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Y\5$ in History
THE GARGOYLES OF SAN FRANCISCO: MEDIEVALIST ARCHITECTURE IN NORTHERN CALIFORNIA 1900-1940 A thesis submitted to the faculty of San Francisco State University A5 In partial fulfillment of The Requirements for The Degree Mi ST Master of Arts . Y\5$ In History by James Harvey Mitchell, Jr. San Francisco, California May, 2016 Copyright by James Harvey Mitchell, Jr. 2016 CERTIFICATION OF APPROVAL I certify that I have read The Gargoyles of San Francisco: Medievalist Architecture in Northern California 1900-1940 by James Harvey Mitchell, Jr., and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirements for the degree Master of Arts in History at San Francisco State University. <2 . d. rbel Rodriguez, lessor of History Philip Dreyfus Professor of History THE GARGOYLES OF SAN FRANCISCO: MEDIEVALIST ARCHITECTURE IN NORTHERN CALIFORNIA 1900-1940 James Harvey Mitchell, Jr. San Francisco, California 2016 After the fire and earthquake of 1906, the reconstruction of San Francisco initiated a profusion of neo-Gothic churches, public buildings and residential architecture. This thesis examines the development from the novel perspective of medievalism—the study of the Middle Ages as an imaginative construct in western society after their actual demise. It offers a selection of the best known neo-Gothic artifacts in the city, describes the technological innovations which distinguish them from the medievalist architecture of the nineteenth century, and shows the motivation for their creation. The significance of the California Arts and Crafts movement is explained, and profiles are offered of the two leading medievalist architects of the period, Bernard Maybeck and Julia Morgan. -
LAND-USE CONFLICT at SHASTA DAM, CALIFORNIA a Thesis
THE ROLE OF CRITICAL CARTOGRAPHY IN ENVIRONMENTAL JUSTICE: LAND-USE CONFLICT AT SHASTA DAM, CALIFORNIA A thesis submitted to the faculty of San Francisco State University In partial fulfillment of the requirements for the Degree Master of Arts In Geography by Anne Kathryn McTavish San Francisco, California January, 2010 Copyright by Anne Kathryn McTavish 2010 CERTIFICATION OF APPROVAL I certify that I have read The Role of Critical Cartography in Environmental Justice: Land-use Conflict at Shasta Dam, California by Anne Kathryn McTavish, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirements for the degree: Master of Arts in Geography at San Francisco State University. ____________________________________________________ Nancy Lee Wilkinson Professor of Geography ____________________________________________________ Jerry Davis Professor of Geography THE ROLE OF CRITICAL CARTOGRAPHY IN ENVIRONMENTAL JUSTICE: LAND-USE CONFLICT AT SHASTA DAM, CALIFORNIA Anne Kathryn McTavish San Francisco State University 2010 The United States Bureau of Reclamation (USBR) is conducting a feasibility study to increase the height of Shasta Dam. The Winnemem Wintu Indian Tribe contend that any increase in the storage capacity of Shasta Lake would inundate their remaining cultural and historic sites, tribal lands, and current homestead, an act they describe as “cultural genocide.” Critical Cartography plays a valuable role evaluating the Winnemem Wintu claim, revealing how the tribe’s claim to land was mapped, then unmapped, over the past two-hundred years. I certify that the Abstract is a correct representation of the content of this thesis. ___________________________________________ ________________ Chair, Thesis Committee Date ACKNOWLEDGEMENTS I have been amazed, delighted, appalled, and humbled as I learned about the rights, issues, and status of the Winnemem Wintu. -
Classy City: Residential Realms of the Bay Region
Classy City: Residential Realms of the Bay Region Richard Walker Department of Geography University of California Berkeley 94720 USA On-line version Revised 2002 Previous published version: Landscape and city life: four ecologies of residence in the San Francisco Bay Area. Ecumene . 2(1), 1995, pp. 33-64. (Includes photos & maps) ANYONE MAY DOWNLOAD AND USE THIS PAPER WITH THE USUAL COURTESY OF CITATION. COPYRIGHT 2004. The residential areas occupy the largest swath of the built-up portion of cities, and therefore catch the eye of the beholder above all else. Houses, houses, everywhere. Big houses, little houses, apartment houses; sterile new tract houses, picturesque Victorian houses, snug little stucco homes; gargantuan manor houses, houses tucked into leafy hillsides, and clusters of town houses. Such residential zones establish the basic tone of urban life in the metropolis. By looking at residential landscapes around the city, one can begin to capture the character of the place and its people. We can mark out five residential landscapes in the Bay Area. The oldest is the 19th century Victorian townhouse realm. The most extensive is the vast domain of single-family homes in the suburbia of the 20th century. The grandest is the carefully hidden ostentation of the rich in their estates and manor houses. The most telling for the cultural tone of the region is a middle class suburbia of a peculiar sort: the ecotopian middle landscape. The most vital, yet neglected, realms are the hotel and apartment districts, where life spills out on the streets. More than just an assemblage of buildings and styles, the character of these urban realms reflects the occupants and their class origins, the economics and organization of home- building, and larger social purposes and planning. -
William Randolph Hearst and His Impact on American Foreign Policy During the Interwar Period
CLASH OF TITANS: WILLIAM RANDOLPH HEARST AND HIS IMPACT ON AMERICAN FOREIGN POLICY DURING THE INTERWAR PERIOD A Thesis Presented to the Faculty of California Polytechnic State University San Luis Obispo In Partial Fulfillment Of the Requirements for the Degree Master of Arts in History By Brandon D. Roper March 2010 © 2008 Brandon D. Roper ALL RIGHTS RESERVED - 2 - Committee Membership TITLE: Clash of Titans: William Randolph Hearst and his impact on American Foreign Policy in the Interwar Period AUTHOR: Brandon D. Roper DATE SUBMITTED: March 24, 2010 COMMITTEE CHAIR: Thomas Trice, Professor of History COMMITTEE MEMBER: Robert Detweiler, Professor of History COMMITTEE MEMBER: John Snetsinger, Professor of History - 3 - ABSTRACT Clash of Titans: William Randolph Hearst and his impact on American Foreign Policy in the Interwar Period The purpose of this thesis is to analyze a prominent figure of the 20 th century, William Randolph Hearst and to analyze the influence he was able to exert over American foreign policy through his own personal connections and those of his periodicals. This also includes an analysis between Hearst and Roosevelt, and noting the varying levels of influence between the two. This thesis will demonstrate that William Randolph Hearst is a prominent figure of 20 th century history, but was overshadowed by Roosevelt. Hearst while powerful was always putting his power into ventures that would backfire politically. When his papers declined, his influence over politics plummeted instantly. Keywords: Hearst, American Foreign Policy, Isolationism, Interwar Period - 4 - TABLE OF CONTENTS Page CHAPTER I. INTRODUCTION …………………………………………………….. 6 II. The Historiography of Hearst ..………………………………… 9 III. -
Selections from the Bancroft Library Portrait Collection
http://oac.cdlib.org/findaid/ark:/13030/tf4z09p0qg Online items available California Faces: Selections from The Bancroft Library Portrait Collection Processed by California Heritage Digital Image Access Project staff in The Bancroft Library. The Bancroft Library, University of California, Berkeley Berkeley, California 94720-6000 1997 California Faces: Selections from 1 The Bancroft Library Portrait Collection California Faces: Selections from The Bancroft Library Portrait Collection The Bancroft Library University of California Berkeley, California1997 Finding aid and digital representations of archival materials funded in part by a grant from the National Endowment for the Humanities. Processed and encoded by: California Heritage Digital Image Access Project staff in The Bancroft Library and The Library's Electronic Text Unit Digital images processed by: The Library Photographic Service Finding aid completed: April 1997 © 1997 The Regents of the University of California Descriptive Introduction Collection name: California Faces: Selections from The Bancroft Library Portrait Collection Size: 1,232 images selected from The Bancroft Library's Portrait Collection ; various sizes Photographers: Various photographers, including: I. W. Taber, Ansel Adams, Edward Weston, Carleton E. Watkins, Moulin Studios, Thomas Houseworth & Co., Bradley & Rulofson, William Shew, Peter Stackpole, Francis P. Farquhar, Johan Hagemeyer, William Keith, F. Gutekunst, Charles McMillan, Silas Selleck, Thors (San Francisco), Stewart & Skelton Studios, Schumacher Portraits, Ken McLaughlin, Sarony & Co., Hirsch & Kaye (San Francisco), and others. Repository: The Bancroft Library. University of California, Berkeley. Berkeley, California 94720-6000 Language: English. Provenance The portraits were acquired from various sources. Access Restrictions Collection is available for use. Digital Representations Available Digital representations of selected original pictorial materials are available in the list of materials below. -
2012- 13 Executive Brd
the newsletter of Chicago Women in Architecture promoting the interests an issues of women in architecture since 1973 then and now Julia Morgan, Architect, and her Challenges that Howard was boasting to his colleagues that he had a wonderful The “Have It All” Myth for Women Architects a long way to go in fighting professional prejudices in the tradition- By Susan J. van der Meulen, Architect designer, ‘to whom I have to pay almost nothing, as it is a woman,’ by Ziyuan Wang ally male-dominated profession. Due to this self-conscious struggle to Julia stepped up her search.” In 1904, Julia took the state examina- blend in, it has been an open secret that woman architects, especially the ones with far-reaching prominence, don’t like to be noticed by This year the media has seen a resurgence Julia Morgan (1872-1957) tion for certification as an architect, becoming the first woman to be their gender, and are deeply offended when their designs are recog- of heightened interest on womanhood was a distinguished Califor- licensed as an architect in California; she then moved into a small nized as having “feminine” qualities, not to mention the difficulty in and femininity, imbued with unnerv- nia architect, the first woman office on Montgomery Street in San Francisco. “Many San Francisco raising children with a calendar fully booked for the coming 20 years. trained as an architect at the Bay Area architects called on Julia Morgan in her new office, but not ing tones of post-financial-crisis anxiety. While the controversial Time magazine Some suspect it is illusionary to expect society to see architects as Ecole des Beaux Arts, Paris, John Galen Howard. -
Guide to the Julia Morgan Papers, 1835 – 1958
Guide to the Julia Morgan Papers, 1835 – 1958 http://www.lib.calpoly.edu/specialcollections/findingaids/ms010/ Julia Morgan Papers, 1835–1958 (bulk 1896–1945) Processed by Nancy Loe and Denise Fourie, 2006, revised October 2008; encoded by Byte Managers, 2007 Special Collections Robert E. Kennedy Library 1 Grand Avenue California Polytechnic State University San Luis Obispo, CA 93407 Phone: 805/756-2305 Fax: 805/756-5770 Email: [email protected] URL: http://www.lib.calpoly.edu/specialcollections/ © 1985, 2007 Trustees of the California State University. All rights reserved. Table of Contents DESCRIPTIVE SUMMARY 5 TITLE: 5 COLLECTION NUMBER: 5 CREATOR: 5 ABSTRACT: 5 EXTENT: 5 LANGUAGES: 5 REPOSITORY: 5 ADMINISTRATIVE INFORMATION 6 PROVENANCE: 6 ACCESS: 6 RESTRICTIONS ON USE AND REPRODUCTION: 6 PREFERRED CITATION: 6 ABBREVIATIONS USED: 6 FUNDING: 6 INDEXING TERMS 7 SUBJECTS: 7 GENRES AND FORMS OF MATERIAL: 7 RELATED MATERIALS 8 MATERIALS CATALOGED SEPARATELY: 8 RELATED COLLECTIONS: 8 BIOGRAPHICAL NOTE 10 SCOPE AND CONTENT NOTE 12 SERIES DESCRIPTIONS/CONTAINER LIST 14 SERIES 1. PERSONAL PAPERS, 1835–1958 14 A. BIOGRAPHICAL INFORMATION 14 B. FAMILY CORRESPONDENCE AND RECORDS 14 C. PERSONAL CORRESPONDENCE 15 D. DIARIES 16 E. EDUCATION/STUDENT WORK 16 F. FINANCIAL RECORDS AND INVESTMENTS 17 G. TRAVEL 18 H. PHOTOGRAPHS 18 - 2 - SERIES 2. PROFESSIONAL PAPERS, 1904–1957 21 A. AWARDS 21 B. ASSOCIATIONS AND COMMITTEES 21 C. CERTIFICATIONS 21 D. PROFESSIONAL CORRESPONDENCE 22 E. RESEARCH NOTES AND PHOTOGRAPHS 22 F. REFERENCE FILES AND PHOTOGRAPHS 23 SERIES 3. OFFICE RECORDS, 1904–1945 26 A. CARD FILES AND LISTS 26 B. CORRESPONDENCE–CLIENTS, COLLEAGUES AND STAFF 27 C. -
The William Randolph Hearst Archive: an Emerging Opportunity for Digital Art Research and Scholarship1
The William Randolph Hearst Archive: An Emerging Opportunity for Digital Art Research and Scholarship1 Catherine Larkin, Long Island University William Randolph Hearst (1863–1951) was a complex individual best known today for his successful 125 yearlong publishing and media dynasty. During his lifetime, Hearst was portrayed as a demagogue and maligned as the model for the the1941 film character Citizen Kane. Hearst developed a reputation as a magpie lacking self-discipline and discretion in the acquisition of works of art; 2 yet, Hearst remained passionate about antiques and collected objects for over seven decades. His enthusiasm for art collecting began under the guidance of his mother, Phoebe Apperson Hearst (1842-1919), during their first trip abroad, when he was only ten years of age. Phoebe Hearst, a compulsive collector herself, wrote home to her husband George Hearst (1820- 1891) regarding their son, “he wants all sorts of things; the boy has developed a mania for antiquities.”3 Her collection is the foundation for the Phoebe A. Hearst Museum of Anthropology in Berkeley California, which houses over three millions objects today. David Nasaw, in his biography of Hearst revealed that William’s childhood was marked by impermanence; “His father seldom saw him and his mother, whom he adored, often disappointed him, disappearing too often and too early.”4 William Hearst clearly clung to and identified with his mother and her 1 possessions. After Phoebe Hearst’s death in 1919, William, as the only heir to a mining fortune amassed by his father, George, was free to acquire works at a feverish pace. -
The William Randolph Hearst Archive in the Digital Initiatives and Art Image Library Long Island University
The William Randolph Hearst Archive in the Digital Initiatives and Art Image Library Long Island University Finding aid written by Alexandra Janvey using DACS, 2013. William Randolph Hearst (1863 – 1951) Photograph. Library of Congress, Prints and Photographs Division. ca. 1906 Overview of the Collection Creator: Hearst, William Randolph, 1863-1951 Title: William Randolph Hearst Archive Dates: 1884-1975 Extent: approximately 425 linear feet of auction catalogs, albums, documents, photographs, aperture cards, and books. Repository: Digital Initiatives and Art Image Library Long Island University 720 Northern Boulevard, Brookville, New York 11548 Language(s) of material: English, French, and German Abstract: The William Randolph Hearst Archive consists of auction catalogs, albums, paper records, photographs, aperture cards, and books that document the immense size and range of art items acquired by Hearst during his lifetime. 1 Biographical Note William Randolph Hearst was a prominent publisher, art collector, politician, and film industry entrepreneur. During his lifetime, he was an influential figure in American journalism and amassed one of the world’s largest media empires. This empire included several newspapers such as The San Francisco Examiner and New York Morning Journal, as well as renowned magazines including Cosmopolitan, Country Living, Esquire, Good Housekeeping, Harper’s Bazaar, and Town and Country. Today, the Hearst Corporation’s assets have grown to include ownership in the leading cable networks: A&E, Lifetime, History, The Biography Channel, and ESPN. William Hearst was born on April 29, 1863 in San Francisco, California, to father, George, and mother, Phoebe Apperson Hearst. George was a self-made millionaire who earned his fortune in the mining industry. -
Morgan, Julia
Morgan, Julia (1872-1957) Merrill Hall, a building by Ira Tattelman designed and built by Julia Morgan on the grounds of Asilomar Encyclopedia Copyright © 2015, glbtq, Inc. Conference Center in Entry Copyright © 2002, glbtq, Inc. Pacific Grove, California Reprinted from http://www.glbtq.com in 1928. Image appears under the GNU Free Pioneering California architect Julia Morgan designed more than 700 buildings, Documentation License. including many commissioned by women's groups, but she is most remembered as the Image attributed to architect of San Simeon, the Hearst Castle north of Los Angeles. Wikimedia Commons contributor Marinrick. Morgan was born in San Francisco to an upper middle class family on January 20, 1872. She was reared in Oakland, California. She earned an undergraduate degree in civil engineering from the University of California, Berkeley in 1894 and was the first woman accepted into the architecture program at L'Ecole des Beaux-Arts in Paris. (Although Morgan arrived in Paris in 1896, it took her two years to convince L'Ecole that women should be allowed to study architecture.) After serving stints in the offices of Paris and San Francisco architects, Mogan opened her own architectural firm in San Francisco in 1904. By then, she was living in a remodeled Victorian home. The first woman architect to be registered in California, Morgan designed many residences in Berkeley, Claremont, and Piedmont and such institutional buildings in Berkeley as the Baptist Divinity School, Phoebe Apperson Hearst Memorial Gymnasium, St. John's Presbyterian Church, and Women's City Club. She also designed a large number of buildings commissioned by women's groups in California, Hawaii, and Utah, including social clubs, sorority houses, and YWCAs. -
William Randolph Hearst Papers, 1874-1951 (Bulk 1927-1947)
http://oac.cdlib.org/findaid/ark:/13030/kt6n39q43j Online items available Finding Aid to the William Randolph Hearst Papers, 1874-1951 (bulk 1927-1947) Processed by Elizabeth Stephens, Rebecca Kim, and Eric Crawley. The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2004 The Regents of the University of California. All rights reserved. Finding Aid to the William BANC MSS 77/121 c 1 Randolph Hearst Papers, 1874-1951 (bulk 1927-1947) Finding Aid to the William Randolph Hearst Papers, 1874-1951 (bulk 1927-1947) Collection number: BANC MSS 77/121 c The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Finding Aid Author(s): Processed by Elizabeth Stephens, Rebecca Kim, and Eric Crawley. Finding Aid Encoded By: GenX © 2016 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: William Randolph Hearst papers Date (inclusive): 1874-1951 Date (bulk): 1927-1947 Collection Number: BANC MSS 77/121 c Creator: Hearst, William Randolph, 1908-1993 Extent: Number of containers: 14 boxes, 46 cartons, 8 oversize folders, 9 oversize boxes Linear feet: 6621 digital objects (24 images) Repository: The Bancroft Library. University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Abstract: Consists of a portion of William Randolph Hearst's business and personal office files primarily for the years 1927-1929, 1937-1938, and 1944-1947. -
The California Morgans Of
u HISTORY LESSON u WILLIAMThe CaliforniaRANDOLPH Morgans HEARST of Did you know that the eccentric American publisher, art-collector and builder of the famous San Simeon castle, also bred Morgan horses for ranch work? By Brenda L. Tippin he story of the Hearst Morgans is one intertwined with some local lead mines in Missouri. His father had died when he the building of California, steeped in the history of the was about 22, leaving some $10,000 in debt, a huge amount for ancient vaqueros, yet overshadowed by a magnificent those times. George worked hard to care for his mother, sister, castle and a giant family corporation still in existence and a crippled brother who later died, and succeeded in paying off Ttoday. Although the short-lived program was not begun until these debts. With news of the California Gold Rush he made his William Randolph Hearst was in his late 60s, like everything else way to San Francisco after a difficult journey across country, and Hearst, the Morgan breeding was conducted on a grand scale. from there, began to try his fortunes in various mining camps, and Shaped by the fascinating story of the Hearst family and the early also buying and selling mining shares. Vaquero traditions, the Hearst Morgan has left a lasting influence His first real success came with the Ophir Mine of the on the Morgans of today, especially those of performance and Comstock Lode, the famous silver mines of Nevada. In 1853, Western working lines. George Hearst formed a partnership with James Ben Ali Haggin and Lloyd Tevis.