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Yun Mi Hwang Phd Thesis
SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
D2492609215cd311123628ab69
Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films. -
South Korean Cinema and the Conditions of Capitalist Individuation
The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation By Jisung Catherine Kim A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kristen Whissel, Chair Professor Mark Sandberg Professor Elaine Kim Fall 2013 The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation © 2013 by Jisung Catherine Kim Abstract The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation by Jisung Catherine Kim Doctor of Philosophy in Film and Media University of California, Berkeley Professor Kristen Whissel, Chair In The Intimacy of Distance, I reconceive the historical experience of capitalism’s globalization through the vantage point of South Korean cinema. According to world leaders’ discursive construction of South Korea, South Korea is a site of “progress” that proves the superiority of the free market capitalist system for “developing” the so-called “Third World.” Challenging this contention, my dissertation demonstrates how recent South Korean cinema made between 1998 and the first decade of the twenty-first century rearticulates South Korea as a site of economic disaster, ongoing historical trauma and what I call impassible “transmodernity” (compulsory capitalist restructuring alongside, and in conflict with, deep-seated tradition). Made during the first years after the 1997 Asian Financial Crisis and the 2008 Global Financial Crisis, the films under consideration here visualize the various dystopian social and economic changes attendant upon epidemic capitalist restructuring: social alienation, familial fragmentation, and widening economic division. -
Harga Sewaktu Wak Jadi Sebelum
HARGA SEWAKTU WAKTU BISA BERUBAH, HARGA TERBARU DAN STOCK JADI SEBELUM ORDER SILAHKAN HUBUNGI KONTAK UNTUK CEK HARGA YANG TERTERA SUDAH FULL ISI !!!! Berikut harga HDD per tgl 14 - 02 - 2016 : PROMO BERLAKU SELAMA PERSEDIAAN MASIH ADA!!! EXTERNAL NEW MODEL my passport ultra 1tb Rp 1,040,000 NEW MODEL my passport ultra 2tb Rp 1,560,000 NEW MODEL my passport ultra 3tb Rp 2,500,000 NEW wd element 500gb Rp 735,000 1tb Rp 990,000 2tb WD my book Premium Storage 2tb Rp 1,650,000 (external 3,5") 3tb Rp 2,070,000 pakai adaptor 4tb Rp 2,700,000 6tb Rp 4,200,000 WD ELEMENT DESKTOP (NEW MODEL) 2tb 3tb Rp 1,950,000 Seagate falcon desktop (pake adaptor) 2tb Rp 1,500,000 NEW MODEL!! 3tb Rp - 4tb Rp - Hitachi touro Desk PRO 4tb seagate falcon 500gb Rp 715,000 1tb Rp 980,000 2tb Rp 1,510,000 Seagate SLIM 500gb Rp 750,000 1tb Rp 1,000,000 2tb Rp 1,550,000 1tb seagate wireless up 2tb Hitachi touro 500gb Rp 740,000 1tb Rp 930,000 Hitachi touro S 7200rpm 500gb Rp 810,000 1tb Rp 1,050,000 Transcend 500gb Anti shock 25H3 1tb Rp 1,040,000 2tb Rp 1,725,000 ADATA HD 710 750gb antishock & Waterproof 1tb Rp 1,000,000 2tb INTERNAL WD Blue 500gb Rp 710,000 1tb Rp 840,000 green 2tb Rp 1,270,000 3tb Rp 1,715,000 4tb Rp 2,400,000 5tb Rp 2,960,000 6tb Rp 3,840,000 black 500gb Rp 1,025,000 1tb Rp 1,285,000 2tb Rp 2,055,000 3tb Rp 2,680,000 4tb Rp 3,460,000 SEAGATE Internal 500gb Rp 685,000 1tb Rp 835,000 2tb Rp 1,215,000 3tb Rp 1,655,000 4tb Rp 2,370,000 Hitachi internal 500gb 1tb Toshiba internal 500gb Rp 630,000 1tb 2tb Rp 1,155,000 3tb Rp 1,585,000 untuk yang ingin -
Disrupting Heritage Cinema: the Historical Films of South Korea
Disrupting Heritage Cinema: The Historical Films of South Korea Louisa Jo Mitchell Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Languages, Cultures and Societies Centre for World Cinemas and Digital Cultures September 2018 i The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Louisa Jo Mitchell to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. © 2018 The University of Leeds and Louisa Jo Mitchell ii Acknowledgements This dissertation would not have been possible without backing from the White Rose College of Arts & Humanities. Their doctoral training programme and financial support have provided me with opportunities beyond my expectations and I am truly thankful for the studentship. I sincerely thank my supervisor Professor Paul Cooke for his unwavering support throughout all my years of postgraduate study and for keeping me going through the rough periods. I also offer my thanks to my secondary supervisor, Dr Irena Hayter, who provided help at key moments during this long process. I am grateful to everyone I have met over the years who have offered me their guidance, knowledge, and advice. I would particularly like to thank Professor Mette Hjort for hosting me during my time at Lingnan University, Hong Kong, and Dr Yun Mi Hwang for meeting with me in Seoul. -
SHOWBOX at Efm 2017
SHOWBOX at efm 2017 CONTACT IN EFM Suite 244, Marriott Hotel T +49 30 22000 - 1166 EXECUTIVES ATTENDING Judy AHN | Head of Int’l Business E [email protected] Luna H.Y. KIM | SVP of Int’l Sales E [email protected] Dana KIM | Assistant Manager of Int’l Sales E [email protected] To set up a meeting, please e-mail us at [email protected] UPCOMING MARKET SCREENING FEB 11 (SAT) 18:55 @ CinemaxX 17 the prison GENRE Crime Action AN EX-COP CONVICT JOINS A CRIME SYNDICATE WITHIN THE PRISON RELEASE Mar, 2017 Yu-gon (KIM Rae-won), troubled former police inspector, is imprisoned for a hit-and-run accident. While inside, he discovers that DIRECTOR NA Hyun the entire penitentiary is controlled by an inmate named Ik-ho (HAN CAST HAN Seok-kyu | The Berlin File / My Paparotti Seok-kyu) who has been running a crime syndicate from within. Soon KIM Rae-won | Gangnam Blues / Sunflower enough, Yu-gon becomes a major part of Ik-ho’s crime empire. Sold Territory : China, North America, Philippines, and Taiwan the mayor GENRE Political Drama ALL AND EVERY ASPECT OF A PERSON PURSUING ONE’S AMBITION RELEASE Q2, 2017 Byeon (CHOI Min-sik), the Mayor of Seoul in his second term, announces his plans to run for mayor again. Despite the help of his DIRECTOR PARK In-je | Moby Dick crafty campaign manager Shim (KWAK Do-won) and a young ad CAST CHOI Min-sik | Lucy / Oldboy prodigy Park (SHIM Eun-kyung), his opposing candidate stays in the KWAK Do-won | Asura : The City of Madness / lead. -
In Korean Film Industry Who’S Who in Korean Film Industry
Producers and Investors Who’s Who in Korean Film Industry Who’s Who in Korean Film Industry Acknowledgements Publisher AN Cheong-sook Who’s Chairperson Korean Film Council 206-46, Cheongnyangni-dong, Dongdaemun-gu, Seoul, Korea 130-010 Editor-in-Chief Daniel D. H. PARK Who Director of International Promotion in Korean Film Industry Editor JUNG Hyun-chang Collaborator YANG You-jeong Researched and Compiled CHOI Tae-young JUNG Eun-jung Contributing Writer SUH Young-kwan Producers and Investors Images : CINE21 ©Korean Film Council 2008 Book Design : Muge Creative Thinking 2 Who’s Who in Korean Film Industry Who’s Who in Korean Film Industry Producers and Investors Note The Who’s Who in Korean Film Industry series will deal with key people and their profiles every year. The first series, Who’s Who in Korean Film Industry : Producers and Investors presents major producers and investors in the Korean film industry. The series will be followed by major actors and directors series in the following years. For further information on the films that are mentioned in this book, please visit KOFIC website (www.kofic.or.kr/english) and see the film database menu. Who’s Who in Korean Film Industry Producers and Investors AHN Soo-hyun 6 CHOI Wan 52 KIM In-soo 96 LEE Eugene 138 SHIM, Jaime 182 CHAE, Jason 12 CHOI Yong-bae 56 KIM, Jonathan 100 LEE Eun 142 SHIN Chul 186 CHIN Hee-moon 18 CHUNG Tae-won 60 KIM Joo-sung 104 LEE Joo-ick 146 SHIN Hye-yeun 190 CHO, David 22 JEONG Seung-hye 64 KIM Kwang-seop 108 LEE Joon-dong 150 SUH Young-joo 194 CHO Kwang-hee -
L'étrange Festival 2015 Programme
DU 3 AU 13 SEPTEMBRE 2015 AU FORUM DES IMAGES www.etrangefestival.com Chloé Maze Chloé modèle • www.domgarcia.com www.domgarcia.com Dom Garcia Photo © Photo • Marc Bruckert Marc Vente en ligne de billets sur www.forumdesimages.fr Design Forum des images : Forum des Halles / 2, rue du Cinéma / Paris 1 • Tél 01 44 76 63 00 • blog.forumdesimages.fr ÉDITO 2015 Partenaires de L’Étrange Festival 2015 « Un vrai voyage, c’est celui qui enseigne autre chose que ce qui était prévu. Il faut bifurquer, pour créer et découvrir. La véritable découverte est imprévue. » Comment ne pas partager cette sage pensée du sémillant épistémologue Michel Serres ? Depuis plus de 20 ans nous nous évertuons à vous le démontrer et le prestigieux plateau de cette nouvelle édition en fait foi. De l’électron libre Benoît Delépine, à l’intenable réalisateur anglais Ben Wheatley en passant par le bouillonnant Canadien Guy Maddin qui nous font chacun l’honneur d’une carte blanche, aux légendaires Californiens de The Residents, qui s’installent enfin au Festival pour 2 jours de concerts fortement décalés et d’une soirée en toute intimité, la “liberté de ton” semble viscéralement liée à votre manifestation chérie. Chaque édition est prétexte à une célébration. Cette année nous fêtons les 20 ans de la compétition internationale de courts métrages. L’occasion pour les Programmes courts & Créations de Canal+ de nous offrir une double séance de haute tenue, best of des 2 décénnies écoulées. L’exaltant Serge Bromberg nous offre encore un somptueux Retour de Flamme avec la version restaurée du chef d’œuvre de Marcel L’Herbier ; L’inhumaine. -
Korean Cinema 2 0
KOREAN CINEMA 2007 KOREAN CINEMA 2007 KOREAN CINEMA 2007 Acknowledgements Contents Publisher AN Cheong-sook Chairperson Review of Korean Films in 2007 Korean Film Council 206-46, Cheongnyangni-dong, Dongdaemun-gu, Seoul, Korea (130-010) and the Outlook for 2008 4 Editor-in-Chief Korean Film Council 8 Daniel D. H. PARK Director of International Promotion Feature Films 14 Editors Fiction 16 JUNG Hyun-chang, YANG You-jeong Released 17 Completed & Upcoming 195 Collaborator Documentary 300 Earl Jackson, SON Ju-hee, LEE Yuna, LEE Jeong-min Animation 344 Contributing Writer JUNG Han-seok Short Films 353 Fiction 354 Film image, stills, and part of film information are provided by directors, producers, production & sales Documentary 442 companies, and Film Festivals in Korea including JIFF (Jeonju International Film Festival), PIFF (Pusan Animation 450 International Film Festival), WFFIS (Women’s Film Festival in Seoul), PIFAN (Puchon International Fantastic Film Festival), AISFF (Asiana International Short Film Festival) and EXiS (Experimental Film and Video Experimental 482 Festival in Seoul). KOFIC appreciates their help and cooperation. Appendix 490 ©Korean Film Council 2007 Statistics 492 lndex of 2007 films 499 Book Design Muge Creative Thinking Addresses 518 Print Dream Art about this film is its material. It is quite unique that the democratic resistance movement, Review of Korean Films in 2007 (the Gwangju Democratization Movement) which occurred in Gwangju, a local city of Korea, in May 1980, would be used as source material for a Korean blockbuster in 2007. Although the film does not have any particularly profound vision about the event or the and the Outlook for 2008 period, <May 18> won over many of the public with its universal life stories and the emotions of the Gwangju citizenry during those days, and was admired for its thorough and meticulous research efforts. -
DEGLI ANGELI, LA LAVERTY Paul 2012 8885 "SE TORNO"
TITOLO REGISTA ANNO 9683 "PARTE" DEGLI ANGELI, LA LAVERTY Paul 2012 8885 "SE TORNO" - ERNEST PIGNON-ERNEST E LA FIGURA DI COLLETTIVO SIKOZEL 2016 PASOLINI #### #ANNE FRANK VITE PARALLELE FEDELI Sabina - MIGOTTO Anna 2019 #### #ANNE FRANK VITE PARALLELE FEDELI Sabina - MIGOTTO Anna 2019 #### #ANNE FRANK VITE PARALLELE FEDELI Sabina - MIGOTTO Anna 2019 3291 (500) GIORNI INSIEME WEBB, Marc 2010 8455 ... E FUORI NEVICA SALEMME Vincenzo 2014 8455 ... E FUORI NEVICA SALEMME Vincenzo 2014 927 ...E L'UOMO CREO' SATANA KRAMER, Stanley 1960 7622 ...E ORA PARLIAMO DI KEVIN RAMSAY, Lynne 2011 #### ...E SE DOMANI LA PAROLA Giovanni 2005 #### .45 LENNON Gary 2006 9681 ¡VIVAN LAS ANTIPODAS! - VIVE LES ANTIPODES! (VIVA KOSSAKOVSKY Victor 2011 GLI ANTIPODI!) 9681 ¡VIVAN LAS ANTIPODAS! - VIVE LES ANTIPODES! (VIVA KOSSAKOVSKY Victor 2011 GLI ANTIPODI!) 6405 007 - CASINO ROYALE - QUANTUM OF SOLACE - CAMPBELL, Martin - FORSTER, Marc - 2006-2012 SKYFALL MENDES, Sam 2473 007 - DALLA RUSSIA CON AMORE YOUNG, Terence 1963 2475 007 - IL MONDO NON BASTA APTED, Michael 1999 2460 007 - LA MORTE PUO' ATTENDERE TAMAHORI, Lee 2002 2459 007 - LICENZA DI UCCIDERE YOUNG, Terence 1962 7189 007 - MAI DIRE MAI KERSHNER, Irvin 1983 #### 007 - MAI DIRE MAI KERSHNER Irvin 1983 2476 007 - MISSIONE GOLDFINGER HAMILTON, Guy 1964 2477 007 - MOONRAKER - OPERAZIONE SPAZIO GILBERT, Lewis 1979 2455 007 - QUANTUM OF SOLACE FORSTER, Marc 2008 6367 007 - SKYFALL MENDES, Sam 2012 2466 007 - SOLO PER I TUOI OCCHI GLEN, John 1981 2474 007 - THUNDERBALL - OPERAZIONE TUONO YOUNG, Terence 1965 -
Showbox (086980 KQ ) Taking a Break After a Strong Run in 1Q
Showbox (086980 KQ ) Taking a break after a strong run in 1Q Media Robust 1Q results thanks to the success of A Violent Prosecutor Showbox’s 1Q revenue surged 84% YoY, as the number of admissions to the Results Comment company’s titles increased to 12.48mn in the quarter (vs. 7.41mn in 1Q15). A Violent May 17, 2016 Prosecutor , starring Kang Dong-wo n, attracted a total of 9.7mn viewers. By comparison, Gangnam Blues and Detective K: Secret of the Lost Island sold 2.19mn and 3.87mn box office tickets, respectively, in 1Q15. Intellectual property revenue (Maintain) Buy also improved YoY, as box office hits released in 4Q15, including The Insiders and The Throne , boosted domestic VOD revenue. Target Price (12M, W) 11,000 Operating profit soared 237% YoY. COGS-to-revenue ratio declined 3%p YoY to 80%, and SG&A fell 9% YoY. Net profit jumped 117% YoY. The effective corporate Share Price (05/16/16, W) 8,060 tax rate is estimated at 23%. Expected Return 36% Taking a breather in 2Q, and bouncing back in 3Q with tentpoles 2Q: The lack of major movies slated for release in 2Q should affect operating OP (16F, Wbn) 17 results in the short term. There were no major movie openings in April, and The th Consensus OP (16F, Wbn) 16 Third Way of Love —to be released on May 19 —will likely have a li mited impact on the bottom line, as Showbox is the distributor but not the investor for the film . EPS Growth (16F, %) 9.4 Moreover, as Good Bye Single is scheduled to be released on June 30 th , earnings Market EPS Growth (16F, %) 16.8 will mostly be reflected in 3Q. -
“Anak” of the Philippine Music Industry Bring Back the “Estudyante Blues”
1 Official Newsletter of Rotary Club of Manila 0 balita No. 3737, April 5, 2018 THE ROTARY CLUB OF MANILA BOARD OF DIRECTORS and Executive Officers 2017-2018 JIMMIE POLICARPIO President TEDDY OCAMPO Immediate Past President CHITO ZALDARRIAGA Vice President BOBBY JOSEPH ISSAM ELDEBS LANCE MASTERS CALOY REYES SUSING PINEDA ART LOPEZ Directors KABALITA ALVIN LACAMBACAL Secretary Let the “Anak” of the Philippine Music Industry bring back the “Estudyante Blues” of Asia‟s First Rotary Club as he takes us NICKY VILLASEÑOR back to the nostalgic apex of Folk Music heritage that united Treasurer our people. DAVE REYNOLDS Sergeant-At-Arms AMADING VALDEZ What‟s Inside Board Legal Adviser Program 2-3 Presidential Timeline 4-5 RENE POLICARPIO Guest Speakers‟ Profile 6-7 Program Calendar of Guest Speakers 8 Assistant Secretary The Week that Was 9-15 Planning Meeting 16-17 NER LONZAGA Interclub fora 18 Fellowship 19-20 JIM CHUA Interclub Activities 21-28 Assistant Treasurer International Relations 29 TRF Grant Management Seminar 30 D3810 Council of Governors Meeting 30 BOLLIE BOLTON Special Children 31 Deputy Sgt-at-Arms Rotary Citation 32 News Release 33-34 Secretariat Speakers‟ Bureau 35-37 Public Health Nutrition and Child Care 38 ANNA KUN TOLEDO Advertisement 39-41 Executive Secretary 2 PROGRAM RCM’S 35th for Rotary Year 2017-2018 April 5, 2018, Thursday, 12Noon, New World Makati Hotel Ballroom Officer-In-Charge/ Program Moderator : PP “Francis” Juico P R O G R A M TIMETABLE 11:30 AM Registration & Cocktails (WINES courtesy of RCMDir-Elect/Dir. “Bobby” Joseph) 12:25 PM Bell to be Rung: Members and Guests are requested to be seated by OIC/Moderator : PP Francis Juico 12:30 PM Call to Order Pres.