Appendix II the Geographical Sub-Regions of Boeotia
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The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
THE NATURE OF HELLENISTIC DOMESTIC SCULPTURE IN ITS CULTURAL AND SPATIAL CONTEXTS DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Craig I. Hardiman, B.Comm., B.A., M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by Dr. Mark D. Fullerton, Advisor Dr. Timothy J. McNiven _______________________________ Advisor Dr. Stephen V. Tracy Graduate Program in the History of Art Copyright by Craig I. Hardiman 2005 ABSTRACT This dissertation marks the first synthetic and contextual analysis of domestic sculpture for the whole of the Hellenistic period (323 BCE – 31 BCE). Prior to this study, Hellenistic domestic sculpture had been examined from a broadly literary perspective or had been the focus of smaller regional or site-specific studies. Rather than taking any one approach, this dissertation examines both the literary testimonia and the material record in order to develop as full a picture as possible for the location, function and meaning(s) of these pieces. The study begins with a reconsideration of the literary evidence. The testimonia deal chiefly with the residences of the Hellenistic kings and their conspicuous displays of wealth in the most public rooms in the home, namely courtyards and dining rooms. Following this, the material evidence from the Greek mainland and Asia Minor is considered. The general evidence supports the literary testimonia’s location for these sculptures. In addition, several individual examples offer insights into the sophistication of domestic decorative programs among the Greeks, something usually associated with the Romans. -
THANASSIS CHRISTOU Assistant Professor of Modern And
THANASSIS CHRISTOU Assistant Professor of Modern and Contemporary History Department of History, Archaeology and Cultural Resources Management of the Faculty of Humanities and Cultural Studies University of the Peloponnese Thanassis Christou is a historian. He was born in 1963 in Thespies of Thebes and he studied Modern and Contemporary History at the Philosophical Faculty of the University of Thessaloniki, Munich and Athens. Today he serves as Assistant Professor of Modern and Contemporary History at the Department of History, Archaeology and Cultural Resources Management of the Faculty of Humanities and Cultural Studies (Kalamata), University of the Peloponnese. His studies and articles focus on the history of the Modern Greek State (from 1830 to the present) and specifically the formation of the political institutions, the foundation of the University of Athens, the development of the student movement, the writing of biographies of important figures who left their mark on Greek society. At the heart of his most recent research interests is the illumination of the unknown aspects of the history of the German occupation and Greek resistance according to the German archives. Also, the formation of the ideological waves in Greece as well as in Europe during the 19th and 20th centuries. His scientific work is comprised of 10 books and 100 studies. He is the scientific director of the research program “The role of the Young People at the Front, the Occupation and the Resistance (1940-1944)”, materialized in the University of the Peloponnese and sponsored by the General Secretary of Lifelong Learning and Youth of the Ministry of Education. Since 2004, he regularly teaches the course of the Modern and Contemporary History in the University of the Peloponnese. -
Epigraphic Bulletin for Greek Religion 2009 (EBGR 2009)
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 25 | 2012 Varia Epigraphic Bulletin for Greek Religion 2009 (EBGR 2009) Angelos Chaniotis Electronic version URL: http://journals.openedition.org/kernos/2117 DOI: 10.4000/kernos.2117 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 26 October 2012 Number of pages: 185-232 ISSN: 0776-3824 Electronic reference Angelos Chaniotis, « Epigraphic Bulletin for Greek Religion 2009 », Kernos [Online], 25 | 2012, Online since 20 November 2014, connection on 15 September 2020. URL : http://journals.openedition.org/ kernos/2117 Kernos Kernos 25(2012),p.185-232. Epigraphic Bulletin for Greek Religion 2009 (EBGR 2009) The 22nd issue of the Epigraphic Bulletin for Greek Religion presents a selection of the epigraphicpublicationsof2009andsomeadditionstoearlierissues.Followingthepractice ofthemostrecentissues,emphasiswasplacedonthepresentationofnew corporaand editions of new texts, rather than on summarizing books or articles that use epigraphic material.Duetodemandingresearchandadministrativeduties,thisyearIhavebeenunable tocompletethesurveyofjournalsontime.Inordertoavoiddelaysinthepublicationof Kernos , I could only present part of 2009’s publications. This issue contains several very interestingnewepigraphicfinds.Iwouldliketohighlightthenewfragmentsthathavebeen addedtothephilosophicalinscriptionofDiogenesofOinoanda( 65 ).Theymakepossible thereconstructionofalargepassage,inwhichtheEpicureanphilosopherrejectstheidea -
Teiresias 42.2 (2012)
T E I R E S I A S A Review and Bibliography of Boiotian Studies Volume 42 (Part 2), 2012 ISSN 1206-5730 Compiled by A. Schachter ______________________________________________________________________________ CONTENTS Obituary: Robert J. Buck Editorial Notes: P. Roesch, “Epigraphica” Work in Progress: Pages 1-6: 122.0.01. Leiden Ancient Cities of Boeotia Project 2012 Bibliography: Pages 7-9: 1. Historical Pages 9-12: 2: Literary ______________________________________________________________________________ OBITUARY: Robert J. Buck (5.7.1926 - 21.9.2012) The death of Bob Buck has deprived the world of Boiotian studies of one of its senior and most prestigious members. He was one of the earliest scholars in the English-speaking world to publish substantial works on ancient Boiotia. His two books on Boiotia -- A History of Boeotia (1979), and Boiotia and the Boiotian League, 432-371 B.C. (1994) -- were pioneering works in the field, and they remain influential to this day. He died in Edmonton, Alberta, after a long struggle with motor neuron disease, which, although it tried him sorely physically, did not harm his spirit or diminish his intellect. Bob Buck was an excellent scholar, a loyal friend, and a helpful mentor to those who sought his advice. It was a privilege to know him. * Robert J. Buck, Emeritus Professor of Classics at the University of Alberta, Edmonton, was born in Vermilion. Alberta. After service in both the Royal Canadian Air Force and the Army during the Second World War, he obtained a BA at the University of Alberta, followed by an MA at the University of Kentucky, and a PhD (on Middle Helladic Mattpainted Pottery) at the University of Cincinnati, under the direction of Carl Blegen. -
The Phokikon and the Hero Archegetes (Plate54)
THE PHOKIKON AND THE HERO ARCHEGETES (PLATE54) A SHORT DISTANCE WEST of the Boiotian town of Chaironeia the Sacred Way I Lcrossed the border into Phokis. The road went past Panopeus and on toward Daulis before turning south toward the Schiste Odos and, eventually, Delphi (Fig. 1). To reach the famous crossroads where Oidipos slew his father, the Sacred Way first had to pass through the valley of the Platanias River. In this valley, on the left side of the road, was the federal meeting place of the Phokians, the Phokikon.1 This is one of the few civic buildings from antiquity whose internal layout is described by an eyewitness.2 Pausanias says, Withrespect to size the buildingis a largeone, and withinit thereare columnsstanding along its length; steps ascend from the columnsto each wall, and on these steps the delegatesof the Phokianssit. At the far end there are neithercolumns nor steps, but a statuegroup of Zeus, Athena, and Hera; the statueof Zeus is enthroned,flanked by the goddesses,with the statueof Athenastanding on the left (1O.5.2).3 Frazersuggested that the interior of the building resembledthe Thersilion at Megalopolis.4 The location of a federal assembly hall so close to the border with Boiotia, an often hostile neighbor, seems puzzling, but given the shape of the entire territory of Phokis, the position of the Phokikonmakes sense (Fig. 2). As Philippson noted, "Die antike Landschaft Phokis ist nicht nattirlichbegrenzt und kein geographisch einheitliches Gebiet."5 Ancient Phokis was dominated by Mount Parnassos, and the Phokians inhabited two distinct 1 An earlier draft of this paper was delivered at the 92nd Annual Meeting of the Archaeological Institute of America (San Francisco 1990; abstract, AJA 1991, pp. -
The Myth of the War of the Seven and Pausanias’ Educational Topography*
THE MYTH OF THE WAR OF THE SEVEN AND PAUSANIAS’ EDUCATIONAL TOPOGRAPHY* Andrej Yu. MOZHAJSKY The article examines the monuments of Thebes mentioned by Pausanias and related to the story of Seven against Thebes. It is claimed that these monuments were a part of the local educational practice, which reflected the Theban mythical history and fostered patriotism. Most of the monuments were located near the gates of the Kadmeia (at a distance of up to 260 m) and formed a close circle of monuments. In some cases, the monuments formed a far circle (at a distance of 300 to 500–960 m from the gates). The first of the mon- uments considered is the monument associated with Amphiaraos. Regarding the place where the earth swallowed Amphiaraos, there exist two traditions, namely the “Theban” and the “Tanagrian” ones. It is hypothesized that the “Tanagrian” tradition was adapted by the residents of Oropos and, thus, reflected in Euripides’ tragedy The Phoenician Women. The educational topography of Pausanias shows that the “Theban” version is consistent with the text of Aischylos’ tragedy Seven against Thebes, while the “Tanagrian” version is con- sistent with the text of The Phoenician Women by Euripides. The lo- cation of the tombs of Melanippos and Tydeus near the Proitides gates also corresponds to the tradition captured by Aischylos, which presumably reflects the local, or “Theban”, version of the myth. Through Pausanias’ educational topography, the connection of the figure of Kapaneus with the Elektrai Gates and the walls of Thebes is emphasized, which is confirmed by the evidence of material culture. -
Artemis Und Der Weg Der Frauen Von Der Geburt Bis Zur Mutterschaft Am Beispiel Von Kulten Auf Der Peloponnes
ARTEMIS UND DER WEG DER FRAUEN VON DER GEBURT BIS ZUR MUTTERSCHAFT AM BEISPIEL VON KULTEN AUF DER PELOPONNES INAUGURAL-DISSERTATION ZUR ERLANGUNG DER DOKTORWÜRDE DER PHILOSOPHISCHEN FAKULTÄT I DER JULIUS-MAXIMILIANS-UNIVERSITÄT WÜRZBURG VORGELEGT VON MARIA GENNIMATA AUS THESSALONIKI (WÜRZBURG 2006) ERSTGUTACHTER: PROFESSOR DR. U. SINN ZWEITGUTACHTER: PROFESSORIN DR. R. LINDNER (†) TAG DES KOLLOQUIUMS: 18.07.2006 INHALT Vorwort ..................................................................................................................................... 7 Abkürzungsverzeichnis ........................................................................................................... 11 Einleitung – Forschungsstand ................................................................................................. 17 Methodischer Ansatz............................................................................................................... 33 I. BEISTAND DER ARTEMIS VON DER GEBURT BIS ZUR MUTTERSCHAFT: FUNKTIONS- EPIKLESEN JENSEITS DER PELOPONNES 1. GEBURT UND WOCHENBETT 1.1. Chitone, Kithone................................................................................................. 45 1.1.1. Literarische und epigraphische Belege ................................................... 45 1.1.2. Die rituelle Praxis der Kleiderweihe ....................................................... 47 1.2. Dynatera ............................................................................................................. 48 1.3. Eileithyia............................................................................................................ -
Roman Walks in the Provinces: a Comparison Between Delphi and Warwickshire a Lord Rootes Memorial Fund Project
Roman Walks in the Provinces: A comparison between Delphi and Warwickshire A Lord Rootes Memorial Fund project REPORT Thomas Matthews Boehmer 1 Abstract This report documents the results of a twelve-day project carried out in early September 2014, followed by an exhibition and talk in November 2014. ‘Roman Walks in the Provinces: A comparison of Delphi and Warwickshire’ was an attempt to compare the classical evidence, as represented by Pausanias’ 2nd century travelogue, and the physical experience of moving through landscapes in the present-day. The project was split between five days in Greece, and four in Britain, and culminated with the exhibition two months later. The evidences were supplemented by local archaeological data gathered along the journey, and by interacting with local people met on the walks. Through the walks I learned a great deal about the ways in which landscapes are thought about, and routes conceived (both by ancients and moderns), and the different ways heritage and legacy are dealt with in the two countries. Acknowledgements I would like to express my sincere thanks to the Lord Rootes Memorial Fund for their generous financial assistance in allowing me to carry out and complete this project. Thanks should also be given to family and friends who supported me in this venture, most especially to Joe Gough and David Klemperer who, self-funded, accompanied me on my Greek leg of these walks and gave continued support along with many valuable insights. 2 Table of Contents Title page and related: pgs. 1-5 Abstract……………………………………………………………………………..…………... pg.2 Acknowledgements………………………………………………………………………..……. pg.2 Table of contents……………………………………………………….…………………..…….pg.3 List of illustrations………………………………………………………………….……………pg.4 Structure of report……………………………………………………………………..……….. -
Instructions – Writing Rules in the Beginning, the Man Painted to Tell
Instructions – Writing Rules In the beginning, the man painted to tell his stories. Gradually, with the use of symbols or letters, he began to record them. At other times, he gave three-dimensional form to his thoughts, through different types of art; by shaping the clay, carving the stone, painting with the brush, carving with a sharp tool, he created forms and concepts; he described professions, religions, habits. Every find, the work of an often unknown creator today, is the basis of the story you will create. Maybe every ancient find can help us imagine its creator. Maybe it can help us see through the eyes of the artist. We may even find out how they lived during the time these objects were made. It is time for you to describe these thoughts with your own words. Select the group that fits your age. Select a find and then select one of the literary categories. Your text should be between 200 and 2,000 words. Carefully look at the find you selected. What is your first thought when you see it? There is a hidden story you can discover. There are no right or wrong choices. This is your story. Describe what you feel, what you imagine, try to take your readers back to a distant time, through the corridors of time. In some groups, there are keywords. They are provided to help you, and, in case you want, to use them in your story. You shall not make a simple description. You are creating a new page in the find’s history. -
Complaint No 72/2011
EUROPEAN COMMITTEE OF SOCIAL RIGHTS COMITÉ EUROPÉEN DES DROITS SOCIAUX 26 July 2011 Case Document No 1 International Federation of Human Rights (FIDH) v. Greece Complaint No 72/2011 COMPLAINT Registered at Secretariat on 8 July 2011 TO THE EUROPEAN COMMITTEE OF SOCIAL RIGHTS Council of Europe, Strasbourg F r a n c e COLLECTIVE COMPLAINT lodged in accordance with the Additional Protocol of 1995 providing for a system of collective complaints and with Rules 23 and 24 of the Committee’s Rules of Procedure International Federation for Human rights (Hellenic League of Human Rights) v. Greece 8 July 2011 1 Contents I. The Parties 3 II. The main issue 4 III. Admissibility requirements 5 a. Jurisdiction ratione personae 5 b. Jurisdiction ratione temporis 6 IV. Statement of the facts 7 a. The legal framework for discharging liquid industrial waste into the River Asopos and the groundwater in the region of Oinofyta 8 b. National case-law on industrial waste 14 c. The presence of hexavalent chromium (Cr(VI)) in the surface water of the Asopos and in the groundwater around Oinofyta 19 d. Hexavalent chromium (Cr(VI)): a highly toxic molecule for living organisms 24 e. Food safety issues 32 f. Applicable measures? 36 V. The violations of the Charter on which the complaint is based 39 a. Central government’s responsibility 41 b. The responsibility of the (former) Prefecture of Boeotia 45 c. The responsibility of the Municipality of Oinofyta 46 d. Conclusions 49 VI. Conclusion 50 VII. Declaration and signature 51 VIII. Appendices 52 - 3 - Ι. THE PARTIES Α. -
List of Cities of Greece
SNo City Census 1991 Census 2001 Census 2011 Rank Region 1 Athens 772,072 745,514 664,046 1 Attica 2 Thessaloniki 383,967 363,987 315,196 2 Central Macedonia 3 Patras 152,570 160,400 168,034 3 West Greece 4 Piraeus 182,671 175,697 163,688 4 Attica 5 Larissa 112,777 124,394 144,651 5 Thessaly 6 Heraklion 115,270 130,914 140,730 6 Crete 7 Peristeri 137,288 137,918 139,981 7 Attica 8 Kallithea 114,233 109,609 100,641 8 Attica 9 Acharnes 61,052 75,329 99,346 9 Attica 10 Kalamaria 80,698 87,255 91,279 10 Central Macedonia 11 Nikaia 87,597 93,086 89,380 11 Attica 12 Glyfada 63,306 80,409 87,305 12 Attica 13 Volos 77,192 82,439 86,046 13 Thessaly 14 Ilio 78,326 80,859 84,793 14 Attica 15 Ilioupoli 75,037 75,904 78,153 15 Attica 16 Keratsini 71,982 76,102 77,077 16 Attica 17 Evosmos 28,821 52,624 74,686 17 Central Macedonia 18 Chalandri 66,285 71,684 74,192 18 Attica 19 Nea Smyrni 69,749 73,986 73,076 19 Attica 20 Marousi 64,092 69,470 72,333 20 Attica 21 Agios Dimitrios 57,574 65,173 71,294 21 Attica 22 Zografou 80,492 76,115 71,026 22 Attica 23 Egaleo 78,563 74,046 69,946 23 Attica 24 Nea Ionia 60,635 66,017 67,134 24 Attica 25 Ioannina 56,699 61,629 65,574 25 Epirus 26 Palaio Faliro 61,371 64,759 64,021 26 Attica 27 Korydallos 63,184 67,456 63,445 27 Attica 28 Trikala 45,835 48,686 61,653 28 Thessaly 29 Vyronas 58,523 61,102 61,308 29 Attica 30 Agia Paraskevi 47,463 56,836 59,704 30 Attica 31 Galatsi 57,230 58,042 59,345 31 Attica 32 Chalcis 51,646 53,584 59,125 32 Central Greece 33 Petroupoli 38,278 48,327 58,979 33 Attica 34 Serres 50,017 -
The Two Voices of Statius: Patronymics in the Thebaid
The Two Voices of Statius: Patronymics in the Thebaid. Kyle Conrau-Lewis This thesis is submitted in total fulfilment of the requirements for the degree of Master of Arts School of Historical and Philosophical Studies University of Melbourne, November 2013. 1 This is to certify that: 1. the thesis comprises only my original work towards the degree of master of arts except where indicated in the Preface, 2. due acknowledgement has been made in the text to all other material used, 3. the thesis is less than 50,000 words in length, exclusive of tables, maps, bibliographies and appendices. 2 Contents Abstract 4 Introduction 5 Chapter 1 24 Chapter 2 53 Chapter 3 87 Conclusion 114 Appendix A 117 Bibliography 121 3 Abstract: This thesis aims to explore the divergent meanings of patronymics in Statius' epic poem, the Thebaid. Statius' use of language has often been characterised as recherché, mannered and allusive and his style is often associated with Alexandrian poetic practice. For this reason, Statius' use of patronymics may be overlooked by commentators as an example of learned obscurantism and deliberate literary self- fashioning as a doctus poeta. In my thesis, I argue that Statius' use of patronymics reflects a tension within the poem about the role and value of genealogy. At times genealogy is an ennobling feature of the hero, affirming his military command or royal authority. At other times, a lineage is perverse as Statius repeatedly plays on the tragedy of generational stigma and the liability of paternity. Sometimes, Statius points to the failure of the son to match the character of his father, and other times he presents characters without fathers and this has implications for how these characters are to be interpreted.