make Me Over - Greatest Hits Of The 60's Michael McDonald - The Very Best Of Michael Jackson - Off The Wall Quincy Jones - The Dude.
Load more

Recommended publications
  • Gendermatters
    SPRING/SUMMER 2010 gender matters THE UNIVERSITY OF TEXAS AT AUSTIN t the end of this, my first year as Director of CWGS, I want to thank all those who have made this year such a pleasure—a challenge, yes, but always transformed Ainto pleasure at the willingness of colleagues (staff, faculty, advisory board members, and students) who found time to listen, to help, to advise, and to ap- plaud our successes. And despite a rather grim budgetary climate, we have had many successes: more seniors graduat- ing than ever before, our Masters’ students advanc- Susan Sage Heinzelman Photo by G. Morse ing to PhD programs around the country, our fac- students, offer curriculum grants to WGS faculty af- ulty publishing books, winning teaching awards and filiates to develop courses for the WGS major and prestigious grants, and our community of support- Masters’ program, as well as bring together the vari- ers growing larger and larger as we bring together ous human rights programs and research agendas those who care about social justice and equality in on campus. As with so much of what we do, we will the arts, in politics, and in the academy. need the advice and help of colleagues from across the University, and from those around the world These and other contributions to The Uni- who have already made significant contributions to versity of Texas at Austin and the larger community the cause of women’s rights. What receiving this culminated in the announcement that we had been grant has made even clearer to us is just how much awarded $451,000 by the Embrey Family Founda- we rely on the on-going commitment and energy tion of Dallas to develop a Women’s Rights Initiative of those who support what we do.
    [Show full text]
  • June 1984 Kansas City's Free Music and Entertainment Newspaper Issue 42 Modern English: from Punk to Classical
    All the Bulk rate news US Postage that's fH paid permit to pitch no. 2419 C PITCtI KCMO June 1984 Kansas City's free music and entertainment newspaper Issue 42 Modern English: From punk to classical is time and is at Worlds of Fun on June 8. Bassist Conroy talked with KC Pitch about the band. how it began and the hard-to-define Modern sound. all met in Culchester, England, 50 miles outside London. We thought it would be a real good to be in a band, so we all went out and thought we After two That British band Modern English performs at Worlds of Fun on music. It's something we've always wanted to do and we really got the chance on this his own words, "Ever- record." changing. Very hard to I wouldn't really are quite con­ These distinct of touring on the mind like to what we are like because tomorrow way we write our songs. We English and and loss of love ("Heart") I'd we were absolutely like it." don't want to do two songs the same, describe, and last year's "I Melt Listen to their new album and for sound like a young man struck with yourself. Modern English. with all of it's diver­ of fever. Lead vocalist sify and different dimensions. is a band that lyrics "He's the deserves to heard Trivial pursuits with Rhino Records Annette, the Monkees and "the world's only senior citizen Jewish rock band" words are the By Steve Walker the soundtracks to Blood Feast and 2000 surmise, platinum records do not crowd the eccentric in­ Maniacs with music by Herschell Gordon walls of Rhino's Santa Monica offices.
    [Show full text]
  • The Apprenticeship of Duddy Kravitz Had Been a Popular Movie, with Richard Dreyfuss Playing a Jewish Nerd
    Begin Reading Table of Contents About the Author Photos Copyright Page Thank you for buying this Henry Holt and Company ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on Lenny Kravitz, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. For my mother I can’t breathe. Beneath the ground, the wooden casket I am trapped in is being lowered deeper and deeper into the cold, dark earth. Fear overtakes me as I fall into a paralytic state. I can hear the dirt being shoveled over me. My heart pounds through my chest. I can’t scream, and if I could, who would hear me? Just as the final shovel of soil is being packed tightly over me, I convulse out of my nightmare into the sweat- and urine-soaked bed in the small apartment on the island of Manhattan that my family calls home. Shaken and disoriented, I make my way out of the tiny back bedroom into the pitch-dark living room, where my mother and father sleep on a convertible couch. I stand at the foot of their bed just staring … waiting.
    [Show full text]
  • Directed by Morgan Neville Produced by Gil Friesen Produced by Caitrin
    Directed by Morgan Neville Produced by Gil Friesen Produced by Caitrin Rogers WORLD PREMIERE U.S. DOCUMENTARY COMPETITION SUNDANCE FILM FESTIVAL 2013 Running Time: 90 minutes | Language: English SYNOPSIS Millions know their voices, but no one knows their names. In his compelling new film TWENTY FEET FROM STARDOM, award-winning director Morgan Neville shines a spotlight on the untold true story of the backup singers behind some of the greatest musical legends of the 21st century. Triumphant and heartbreaking in equal measure, the film is both a tribute to the unsung voices who brought shape and style to popular music and a reflection on the conflicts, sacrifices and rewards of a career spent harmonizing with others. These gifted artists span a range of styles, genres and eras of popular music, but each has a uniquely fascinating and personal story to share of life spent in the shadows of superstardom. Along with rare archival footage and a peerless soundtrack, TWENTY FEET FROM STARDOM boasts intimate interviews with Bruce Springsteen, Stevie Wonder, Mick Jagger and Sting to name just a few. However, these world-famous figures take a backseat to the diverse array of backup singers whose lives and stories take center stage in the film. DIRECTOR’S STATEMENT About two years ago, I sat down with Gil Friesen, a longtime music industry veteran from A&M Records, whom I only knew by reputation. He told me he wanted to make a film about backup singers. He didn’t know what the film was going to be, but he knew there was something intriguing in there.
    [Show full text]
  • Billboard-1987-11-21.Pdf
    ICD 08120 HO V=.r. (:)r;D LOE06 <0 4<-12, t' 1d V AiNE3'c:0 AlNClh 71. MW S47L9 TOO, £L6LII.000 7HS68 >< .. , . , 906 lIOIa-C : , ©ORMAN= $ SPfCl/I f011I0M Follows page 40 R VOLUME 99 NO. 47 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT November 21, 1987/$3.95 (U.S.), $5 (CAN.) CBS /Fox Seeks Copy Depth Many At Coin Meet See 45s As Strong Survivor with `Predator' two -Pack CD Jukeboxes Are Getting Big Play "Predator" two-pack is Jan. 21; indi- and one leading manufacturer Operators Assn. Expo '87, held here BY AL STEWART vidual copies will be available at re- BY MOIRA McCORMICK makes nothing else. Also on the rise Nov. 5-7 at the Hyatt Regency Chi- NEW YORK CBS /Fox Home Vid- tail beginning Feb. 1. CHICAGO While the majority of are video jukeboxes, some using la- cago. More than 7,000 people at- eo will test a novel packaging and According to a major -distributor jukebox manufacturers are confi- ser technology, that manufacturers tended the confab, which featured pricing plan in January, aimed at re- source, the two -pack is likely to be dent that the vinyl 45 will remain a say are steadily gaining in populari- 185 exhibits of amusement, music, lieving what it calls a "critical offered to dealers for a wholesale viable configuration for their indus- ty. and vending equipment. depth -of-copy problem" in the rent- price of $98.99. Single copies, which try, most are beginning to experi- Those were the conclusions Approximately 110,000 of the al market.
    [Show full text]
  • JT Beforethisworld Digitalbook
    jamestaylor.com concordmusicgroup.com P&C2015 JAMES TAYLOR. UNDER EXCLUSIVE LICENSE TO CONCORD MUSIC GROUP, INC. 100 N. CRESCENT DRIVE, BEVERLY HILLS, CA 90210. ALL RIGHTS RESERVED. UNAUTHORIZED DUPLICATION IS A VIOLATION OF APPLICABLE LAWS. It’s been a while. I guess we started this project in January 2010 when Jimmy Johnson and Steve Gadd joined me and Dave O’Donnell in the barn next to my house to record some demos: bass, drums & guitar. None of these tracks had any lyrics; I whistled the melody. I took 2013 off, more or less, to write but it wasn’t until September, with deadlines looming, that I really got down to it. These days, life is full and lyric writing needs empty time, so the only thing for it was to borrow Bee & Val’s place in Newport for a week at a time; thanks, guys. After a few quiet days, the songs started to come through. I walked around town, I rowed around the harbor and I cooked my meals with one call to home at dinnertime. I had a different notebook for each song; written down on the right page and edited on the left. Bits of lyrics on napkins, and envelopes and little scraps of music recorded on my phone… In January 2014, I brought the band — Jimmy Johnson, Bass; Larry Goldings, Pianos; Mike Landau, Guitars and Steve Gadd, Drums — to our home, where Ellyn Kusmin and Dave O’Donnell had transformed the barn into a studio, “aqueduct for our porpoises”… Ralph and JP came down from Vermont to help set us up and we got started.
    [Show full text]
  • WDAM Radio's History of Dionne Warwick
    WDAM Radio's Hit Singles History Of Dionne Warwick # Artist Title Chart Position/Year Label Comments 001 Drifters “Mexican Divorce” –/1962 Atlantic Dionne Warwick’s back-up vocals on this recording are what caught the attention of Hal David & Burt Bacharach, who signed her to their production company. Recorded in 1961, but released as the B-side of When My Little Girl Is Smiling (#28-Rock-U.S. + #31- U.K./1962). Composers – Burt Bacharach & Bob Hilliard. 002 Burt & The Backbeats “Move It On The Backbeat” –/1961 Big Top Burt Bacharach, Dionne Warwick & Dee Dee Warwick. Composers – Hal David & Burt Bacharach. 003 Dionne Warwick “It’s Love That Really Counts” –/1962 Scepter Demo for song that was presented to the Shirelles. It also was a cut on Dionne’s debut LP – Presenting Dionne Warwick – released in 1963. Composers – Hal David & Burt Bacharach. 003A Shirelles “It’s Love That Really Counts” #102/1962 Scepter 004 Dionne Warwick “I Smiled Yesterday” –/1962 Scepter A-Side. Composers – Hal David & Burt Bacharach. 005 Dionne Warwick “Don’t Make Me Over” #21-Rock & #5-R&B- Scepter B-side. Song title inspired by Dionne’s angry U.S. + #38-Rock- statement to Hal David & Burt Bacharach Canada/1962 gave Make It Easy On Yourself to Jerry Butler first instead of her. Composers – Hal David & Burt Bacharach. 005A Swinging Blue Jeans “Don’t Make Me Over” #116-Rock-U.S. + #31- Imperial U.K./1966 005B Brenda & The “Don’t Make Me Over” #77-Rock & #15-R&B- Top And Bottom Co-producer – Van McCoy. Tabulations U.S./1970 005C Jennifer Warnes “Don’t Make Me Over” #67-Rock, #14-AC & Arista #84-C&W-U.S./1980 005D Sybil “Don’t Make Me Over” #20-Rock, #2-R&B & Next Plateau #4-Dance-U.S.
    [Show full text]
  • Gloria Estefan: the Standards When to Watch from a to Z Listings for Channel 3-1 Channel 3-2 – August 2013 Are on Pages 18 & 19 All Aboard – Sundays, 1:00 P.M
    Q2 • 3 Program Guide KENW-TV/FM Eastern New Mexico University August 2013 Gloria Estefan: The Standards When to watch from A to Z listings for Channel 3-1 Channel 3-2 – August 2013 are on pages 18 & 19 All Aboard – Sundays, 1:00 p.m. (18th, 25th only); P. Allen Smith’s Garden to Table – Saturdays, 10:00 a.m. Mondays, 10:00 p.m. (except 5th, 19th) Paint This with Jerry Yarnell – Saturdays, 11:00 a.m. American Woodshop – Saturdays, 6:30 a.m. PBS NewsHour – Monday–Friday, 6:00 p.m./12:00 midnight America’s Heartland – Saturdays, 6:30 p.m. (except 3rd); Quilt in a Day – Saturdays, 12:30 p.m. Sundays, 12:30 p.m. (18th, 25th only) Quilting Arts – Saturdays, 1:00 p.m. America’s Test Kitchen – Saturdays, 8:00 a.m. Red Green Show – Thursdays, 9:30 p.m. (except 8th) Antiques Roadshow – Religion/Ethics – Sundays, 3:30 p.m. (except 4th, 11th); Mondays, 7:00 p.m./8:00 p.m. (except 5th)/11:00 p.m.; Wednesdays, 5:00 p.m. Sundays, 7:00 a.m. Report from Santa Fe – Saturdays, 6:00 p.m. Are You Being Served? – Saturdays, 8:30 p.m. (except 3rd, 10th) Scrapbook Soup – Wednesdays, 12:30 p.m. Ask This Old House – Saturdays, 4:00 p.m. (except 3rd) Scully/The World Show – Tuesdays, 5:00 p.m. Austin City Limits – Saturdays, 9:00 p.m. (except 3rd, 10th)/12:00 Second Opinion – Sundays, 6:30 a.m. midnight Sewing with Nancy – Saturdays, 5:00 p.m.
    [Show full text]
  • A Greater D Roit Country Life Monthly
    A Greater D roit Country Life Monthly THE AFTERGLOW ,t@>-'11================�,� Residents of 1 I Branch Office LOCKWOOD Bloomfield Hills and Oakland County THE OLD MILL \ A Community of Will find this Bank convenient ' 10 and 20 Acre ROCHESTER for your local account FARM ESTATES Call and get acquainted and make use of our services My plan is to represent your interests, using the companies TAYLOR, HOLT & BUCKLEY, Inc. whose contracts are best suited t0 fit your individual needs. Paid on 1809-10 STROH BUILDING 4% Savings �- Life Insurance for CADILLAC 2572 Inter est Accounts Personal Estates Estate Taxes Corporations Inheritance Taxes HOLFORD LANE FARMINGTON \Voons I DODGE ROAD FARMINGTON Pontiac Commercial & Savings Bank Capital and Surplus: $1,000,000.00 Offices: Phones: "The Largest Bank in Oakland County" 908 Penobscot Bldg. Detroit Cadillac 6392·93 Pontiac, Michigan tit,C!!P't================�l, �--------------;--------,� illourqurst Dodge Brothers on tqr 11Hxtr AND A highly restricted residental Packard Motor Vehicles lake section, where one may en­ joy both winter and summer life. Hidden among the wooded hills, overlooking beautiful Loon Sales and Service Lake, within 28 miles of Detroit. n 0 3 co. See this without delay EVANS-JACKSON MOTOR 119 SOUTH WOODWARD AVENUE BIRMINGHAM Phone 301 Birmingham, Michigan 131 South Woodward Avenue Telephone 985 THE AFTERGLOW A Magazine loomfield Dedicated to of the Residents the Interests of Bloomfield VOLUME 1 Hills .... NUMBER 5 -�" Oa/J/e o/' .Contents JULY, 1925 Cover Design Page A Page of Pageant Scenes By Elinor Millington Upstairs? Downstairs? An Int 4 erview , , ' ' ' ' Ballade, Not of Heat, But of Humidity erse , ' 5 v by Howard Wee�s.
    [Show full text]
  • Welcome, We Have Been Archiving This Data for Research and Preservation of These Early Discs. ALL MP3 Files Can Be Sent to You B
    Welcome, To our MP3 archive section. These listings are recordings taken from early 78 & 45 rpm records. We have been archiving this data for research and preservation of these early discs. ALL MP3 files can be sent to you by email - $2.00 per song Scroll until you locate what you would like to have sent to you, via email. If you don't use Paypal you can send payment to us at: RECORDSMITH, 2803 IRISDALE AVE RICHMOND, VA 23228 Order by ARTIST & TITLE [email protected] S.O.S. Band - Finest, The 1983 S.O.S. Band - Just Be Good To Me 1984 S.O.S. Band - Just The Way You Like It 1980 S.O.S. Band - Take Your Time (Do It Right) 1983 S.O.S. Band - Tell Me If You Still Care 1999 S.O.S. Band with UWF All-Stars - Girls Night Out S.O.U.L. - On Top Of The World 1992 S.O.U.L. S.Y.S.T.E.M. with M. Visage - It's Gonna Be A Love. 1995 Saadiq, Raphael - Ask Of You 1999 Saadiq, Raphael with Q-Tip - Get Involved 1981 Sad Cafe - La-Di-Da 1979 Sad Cafe - Run Home Girl 1996 Sadat X - Hang 'Em High 1937 Saddle Tramps - Hot As I Am 1937 (Voc 3708) Saddler, Janice & Jammers - My Baby's Coming Home To Stay 1993 Sade - Kiss Of Life 1986 Sade - Never As Good As The First Time 1992 Sade - No Ordinary Love 1988 Sade - Paradise 1985 Sade - Smooth Operator 1985 Sade - Sweetest Taboo, The 1985 Sade - Your Love Is King Sadina - It Comes And Goes 1966 Sadler, Barry - A Team 1966 Sadler, Barry - Ballad Of The Green Berets 1960 Safaris - Girl With The Story In Her Eyes 1960 Safaris - Image Of A Girl 1963 Safaris - Kick Out 1988 Sa-Fire - Boy, I've Been Told 1989 Sa-Fire - Gonna Make it 1989 Sa-Fire - I Will Survive 1991 Sa-Fire - Made Up My Mind 1989 Sa-Fire - Thinking Of You 1983 Saga - Flyer, The 1982 Saga - On The Loose 1983 Saga - Wind Him Up 1994 Sagat - (Funk Dat) 1977 Sager, Carol Bayer - I'd Rather Leave While I'm In Love 1977 1981 Sager, Carol Bayer - Stronger Than Before 1977 Sager, Carol Bayer - You're Moving Out Today 1969 Sagittarius - In My Room 1967 Sagittarius - My World Fell Down 1969 Sagittarius (feat.
    [Show full text]
  • Here Are Things I Needed to Say.” the Album Was Released in the U.S
    BURT BACHARACH Biography Six decades into one of songwriting’s most successful and honored careers – marked by 48 Top 10 hits, nine #1 songs, more than 500 compositions and a landmark 49-year run on the charts, Burt Bacharach’s music continues to set industry records and creative standards. “At This Time,” his 2005 album, which won the Grammy for Best Pop Instrumental Album, breaks new ground with Bacharach’s first-ever lyrical collaborations, supplementing the melodies which reflect the pioneering Bacharach sound. He says it is the “most-passionate album” of his career as “At This Time” marks the first time Bacharach takes on social and political issues in his music. Bacharach’s global audiences span several generations, and he is viewed as the unique combination of one of the greatest composers of all time and the ultra-cool cult hero of the contemporary music set who often has several songs on various music charts in many countries simultaneously. His many concerts are SRO, as he tours the United States and the world conducting orchestras and with his own musicians and singers performing his music. Along with Bob Dylan, John Lennon and Paul McCartney and Paul Simon, Bacharach is a legend of popular music. A recipient of three Academy Awards and seven Grammy Awards (including the 1997 Trustees Award with collaborator Hal David), he revolutionized the music of the 1950s and 60s and is regularly bracketed with legendary names, ranging from Cole Porter, to Sir George Martin, as one of a handful of visionaries who pioneered new forms of music from the second half of the 20th Century and into the 21st Century.
    [Show full text]
  • The James Taylor Encyclopedia
    The James Taylor Encyclopedia An unofficial compendium for JT’s biggest fans Joel Risberg GeekTV Press Copyright 2005 by Joel Risberg All rights reserved Published 2005 Printed in the United States of America James Taylor Online www.james-taylor.com [email protected] Cover photo by Joana Franca. This book is not approved or endorsed by James Taylor, his record labels, or his management. For Sandra, who brings me snacks. CONTENTS BIOGRAPHY 1 TIMELINE 16 SONG ORIGINS 27 STUDIO ALBUMS 31 SINGLES 43 WORK ON OTHER ALBUMS 44 OTHER COMPOSITIONS 51 CONCERT VIDEOS 52 SINGLE-SONG MUSIC VIDEOS 57 APPEARANCES IN OTHER VIDEOS 58 MISCELLANEOUS WORK 59 NON-U.S. ALBUMS 60 BOOTLEGS 63 CONCERTS ON TELEVISION 70 RADIO APPEARANCES 74 MAJOR LIVE PERFORMANCES 75 TV APPEARANCES 76 MAJOR ARTICLES AND INTERVIEWS 83 SHEET MUSIC AND MUSIC BOOKS 87 SAMPLE SET LISTS 89 JT’S FAMILY 92 RECORDINGS BY JT ALUMNI 96 POINTERS 100 1971 Time cover story – and nearly every piece of writing about James Taylor since then – characterized the musician Aas a troubled soul and the inevitable product of a family of means that expected quite a lot of its kids. To some extent, it was true. James did find inspiration for much of his life’s work in his emotional torment and the many years he spent fighting drug addiction and depression. And he did hail from an affluent, musically talented family that could afford to send its progeny to exclusive prep schools and expensive private mental hospitals. But now James Taylor in his fifties has the benefit of hindsight to moderate any lingering grudges against a press that persistently pigeonholed him – first as a sort of Kurt Cobain of his day, and much later as a sleepy crooner with his most creative years behind him.
    [Show full text]