DOCSLIB.ORG

A New Light on Angels Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A New Light on Angels Free FREE A NEW LIGHT ON ANGELS PDF Diana Cooper,Damian Keenan | 144 pages | 01 Sep 2009 | Findhorn Press Ltd. | 9781844091669 | English | Forres, United Kingdom Angels of Light / Michael Gira – YOUNG GOD RECORDS Diana CooperDamian Keenan Illustrator. Paperback List Price: The ubiquitous angels of everyday life are introduced in this fully revised and expanded bestseller. Buoyed by the firsthand experiences of regular people who have interacted with angels, the book offers guidance on how to reach out A New Light on Angels the gentle beings who have chosen to serve mankind through help, support, and healing. The identities and purposes of a multitude of angels are explored, from the small angels who care for the slightest daily tasks to the enormous archangels who cast light over great universal projects. By raising consciousness and awareness about these heavenly spirits and the amazing companionship they have to offer, this investigation offers a glimpse into a more evolved world full of peace, light, and joy. Angels can also be called upon to solve practical problems, and there is even an angel of parking spaces! Angels are waiting, ready, willing and able to help. It is our duty to seek them out and collaborate for a A New Light on Angels positive good. A New Light on Angels is a completely revised, updated and expanded edition of the bestselling A Little Light on Angelswith new original color illustrations by Damian Keenan. Diana Cooper is a therapist, healer, author of several books, and the founder of the Diana Cooper Foundation. Her journey started during a time of personal crisis when she received an angel visitation that changed her life. Since then the angels and her guides have taught her about the angelic realms, unicorns, fairies, Atlantis, and Orbs as well as many A New Light on Angels spiritual subjects. Through her workshops and therapy practice she has helped countless people find their life mission, fulfill their potential, and empower their lives. Founding partner in Design Factory, Dublin from to Damian Keenan subsequently relocated to Germany and is currently based in Heidelberg. Buy at Local Store Enter your zip code below to purchase from an indie close to you. [Reviews] New Books, By Lidija Haas | Harper's Magazine Angels of Light is the songwriting project I started immediately after terminating Swans The first album, New Mother, was released in Next came How I Loved You, released in We Are Him was released in August I write the songs on acoustic guitar, then gather musicians and friends, and build up the orchestrations with them in the studio and in live A New Light on Angels. I guide the process, but solicit their creative contributions actively. Each recording contains the contributions of an ever-changing plethora of amazing musicians, whom I thank here heartily! After many years too many to comfortably contemplate! I view the arrangements as little films created to make a context for the words and voice, so that one can drift off into the world the music creates. I produce the Angels recordings, and the production of the recordings is as important to me as the songs themselves. Most of the instruments used in the recordings are acoustic, but not all. Electric guitars, bass and drums etc. On the other hand, just sitting around my house, writing these things, and finally coming up with a statement that I think makes sense, I want to bring them to life as much as possible, in new and challenging ways for both myself and you, so I always strive to present them in a fresh and interesting context. The new works represent 24 years and 28 recordings of stubborn musical and artistic resilience to present vital and more often than not, unrepresented music, as well as, to a lesser degree, a means of fiscal survival within the clutches of a record industry that has undergone what is essentially a revolution thanks or not to the Internet as far as how listeners preview and buy A New Light on Angels music that interests them. It was always meant to be a group of revolving, changing personnel. The songs say what they have to say, then end. Many are entirely acoustic. I set a limitation before recording: there would be no drums one A New Light on Angels contains about ten seconds of drums, but otherwise, nothing —double bass or bass guitar is used instead as the rhythmic base. This had the effect of opening up a lot of space, as well necessarily forcing the songs into focus. They all play about 20 instruments with varying degrees of skill, and their approach was often the exact opposite of what I would have initially thought. Of course, in some cases, they did exactly as I said, and shut the hell up about it—ha- ha! But the best thing for me was the surprise of hearing the songs in a new light… I had a great time making this record. They certainly did just that, but they did it by retreating into a tiny Brooklyn apartment, where they made their own world instead, in complete and stubborn isolation. They proceeded to make several albums worth of recordings on crude home equipment—the material compulsively A New Light on Angels, spliced, and orchestrated A New Light on Angels fractal jewels of song and schismatically opposed atmospheres. Along the way they sent me the increasingly compelling results. Aside from the sprawling and weird arrangements of the music, the vocals were stunning. A few of those are included here with varying amounts of further orchestration. So there was a great deal of work there, before even going into the studio. Then, I helped with the basic sounds of course, and made suggestions about further orchestration. Too many! Like kids in a candy store. So another role of mine, having been in the studio for many years, was to keep looking ominously at my watch! The stage has exceptionally warm and inviting acoustics, the perfect setting for a solo Gira and his acoustic guitar; his presence and semi-formal dress is reminiscent of a backwoods minister, his very countenance and smoldering eyes suggesting that he has walked into the very mouth of Hell and has lived to tell the story He introduces himself with a wry wit, opening the show with self-deprecatory comments about his poor guitar skills Michael GiraFollowing the performance at the Ministry, Michael Gira continues with the role of backwoods minister, personally greeting the outpouring audience in the church foyer and hawking his own merchandise; his energy is not unlike a loving pastor who has just delivered the sermon of his career. Choice is a key concept in relation to attempting to better understand Gira; his personal freedom is perhaps the core, the very foundation of a musical odyssey that has lasted nearly a quarter of a century and shows no signs of slowing or mellowing by any interpretation. The man says and does exactly what he chooses to do, woeful to the point of insolent at any forces outside of his choosing that might attempt to control or carve out his destiny. Out of this resistance to anybody or any institution that might exercise authority or control over his person or his thoughts, one could argue that Gira has forged a meaningful career. That is not A New Light on Angels say that Gira is a closed or obviously temperamental personality these days, though he would be the first to admit that his unpredictable and often caustic behavior A New Light on Angels as a distancing A New Light on Angels early in his career with SWANS; on the contrary, he is capable of demonstrating a very keen sense of humor and is self-deprecating to a fault. I love making music, singing, shaping sound. I am not only trying to make music, but also run a record company, and service merchandise from our website, and other tasks. My supreme goal A New Light on Angels to clear up busy work here, stuff that HAS to be done to keep YGR afloat, so that I can again pick up my guitar, and also deal with aspects of my own career My priority is to first clear up this mountain of nagging junk on my desk and screaming unanswered e-mails in my inbox, which often reaches about e-mails I need to answer I have to clear up basic exigencies first At one point he was jailed for several weeks as a minor for vagrancy, abandoned by his father in hopes of teaching the young boy a lesson. After a stint at a tool factory in Germany which he A New Light on Angels over a prestigious school in the Swiss Alps, Gira ran away, hitch-hiking through Greece and Yugoslavia until arriving in Israel at the age of 15, selling hash first on a collective farm, or kibbutz, and later after a near-bust a hostel, where he was finally taken into custody A New Light on Angels Israeli police. Gira was incarcerated for a month and a half in Jerusalem without formal charges before a civil rights lawyer found out about his case. Released without bail, he hung out in Jerusalem, mostly panhandling or selling his blood before his trial, in which he was sentenced to another two months in an adult prison, where he depended heavily on his luck and quickly acquired shrewdness to avoid being gang-raped. He tried his hand at working at a plastics factory, roofing, and plumbing before jumping back into formal education. It was also around this time that Michael Gira became highly influenced by the DIY ethic of the burgeoning Punk rock scene.
Load more

Recommended publications
  • Michael Gira Solo Recordings at Home Mp3, Flac, Wma
    Michael Gira Solo Recordings At Home mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Solo Recordings At Home Country: US Released: 2001 Style: Acoustic MP3 version RAR size: 1521 mb FLAC version RAR size: 1304 mb WMA version RAR size: 1255 mb Rating: 4.1 Votes: 153 Other Formats: MP1 AA AC3 AIFF VOX RA ADX Tracklist 1 What You Were 5:36 2 All Souls' Rising 5:55 3 Love Will Save You 4:46 4 Surrogate 5:45 5 Kosinsky 4:47 6 On The Mountain 6:31 7 Waiting Beside Viragio 2:19 8 Someone Like Me 4:47 9 I Remember Who You Are 4:57 10 Mosquito Coast 5:11 11 Irish Queen 4:41 12 God's Servant 4:48 13 Mary Found John 1:13 Notes Comes with a lyric sheet with an embossed stamp though it, and a sliver of hand cut paper with a personalized thank you note to the purchaser from Michael Gira. 1st edition in black paper sleeves. Later editions were on different colored paper sleeves and produced by request, and is evidenced by a variety of years marked on them noting when purchased. 1st edition all marked 2001. Gira offered this additional 're-pressing' briefly with other handmade solo releases, those being not numbered unlike the first editions or numbered with an end point greater than the initial edition. For example, the re-press of I Am Singing To You From My Room ends at 2,000, wheres the originals end at 1,000. A collection composed primarily of home recordings by Michael Gira; tracks 11 and 12 respectively are a rare live recording and a studio outtake from the Angels of Light's first album.
    [Show full text]
  • Boo-Hooray Catalog #10: Flyers
    Catalog 10 Flyers + Boo-hooray May 2021 22 eldridge boo-hooray.com New york ny Boo-Hooray Catalog #10: Flyers Boo-Hooray is proud to present our tenth antiquarian catalog, exploring the ephemeral nature of the flyer. We love marginal scraps of paper that become important artifacts of historical import decades later. In this catalog of flyers, we celebrate phenomenal throwaway pieces of paper in music, art, poetry, film, and activism. Readers will find rare flyers for underground films by Kenneth Anger, Jack Smith, and Andy Warhol; incredible early hip-hop flyers designed by Buddy Esquire and others; and punk artifacts of Crass, the Sex Pistols, the Clash, and the underground Austin scene. Also included are scarce protest flyers and examples of mutual aid in the 20th Century, such as a flyer from Angela Davis speaking in Harlem only months after being found not guilty for the kidnapping and murder of a judge, and a remarkably illustrated flyer from a free nursery in the Lower East Side. For over a decade, Boo-Hooray has been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections and look forward to inviting you back to our gallery in Manhattan’s Chinatown. Catalog prepared by Evan Neuhausen, Archivist & Rare Book Cataloger and Daylon Orr, Executive Director & Rare Book Specialist; with Beth Rudig, Director of Archives. Photography by Evan, Beth and Daylon.
    [Show full text]
  • Performance, Aesthetics, and the Unfinished Haitian Revolution Jeremy Matthew Glick
    The Black Radical Tragic America and the Long 19th Century General Editors David Kazanjian, Elizabeth McHenry, and Priscilla Wald Black Frankenstein: The Making of an American Metaphor Elizabeth Young Neither Fugitive nor Free: Atlantic Slavery, Freedom Suits, and the Legal Culture of Travel Edlie L. Wong Shadowing the White Man’s Burden: U.S. Imperialism and the Problem of the Color Line Gretchen Murphy Bodies of Reform: The Rhetoric of Character in Gilded- Age America James B. Salazar Empire’s Proxy: American Literature and U.S. Imperialism in the Philippines Meg Wesling Sites Unseen: Architecture, Race, and American Literature William A. Gleason Racial Innocence: Performing American Childhood from Slavery to Civil Rights Robin Bernstein American Arabesque: Arabs and Islam in the Nineteenth Century Imaginary Jacob Rama Berman Racial Indigestion: Eating Bodies in the Nineteenth Century Kyla Wazana Tompkins Idle Threats: Men and the Limits of Productivity in Nineteenth- Century America Andrew Lyndon Knighton The Traumatic Colonel: The Founding Fathers, Slavery, and the Phantasmatic Aaron Burr Michael J. Drexler and Ed White Unsettled States: Nineteenth- Century American Literary Studies Edited by Dana Luciano and Ivy G. Wilson Sitting in Darkness: Mark Twain, Asia, and Comparative Racialization Hsuan L. Hsu Picture Freedom: Remaking Black Visuality in the Early Nineteenth Century Jasmine Nichole Cobb Stella Émeric Bergeaud Translated by Lesley Curtis and Christen Mucher Racial Reconstruction: Black Inclusion, Chinese Exclusion, and the
    [Show full text]
  • © 2015 Thomson Reuters. No Claim to Original U.S. Government Works. 1 Maureen POULL, Plaintiff, V
    Maureen POULL, Plaintiff, v. AFFINITAS KANSAS, INC.,..., 2008 WL 8151383... 2008 WL 8151383 (Kan.Dist.Ct.) (Trial Pleading) District Court of Kansas. Douglas County Maureen POULL, Plaintiff, v. AFFINITAS KANSAS, INC., Defendant. No. 2008CV346. June 11, 2008. Petition Stephen D. Lanterman, #18844, Michael S. Heptig, #23199, Sloan, Eisenbarth, Glassman, McEntire & Jarboe, L.L.C., 1000 Bank of America Tower, 534 South Kansas Avenue, Topeka, Kansas 66603-3456, Telephone: (785) 357-6311, Attorneys for Plaintiff. Pursuant to K.S.A. Chapter 60 COMES NOW the plaintiff, Maureen Poull, by and through her attorneys, Stephen D. Lanterman and Michael S. Heptig of the law firm of Sloan, Eisenbarth, Glassman, McEntire &. Jarboe, L.L.C, and for her claims for relief against the defendant, Affinitas Kansas, Inc., states and alleges as follows: JURISDICTION AND VENUE 1. This is an employment case based upon and arising under the laws of the State of Kansas. 2. This court has subject matter jurisdiction over the plaintiffs claims. 3. All of the unlawful acts and practices set forth below were committed within the State of Kansas, and venue is proper in this court pursuant to K.S.A. §60-604. PARTIES 5. The plaintiff, Maureen Poull, is a citizen and resident of City of Lawrence, Douglas County, Kansas. 6. The defendant, Affinitas Kansas, Inc., is a corporation organized in Kansas, with an office located at 1 Riverfront Plaza Suite 102, in Lawrence, Kansas. Defendant may be served at its registered office at that same address. FACTUAL ALLEGATIONS 7. Plaintiff was a licensed nurse with the State of Kansas.
    [Show full text]
  • Musique Classique
    MUSIQUE CLASSIQUE COMPOSITEURS TITRE INTERPRETES & ORCHESTRES COTE HENRY, Pierre Continuo - Capriccio HENRY, Pierre 10 HEN HE BRAHMS, Johannes Plays Brahms VOLODOS, Arcadi 11 BRA VO BUXTEHUDE, Dietrich La rêveuse DUDERMEL, Stéphane/BOLTON, Florence/PERROT, 29 BUX BO Benjamin/AUDOIN, Emily/LOHFF, Carsten/WONNER, Sébastien CONNESSON, Guillaume Pour sortir au jour DUFOUR, Mathieu/DENEVE, Stéphane & THE BRUSSELS 38 CON DU PHILHARMONIC DE MONGEROULT, Hélène Hélène De Montgeroult STERN, Edna 11 DEM ST MONTEVERDI, Claudio Madrigali Vol.1 Cremona ALLAN, Miriam/MORRISON, Hannah/GAUTROT, Marie/AGNEW, Paul 54 MON AG & LES ARTS FLORISSANTS MOUSSORGSKY, Modest Pictures at an exhibition DUDAMEL, Gustavo & WIENER PHILHARMONIKER 43 MOU DU MOZART, Wolfgang Amadeus Mozart arias BARTOLI, Cecilia/GRUBEROVA, Edita/HARNONCOURT, Nikolaus & 57 MOZ BA CONCENTUS MUSICUS WIEN/BARENBOIM, Daniel & BERLINER PHILHARMONIKER MOZART, Wolfgang Amadeus Desperate heroines PIAU, Sandrine/BOLTON, Ivor & THE MOZARTEUM ORCHESTRA 57 MOZ PI SALZBURG MOZART, Wolfgang Amadeus Messe du couronnement PIAU, Sandrine/EQUILBEY, Laurence & ACCENTUS/INSULA 64 MOZ EQ ORCHESTRA PIAZZOLLA, Astor The sound of Piazzolla ARGERICH, Martha/BARENBOIM, Daniel/PAHUD, 40 PIA AN Emmanuel/ROSTROPOVITCH, Mstislav/JAROUSSKY, Philippe/KREMER, Gidon... SAINT-SAENS, Camille Concerto pour violoncelle n°1 et PAHUD, Emmanuelle/AMOYEL, Pascal/GAFFIGAN, James & 15 SAI PA Sonates n°2 et 3 LUZERNER SINFONIEORCHESTER SCHUBERT, Franz Schubert DESSAY, Natalie/CASSARD, Philippe 51 SCH DE SCHUMANN, Robert Fantaisie et
    [Show full text]
  • Mannypol.Pdf [43Kb]
    MAnnyPoL MannyPoL è Paolo Dellapiana, rintracciabile in via Susa 6 (interno cortile) 10138 a TORINO, ITALIA. tel/fax +39-0114343704 mobile +39-3292418096. mail: [email protected]. E’ nato a TORINO il 28 gennaio 1967. Scheda artistica: Paolo Dellapiana è dal 1996 la sezione elettronica e la fisarmonica dei LARSEN (Torino, www.larsen.to.it) con i quali ha inciso e pubblicato diversi CD: NO ARMS NO LEGS prodotto da Martin Bisi a New York 1997, REVER prodotto da Michael Gira e pubblicato dalla YOUNG GOD RECORDS a New York nel 2002 e distribuito nel mondo da Revolver, uno dei 100 miglior dischi del 2002 per il LAWEEKLY. I LARSEN vincono il 1° premio al FESTIVAL di RIMUSICAZIONI di Bolzano nel 2002 musicando alcuni cartoni animati anni 20 di Windsor McCay (lavoro commissionato dall’Università di Torino); la musica è ricca di campioni e di fisarmonica. Nel 2003 i LARSEN suonano nella cattedrale di St. John’s a Danzica, (la cui registrazione audio/video è il contenuto del DVD KRZYKOGNIA pubblicato da GoodFellas), al festival di musica elettronica ULTRAHANG FEST di Budapest e intraprendono una lunga tournè negli Stati Uniti (20 date) in compagnia e collaborazione del progetto THE LIVING JARBOE (www.thelivingjarboe.com) della musicista statunitense JARBOE (ex SWANS). Nel 2003 esce MUSM, lavoro autoprodotto, poi stampato anche su vinile nel 2005 da Enterruption. Nel 2005 esce PLAY, liberamente ispirato a musiche degli AUTECHRE su Important records (www.importantrecords.com). Nel settembre 2005 sempre Important Records pubblica come XXL project un disco realizzato in collaborazione tra gli americani XiuXiu (www.XiuXiu.org) e i Larsen: CIAUTISTICO.
    [Show full text]
  • Murder-Suicide Ruled in Shooting a Homicide-Suicide Label Has Been Pinned on the Deaths Monday Morning of an Estranged St
    -* •* J 112th Year, No: 17 ST. JOHNS, MICHIGAN - THURSDAY, AUGUST 17, 1967 2 SECTIONS - 32 PAGES 15 Cents Murder-suicide ruled in shooting A homicide-suicide label has been pinned on the deaths Monday morning of an estranged St. Johns couple whose divorce Victims had become, final less than an hour before the fatal shooting. The victims of the marital tragedy were: *Mrs Alice Shivley, 25, who was shot through the heart with a 45-caliber pistol bullet. •Russell L. Shivley, 32, who shot himself with the same gun minutes after shooting his wife. He died at Clinton Memorial Hospital about 1 1/2 hqurs after the shooting incident. The scene of the tragedy was Mrsy Shivley's home at 211 E. en name, Alice Hackett. Lincoln Street, at the corner Police reconstructed the of Oakland Street and across events this way. Lincoln from the Federal-Mo­ gul plant. It happened about AFTER LEAVING court in the 11:05 a.m. Monday. divorce hearing Monday morn­ ing, Mrs Shivley —now Alice POLICE OFFICER Lyle Hackett again—was driven home French said Mr Shivley appar­ by her mother, Mrs Ruth Pat­ ently shot himself just as he terson of 1013 1/2 S. Church (French) arrived at the home Street, Police said Mrs Shlv1 in answer to a call about a ley wanted to pick up some shooting phoned in fromtheFed- papers at her Lincoln Street eral-Mogul plant. He found Mr home. Shivley seriously wounded and She got out of the car and lying on the floor of a garage went in the front door* Mrs MRS ALICE SHIVLEY adjacent to -• the i house on the Patterson got out of-'the car east side.
    [Show full text]
  • Oslo, Norway – 31
    OSLO, NORWAY – 31. MARCH - 03. APRIL 2010 MAYHEM A RETROSPECTIVE OF GIANTS A VIEW FROM BERGEN TAAKE NACHTMYSTIUM THE TRANSATLANTIC PERSPECTIVE REVELATORY, TRANSFORMATIVE MAGICK JARBOE TEN YEARS OF INFERNO – THE PEOPLE TELL THEIR STORIES OSLO SURVIVOR GUIDE – CINEMATIC INFERNO – CONFERENCE – EXPO – AND MORE WWW.ROSKILDE-FESTIVAL.DK NÅ PÅ DVD OG BLU-RAY! Photo: Andrew Parker Inferno 2010 (from left): Carolin, Jan Martin, Hilde, Anders, Runa, Torje and Melanie (not present: Lars) HAIL ALL – WELCOME TO THE INFERNO METAL FESTIVALS TEN YEAR ANNIVERSARY! n annual gathering of metal, the black and extreme, the blasphemous Aand gory – music straight from hell! Worshippers from all over the world congregate for the fest of the the black metal easter in the North. YOU are hereby summoned! ron fisted, the Inferno Fest has ruled the first decade of the new Millenn- INFERNO MAGAZINE 2010 Iium. It has been a trail of hellfire. Sagas have been written and legacies Editor: Runa Lunde Strindin carved in willing flesh with new bands and new musical territory continously Writers: Gunnar Sauermann, Jonathan Seltzer, Hilde Hammer, conquered ! Bjørnar Hagen, Trond Skog, Anders Odden, Torje Norén. Photos: Andrew Parker, Alex Sjaastad, Charlotte Christiansen, Trond Skog, ail to all the bands, the crew and the volunteers, venues and clubs! Lena Carlsen. HHail to the dedicated media, labels and managements, our partners and IMX and IMC photos: Viktor Jæger collaborators! Inferno logos and illustrations, magazine layout: Hail to the Inferno audience with their dark force and energy. Asgeir Mickelson at MultiMono (www.multimo.no) With you all onboard we set our sails for the next Inferno! Advertising: Melanie Arends and Hilde Hammer at turbine agency (www.turbine.no) Join this years fest and the forthcoming gatherings in the Distribution: turbine agency + Scream Magazine years to come.
    [Show full text]
  • Order Form Full
    JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE
    [Show full text]
  • San Miguel Primavera Sound
    SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol.
    [Show full text]
  • 'The Glowing Man': a Critical Analysis of A
    “‘The Glowing Man’: A Critical Analysis of a Social Media Disclosure of Sexual Violence in the Field of Cultural Production” by Christopher Worden A Thesis presented to The University of Guelph In partial fulfillment of requirements for the degree of Master of Arts in Sociology Guelph, Ontario, Canada © Christopher Worden, September, 2017 ABSTRACT “‘The Glowing Man’: A Critical Analysis of a Social Media Disclosure of Sexual Violence in the Field of Cultural Production” Chris Worden Advisor: University of Guelph, 2017 Dr. Mavis Morton This thesis examines the discourse surrounding an online disclosure of sexual violence in the music field. Research questions addressed three things: 1. The discursive role of symbolic capital and the field of cultural production; 2. The extent to which features of the online feminist counter-public were represented; and 3. How the logic of the music field and strategies of the online feminist counter-public contributed to accused and complainant outcomes. A critical thematic analysis of the online discourse demonstrated that symbolic capital and position were deployed to defend the accused and discredit the complainant. The response of the online feminist counter-public countered some discrediting discourse common in sexual assault cases, but did not fully engage with the logic of the field of cultural production that was used to discredit the complainant in this case. Recommendations are offered to music journalists, arts funding organizations, and online activists to mitigate against gendered power imbalances stemming from the devaluing of women as cultural producers. iii ACKNOWLEDGEMENTS I benefited immensely from the expertise and guidance of my advisor, Dr.
    [Show full text]
  • Swans – the Glowing Man
    Swans – The Glowing Man (56:58, 61:32, 2CD,Young God/Mute Records/GoodToGo, 2016) „Walking, counting, breathing, reaching … Breathing, reaching, leaving, reaching … God, oh God, I’m leaving, I’m leaving … Surrender! Surrender! Take us! Take us! … The sun, a son, a child, a sun. I see us, take us, Take us! Take us! Save us! Save us! Save us! Save us! Children: I am blind, Children: I am blind. I am blind. I am blind .…“. Michael Gira hat wieder etwas zu sagen. In seiner ganz eigenen Art. Wie bei jedem Album zuvor, vor allem aber bei den letzten monumentalen Großtaten „The Seer“ sowie „To Be Kind“, haben die Swans mit „The Glowing Man“ ihrer eigene Hölle geschaffen – eine zweistündige Tortur in acht Abschnitten, auf die man sich nur widerstandslos einlassen kann. Zugleich ist „The Glowing Man“ auch eine Zäsur, ist es doch das letzte Album der gegenwärtigen Swans-Inkarnation. Ein Ende mit Ankündigung. Mantra-gleich spuckt Gira seine Statements ins Auditorium, eingebettet in monolithische Stücke, die wieder einmal großzügig zu halbstündigen Exzessen ausgeweitet werden. ‚Cloud For Forgetting‘ verursacht schon zu Beginn einen hypnotischen Sog, der das ganze Album über anhält. ‚Cloud Of Unknowing‘, ‚Frankie M‘ und der brachiale Titeltrack hieven uns in ein Paralleluniversum, in dem die Chaostheorie vorherrscht. Zum Schutz Ihrer persönlichen Daten ist die Verbindung zu Vimeo blockiert worden. Klicken Sie auf Video laden, um die Blockierung zu Vimeo aufzuheben. Durch das Laden des Videos akzeptieren Sie die Datenschutzbestimmungen von Vimeo. Mehr Informationen zum Datenschutz von Vimeo finden Sie hier Vimeo.com Datenschutzerklärung. Vimeo Videos zukünftig nicht mehr blockieren.
    [Show full text]