DOCSLIB.ORG

Biography 1980 Born in Canberra Education 2012 Master Of

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Biography 1980 Born in Canberra Education 2012 Master Of biography 1980 Born in canberra education 2012 Master of Contemporary Art, Victorian College of the Arts, melbourne 2011 Post Graduate Diploma of Visual Art, Victorian College of the Arts, melbourne 2001 Certificate 4 Applied Design, Victoria University, melbourne solo exhibitions 2021 Grey noise, Sophie Gannon Gallery, melbourne 2020 This is water, Jan Murphy Gallery, brisbane 2019 Signifying Landscapes, Sophie Gannon Gallery, melbourne 2018 Home / Visitors, Jan Murphy Gallery, brisbane 2017 Oblique Landscapes, Fort Delta, melbourne 2016 Under Wild Skies, TDF Collect, melbourne Invaded Landscapes, Koskela, sydney 2015 Another Day in Oceania, TCF Collect, melbourne 2014 New Landscapes, Backwoods Gallery, melbourne 2012 Give, The Leaders, VCA Post Graduate Gallery, melbourne Decorating the Apocalypse, Backwoods Gallery, melbourne 2008 Highland Chamber, Until Never Gallery, melbourne 2001 Raiders Of The Lost Art, A.R.T. Gallery Eden, melbourne 2000 Guerilla Style Stencil & Poster Show, Centerplace, melbourne group exhibitions 2020 Summer hang, Jan Murphy Gallery, brisbane Group Exhibition, Sophie Gannon Gallery, melbourne 2017 The Design Files Open House, melbourne I.C.O.N., Richmond Town Hall, melbourne Fort Delta, spring 1883, sydney 2016 Provenance Matters, Alcaston Gallery, melbourne 2015 Macquarie Group Emerging Artists Prize, Space Gallery, sydney Salon des Refuses, S.H. Ervin Gallery, sydney Beyond Limitations, Clayarch Gimhae Museum, south korea 2014 The Design Files Open House, melbourne Interrobang, No Vacancy Gallery, melbourne 2013 Heat, Backwoods Gallery, melbourne group exhibitions (contd) 2012 Alliance Française Award Exhibition, Alliance Française de Melbourne, melbourne 2012 VCA Masters Exhibition, VCA, melbourne 2011 Larger than Life, The Substation, melbourne VCA Graduate Exhibition, VCA, melbourne Everfresh Residency, NGV Studio Space, melbourne 2010 Space Invaders, National Gallery of Australia (and touring nationally), canberra 2009 Surface, Michael Koro Gallery, melbourne The Outsiders, Kristian Pithie Gallery, melbourne 2008 No Comply, No Vacancy Gallery, melbourne 2007 Bootlegger, Until Never Gallery, melbourne Refil 7, MTV Gallery, sydney Letterheads, Wooden Shadow Gallery, melbourne 2006 No Comply, Federation Square, melbourne 2004 Wet Look (with Tim de Haan & Marc Burstall), Croft Institute, melbourne 2003 Productivism (with Jay Rankine & Marc de Jong), Art Gallery of Ballarat, vic 2002 Eternity Now, Cube 37 Gallery, vic 2001 Art & The City, Gamma Space Gallery, melbourne 1997 Toy for Joy, Royal Children’s Hospital, melbourne awards & residencies 2015 Artist In Residence, Clayarch Gimhae Museum, south korea Finalist, Macquarie Group Emerging Art Prize, Macquarie Group, sydney 2014 TWIG Artist Residency, Swan Hill Regional Art Gallery, vic Sculptors in Schools, Lorne Sculpture Biennial, vic 2012 Winner, National Gallery of Victoria Women’s Association Award for Excellence, VCA, melbourne Winner, Alliance Française Award, Alliance Française de Melbourne, melbourne commissions 2019 100m Mural, Facebook Headquarters, sydney 2017 Qantas Curates, Qantas 2014 AIDS 2014 Youth Legacy Street Art Project, YEAH & Melbourne Youth Force, melbourne commissions (contd) 2014 Performance and Mural (White Night Letters), White Night, melbourne Anderson Road Mural and Community Art Project, Moreland City Council, melbourne 2007 5 Points Collaborative Wall, new york, u.s.a. 2003 100m Railway Hoardings – Flinders Street, City of Melbourne, melbourne 2001 Kensington Aerosol Art Project (Director/Coordinator), City of Melbourne, melbourne publications 2018 Fiona Purdon, Surfing for code breakers, Courier Mail, 9-10 June Briony Downes, What’s Next: Fred Fowler, Art Collector, Issue 84, April/June 2017 Elle Murrell, Fred Fowler – Oblique Landscapes, The Design Files, 15 September Charis Perkins, Qantas promotes Australian art on international business flights, Australian Financial Review, 13 April Artist in Focus: Fred Fowler, Kip & Co, 27 January 2016 Lucy Feagins, TDF Collect – Under Wild Skies by Fred Fowler, The Design Files, 21 November Melissa Fletcher, Artist Interview: Fred Fowler (AUS), Medium, 2 February 2015 Fred Fowler, Landscapes 2014/15 2014 Emily McCulloch Childs, Exhibition Essay for New Landscapes, Backwoods Gallery Lucy Feagins, Fred Fowler – Studio Visit, The Design Files, 14 November Ana Bambic Kostov, New Landscapes of Fred Fowler, Widewalls, 17 June 2013 Fred Fowler, Dissect Journal, Issue 1, December 2012 Fred Fowler, Interior/Exterior, November Fred Fowler, Selected Mythologies, July 2010 Jaklyn Babington (ed.), Exhibition Catalogue for Space Invaders, National Gallery of Australia, October collections Artbank City of Melbourne, melbourne Multiplex, sydney collections (contd) National Gallery of Australia, canberra The Union Art Collection, University of Melbourne Student Union, melbourne Private collections nationally and internationally .
Load more

Recommended publications
  • Curated Learning: a Pedagogical Approach to Maximise Learning Environments for Students’ Deep Learning
    CURATED LEARNING: A PEDAGOGICAL APPROACH TO MAXIMISE LEARNING ENVIRONMENTS FOR STUDENTS’ DEEP LEARNING ETHEL D. VILLAFRANCA MA Museum Studies BA Philippine Arts ORCID: 0000-0003-4944-3729 Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2019 Melbourne Graduate School of Education The University of Melbourne Printed on archival quality paper I dedicate thesis to my parents, Aida and Ricky Words cannot express how grateful I am for the enumerable sacrifices and challenges they’ve had to overcome for us I am who I am and where I am today because of them ii ABSTRACT Globally, billions of dollars have been allocated in developing highly adaptable, technology-infused, and connected learning spaces, called Innovative Learning Environments (ILEs), capable of accommodating a variety of pedagogical practices intended to equip students with skills and competencies critical for thriving in this rapidly changing world. However, research indicate that teachers are unable to fully maximise the potential of these ILEs. In contrast, many museums appear to have considerable success at intentionally manipulating learning environments and adapting pedagogy to suit intended learning outcomes. Understanding these museum practices may prove valuable in helping school teachers use ILEs better. Two case studies were conducted to draw out strategies of museums in capitalising features of the learning environment to promote students’ deep learning. Twenty-eight individuals from nine purposely selected institutions across Australia and New Zealand participated in this research. Thematic analysis of data from 42 observations and 25 interviews resulted in a proposition of a pedagogical approach, Curated learning, that leverages the interdependence between pedagogy and the built environment.
    [Show full text]
  • Behind the Scenes
    ©Lonely Planet Publications Pty Ltd 1078 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to your submissions, we always guarantee that your feed- back goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. who made my stay in the Northern Territory so mem- OUR READERS orable. And to my family who always keep the home Many thanks to the travellers who used the last fires burning – os quiero and I can’t wait to take you edition and wrote to us with helpful hints, useful there next time. advice and interesting anecdotes: Alan Taylor, Anastasia Papaioannou, Andrea Edwards, Paul Harding Andrew Walter, Cathy Sohler, Daniel Richard, Jane Thanks to all those travellers and locals who helped Rushworth, Kathrin Schad, Kersti Esbjörnsson, Mary with company and advice on my journey through Munro, Patricia Aufderheide, Pauline Dejoux, Sain Queensland’s most remote corners, especially the Alizada, Shelagh O’Brien helpful guys who got me out of vehicular trouble at Eliot Falls.
    [Show full text]
  • Tom Sevil (Aka Civil) / Curriculum Vitae
    TOM SEVIL (AKA CIVIL) / CURRICULUM VITAE EMAIL: [email protected] | WEB: www.tomcivil.com | www.instagram.com/thomascivilian PHONE: 0414188545 | STUDIO: EVERFRESH, 5 PERRY STREET COLLINGWOOD | ABN: 59291518339 SCISSOR LIFT AND BOOM LIFT DRIVING TICKET | PUBLIC LIABILITY POLICY NUMBER: 60REGIAUGPLB Education and Scholarships 1999 | Bachelor of Environmental Science (Environmental Management), University of Newcastle. 2012 | Australian Print Workshop, Gertrude Street Fitzroy. Dowd Foundation Scholarship Solo Exhibitions 2018 | Tangled Love, Tinning Street Presents, Brunswick 2018 | Life Together, No Vacancy Gallery, Queen Victoria Building, Melbourne 2017 | Alone and Together, The Art Vault, Mildura 2015 | Amongst Us and Beyond, Port Jackson Press, Little Window of Opportunity Gallery 2014 | Stick Folk, Backwoods Gallery, Collingwood, Melbourne 2012 | Long Story, House of Bricks, Melbourne. 2007 | Strategic Bombing, Brunswick Bound Gallery, Melbourne. 2005 | Civilian Emergency, Citylights, Centre Place, Melbourne. Commissioned Public Murals 2019 | 60m mural in collaboration with Ash Firebrace (Wurundjeri). Chandler Hwy bridge underpass, Major Roads Projects Victoria 2019 | Green Spine Park Mural, Airport West, Commissioned by Moonee Valley City Council. 2018 | Bonwick Street shops, Fawkner. Commissioned by Moreland Council. 2018 | Heildelberg Magistrate Court, entire waiting room mural in collaboration with Ash Firebrace. 2018 | Sydney Road, Brunswick. Commissioned by City of Moreland and Sydney Road Association. 2018 | Seeds Communal
    [Show full text]
  • 71-Langridge-Collingwood.Pdf
    Contents PROLOGUE— Introduction 05 CHAPTER ONE— The Building 11 CHAPTER TWO— This is Collingwood 29 CHAPTER THREE— Building Floor Plates 55 CHAPTER FOUR— The Team 69 CHAPTER FIVE— Engineering Services 75 71LANGRIDGESTREET.COM.AU 71 Langridge Street has been conceived to inspire everyone who walks through its doors. PAGE 05 Bold and rich in character, 71 Langridge Street reflects the eclectic, high voltage energy of Collingwood, the history of Melbourne’s oldest retail precinct, and the ingenuity of a new urban aesthetic. Le Labo PAGE 06 To reflect the unique culture of Collingwood and its vibrant arts community, 71 Langridge Street hosts its own private art gallery. The art exhibition of black and white photographs captures the energy and realism of yesteryear. CHAPTER ONE— The Building PAGE 11 The hallmark of 71 Langridge is its interplay of contemporary elements with throwback details that evoke its industrial history. Raw is met with refined, old with new, in chic architectural design that doesn’t compromise the building’s minimalist, rough-hewn charm. Heritage touches and warehouse- style design dovetail perfectly in a combination of a Brooklyn-style converted factory atmosphere with an animated inner-city mood. High end design lift interiors are a key feature of 71 Langridge Street. The art gallery stairwell can be viewed through the rear glass wall of both lifts. Thirty two pieces of black and white photographic art comprise an exhibition titled 'Newsworthy'. These photographs of historical moments in New York have been curated to honour a rich cultural heritage, and to explore the parallels between industrial and artistic evolutions.
    [Show full text]
  • Education Resource Written by Kate Stones
    Education Resource Written by Kate Stones A Nets Victoria Exhibition in partnership with The Centre For Cultural Materials Conservation at The University Of Melbourne and supported by Latrobe Regional Gallery Curated by Sherryn Vardy 1 CONTENTS About this Education Resource Planning your visit p.3 Curriculum links and themes p.4 Introduction What is conservation? p.5 The Centre for Cultural Materials Conservation p.7 Sherryn Vardy p.7 An issue of intention: The Keith Haring mural controversy p.8 Key conservation terms p.11 Artist profiles and works with activities and discussion points: Brook Andrew p.14 Penny Byrne p.17 Juan Ford p.20 Ghostpatrol p.23 Claire Anna Watson p.26 References p.29 2 About this Education Resource This education resource is intended for use as a starting point to generate discussion and activities before, during and after Planning your visit a visit to Made to last: the conservation of art. It is designed Before visiting Made to last it is suggested that you to be used in conjunction with information provided in the contact gallery staff to determine the following: exhibition catalogue, gallery wall texts and on the NETS Victoria website. • Opening hours, transport and parking options, cloakroom facilities and admission fees The resource includes an introduction to the exhibition, • Suitability of content for the year level you definitions of key terms, artist profiles, suggested points for intend to bring discussion, activities for students, and references for fur- • Staff availability for introductory talks and tours ther research. Teachers may select relevant aspects of this • Education and public programs, artist talks resource to tailor their own response sheet for use in the etc.
    [Show full text]
  • Behind the Scenes
    ©Lonely Planet Publications Pty Ltd 375 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to your submissions, we always guarantee that your feed- back goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. Judd and the many locals who offered insight and OUR READERS insider knowledge along the way. At Lonely Planet, Many thanks to the travellers who used the last a huge thanks to Tasmin Waby for her support and edition and wrote to us with helpful hints, useful encouragement. advice and interesting anecdotes: Ben Chudoschnik, Jonathan Sise, Nicolas Granger Peter Dragicevich Researching this guidebook was an absolute pleas- WRITER THANKS ure, especially because of the wonderful company that I had on the road. Special thanks go to Braith Kate Morgan Bamkin, Peter van Gaalen, Marg Toohey and Jo Staf- Big thanks to Destination Editor Tasmin Waby for ford for all their practical assistance in Melbourne, the opportunity to basically eat and drink my way and to David Mills and Barry Sawtell for the Canberra around Melbourne’s best neighbourhoods! Thank you Morrissey safari.
    [Show full text]
  • 37 48'S Artists'& Curator's Half Page CV's 2
    https://www.facebook.com/37degrees48S CURATORS: Dianna Gold & Dr Carmel Wallace PROJECT ARTISTS: Angela Cavalieri, Bindi Cole, Carmel Wallace, Cat Poljski, Debra Luccio, Eolo Paul Bottaro, Heather Shimmen, Regan Tamanui aka HA! HA! Judy Holding, Marco Luccio, Rona Green, Rone Key artists and curator’s CV’s Dianna Gold curator Dianna was Director/Curator of Gallery 101 from 1991 until 2010. She was also responsible for the public art collection at 101 Collins Street. In 1993 Dianna introduced an annual Acquisition Art Award known as Artworkz - 101 Collins Street Acquisitive Award, sponsored by 101 Collins Street Pty Ltd. Artworkz ran for four years and over 200 artists had their work exhibited at Gallery 101 in association with the award. Dianna was Portfolio Reviewer for the Ballarat International Fotobiennale 2009 and 2010 and is regularly invited to participate in judging art awards. She headed the judging panel for Yering Station Sculpture Prize for four years. Dianna also gives guest lectures in professional development at several institutions including Victoria College of the Arts and Deakin University. Partnerships include the Chinese International Festival – Faces of China Photographic Exhibition; and the book Melbourne Marvellous To Modern: Mark Strizic in association with the State Library of Victoria and Thames and Hudson. She is currently Copyright Agent for the Photographic Archive of the Estate of Mark Strizic. Dianna has curated a number of international exhibitions and 37° 48ʹ S: artists navigate MELBOURNE will be the second to be shown in New York. Partnerships 2009 Melbourne Marvellous To Modern: Mark Strizic (book) with the State Library of Victoria and Thames & Hudson.
    [Show full text]