The Circuiteer Issue 22
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Appellate Advocacy - New Challenges
THE DENNING LAW JOURNAL APPELLATE ADVOCACY - NEW CHALLENGES THE DAME ANN EBSWORTH MEMORIAL LECTURE LONDON, TUESDAY 21 FEBRUARY 2006 The Hon Justice Michael Kirby AC CMG* DAME ANN EBSWORTH REMEMBERED This lecture honours Dame Ann Ebsworth who died in 2002 of cancer. She was but sixty-four years of age.1 As I am the inaugural lecturer, I will record some personal facts, although her memory will be green for her friends, many of whom have come to this lecture to remember her and to celebrate her life. Ann Ebsworth was born on 19 May 1937. Her father was an officer in the Royal Marines. She was raised a Roman Catholic and derived from her religion and her parents strong convictions and a sense of public service. She read history at the University of London where she was known as a formidable debater. In 1962 she was called to the Bar by Gray’s Inn. Her practice, which was in Liverpool, was predominantly criminal with some family work (which increased) and some civil work (which diminished). She rose to be head of her chambers. She was known as a considerable opponent, particularly in criminal cases. She was described as an “… effective and formidable advocate, thorough in preparation, lucid and courteous in style and entirely unflappable.”2 In 1987 she was appointed to the Northern Circuit Bench. It was at that time that she first met Brenda Hale who had begun training to be an Assistant Recorder in Liverpool. Baroness Hale has told of how thoroughly intimidated she felt, especially because of the daunting experience of lunching with the other judges at St George’s Hall. -
Lady Hale at the 2018 Pankhurst Lecture, University of Manchester
2018 – A Year of Anniversaries The 2018 Pankhurst Lecture, University of Manchester Lady Hale, President of The Supreme Court 8 February 2018 2018 marks the anniversary of some very important dates in the history of women’s participation in public life. We all know that 2018 is the 100th anniversary of women getting the vote, although not on same terms as men. Most of us probably know that it is also the 100th anniversary of women getting the right to stand as candidates and be elected to Parliament, this time on the same terms as men. Why the difference? I believe that there were two reasons why only some women got the vote. One was that the same Act of Parliament gave the vote to all men, irrespective of whether they had any property. Giving the vote effectively only to middle class women – those who either had property of their own or were married to men who did or who had University degrees – softened the effect of enfranchising the working-class men. Another was that in 1918, because of the slaughter of the First World War, there were more many more adult women than there were adult men – allowing them to vote on equal terms would have meant that they were in a majority. But there was no risk that more women than men would be elected to Parliament – the whole idea was laughable – so equality there would do no harm. Voting equality was achieved ten years later, in 1928. So we should celebrate 2018 as the 90th anniversary of women getting the 1 right to vote on equal terms with men and have an even bigger celebration in ten years’ time. -
Judge John Deed Hidden Agenda
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HDTV Service Description
BBC high definition television channel Public Value Test Joint BBC Trust/Ofcom description of service Issued May 2007 BBC high definition television channel Public Value Test Joint BBC Trust/Ofcom description of service 1. Purpose of this document 1.1. This document has been drafted by the BBC Trust and Ofcom. It is intended to outline our joint understanding of the BBC’s proposals for a high definition television channel and to give clarity on the terms and scope of the proposal that will be assessed by the Trust during the Public Value Test (PVT). The PVT comprises two elements – a Public Value Assessment (PVA), carried out by the BBC Trust, and a Market Impact Assessment (MIA), carried out by Ofcom. 1.2. We have clarified certain details contained in the BBC Executive’s PVT application. For the avoidance of doubt, we have agreed with the Executive that the description contained here supersedes the description of the proposed HD channel provided in section 3 of the Executive’s application. 1.3. The details provided here are intended as a guide to the nature of the proposed service for the purposes of the PVT. These should not prejudge any eventual Service Licence. 2. Proposition 2.1. The BBC Executive is applying for permission to provide a single, linear, digital TV channel in high definition (HD) format. 2.2. It would be a mixed-genre channel, drawing from content across the BBC’s channels, and would aim to meet the BBC’s public purposes. The channel would be available free-to-view, and would carry no advertising. -
Judges, Humour and Popular Culture
Oñati Socio-Legal Series, v. 9, n. 5 (2019) – Judging, Emotion and Emotion Work ISSN: 2079-5971 The Wit of Judge Rinder: Judges, Humour and Popular Culture LESLIE J. MORAN∗ Moran, L.J., 2019. The Wit of Judge Rinder: Judges, Humour and Popular Culture. Received 19 October 2018; Accepted 12 November 2018. Oñati Socio-Legal Series [online], 9(5), 771-798. Available from: https://doi.org/10.35295/osls.iisl/0000-0000-0000-1036 Abstract Judge Rinder is a British reality TV court show. It has much in common with the US archetype Judge Judy. But there are differences. One is Judge Rinder’s humour, and more specifically his wit. Using a research database of Judge Rinder cases. The article examines the nature and effects of humour in this courtroom setting. It explores the role of the judge, the form the humour takes and the interactions and social relations it generates. A distinctive feature of the analysis is consideration of the impact of the audio-visual technologies, and the techniques and conventions developed around them, upon the interactions and social relations the onscreen humour generates with viewers. While the camera aligns the screen audience with the judge and the laughter track infects the audience with emotion the judge generates, the paper cautions against assuming that all viewers have the same emotional experience. Key words Judge Rinder; reality TV court shows; Judge Judy; emotions; humour; laughter; television Resumen Judge Rinder es un reality show judicial británico. Tiene mucho en común con el arquetipo de Judge Judy, de EEUU; pero hay diferencias. -
The Circuiteer Issue 19
CIRCUITEER – AUTUMN 2005 10/11/05 11:36 AM Page 1 Issue 21 The Circuiteer News from the South Eastern Circuit Autumn 2005 The Circuit and its Judges The Annual Dropping the Pilot Loire for Dinner everyone Page 4 Page 6 Page 12 CIRCUITEER – AUTUMN 2005 10/11/05 11:36 AM Page 2 A Note from the Editor rather differently from what was declared in July. own views on a way forward. In order better to With due respect to the matter of fees, this understand with whom we are dealing in the edition is dedicated to another, often maligned present, I have profiled the new Ministers at the institution: the judiciary, and, in particular, to four DCA and Lord Carter of Coles. friends of the Circuit. Barristers may not realise The Circuit also knows how to enjoy itself. what it feels like from the bench, coping with the The reports of the annual dinner and of the trip to flood of legislation, regulations and rules, not to Berlin in July make that clear, and the pictures mention sentencing guidelines. Then there is the speak for themselves. Our wine correspondent, occasional media attack (sometimes from Tom Sharpe, Q. C. suggests some tempting wines barristers interviewed on television) for from the Loire. Tetteh Turkson, whose palate is sentencing too lightly (or too heavily) or for also well trained, gives a fair assessment of dinner undermining the war on terrorism by supporting a at JAAN, for those whose long awaited cheques Human Rights Act which the Government no have arrived. The continuing series of Circuit longer brags about putting on the statute books. -
How Does Judge John Deed End
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The Circuiteer Issue 36
The Circuiteer News from the South Eastern Circuit Issue 36 | Spring 2013 INSIDE THE CIRCUITEER… Leader’s EbSworth Column by Sarah Forshaw QC 2 LECturE: SEC Lectures available to buy 5 GEttiNG it Lawyers for Palestinian Human Rights riGht FirSt by Tareq Shrourou 10 timE Interview with Mr. Justice Singh by Fiona Jackson 12 Roberts Banks on Sentencing Developments by Barnaby Hone 16 Restaurant Review: Brixton by Tetteh Turkson 18 Bar Mess Reports 21 Editorial Committee: by the rt. hon. Lord Justice hughes 6 Ali Naseem Bajwa QC (Editor), Fiona Jackson, Tanya Robinson, Tetteh Turkson and Emily Verity The Circuiteer LEADER’S COLUMN BY SARAH FORSHAW QC I don’t tweet. I have long since There are fundamental flaws with QASA in learnt that my knee-jerk reactions its current form. They include the following: are best left un-published. That means I have a lot to say now. I would one 1. The scheme does not provide a day like the opportunity to write a light- sufficiently exacting measure of ‘quality’. hearted, up-beat Leader’s Column – at What it does is assess a minimum least before my term is over. But that day standard of competence. has not yet arrived. It is unlikely that it will. 2. ‘Plea only advocates’ are permitted under It has been a fraught seven months as QASA to represent a client charged with Leader. Timetables have been announced serious offences at a level beyond that that impact upon the publicly funded advocate’s experience, provided the lay criminal bar first and foremost. Circuiteers client pleads guilty. -
Linda A. Morton Film & Television Crew | Make up & Hair Designer
Linda A. Morton Film & Television Crew | Make Up & Hair Designer Get in touch Details Laura Reeve Website: [email protected] www.lindaamorton.com 02076325292 Stacy Browne [email protected] 02076325292 TELEVISION CREDITS Director: Andrew Chaplin WITLESS, Series 1, 2 & 3 Objective Media Group for BBC Producer: Charlotte Lewis 5 X 30 min episodes Three Featuring: Kerry Howard, Zoe Boyle MARLEY'S GHOST Director: Jonathan Gershfield Objective Media Group 6 x 40 min Producer: James Dean Director: Lee Hupfield Exec. Producer: Jenny Hay TOP TENS Producer: Charlotte Lewis 2 x 10 min Featuring: Luke Kempner, Objective Productions for Channel 4 Sketch show impersonating Beattie Edmondson, celebrities Rose Johnson, Rich Bond, Luke Manning Director: Adam Miller WITLESS Producer: Charlotte Lewis Objective Productions Comedy Pilot Featuring: Kerry Howard, Charity Wakefield Director: Adam Miller FLACK Hat Trick Productions / Channel 4 Producer: Mark Talbot 1 x 30 min Comedy Drama Pilot Featuring: Sheridan Smith Director: Paul Seed Producer: Spencer Campbell BLANDINGS Exec. Producers: Damien Timmer, Mammoth Screen/BBC 6 x 30 min Period Comedy Series Phil Hunter Featuring: Timothy Spall, Jennifer Saunders GREAT BRITAIN OUR HISTORY Directors: Louise Hopper, Jenny Ash, 3 x 30 min Drama Documentary Nick Green Nutopia (16th Century – Present Day) Producer: Sam Starbuck UK Shoot Only Featuring: James Hillier, Stuart Lang Director: Virginia Quinn MANKIND Producer: Dan Kendall Drama Documentary Nutopia Featuring: Matt Addis, Kevin Otto, UK -
The Most Outstanding Course…
The Circuiteer News from the South Eastern Circuit Issue 39 | Autumn 2014 INSIDE THE CIRCUITEER… The most Leader’s outstanding Column by course… Sarah Forshaw QC 2 is the week-long Let’s Kill All the Lawyers advanced advocacy by course held every Alison Padfield 9 year at Keble Annual Dinner 2010 College, Oxford... by Heather Oliver 10 Lord Walker An Appreciation House of Lords, 10 July 2014 of Keble Director, HHJ Bartle QC by Oscar del Fabbro 12 Florida Crime: Facing the Music by Fallon Alexis 14 Bar Mess Reports 20 Haddon-Cave J, Timothy Dutton QC, HHJ Bartle QC & HHJ Goose QC Editorial Committee: Ali Naseem Bajwa QC (Editor), Fiona Jackson, Tanya Robinson, Tetteh Turkson and Emily Verity The Circuiteer A NOTE FROM THE EDITOR BY ALI NASEEM BAJWA QC In his final Note from the Editor American actor. No matter. Now that a British before passing over the reins to me barrister is a must-have accessory for A-list in 2008, David Wurtzel said this: “My celebrities, I have no doubt that we’ll soon successor… is, I can say, keen (essential) and snap up exclusive image rights to a similar has a track record of producing a publication event. which is more than I had.” The truth is that I’m not especially good at saying “no.” In my Having been Editor for 6 years now, it defence, a master of persuasion, David occurred to me that I had served the sort of Spens, was doing the asking. sentence usually reserved for an offence with a mid-level of seriousness which has caused David handed over a publication in the best a significant amount of harm. -
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