The 2017 Bacardi Oakheart Key West Please E-Mail Your Name, Address, Phone, and E- Marlin Tournament Have Been Selected
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A Dangerous Summer
theHemingway newsletter Publication of The Hemingway Society | No. 73 | 2021 As the Pandemic Ends Yet the Wyoming/Montana Conference Remains Postponed Until Lynda M. Zwinger, editor 2022 the Hemingway Society of the Arizona Quarterly, as well as acquisitions editors Programs a Second Straight Aurora Bell (the University of Summer of Online Webinars.… South Carolina Press), James Only This Time They’re W. Long (LSU Press), and additional special guests. Designed to Confront the Friday, July 16, 1 p.m. Uncomfortable Questions. That’s EST: Teaching The Sun Also Rises, moderated by Juliet Why We’re Calling It: Conway We’ll kick off the literary discussions with a panel on Two classic posters from Hemingway’s teaching The Sun Also Rises, moderated dangerous summer suggest the spirit of ours: by recent University of Edinburgh A Dangerous the courage, skill, and grace necessary to Ph.D. alumna Juliet Conway, who has a confront the bull. (Courtesy: eBay) great piece on the novel in the current Summer Hemingway Review. Dig deep into n one of the most powerful passages has voted to offer a series of webinars four Hemingway’s Lost Generation classic. in his account of the 1959 bullfighting Fridays in a row in July and August. While Whether you’re preparing to teach it rivalry between matadors Antonio last summer’s Houseguest Hemingway or just want to revisit it with fellow IOrdóñez and Luis Miguel Dominguín, programming was a resounding success, aficionados, this session will review the Ernest Hemingway describes returning to organizers don’t want simply to repeat last publication history, reception, and major Pamplona and rediscovering the bravery year’s model. -
The 2016 SWFSC Billfish Newsletter
The SouthwestSWFSC Fisheries 2016 Billfish Science Newsletter Center’s 2016 Billfish Newsletter Global Tagging Map El Niño fishing conditions Catch-Photo-Release mobile phone application IGFA Great Marlin Race and satellite tagging 1 Top Anglers and Captains of 2015 SWFSC 2016 Billfish Newsletter Table of Contents Special Foreword …………………………………………………………….. 3 An Inside Look ……………………………………………………………..… 4 Prologue …………………………………………………………………….… 5 Introduction ……………………………………………………………..….… 5 The International Billfish Angler Survey ………………………………....... 7 Pacific blue marlin 9 Striped marlin 10 Indo-Pacific sailfish 11 Black marlin 13 Shortbill spearfish 13 Broadbill swordfish 14 The Billfish Tagging Program ……………………………………………..... 14 The Hawaiian Islands 16 2015 Tagging-at-a-Glance Map 17 Baja California and Guerrero, Mexico 18 Southern California 18 Western Pacific 18 Top Anglers and Captains Acknowledgements ……………………………. 19 Top Tagging Anglers 19 Top Tagging Captains 21 Tag Recoveries ……………………………………………………………….. 21 Science in Action: “The IGFA Great Marlin Race and Marlin Tagging” 23 Acknowledgements ………………………………………………………....... 25 Angler Photos ……………………………………………………………..….. 26 Congratulations to Captain Teddy Hoogs of the Bwana for winning this year’s cover photo contest! Teddy photographed this spectacular marlin off the coast of Hawaii. Fish on! 2 Special Forward James Wraith, director of the SWFSC Cooperative Billfish Tagging Program since 2007, recently left the SWFSC to move back to Australia. James was an integral part of the Highly Migratory Species (HMS) program. In addition to day-to-day work, James planned and organized the research cruises for HMS at the SWFSC and was involved in tagging thresher, blue, and mako sharks in the Southern California Bight for many years. We are sad to see him go but are excited for his future opportunities and thankful for his many contributions to the program over the last 10 years. -
2020 Journal
THE OFFICIAL Supplied free to members of GFAA-affiliated clubs or $9.95 GFAA GAMEFISHING 2020 JOURNAL HISTORICAL THE OFFICIAL GAME FISHING ASSOCIATION OF AUSTRALIA 2020 JOURNAL THE OFFICIAL GAME FISHING ASSOCIATION SPECIAL FEATURE •Capt Billy Love – Master of Sharks Including gamefish weight gauges, angling Published for GFAA by rules/regulations, plus GFAA and QGFA records www.gfaa.asn.au LEGENDARY POWER COUPLE THE LEGEND CONTINUES, THE NEW TEREZ SERIES OF RODS BUILT ON SPIRAL-X AND HI-POWER X BLANKS ARE THE ULTIMATE SALTWATER ENFORCER. TECHNOLOGY 8000HG MODELS INFINITE POWER CAST 6’6” HEAVY 50-150lb SPIN JIG 5’10” MEDIUM 24kg CAST 6’6” X-HEAVY 65-200lb SPIN JIG 5’8” HEAVY 37kg THE STELLA SW REPRESENTS THE PINNACLE OF CAST 6’6” XX-HEAVY 80-200lb SPIN JIG 5’9” MEDIUM / HEAVY 24-37kg SHIMANO TECHNOLOGY AND INNOVATION IN THE CAST 7’0” MEDIUM 30-65lb OVERHEAD JIG 5’10” MEDIUM 24kg PURSUIT OF CREATING THE ULTIMATE SPINNING REEL. CAST 7’0” MEDIUM / HEAVY 40-80lb OVERHEAD JIG 5’8” HEAVY 37kg SPIN 6’9” MEDIUM 20-50lb SPIN 7’6” MEDIUM 10-15kg SPIN 6’9” MEDIUM / HEAVY 40-80lb SPIN 7’6” HEAVY 15-24kg TECHNOLOGY SPIN 6’9” HEAVY 50-100lb SPIN 7’0” MEDIUM 5-10kg SPIN 6’9” X-HEAVY 65-200lb SPIN 7’0” MEDIUM / LIGHT 8-12kg UPGRADED DRAG WITH SPIN 7’2” MEDIUM / LIGHT 15-40lb SPIN 7’9” STICKBAIT PE 3-8 HEAT RESISTANCE SPIN 7’2” MEDIUM lb20-50lb SPIN 8’0” GT PE 3-8 *10000 | 14000 models only SPIN 7’2” MEDIUM / HEAVY 40-80lb Check your local Shimano Stockists today. -
Key West Hemingway
Key West Hemingway The 11th Biennial International Hemingway Society Conference June 7-12, 2004 Key West, Florida "Key West Hemingway" The 11th Biennial Hemingway Society Conference June 7-12, 2004 Key West FL Monday, June 7 Registration, Lobby Veranda, Cas a Marina Hotel 2:00-5:00 p.m. Please drop by to pick up your registration packet, to introduce your self, and to mingle. You may also sign up for afternoon walking tours. Opening reception, the Hemingway House on Whitehead Street 6:30-8:30 p.m. Welcome by Linda Wagner-Martin (President, Hemingway Society), Gail Sinclair (Site Director). Special presentation by the City of Key West. A shuttle to the Hemingway House will run from 6: J5-7:00 p.m. 77le return shuttle will run from 8:00 to 9:00, although, after the reception, you may wish to walk to Duval Street for dinner and a night on the town. Tuesday, June 8 Conference Kickoff, Grand Ballroom, Casa Marina Hotel 8:00-8:30 a.m. "Only in Key West: Hemingway's Fortunate Isle," Lawrence Broer (U of South Florida). Introduction by Kirk Curnutt (Program Director). All panel sessions unless otherwise noted will meet in the Keys Ball room. Specific room assignments are as follows: Sessions A= Big Key Pine B=Duck Key C=Plantation Key Session' 8:30-9:45 a.m . A. The Hardboiled Hemingway Moderator: Megan Hess (U of Virginia) I. "Hemingway and the Marinescape of Piracy," Susan F. Beegel (Editor, 77le Hemingway Review) 2. "Hemingway According to Raymond Chandler: Hack or Hard-Boiled Hero?" Marc Seals (U of South Florida) 3. -
35Th Ernest Hemingway Look-Alike Contest (Video)
35th Ernest Hemingway Look-alike contest (Video) By FloridaKeysNewsBureau Special to SouthFloridaReporter.com, July 24, 2015 – KEY WEST, Fla. — More than 125 stocky white-bearded men resembling Ernest Hemingway are in Key West to compete in the 35th annual “Papa” Hemingway Look-Alike Contest that began Thursday night. Thursday’s competitors included Michael Groover of Savannah, Ga., husband of celebrity chef Paula Deen. Deen was in the audience, cheering Groover on when he was named a semi-finalist. The competition is a highlight of the island’s annual Hemingway Days festival honoring the writing talent, sporting pursuits and colorful lifestyle of the author who lived in Key West during the 1930s. Aspiring Ernests are vying for the prized title of “Papa” during the three-night competition at Sloppy Joe’s Bar, the famed Duval Street saloon that was a hangout for Hemingway and his cohorts. Many entrants are repeat contenders and most dress in sportsman’s garb reminiscent of the author. They parade across Sloppy Joe’s stage before crowds of spectators, attempting to emulate the “Papa” persona adopted by Hemingway in his later years. Contest judges are former winners including Wally Collins of Phoenix, Arizona, a white-bearded restaurateur who triumphed over rivals including his oldest son to take the 2014 title. The competition’s second preliminary round is set for Friday and the 2015 “Papa” is to be chosen Saturday night. Hemingway Days continues through Sunday with events including an offbeat “Running of the Bulls,” the Bacardi Oakheart Key West Marlin tournament and a short story competition directed by author and Hemingway granddaughter Lorian Hemingway. -
Ivens Magazine Blz18tm37.Pdf
basin, Ivens yells: ‘We will shoot this scene again in half an June 15th – June 22nd 1956 Damme, Belgium June 25th - July 12th 1956, Mulde, Germany Gérard Philipe and Joris Ivens, hour! There is too much smoke, the horses do not cavort Part of the film crew travelled to Flanders, Bruges, in order On June 25th, Gérard Philipe and Joris Ivens arrived at film clips in East Germany enough and the bridge explosion is not as spectacular as it to add some authentic elements of the local colour to the Tempelhof airport in East Berlin together with the French from Les aventures de Till should be’ … The Dutch journalists could not believe what film. The shots of the actual canal and the opening scene in crew, after the press and hundreds of fans had been waiting l’Espiègle (The Adventures they saw. Their national history was being turned into a the dunes and the countryside were filmed there. And the there for hours. ‘Plenty of teen-agers came to see the ‘jeune of Till Eulenspiegel), 1956. film in the French Riviera by a‘ modest Dutchman’. They scene, in which the city of Damme goes up in flames. Mean- premier’ of the French film’, is what a journalist wrote, who © DEFA Stiftung wanted to know from Ivens how the collaboration was go- while, Ivens became continuously more concerned about was surprised that the fans were so hysterical. ing. ‘Gérard and I, we each direct certain fragments. He, for the direction in which the film was heading. ‘Attention que The last scenes in the GDR were all about the large-scaled instance, works a lot with the French actors, and does the l’action comique et dynamique ne domine pas, ou ébaufe la battles on the banks of the Scheldt between the Spaniards, work that requires the input of an experienced feature film situation serieuse.’, he wrote.24 After three months, he final- on the one hand, and the rebellions of the Geuzen army and man; I am responsible for the outside shoots and the action ly cut the knot and told DEFA that he wanted to back out of the mercenary army of the Prince of Orange on the other. -
Once More, with Feeling
Illinois Wesleyan University Digital Commons @ IWU Honorees for Teaching Excellence Honors 4-14-2004 Once More, with Feeling James Plath Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/teaching_excellence Recommended Citation Plath, James, "Once More, with Feeling" (2004). Honorees for Teaching Excellence. 6. https://digitalcommons.iwu.edu/teaching_excellence/6 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by University Archivist & Special Collections Librarian at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Once More, with Feeling James Plath (Honor’s Day Convocation, April 14, 2004) To begin, I’d like to thank Mona Gardner, Chris Prendergast, and Mike Weis for nominating me, as well as members of the Promotion and Tenure Committee who voted to give me this award. Mostly, though, I’d like to thank the students who sat in these very seats last year and burst into spontaneous applause as my name was announced, instead of turning to each other and going, “What?!” As my colleagues know, and as you students who will become teachers or even workers in the “real” world will learn, there are days when you’re convinced it could go either way. -
Metaphorical Illness in Hemingway's Works
University of Pennsylvania ScholarlyCommons CUREJ - College Undergraduate Research Electronic Journal College of Arts and Sciences 5-12-2006 Metaphorical Illness in Hemingway's Works Jessica E. Lahrmann [email protected] Follow this and additional works at: https://repository.upenn.edu/curej Part of the Literature in English, North America Commons Recommended Citation Lahrmann, Jessica E., "Metaphorical Illness in Hemingway's Works" 12 May 2006. CUREJ: College Undergraduate Research Electronic Journal, University of Pennsylvania, https://repository.upenn.edu/curej/6. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/curej/6 For more information, please contact [email protected]. Metaphorical Illness in Hemingway's Works Abstract Hemingway, through his characters, illustrates the many different genres and functions of disease. More than just inflictors of sadness and pain, disease and injury are part of the human condition. They are undeniable truths that give life to humanity, Hemingway’s characters, and Hemingway himself. As Hemingway writes in Death in the Afternoon, “…all stories, if continued far enough, end in death, and he is no true storyteller who would keep that from you.” Part of Hemingway’s art is acknowledging that there is no true cure. Vitality and death, contentedness and pain, disease and survival all coexist in Hemingway’s writing as one: life. Keywords English, David Espey, David, Espey Disciplines Literature in English, North America This article is available at ScholarlyCommons: https://repository.upenn.edu/curej/6 For Jake Barnes of The Sun Also Rises , Robert Jordan of For Whom the Bell Tolls , Harry of “Snows of Kilimanjaro,” and Nick Adams of “Indian Camp,” illness and loss are an ever -present part of life. -
Flagstaff, Ash Fork, Grand Canyon, Page, Sedona, Seligman, Williams
ARIZONA TELEPHONE DIRECTORIES WHITE PAGES CITY: Flagstaff, Ash Fork, Grand Canyon, Page, Sedona, Seligman, Williams YEAR: July 1960 Flagstaf f • Ash Fork • Gran d Cany Rca an • Willia \ (if f*, ^fi Making the nation your neighborhood through the magic of • • • I R ECT I STANCE IALING This directory contains complete Direct Distance Dialing instructions. JULY 1960 MOUNTAIN STATES TELEPHONE Just because Do you really need a better reason to pick up your phone and enjoy a long distance call tonight? you like And here's a pleasant surprise . you can call station-to-station anywhere in the country after 6:00 PM or on Sunday and talk for three wonderful minutes to keep for $1.75 or less, plus tax. Even three-minute calls to Alaska or Hawaii are only $6.75 or less. in touch And remember, call by number—it's faster. Copyright 1960 by The Mountain States Telephone and Telegraph Company TELEPHONE DIRECTORY for FLAGSTAFF - ASH FORK - GRAND CANYON PAGE - SEDONA - SELIGMAN - WILLIAMS JULY 1960 TABLE OF CONTENTS ALPHABETICAL LISTINGS White Section FLAGSTAFF Page 11 ASH FORK Page 27 GRAND CANYON Page 28 PAGE Page 29 SEDONA. Page 31 SELIGMAN Page 33 WILLIAMS Page 34 CIVIC INFORMATION Blue Section CLASSIFIED SECTION Yellow Paget EMERGENCY CALLS — Fire, Police, Sheriff White Section, Page 3 GENERAL INFORMATION — Telephone Service White Section, Page 9 HOW TO PLACE TELEPHONE CALLS Out-of-Town Calls White Section, Page 5 Use of Dial Telephone White Section, Page 4 MAPS Blue Section TELEPHONE SERVICE CALLS White Section, Page 2 EMERGENCY CALLS Please determine the FIRE and POLICE departments which serve you and write their numbers in the spaces provided below. -
Martha Gellhorn and Ernest Hemingway
MARTHA GELLHORN AND ERNEST HEMINGWAY: A LITERARY RELATIONSHIP H. L. Salmon, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2003 APPROVED: Timothy Parrish, Major Professor Peter Shillingsburg, Minor Professor Jacqueline Vanhoutte, Committee Member Brenda Sims, Chair, Graduate Studies in English C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Salmon, H. L., Martha Gellhorn and Ernest Hemingway: A Literary Relationship, Master of Arts (English). May 2003. 55 pp. Martha Gellhorn and Ernest Hemingway met in Key West in 1937, married in 1941, and divorced in 1945. Gellhorn’s work exhibits a strong influence from Hemingway’s work, including collaboration on her work during their marriage. I will discuss three of her six novels: WMP (1934), Liana (1944), and Point of No Return (1948). The areas of influence that I will rely on in many ways follow the stages Harold Bloom outlines in Anxiety of Influence. Gellhorn’s work exposes a stage of influence that Bloom does not describe—which I term collaborative. By looking at Hemingway’s influence in Gellhorn’s writing the difference between traditional literary influence and collaborative influence can be compared and analyzed, revealing the footprints left in a work by a collaborating author as opposed to simply an influential one. ACKNOWLEDGMENTS I would like to thank Dr. Tim Parrish, who from its inception encouraged me to take on this project and whose encouragement throughout my degree work has been insightful and inspiring. Dr. Peter Shillingsburg served as a reader and mentor, and his high standards and personal integrity challenged me to make sure my own scholarship is a credible as his own. -
Analysis of Big Game Fishing Catches of Blue Marlin (Makaira Nigricans) in the Madeira Archipelago (Eastern Atlantic) and Factors That Affect Its Presence
sustainability Article Analysis of Big Game Fishing Catches of Blue Marlin (Makaira nigricans) in the Madeira Archipelago (Eastern Atlantic) and Factors that Affect Its Presence Roi Martinez-Escauriaza 1,* , Pablo Pita 2,3, Maria Lídia Ferreira de Gouveia 4, Nuno Manuel Abreu Gouveia 5, Eduardo Teixeira 6, Mafalda de Freitas 1,4,7,8 and Margarida Hermida 1,8 1 Oceanic Observatory of Madeira, Agência Regional para o Desenvolvimento da Investigação Tecnologia e Inovação (ARDITI), Edifício Madeira Tecnopolo, 9020-105 Funchal, Portugal; [email protected] 2 Campus Do Mar, International Campus of Excellence, 15782 Santiago de Compostela, Spain; [email protected] 3 Faculty of Political and Social Sciences, University of Santiago de Compostela, 15782 Santiago de Compostela, Spain 4 Direção Regional do Mar, Direção de Serviços de Monitorização, Estudos e Investigação do Mar (DRM/DSEIMar), 9004-562 Funchal, Portugal; [email protected] 5 Direção Regional de Pescas, Direção de Serviços de Inspeção e Controlo, Edifício da Sociedade Metropolitana de Câmara de Lobos, 9300-138 Câmara de Lobos, Portugal; [email protected] 6 Big Game Club of Portugal in Madeira, 9000-171 Funchal, Portugal; [email protected] 7 Estação de Biologia Marinha do Funchal, Cais do Carvão, 9000-003 Funchal, Portugal 8 MARE–Marine and Environmental Sciences Centre, Agência Regional para o Desenvolvimento da Investigação Tecnologia e Inovação (ARDITI), Edifício Madeira Tecnopolo, 9020-105 Funchal, Portugal; Citation: Martinez-Escauriaza, R.; [email protected] Pita, P.; de Gouveia, M.L.F.; Gouveia, * Correspondence: [email protected] N.M.A.; Teixeira, E.; de Freitas, M.; Hermida, M. -
210 Paul Hendrickson This Is an Unusual and Fascinating Book
210 book reviews Paul Hendrickson Hemingway’s Boat: Everything He Loved in Life, and Lost, 1934–1961. New York: Knopf, 2011. viii + 532 pp. (Cloth US$30.00) This is an unusual and fascinating book—not quite biography, but rather “an interpretation, an evocation, with other lives streaming in” (p. 472). It ranges selectively through Hemingway’s life, mainly focusing on the last twenty-seven years. In a boldly successful move, it uses Pilar, the boat Hemingway bought in 1934, which he so loved, as a lynch-pin—a way into his relationships, his con- tradictions, his values, strengths and failings, and final spiral of disintegration. Hemingway’s Boat explores the complex of ideas raised by its subject-matter— ideas of “fishing, friendship, and fatherhood, and love of water, and what it means to be masculine in our culture, and the notion of being boat-struck … and how the deep good in us is often matched only by the perverse bad in us, and—not least—about the damnable way our demons seem to end up follow- ing us, even or especially when we think we’ve escaped them” (p. 13). Hendrickson starts with a 2005 visit to Cuba, with Pilar, “like some old and gasping browned-out whale” (p. 7), up on blocks in the grounds of the Finca Vigía, Hemingway’s main home from 1939 to 1960. (In 1959, Hemingway would say that he “thought of himself as a true Cuban,” and kiss the national flag [p. 460]). He then goes back to trace the history of her purchase, the uses to which Hemingway put her, the people who sailed her, and her meaning in Hemingway’s life.