A Greater D Roit Country Life Monthly

Total Page:16

File Type:pdf, Size:1020Kb

A Greater D Roit Country Life Monthly A Greater D roit Country Life Monthly THE AFTERGLOW ,t@>-'11================�,� Residents of 1 I Branch Office LOCKWOOD Bloomfield Hills and Oakland County THE OLD MILL \ A Community of Will find this Bank convenient ' 10 and 20 Acre ROCHESTER for your local account FARM ESTATES Call and get acquainted and make use of our services My plan is to represent your interests, using the companies TAYLOR, HOLT & BUCKLEY, Inc. whose contracts are best suited t0 fit your individual needs. Paid on 1809-10 STROH BUILDING 4% Savings �- Life Insurance for CADILLAC 2572 Inter est Accounts Personal Estates Estate Taxes Corporations Inheritance Taxes HOLFORD LANE FARMINGTON \Voons I DODGE ROAD FARMINGTON Pontiac Commercial & Savings Bank Capital and Surplus: $1,000,000.00 Offices: Phones: "The Largest Bank in Oakland County" 908 Penobscot Bldg. Detroit Cadillac 6392·93 Pontiac, Michigan tit,C!!P't================�l, �--------------;--------,� illourqurst Dodge Brothers on tqr 11Hxtr AND A highly restricted residental Packard Motor Vehicles lake section, where one may en­ joy both winter and summer life. Hidden among the wooded hills, overlooking beautiful Loon Sales and Service Lake, within 28 miles of Detroit. n 0 3 co. See this without delay EVANS-JACKSON MOTOR 119 SOUTH WOODWARD AVENUE BIRMINGHAM Phone 301 Birmingham, Michigan 131 South Woodward Avenue Telephone 985 THE AFTERGLOW A Magazine loomfield Dedicated to of the Residents the Interests of Bloomfield VOLUME 1 Hills .... NUMBER 5 -�" Oa/J/e o/' .Contents JULY, 1925 Cover Design Page A Page of Pageant Scenes By Elinor Millington Upstairs? Downstairs? An Int 4 erview , , ' ' ' ' Ballade, Not of Heat, But of Humidity erse , ' 5 v by Howard Wee�s. Decoration by With the Grand Opera Stars , Reed Bachman 7 By G. College \\!omen of Birmingham Organize Schlotterbec� 8 By Cora· H. Farrar 9 Quartermore, the Home of Mr. Gordon Mendelssohn In the Days of Real Sport 10 Cartoon By Forrest S. Campbel! 12 Bloomfield Society ' By Jimmie Vhay 13 By Marjorie Bloomfield Horses Take Blue Ribbons Avery 14 Editorial Page 16 Books 18 By A Page of Club Activities Howard Wee�s 19 20 • - A Distinguished Address • - (.(.Bloomfield Hills'' N a large m.:troplitan area, there is inevitably fieid Village is to be instantly identified with a marked preference by persons of culture and families of good taste. 450 of these beautiful residence refinement for certain residential sections. More than I sites are now sold. Building has commenced. Here for natural beauty, Such districts are preferred is every city convenience-sidewalks, water, sew­ for spaciousness of building lots, for location out­ er, winding drives, proximity to Birmingham's side the smoky, congested factory areas, yet acces­ shops and schools, and a motor bus line direct to sible to the business center. All are characteristics Detroit's city hall. The present cost of Bloomfield of Bloomfield Village! Village building sites, with frontage of 80 feet or Even more important, perhaps is the type of more along winding drives, is surprisingly low. builder who residences. Because of the outstanding attractive­ It is the ideal location for the home hesitates to incur the maintenance cost of a large ness of Bloomfield Village homes, which must con­ estate, yet who insists upon the attractive sur­ form to very rigid building restrictions, and the roundings and exclusiveness found only in Bloom­ magnificence of nearby estates-to live at Bloom- field Hills. Judson Br4dway Co.VE. 533 MAJESTIC BLDG. 3 DWARD A 15 s. WOO PHONEMAIN004!5_ DETROIT""ne a,(ll tors PH ONE BIRMINGHAI\! 38 Pho11e Main 0045 for an ;//ustrat,d booklet; or dri•e to our Bloomfield V;tlaie branch office turning weJt at Birmingham on Maple Road to the interJtction of Cranbrook Road THE AFTER.GLOW THE AFTERGLOW Upffairs? Vownflairs? ?\lever cJliind the Stairs.' An Interview with D. ALLEN WRIGHT, Architect, Concer ning the American Trend Toward One-Story Homes of Character and Distinction T least one consideration that is diminated _in the pla_n, are subscribing so enthusiastically to this logical plan of A ning of a home is the all absorbing question of stairs house construction. a one-story house is the type chosen. Upon that when It is a native American trait that the race favors · 1ges an interesting study, a study of the living ch m ce h11 marked on one floor. Witness the vast number of apartment ·can trend toward houses o f hc b aracter·1 u1 t on Amen one dwellers in substantiation. Blocks upon blocks of little cot, Volumes can be expen d ed d'1scussing · pomts· fl pro and tages and simple bungalows bear this truth out further. this type of architecture. Perhaps an explana c:tabout ­ Whether it is the innate New England thrift of our fore, . points will show why the Umted States as a t1on o f a few bears, or the hard-headed practicality of the people, the fact Bloomfied Hills and B'1rmmg · h am, m· · 1 part1cu whoe 1 , and ar, remains that Americans do not need to be sold on the idea of one-floor living. With this as a background, it is quite natural that the next step in the growth of popularity for this class house, should be in refining its fundamental design, in making it more distinctive, in creating out of this basic ground work a home of true character. Here the World War comes in for its part in the transformation of the American one-story house into a thing of beauty. We all know that the native American has a marvelously retentive memory. Not thorough in its retentiveness, necessarily, but a mind that, impressed by the artistry and beauty of an object, carries for a long time the vague consciousness of having been impressed. In 1917 America entered the war. Americans by the thousands flocked over, seas were billeted in France, England, Bel, Cecil F. Charlton residence, Birmingham giu� and elsewhere on the Continent. They lived in the midst of European life, architecture and activity. And the charm, ing simplicity of the one-story houses,. so common in Europe, made an indelible 1m, pression upon their retenti_ve_ American memories. Whether the bmlding was an atelier in France, a Belgium carpenter shop, or a quaint thatched garden cottage in Eng, land, the varied possibilities· of beauty and convenience which the one-story structure embodied, made a strong register in the American minds. No wonder, then, when the Uni_ted States was back again upon a peace-time footing with home building. activities re­ sumed that many an ex-soldier would ex­ claim: "Well, I want to build a house on one floor, not an ordinary bungalow, but a cute little place-you know, something like we used to see in France." The war may well be said to have created a veritable renaissance in American house for Woodruff, Birmingham design. Impressions gained across the wa- estate given y the National Woman's Built W. J. A page of scenes from the pageant in the Gree� Open Air 'Theatre on the Booth b party, June 6. THE AFTERGLOW THE AFTERGLOW type limited to the smaller structures. Many and many a four and five-bedroom place rambles delightfully over one floor, with interesting gables and wings and breaks in the roof line to add character to the whole design. Architects and builders have proved that the idea of not building a large house on one floor, is as fallacious as the theory of never building a home without putting a full basement under it. OF The advantages of one-floor construction? Oh, they are countless. Much less effort is expended in J:iousekeeping. Bedrooms can get full benefit of any gardening or land, By Howard W ee�s scaping about the place. A low-lying artis, Reed tic effect is easily procurable. Especially Decoration by Bachman true of the smaller design is the fact that The brightest beams of summer sun the all too common top-heavy appearance is Have never filled me with dismay; completely eliminated. One-story design In torrid August I'm the one permits of a greater using of a house. And, Who's always feeling blithe and gay, after all, is that not the main purpose of a Who daily chirps a cheerful lay- home: to be used? That is, if there's enough aridity­ Because, you know, I always say It's not the heat, it's the humidity. ter did much to remedy the evils of past practices. It had long been a somewhat dis, Some folks are like the well-known bun graceful American custom when a home was _ As hot and cross the livelong day ' contemplated, to jump into the w�1tmg autu, (Please try to overlook the pun; mobile, dash madly about lookmg for an It helped the rhyme, so pardon, pray). idea already expressed in concrete, frame Complaining never seems to pay, or brick form; then to return home tn, It just disrupts the day's placidity; umphant, more often than not with an To those who moan, I murmur, "Nay, execrable design to copy brazenly, rather It's not the heat, it's the humidity." than a good one to imitate judiciously. Travel the nation over and you will find July's fierce flame to me is fun; this practice changing. From the haciendas I bask in bright Apollo's ray, of California to the cottages of Cape Cod Then evenings when my work is done, -yes, in the hills_ of Bloomfield and Bir­ And as I sit in twilight gray, mingham, you will find gomg up con, And watch the sunshine fade away, stantly homes built on one floor.
Recommended publications
  • June 1984 Kansas City's Free Music and Entertainment Newspaper Issue 42 Modern English: from Punk to Classical
    All the Bulk rate news US Postage that's fH paid permit to pitch no. 2419 C PITCtI KCMO June 1984 Kansas City's free music and entertainment newspaper Issue 42 Modern English: From punk to classical is time and is at Worlds of Fun on June 8. Bassist Conroy talked with KC Pitch about the band. how it began and the hard-to-define Modern sound. all met in Culchester, England, 50 miles outside London. We thought it would be a real good to be in a band, so we all went out and thought we After two That British band Modern English performs at Worlds of Fun on music. It's something we've always wanted to do and we really got the chance on this his own words, "Ever- record." changing. Very hard to I wouldn't really are quite con­ These distinct of touring on the mind like to what we are like because tomorrow way we write our songs. We English and and loss of love ("Heart") I'd we were absolutely like it." don't want to do two songs the same, describe, and last year's "I Melt Listen to their new album and for sound like a young man struck with yourself. Modern English. with all of it's diver­ of fever. Lead vocalist sify and different dimensions. is a band that lyrics "He's the deserves to heard Trivial pursuits with Rhino Records Annette, the Monkees and "the world's only senior citizen Jewish rock band" words are the By Steve Walker the soundtracks to Blood Feast and 2000 surmise, platinum records do not crowd the eccentric in­ Maniacs with music by Herschell Gordon walls of Rhino's Santa Monica offices.
    [Show full text]
  • The Apprenticeship of Duddy Kravitz Had Been a Popular Movie, with Richard Dreyfuss Playing a Jewish Nerd
    Begin Reading Table of Contents About the Author Photos Copyright Page Thank you for buying this Henry Holt and Company ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on Lenny Kravitz, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. For my mother I can’t breathe. Beneath the ground, the wooden casket I am trapped in is being lowered deeper and deeper into the cold, dark earth. Fear overtakes me as I fall into a paralytic state. I can hear the dirt being shoveled over me. My heart pounds through my chest. I can’t scream, and if I could, who would hear me? Just as the final shovel of soil is being packed tightly over me, I convulse out of my nightmare into the sweat- and urine-soaked bed in the small apartment on the island of Manhattan that my family calls home. Shaken and disoriented, I make my way out of the tiny back bedroom into the pitch-dark living room, where my mother and father sleep on a convertible couch. I stand at the foot of their bed just staring … waiting.
    [Show full text]
  • Directed by Morgan Neville Produced by Gil Friesen Produced by Caitrin
    Directed by Morgan Neville Produced by Gil Friesen Produced by Caitrin Rogers WORLD PREMIERE U.S. DOCUMENTARY COMPETITION SUNDANCE FILM FESTIVAL 2013 Running Time: 90 minutes | Language: English SYNOPSIS Millions know their voices, but no one knows their names. In his compelling new film TWENTY FEET FROM STARDOM, award-winning director Morgan Neville shines a spotlight on the untold true story of the backup singers behind some of the greatest musical legends of the 21st century. Triumphant and heartbreaking in equal measure, the film is both a tribute to the unsung voices who brought shape and style to popular music and a reflection on the conflicts, sacrifices and rewards of a career spent harmonizing with others. These gifted artists span a range of styles, genres and eras of popular music, but each has a uniquely fascinating and personal story to share of life spent in the shadows of superstardom. Along with rare archival footage and a peerless soundtrack, TWENTY FEET FROM STARDOM boasts intimate interviews with Bruce Springsteen, Stevie Wonder, Mick Jagger and Sting to name just a few. However, these world-famous figures take a backseat to the diverse array of backup singers whose lives and stories take center stage in the film. DIRECTOR’S STATEMENT About two years ago, I sat down with Gil Friesen, a longtime music industry veteran from A&M Records, whom I only knew by reputation. He told me he wanted to make a film about backup singers. He didn’t know what the film was going to be, but he knew there was something intriguing in there.
    [Show full text]
  • JT Beforethisworld Digitalbook
    jamestaylor.com concordmusicgroup.com P&C2015 JAMES TAYLOR. UNDER EXCLUSIVE LICENSE TO CONCORD MUSIC GROUP, INC. 100 N. CRESCENT DRIVE, BEVERLY HILLS, CA 90210. ALL RIGHTS RESERVED. UNAUTHORIZED DUPLICATION IS A VIOLATION OF APPLICABLE LAWS. It’s been a while. I guess we started this project in January 2010 when Jimmy Johnson and Steve Gadd joined me and Dave O’Donnell in the barn next to my house to record some demos: bass, drums & guitar. None of these tracks had any lyrics; I whistled the melody. I took 2013 off, more or less, to write but it wasn’t until September, with deadlines looming, that I really got down to it. These days, life is full and lyric writing needs empty time, so the only thing for it was to borrow Bee & Val’s place in Newport for a week at a time; thanks, guys. After a few quiet days, the songs started to come through. I walked around town, I rowed around the harbor and I cooked my meals with one call to home at dinnertime. I had a different notebook for each song; written down on the right page and edited on the left. Bits of lyrics on napkins, and envelopes and little scraps of music recorded on my phone… In January 2014, I brought the band — Jimmy Johnson, Bass; Larry Goldings, Pianos; Mike Landau, Guitars and Steve Gadd, Drums — to our home, where Ellyn Kusmin and Dave O’Donnell had transformed the barn into a studio, “aqueduct for our porpoises”… Ralph and JP came down from Vermont to help set us up and we got started.
    [Show full text]
  • The James Taylor Encyclopedia
    The James Taylor Encyclopedia An unofficial compendium for JT’s biggest fans Joel Risberg GeekTV Press Copyright 2005 by Joel Risberg All rights reserved Published 2005 Printed in the United States of America James Taylor Online www.james-taylor.com [email protected] Cover photo by Joana Franca. This book is not approved or endorsed by James Taylor, his record labels, or his management. For Sandra, who brings me snacks. CONTENTS BIOGRAPHY 1 TIMELINE 16 SONG ORIGINS 27 STUDIO ALBUMS 31 SINGLES 43 WORK ON OTHER ALBUMS 44 OTHER COMPOSITIONS 51 CONCERT VIDEOS 52 SINGLE-SONG MUSIC VIDEOS 57 APPEARANCES IN OTHER VIDEOS 58 MISCELLANEOUS WORK 59 NON-U.S. ALBUMS 60 BOOTLEGS 63 CONCERTS ON TELEVISION 70 RADIO APPEARANCES 74 MAJOR LIVE PERFORMANCES 75 TV APPEARANCES 76 MAJOR ARTICLES AND INTERVIEWS 83 SHEET MUSIC AND MUSIC BOOKS 87 SAMPLE SET LISTS 89 JT’S FAMILY 92 RECORDINGS BY JT ALUMNI 96 POINTERS 100 1971 Time cover story – and nearly every piece of writing about James Taylor since then – characterized the musician Aas a troubled soul and the inevitable product of a family of means that expected quite a lot of its kids. To some extent, it was true. James did find inspiration for much of his life’s work in his emotional torment and the many years he spent fighting drug addiction and depression. And he did hail from an affluent, musically talented family that could afford to send its progeny to exclusive prep schools and expensive private mental hospitals. But now James Taylor in his fifties has the benefit of hindsight to moderate any lingering grudges against a press that persistently pigeonholed him – first as a sort of Kurt Cobain of his day, and much later as a sleepy crooner with his most creative years behind him.
    [Show full text]
  • James Taylor, March 2015
    jamestaylor.com concordmusicgroup.com P&C2015 JAMES TAYLOR. UNDER EXCLUSIVE LICENSE TO CONCORD MUSIC GROUP, INC. 100 N. CRESCENT DRIVE, BEVERLY HILLS, CA 90210. ALL RIGHTS RESERVED. UNAUTHORIZED DUPLICATION IS A VIOLATION OF APPLICABLE LAWS. It’s been a while. I guess we started this project in January 2010 when Jimmy Johnson and Steve Gadd joined me and Dave O’Donnell in the barn next to my house to record some demos: bass, drums & guitar. None of these tracks had any lyrics; I whistled the melody. I took 2013 off, more or less, to write but it wasn’t until September, with deadlines looming, that I really got down to it. These days, life is full and lyric writing needs empty time, so the only thing for it was to borrow Bee & Val’s place in Newport for a week at a time; thanks, guys. After a few quiet days, the songs started to come through. I walked around town, I rowed around the harbor and I cooked my meals with one call to home at dinnertime. I had a different notebook for each song; written down on the right page and edited on the left. Bits of lyrics on napkins, and envelopes and little scraps of music recorded on my phone… In January 2014, I brought the band — Jimmy Johnson, Bass; Larry Goldings, Pianos; Mike Landau, Guitars and Steve Gadd, Drums — to our home, where Ellyn Kusmin and Dave O’Donnell had transformed the barn into a studio, “aqueduct for our porpoises”… Ralph and JP came down from Vermont to help set us up and we got started.
    [Show full text]
  • Luther Vandross the Best of Luther Vandross the Best of Love Mp3, Flac, Wma
    Luther Vandross The Best Of Luther Vandross The Best Of Love mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul Album: The Best Of Luther Vandross The Best Of Love Country: Europe Released: 1989 Style: Soul, Disco MP3 version RAR size: 1663 mb FLAC version RAR size: 1318 mb WMA version RAR size: 1842 mb Rating: 4.3 Votes: 143 Other Formats: MP3 MP2 DMF AC3 MMF TTA ADX Tracklist Hide Credits Searching 1-1 Arranged By – Mario Malavasi*Engineer – Bill Scheniman, Maurizio BiancaniProducer – 8:02 Jacques Fred PetrusVocals [Uncredited] – Change The Glow Of Love 1-2 Arranged By – Mario Malavasi*Engineer – Bill Scheniman, Maurizio BiancaniProducer – 6:12 Jacques Fred PetrusVocals [Uncredited] – Change 1-3 Never Too Much 3:52 If This World Were Mine 1-4 5:24 Vocals [Duet] – Cheryl Lynn A House Is Not A Home 1-5 7:09 Arranged By – L. Leon Pendarvis, Jr.* Bad Boy/Having A Party 1-6 5:19 Arranged By – Marcus Miller 1-7 Since I Lost My Baby 5:23 Promise Me 1-8 4:42 Arranged By – L. Leon Pendarvis, Jr.* 1-9 'Til My Baby Comes Home 5:34 1-10 If Only For One Night/Creepin' 8:20 2-1 Superstar/Until You Come Back To Me 9:18 2-2 Stop To Love 5:09 2-3 So Amazing 3:43 There's Nothing Better Than Love 2-4 4:44 Arranged By – John 'Skip' Anderson*Vocals [Duet] – Gregory Hines 2-5 Give Me The Reason 4:47 2-6 Any Love 5:03 2-7 I Really Didn't Mean It 5:43 2-8 Love Won't Let Me Wait 7:19 Treat You Right Backing Vocals – Arnold McCuller, David Lasley, Fred White , Eugene Van Buren*, Joey 2-9 6:37 DiggsGuitar – Paul Jackson Jr.Programmed By [Synthesizer] – Jason Miles Synthesizer – Marcus Miller Here And Now Backing Vocals – Brenda White*, Cissy Houston, Fonzi Thornton, Lisa Fischer, Paulette 2-10 McWilliams, Tawatha Agee*Drums [Overdubs] – Ivan HampdenGuitar – Doc Powell, Paul 5:22 Jackson Jr.Percussion – Paulinho Da CostaProgrammed By [Synthesizer] – Jason Miles Synthesizer – Nat Adderley Jr.
    [Show full text]
  • Support for Dotmusic's Community-Based Application1
    Re: Expert Testimony on (i) Community Establishment; (ii) Nexus; and (iii) Support for DotMusic’s Community-Based Application1 for .MUSIC (Application ID 1-1115-14110) Dear ICANN and Economist Intelligence Unit (“EIU”): Please accept this letter that indicates that there is substantive and compelling evidence that the DotMusic application convincingly meets the full criteria under Community Priority Evaluation on the following points: (i) the Music Community’s Establishment as defined by DotMusic; (ii) the matching Nexus between the “music” Community and the “music” string (or top-level domain); and (iii) that DotMusic possesses documented Support from organizations representing a majority of the global Music Community addressed and defined. Please see my credentials attached hereto that identify my level of expertise and specialized knowledge with respect to the music community’s organization and delineation. SUMMARY DotMusic has established the following: 1) Its Community definition recognizes the cohesive, symbiotic and overlapping nature of the global Music Community. The definition includes those associated with commercial and non-commercial creation, performance, marketing and distribution of music; 2) “Music Community” members have the requisite awareness and recognition of the interdependency, overlapping and cohesive nature of each “organized community of similar nature that relates to music.” These organized and aligned communities are closely united and make “music” as we know it today. It is this self-awareness and interdependence
    [Show full text]
  • Saw the Light
    Presents SAW THE LIGHT Written and Directed by Marc Abraham Based on the book “Hank Williams: The Biography” By Colin Escott with George Merritt and William Macewen Official Selection Toronto International Film Festival 2015 I SAW THE LIGHT tells the story of Hank Williams, the iconic, influential country singer and songwriter of the 1940’s and early 50’s whose meteoric rise and fall, including his death at age 29, has become part of American folklore. Writer-director Marc Abraham has created a compelling, historically accurate narrative of Hank’s career that examines his tormented creative genius and the turbulent domestic life that inspired him to write some of his best-known songs. By literally going back in time, you see Hank as he was, living his life on his terms, battling his demons and ultimately creating music for the ages. "I am so proud of this film of my granddaddy's life. Director Marc Abraham, lead actor Tom Hiddleston and everyone involved with the film brought an incredible passion to their work, and a commitment to show Hank in all of his grit and glory and genius…" -Holly Williams, granddaughter of Hank Williams 123 min Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia 1 CAST Hank Williams Tom Hiddleston Audrey Williams Elizabeth Olsen Fred Rose Bradley Whitford Lillie Williams Cherry Jones Billie Jean Jones Maddie Hasson Bobbi Jett Wrenn Schmidt CREW WRITTEN & DIRECTED BY Marc Abraham BASED ON THE BOOK “Hank Williams: The Biography” By Colin Escott with George Merritt and William Macewen EXECUTIVE PRODUCERS Patty Long, Jason Cloth, John Raymonds, James Packer PRODUCERS Brett Ratner, p.g.a., Aaron L.
    [Show full text]
  • Keith Richards © Felix Aeppli 03-2020 / 08-2021
    Not Guilty Keith Richards © Felix Aeppli 03-2020 / 08-2021 3001 December 18, 1943 Born in Dartford, Kent: Keith Richards. 3002 Early 60’s School gigs, Eltham, S.E. London, and Sidcup Art College, Kent: Country and western band (not recorded) KR, Michael Ross: vocals, guitar. 3003 Late 1961 Bob Beckwith’s home, Bexleyheath, near Dartford, and/or Dick Taylor’s home, Dartford, Kent: LITTLE BOY BLUE AND THE BLUE BOYS, SOME OLD SONGS (Download EP, Promotone/iTunes, May 27, 2013: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES FILES 1961-1964 (BT CD: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES, REELIN’ & ROCKIN’ (BT CD: cuts 1-5 [all incomplete]); DOWN THE ROAD APIECE (STONES TOURING HISTORY VOL. 1) (BT CD: cuts 1, 9 [1 longer, but still incomplete]); HOW BRITAIN GOT THE BLUES (BT CD: cuts 2, 3, 6, 8); BILL WYMAN’S BLACK BOX (BT CD [VGP]: cuts 2, 3, 6, 8); GENUINE BLACK BOX (BT CD box set [Disc 1]: cuts 5, 11-13); REEL TIME TRIP (BT CD: cut 7): 1. Around And Around, 2. Little Queenie, 3. Beautiful Delilah (all Berry), 4. La Bamba (Trad. arr. Valens), 5. Go On To School (Reed) [not Wee Baby Blues (Turner, Johnson)], 6. I Ain’t Got You (Arnold), 7. I’m Left, You’re Right, She’s Gone (Kesler, Taylor), 8. Down The Road Apiece (Raye), 9. Don’t Stay Out All Night (Arnold), 10. I Ain’t Got You (Arnold), 11.
    [Show full text]
  • Musicians List Pdf Site
    lin’/2002, west coast coolin’/2004, stay with me/2007 – Paul Brown white sand/2007 – Jonathan Butler surrender/2002 Alex Acuña – Cafe Soul All Stars/Love Pages various artists/2005 – Vanessa Carlton be not nobody/2002 – Chiara Civello last quarter percussion, drums moon/2005 – Steve Cole between us/2000, ny la/2003 – Brian Culbertson nice & slow/2001, come on up/2003, it’s on Los Angeles - 1978-2007 tonight/2005, a soulful christmas/2006 – Eric Darius just getting started/2006 – Will Downing emotions/2003, soul sym- AO R Light Mellow cool sound edition/2001 – AO R Light Mellow warner edition/2001 – Anri 16th summer breeze/1994, phony/2005 – George Duke duke/2005 – Richard Elliot chill factor/1999, crush/2001 – Forever, for always, for luther twin soul/1997 – David Baerwald bedtime stories/1990 – David Benoit full circle/2006 – Stephen Bishop saudade/2007 various artists/2004 – Michael Franks rendezvous in rio/2006 – Kenny G paradise/2002 – Jeff Golub do it again/2002, soul – Boys Club boys club/1988 – Brian Bromberg choices/2004 – Jackson Browne world in motion/1989 – Severin Browne sessions/2003 – Euge Groove euge groove/2000, play date/2002, livin’ large/2004 – Everette Harp for the love/2000, all from the edge of the world/1995 – Larry Carlton friends/1983, last nite/1987, kid gloves/1992 – Oscar Castro-Neves all for you/2004, in the moment/2006 – Paul Jackson, Jr. the power of the string/2001, still small voice/2003 – Bob James one/2006 – Joe Cocker night calls/1991 – Shawn Colvin fat city/1992 – Rita Coolidge and so is love/2005
    [Show full text]
  • Dionne Reservations for Two Mp3, Flac, Wma
    Dionne Reservations For Two mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul / Pop Album: Reservations For Two Country: UK & Europe Released: 1987 Style: Soul-Jazz, Neo Soul, Easy Listening MP3 version RAR size: 1993 mb FLAC version RAR size: 1831 mb WMA version RAR size: 1733 mb Rating: 4.7 Votes: 152 Other Formats: MP4 VOC VQF ADX APE WMA FLAC Tracklist Hide Credits Love Power Backing Vocals – Joe Pizulo*, Tim FeehanBass – Nathan EastContractor [Musical Contractor] – Frank DecaroDrums – Carlos VegaEngineer [Additional] – Gary Wagner , Tommy VicariEngineer, Mixed By – Mick GuzauskiGuitar – Dann HuffKeyboards – Greg A1 4:32 PhillinganesProgrammed By [Synthesizer Programming] – David BoruffSoloist, Alto Saxophone – Kenny G Synthesizer – David FosterSynthesizer [Added Synthesizer] – Burt Bacharach, Robbie BuchananVocals [Duet With] – Jeffrey OsborneWritten-By, Producer – Burt Bacharach, Carole Bayer Sager Close Enough Backing Vocals – David Lasley, James Ingram, Kevin Dorsey, Phil Perry Drums – John "J.R." Robinson*Engineer – Daren KleinMixed By [Mix Engineer] – Mick GuzauskiPercussion – A2 4:11 Paulinho Da CostaPerformer [All Instruments Except Drums And Percussion Played By] – Aaron Zigman, Jerry KnightProducer, Arranged By [Musical Bridge Arranged By] – Aaron Zigman, Jerry KnightWritten-By – David Lasley, Willie Wilcox You're My Hero Arranged By – Gene PageBacking Vocals – Alfie Silas, Howard Smith, Ivory Stone, Pat Henley*, Robert HenleyBass – Nathan EastDrums – Ed Greene Engineer – Russ A3 TerranaKeyboards – Reginald
    [Show full text]