February 2009 Newsletter
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Read the Complete History of 4 Jacks and A
A HISTORY OF THE BAND FROM 1962 - 2000 FROM THE ATOMS TO THE NEVADAS TO THE ZOMBIES TO FOUR JACKS AND A JILL (1962 - 1966) Founding The Nevada's Although the group was formally established in November 1965, Four Jacks and a Jill's history can be traced back to October 1962 when 18-year old guitarist Cllive Harding met Graham Woods who had a group called the "Atoms". Clive teamed up with Graham when he replaced John Travis who was on Bass. Clive said he would onlly join the group if he could be the Leader of the band. The other guys thought it a bit of a joke as Clive could not play a note! The initial line up included band members John Brooker (drums), Clive Sheen (Piano) John Travis (bass guitar) and Graham Woods (lead guitar). John Brooker left the group and was replaced by Dave Merrington, who shorttly after that was replaced by a really good drummer Billly Stofberg; he was in fact a far more accomplished musician than the other guys. Clive Sheen had left the band as the boys wanted a purely guitar based group. Juust before Graham passed away it was agreed to change the band's name to the "Nevada's" Returning from their first paying gig at the Salt Rock Hotel, on New Year's Day 1963, Graham was involved in a car accident. He died in hospital 10 days later from his injuries. Deeply shocked, Clive decided to give up the idea of a beat group. However, the memory of Graham's enthusiasm and ambition to become one of the country's top groups changed his mind when Billy insisted to Clive that it would be to Graham's memory that they achieved the dream they all had. -
Cashbox $1 Mil Muntz Blaze: Still Servicing Customers ••• New Group from Kirshner
Labels Set Sights On July 1 Common Market Ties ^ •••Paramount Buys Stax-Volt Operation^^* Don England wayis, wes Tops Col. Dist. &Sales^Name Tony Martell Kapp Mkting Director^^* CashBox $1 Mil Muntz Blaze: Still Servicing Customers ••• New Group From Kirshner Kavel Gott COLUMBIA'S GARY PUCKETT & THE UNION GAP Int'l. Section Begins Pg. 71 im * S' 'i- You’d be writing it everywhere too if you’d come up with a new single with the hit sound and appeal of ‘'Back in Love Again.” THE BUCKINGHAMS More of the hit sound of The Buckinghams on Columbia RecordsM IMBI* WVAqrA' RtG PRINTED IN u S A 9 VOL XXIX—Number 42/ May 18, 1968 Publication Office / 1780 Broadway. New York, New York 10019 / Telephone: JUdson 6-2640 / Cable Address: Cash Box. N. Y. GEORGE ALBERT President and Publisher MARTY OSTROW Vice President LEON SCHUSTER Treasurer IRV LICHTMAN Editor in Chief EDITORIAL TOM McENTEE Assoc. Editor ALLAN DALE DANIEL BOTTSTEIN JOHN KLEIN MARY GOODMAN EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA HEDDY ALBERT A Day-To-Day Calling ADVERTISING BERNIE BLAKE Director of Advertising ACCOUNT EXECUTIVES STAN SOIFER New York BILL STUPER New York HARVEY GELLER Hollywood WOODY HARDING Art Director COIN MACHINES & VENDING ED ADLUM General Manager BEN JONES Asst. CAMILLE COMPASIO Chicogo LISSA MORROW Hollywood CIRCULATION THERESA TORTOSA Mgr. a creative level CHICAGO HOLLYWOOD Reaching youngsters on $5000 check to help underwrite the en- CAMILLE COMPASIO HARVEY GELLER is a day-to-day activity of the music busi- tertainment committee’s efforts in con- 29 E. Madison St. 6290 Sunset Blvd. -
In the Zone Vol 2 May 2020
In The Zone Vol 2 May 2020 The show must go on Behind the scenes at Zone Radio Say what? Misheard song lyrics You heard it first... The listing of all the new songs played in April Call me for supper How to get a Unicorn foaming at the mouth The Voice of the Valley CONTENTS May 2020 Welcome To Shorties Blue Bottle Noordhoek Blue Bottle Liquors has been operating successfully since the year 2000. We carry huge ranges of wine, malt whiskies, and are geared for all functions. Our emphasis is on personal One-hit Wonders service in a safe environment, promoting responsible drinking. All of these artists have had hits. Yet for most of them their first hit was also their last hit. We pride ourselves in quality products. We haven’t left it there though!! We have now extended our operation and set up a Traders Association involving several very successful Page 34 independent liquor stores who understand their customer’s needs and are extremely aware of promoting responsible drinking. They have revamped their stores for a better, secure and informative shopping experience. Being part of the Blue Bottle membership means we offer better prices, professional advice and don’t forget the personal touch of the owner. Features 32 20 Pirates of the classroom 6 Say what? The buccaneers of the 21st cen- The Show must go on We all love to sing along with tury are not plundering ships at sea. Rather they’re plagiarisers Behind the scenes at Zone Ra- our favourite song. But are you of other people’s work. -
Ethnography and the Archive
ETHNOGRAPHY AND THE ARCHIVE: POWER AND POLITICS IN FIVE SOUTH AFRICAN MUSIC ARCHIVES Lizabé Lambrechts Dissertation presented for the degree of Doctor of Philosophy at the University of Stellenbosch Department of Music Faculty of Humanities Promoter: Prof. Stephanus Muller December2012 Stellenbosch University http://scholar.sun.ac.za Declaration By submitting this thesis/dissertation, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Copyright © 2012 Stellenbosch University All rights reserved ii Stellenbosch University http://scholar.sun.ac.za Abstract This study addresses issues concerning power and politics in five music archives in South Africa. It has a three-fold approach. First, it provides an overview of archival theory as it has developed since the French Revolution in 1789. It follows the trajectory of changing archival principles such as appraisal and provenance and provides an oversight into the changing understanding of ‘the archive’ as an impartial custodian of the Truth, to its conceptualisation in the Humanities as a concept deeply rooted in discourses around power, justice and knowledge production. Interrogating the unfolding concept of the archive throws into relief its current envisioned function within a post-Apartheid South Africa. Secondly, this dissertation explores five music archives in South Africa to investigate the level to which archival theory is engaged with and practiced in music archives. -
Download the MARKET ACCESS GUIDE to SOUTH AFRICA
CAAMA 2019 PRESENTS SOUTH AFRICA MARKET ACCESS GUIDE ETI AND DAN MO IEL B L VANCEMENT OF U E E AD MUSI G A TH C AN A H OR D T N IC N F HE M TIO AR IA TS Y OC B SS A D N IA E D A R N A A C P A M E A R A C P R O F EXPORT OPPORTUNITIES FOR CANADIAN COMPANIES www.caama.org 1. INTRODUCTION ...................................................................... 3 1.1 South Africa at a Glance ............................................................................ 3 1.2 Geography ................................................................................................ 4 1.3 Population .................................................................................................. 4 1.4 Cultural Diversity ......................................................................................... 4 2. THE SOUTH AFRICAN RECORDED MUSIC MARKET ....................... 5 2.1 History and Current State ............................................................................ 5 2.2 Value of the Music Industry to the Economy .............................................. 8 2.3 Recorded Music Market ............................................................................. 9 2.4 Streaming and Digital Service Providers .................................................. 10 2.5 Record Labels and Distribution ................................................................. 11 2.6 Interview with Andrew Mitchley (The David Gresham Entertainment Group) ............................................................................... 13 2.7 Select -
South African Film Music Representation of Racial, Cultural and National Identities, 1931-1969
South African film music Representation of racial, cultural and national identities, 1931-1969 Christopher Jeffery Town Thesis presented in partial fulfilment of the requirements forCape the degree of DOCTOR OF MUSICof (COMPOSITION) in the South African College of Music UNIVERSITY OF CAPE TOWN October 2017 University Supervisors: Assoc. Prof. Morné Bezuidenhout Assoc. Prof. Adam Haupt The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Plagiarism Declaration “This thesis/dissertation has been submitted to the Turnitin module (or equivalent similarity and originality checking software) and I confirm that my supervisor has seen my report and any concerns revealed by such have been resolved with my supervisor.” Name: Christopher Jeffery Student number: JFFCHR002 Signature: Signature Removed Date: 28 February 2017 i Contents Abstract ............................................................................................................................. vi Acknowledgements ......................................................................................................... vii Introduction ...................................................................................................................... -
Beyond Memories Text Final LS.Indd
BEYOND MEMORY RECORDING THE HISTORY, MOMENTS AND MEMORIES OF SOUTH AFRICAN MUSIC From the diary of Max Mojapelo Edited by Sello Galane AFRICAN MINDS Published in 2008 by African Minds 4 Eccleston Place Somerset West 7130 South Africa www.africanminds.co.za Originated by KAMR – Kgapana African Music Records 12 Rio Grande Street, Westenburg, 1699, Polokwane, SA [email protected] P.O. Box 968 Oliefantsfontein, 1665 Copyright © 2008 by Thamagana Maxwell Mojapelo All rights are reserved. No part of this book may be used or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publisher. ISBN 978-1-920299-28-6 Produced by COMPRESS.dsl www.compressdsl.com Proofread by Karen van Eden Cover images: 2 1 3 1. Chris Ledochowski / South (africanpictures.net) 2. Motlhalefi Mahlabe / South (africanpictures.net) 4 3. Paul Weinberg / South (africanpictures.net) 4. Rodney Barnett / South (africanpictures.net) Great care has been taken to acknowledge all sources used in this book. If, through an inadvertent oversight on our part, any information has been used without acknowledgement thereof, we undertake to correct the matter as soon as it is brought to our attention. Equal care has been taken to spell correctly the names of bands, their members and other people who appear in this book. However, should you note any incorrect spelling(s), please e-mail the publisher on [email protected] and we shall make the necessary corrections to future editions. -
Seite 1 Catalog Viniluri Noi Catalog Valabil Din Data De
Catalog Viniluri Noi Catalog Valabil Din Data De 22.09.2021. Pentru Cautare Folositi Optiunea „Search“ Sau Lupa Din Reader. si Second-Hand Pentru Comanda Sau Info Introduceti Numarul Curent Sau Copy/Paste Aliniatul Ales Stand 22.09.2021 Adresa comanda – [email protected] 10 000 MANIACS Stare Stare Artist Titlu Album Label Tara Anul Coper Observatii Format Gen / Subgen Pret Disc ta 10 CC The Original Soundtrack Mercury usa vg vg gatefold sleeve LP art rock 55 10 CC Bloody Tourists Mercury usa vg vg gatefold sleeve LP art rock 55 14 BIS Eespelho Das Aguas emi USA 1981 ex ex LP brasilian alternative rock 35 14 BIS A Nave Vai EMI Brazil 1985 ex ex Deluxe Edition, Stereo LP latin, pop. Brazil 35 38 SPECIAL Strength In Numbers A&M Germany 1987 g vg LP blues rock, country rock 45 ABBA Honey Honey Polydor germany nm nm LP pop 45 ABSURD CONFLICT Point Of Crisis Zero Budget Cehia 2007 new new LP thrash, death metal 85 AC-DC Flick Of The Switch sony europe nou nou sigilat LP hard rock 110 ACE Five A Side Anchor USA mint mint Promo 35 lei LP pub rock 45 ACE No Strings anchor usa ex ex LP pub rock 20 ACID DAD 2ci greenway usa ex ex flexidisc 7'' alternative 25 ADEVA Adeva chrysalis germany nm nm LP + 12'' single LP electronic 45 ADRIAN DAMINESU Eu Te Voi Iubi Electrecord Romania 1989 vg vg LP europop 25 ADRIANO CELENTANO Disco Dance Arabella france ex ex LP funk/soul 55 AFFLICTIS LENTAE / ZEBARGES Split Oriffs Prod. -
BB-1968-08-03.Pdf
COIN MAC:HINE AUGUST 3,1968 SEVENTY-FOURTH YEAR $1.00 PAGES 59 TO 64 W091733PTE0905D708AUG SE6801* The MRS CECIL PATE * PATE TV 6 RECORDS * International 10905 GARVEY * EL MONTE CA 91733* Music -Record w Newsweekly Music Boundaries Busted R&B Hall of Fame Is In Artist, Tune Crossover Launched by Billboard By PAUL ACK-ERMAN andDON OVENS NEW YORK - Key figures ument rhythm and blues as a NEW YORK - The musical the trend has assumed massive standard' -idarranging them inthe rhythm and blues field cultural force and promote the categories - pop, rhythm and proportions. for th market. Such disks are being contacted by the Bill- dissemination and expansion of Glancingatthecropof have a sociolog_cal significance, board to participate in the crea- rhythm and blues inits many blues and country - are merg- singles of the last several weeks, as illustrated by the Hesitations' tion of a Hall of Fame honoring aspects. ing at an accelerated rate, and one can pluck out the following: Kappdisks,"TheImpossible songs andartistswho are Dream," "Climo Every Moun- the many historical and contem- Today rhythm and blues is at Makes 3 Charts porary names who have contrib- nominally in one category are Johnny Cash's "Folsom Prison tain" and "Who Will Answer?" the peak of its popularity and experiencing increasing success Country artists Archie Camp- uted to the development of this influence.This musicalfabric Blues," in the recently recorded major segment of American mu- inthe other fields. This phe- version, cut in prison, has made bellandLorraine Mann cut is intricately woven into the na- nomenon, of course, has already Is" on RCA.