Asana Study

Tracey Eccleston Ageless Arts Teacher Training • Conestoga College • YTT 2014-15

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com Table of Contents

Tadasana - Mountain Pose! 4

Precautions & Contraindications 4

Alignment, & Cues 4

Dristi & Awareness 6

Notes 7

Uttanasana - Forward Bend! 8

Precautions & Contraindications 8

Alignment, pranayama & Cues 9

Dristi & Awareness 10

Notes 10

Ardha - Half Forward Bend! 12

Precautions & Contraindications 12

Alignment, pranayama & Cues 13

Dristi & Awareness 14

Notes 14

High ! 15

Precautions & Contraindications 15

Alignment, pranayama & Cues 15

Dristi & Awareness 17

Notes 17

Plank! 18

Precautions & Contraindications 18

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com Alignment, pranayama & Cues 19

Dristi & Awareness 20

Notes 20

Chaturanga - Four-limbed Staff! 21

Precautions & Contraindications 21

Alignment, pranayama & Cues 22

Dristi & Awareness 22

Notes 23

Ashtanga Namaskara - Eight Point Pose! 24

Precautions & Contraindications 24

Alignment, pranayama & Cues 25

Dristi & Awareness 25

Notes 26

Bhujangasana - Cobra! 27

Precautions & Contraindications 27

Alignment, pranayama & Cues 28

Dristi & Awareness 29

Notes 29

Adho Mukha Svanasana - Downward Facing Dog! 30

Precautions & Contraindications 30

Alignment, pranayama & Cues 31

Dristi & Awareness 32

Notes 33

Balasana - Child’s Pose! 34

Precautions & Contraindications 34

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com Alignment, pranayama & Cues 35

Dristi & Awareness 36

Notes 36

Surya Namaskar: Sun Salutation! 37

Series A & B 37

Surya Namaskara A 37

Surya Namaskara B 37

Shavasana - Corpse Pose! 38

Precautions & Contraindications 38

Alignment, pranayama & Cues 39

Dristi & Awareness 40

Notes 40

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com - Mountain Pose (tah-DAHS-anna) tada = mountain

BENEFITS

Better posture - breathing deeper, better digestion

Toning of the muscle of the body - toning arches of the feet

PRECAUTIONS & CONTRAINDICATIONS

Those with poor balance will need to be mindful (vertigo and age)

ALIGNMENT, PRANAYAMA & CUES

Foundation:

• Plant your feet hip width apart (two fists between ankles) or closer together based on comfort and balance

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com • There are two options for press points in the feet. 3 points and 4 points

• 3 points are located under baby toe, big toe and middle of the heal

• 4 points are located baby toe, big toe and either side of the heal

• To engage press points you can lift the toes

• you can move pressure between all the points and then find balance between them all

• if you are able to maintain the press points and keep the arches lifted you are welcome to relax the toes.

• knees are lifted by tightening the thighs

• careful not to lock the knees

Core:

• explore your way into a neutral pelvis (rocking back and forth with the pelvis, tucking under and rounding out, then finding the balance of the two)

• find a neutral spine (you are welcome to explore the same rocking)

• draw the navel up and in towards the spine

• lengthen through the sides of the body

• expand through the chest and rotate the arms open through the shoulders (be mindful not to “pop” through the chest)

• watch to be sure the rotation of the arms comes from the shoulder and not the elbow (play with them both)

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com • be mindful to keep the shoulder blades open for breath (not squeezing together)

Alignment:

• arms are hanging naturally with the palms turned out (facing forward)

• spread the fingers tighten and feel the energy coming out of the tips.

• Neck should be lengthened out of the crown of the head. Extending the neutral spine (watch for the chin jutting forward)

• Slightly tuck the chin if it is not parallel to the floor

Pranayama (Breath):

• Let the breath work with the natural rhythms of the body

Verbal Cues:

• be mindful of the knees and the tendency for them to lock

• lengthen, strengthen, extend and expand

• plant, ground

• neutral spine and pelvis

DRISTI & AWARENESS

Dristi:

• Point of focus is horizon unless there is poor balance and then dristi can be on the floor a few feet in front of them.

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com Awareness:

• Awareness should be drawn to the entire physical and emotional body

NOTES

Mountain can be done with arms resting down the sides, above the head or in anjali ( at heart center palms together)

Mountain can be done fully engaged or in a relaxed manner.

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com Uttanasana - Forward Bend (OOT-tan-AHS-ahna) ut = intense tan = to stretch or extend

BENEFITS

See half forward bend

Wonderful place to explore back breathing

Massaging internal organize

Due to the inversion, blood makes its way to the brain and effects the energy in the thoughts and body.

PRECAUTIONS & CONTRAINDICATIONS

Unmedicated high blood pressure

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com Pregnant ladies may need to adjust or adapt the pose (perhaps take a wider stance and not go deep, with bent knees - highly recommend bent knees)

Back injuries need to be mindful (perhaps not going deep, and bending the knees)

ALIGNMENT, PRANAYAMA & CUES

Foundation:

• See Mountain

Core:

• See Mountain & Half Forward Bend

• From Half forward bend continue hinging forward until you feel the stretch deeply or your body starts to round in the back (if your belly is touching your thighs you are welcome to melt right through)

• Hinge forward till your body cues you to stop

Alignment:

• arms can rest on thighs or shins, cross at the elbows, hang, touch the floor with finger, palms or grasp toes etc.

• It in a full inversion allow for traction in the back of the neck. If the forward bend is limited tuck in the chin to stretch through the back of the neck.

Pranayama (Breath):

• In general you will exhale into the pose to create space for the forward bend

• If you choose to hang out in the pose you can explore back body breathing

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com Verbal Cues:

• Keep a neutral spine unless you belly and thighs meet.

• Hinge forward at the hips

• Tuck in the chin to stretch the back of the neck and let it hang.

DRISTI & AWARENESS

Dristi:

• Point of focus is a neutral (alway welcome to close your eyes)

Awareness:

• Awareness should be drawn to hamstrings and back.

NOTES

For those with osteoporosis be sure to keep a neutral spine through the entire process (going up and coming down)

When coming up or down you can use the rag doll method.

If you engage the front thighs in forward bend you may be able to deepen the stretch of the hamstrings.

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com Ardha Uttanasana - Half Forward Bend (are-dah oot-tan-AHS-anna) ardha = half uttanna = intense stretch

BENEFITS

Great warm up stretch for the hamstrings

Provides stretches and movement to the hips

Strengthens core

PRECAUTIONS & CONTRAINDICATIONS

Pregnant ladies need to be mindful of lower back

Lower back challenges, tight hips and tight hamstrings need to move slowly and possibly reduce the degree of the forward bend.

When coming out of the pose, make sure core is engaged and possible cue to bend at the knees.

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com ALIGNMENT, PRANAYAMA & CUES

Foundation:

• Feet (see mountain)

Core:

• Core (see mountain), slowly hinge (bend) forward at the hips.

• Feel free to use the hands to explore the hip joint and the hinging motion

• scoop the pelvis and send the hips and tailbone back as you move into the forward bend

Alignment:

• Unless stretching hamstrings, be mindful to keep a micro-bend at the knees

• rest arms on thighs or shins but be sure to keep the chest and shoulders open

Pranayama (Breath):

• In general think about the exhale as you move into the pose and inhale as you move out of the pose. (if the pose is being held allow for a gentle pulsation)

Verbal Cues:

• Bend the knees to protect the back

• Hinge forward until you feel the stretch (this is when you’ve reached YOUR full expression)

• Maintain your mountain pose as you hinge at the hips and bend forward

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com DRISTI & AWARENESS

Dristi:

• Point of focus is straight down to the floor with soft eyes (Ashtanga as them look up to the horizon)

Awareness:

• Awareness should be drawn to the hamstrings and lower back (bend the knees if you’re looking to focus only on lower back)

NOTES

When lifting up out of the pose, be sure that the core is engaged and the knee may choose to be slightly bend to protect the back.

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com High Lunge there is no agreed upon sanskrit term for high lunge

BENEFITS

Makes a gentle transition from forward bend to plank Massage of internal organs Great stretch for the psoas and the front of the thigh

PRECAUTIONS & CONTRAINDICATIONS

Challenging for people with tight hips, thighs and lower back

Round bodies may have to take a wider/shorter stance

Knee challenges

ALIGNMENT, PRANAYAMA & CUES

Foundation:

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com • From forward bend lift and lengthen one leg stepping back into the lunge. Back toe is turned under, front foot stays planted

• Stack the knee directly over top of the front ankle

• this is defined as a transitional pose (you can add a lot to the sequence here)

Core:

• Looking to keep a neutral spine whenever possible.

• Back may end up rounding in order to get fingers/hands to the floor. (Blocks can be a great prop to help this.

Alignment:

• during flow the hands/fingers tips will frame the foot. If holding the pose you can shift both hands to the inside for ease and comfort

Pranayama (Breath):

• In the vinyasa flow you will inhale into the pose.

Verbal Cues:

• Keep you front knee directly above your ankle (to protect the joints)

• Sink the hips as low as you can to make bringing hands into contact with floor easier

• Find a way to get your hands to floor in order to transition to plank

• You can drop the back knee to lower the hips to make the transition of hands to floor easier.

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com DRISTI & AWARENESS

Dristi:

• Point of focus is neutral gaze

Awareness:

• Awareness should be drawn to the knees, neutral spine, and stepping back far enough so our hands can touch the floor.

NOTES

the closer your hips are to the floor the less distance your hands will have to reach the earth.

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com Plank (Plank-AHS-anna) plankasana = a fun made up term

BENEFITS

Building strength in the entire body

Can be strong and empowering

Tones the core and muscles

Strengthens wrists (can start with knees down first)

PRECAUTIONS & CONTRAINDICATIONS

Joint challenges need to have extra attention paid

Wrist adaptions can be with fists or elbows and forearms down

Lower back issues can raise the hips slightly higher

If working on upper body or core strength drop the knees

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com ALIGNMENT, PRANAYAMA & CUES

Foundation:

• Hands (see DWD)

• Feet - hip distance apart (or with comfort and strength)

Core:

• Keep the core engaged (work all the bundhas)

• Rigid helps to create a sense of lightness

• While in the pose think about an upward energy breaking you free from gravity (apana)

Alignment:

• Make sure muscles of arms are engaged through micro bend in the elbow

• Draw the should blades apart (breath into the space between the shoulders)

Pranayama (Breath):

• Use full deep breathes

• Breath into the middle back and arm pits to puff up the strength of the shoulders

Verbal Cues:

• Find rigidity in the core (to create a solid mass to lift which feels lighter)

• send energy out the crown of your head and heals in opposite directions

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com • Feel that upward lifting energy.

DRISTI & AWARENESS

Dristi:

• Point of focus is straight down to the mat

Awareness:

• Awareness should be drawn to lower back, upper and shoulders.

NOTES

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com - Four-limbed Staff (chaht-tour-ANG-ah don-DAHS-anna) chatu = four anga = limb danda = staff

BENEFITS

Energizing pose due to the stimulation of so many muscle groups. Full body exercise

PRECAUTIONS & CONTRAINDICATIONS

Contraindicated for pregnant ladies and those living with carpal tunnel and tendonitis

Wrist challenges of any kind should pay special attention

Lower back challenges should work with extreme caution. Highly recommend dropping knees

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com ALIGNMENT, PRANAYAMA & CUES

Foundation:

• See Plank

Core:

• Alignment of core see Plank

Alignment:

• Allow elbows to bend while tucked into the sides to activate the tricep muscle

• Neck is in alignment with the spine.

• Make sure the core body lands evenly on the floor to avoid dumping into the spine.

Pranayama (Breath):

• Slowly exhale through the pose

• Watch for people holding their breath

Verbal Cues:

• Remember to BREATH

• Keep the hips up and make sure the core lands evenly (we want to be sure they don’t “dump” into the lower back)

DRISTI & AWARENESS

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com Dristi:

• Point of focus is relaxed gaze straight ahead

Awareness:

• Awareness should be drawn to keeping the elbows tucked into the sides and the upward energy

NOTES

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com Ashtanga Namaskara - Eight Point Pose (ash-tANG-ah) ashta = eight anga = limb

BENEFITS

Great heart opening pose (good strech for pectoral muscles “pecs”) Stretches front of throat and back of neck Activate thyroid and thymus glands

PRECAUTIONS & CONTRAINDICATIONS

Due to the heart opening pose, and the heat created in the body MS, hot flashes, rheumatoid arthritis.

Joint challenges (carpel tunnel and tendonitis)

Pregnant women should avoid

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com ALIGNMENT, PRANAYAMA & CUES

Foundation:

• Start in plank pose, slowly bend at elbows and lower knees and chest to floor

Core:

• Tail bone scoops up, and the chest opens with a gentle back bend

Alignment:

• Elbows stay tucked into the sides, knees bend to touch the floor

• Working your way down to eight points (hands, chest, knees, toes)

Pranayama (Breath):

• Completed on the exhale

Verbal Cues:

• work to allow chest and knees to touch at the same time - if one need to occur first allow the knees to touch.

DRISTI & AWARENESS

Dristi:

• Point of focus is a neutral gaze

Awareness:

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com • Awareness should be drawn to keeping elbows tucked, chest opening and upward energy

NOTES

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com - Cobra (boo-jang-GAHS-anna) bhujanga = serpent, snake

BENEFITS

Heart opening pose (creates an expansion in the front of the chest) Builds muscle in the arms Brings awareness to the shoulders Great back stretch (and builds strength)

PRECAUTIONS & CONTRAINDICATIONS

Pregnant ladies (in certain trimesters) should not do cobra.

Lower back injuries need move in and out of the pose mindfully and limit range of motion.

Carpel tunnel and tendonitis may choose a lower level of cobra

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com ALIGNMENT, PRANAYAMA & CUES

Foundation:

• Hands stay in the same position as plank & chatarunga

• Thighs and legs stay connected to the earth

Core:

• As we lengthen the spine we slowly lift and bend into an upward facing direction.

• Engage the muscles of the core to support the back bend

• Allow the shoulder to draw down and away from the ears.

• Shoulders can open wide expanding the back and the chest

• Watch for the muscles in the buttocks contracting to cue the full range of motion of your body today

Alignment:

• Elbow stay tucked into the sides fingers are spread wide (see plank/ chaturanga)

• Extend through the arms keeping the elbows soft

• Legs stay hip distance apart (avoid taking feet wide)

Pranayama (Breath):

• Slowly inhale as you rise into the pose

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com • Take the breath into the backside of the body to create a cushion and find length

Verbal Cues:

• Allow your head to release from the shoulders like a turtle coming out of its shell

DRISTI & AWARENESS

Dristi:

• Point of focus is gentle gaze

Awareness:

• Awareness should be drawn to extension of the spine

• engagement of the core

• release of the shoulders

• breathing into the back side of the body

NOTES

Great to slowly build up to for COPD (Congestive Obstructive Pulmonary Disease - aka tight chest hard to breath)

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com Adho Mukha Svanasana - Downward Facing Dog (AH-doh MOO-kah shvah-NAHS-anna) adho = downward mukha = face svana = dog

BENEFITS

Improves digestion Strengthens wrists, arms, legs, torso etc Stretches almost the entire body (back, arms, legs, torso) For some it calms and relaxes the body decreasing insomnia In sun salutations it is considered a resting pose where you can center and balance the body and the breath

PRECAUTIONS & CONTRAINDICATIONS

Joint injuries in the wrists, shoulders and ankles need to make modifications

High & Low (unmedicated) blo0d pressure

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com Sciatica & Pyraphormis syndrome no Downward Dog when aggrivated and lots when it’s in good health

ALIGNMENT, PRANAYAMA & CUES

Foundation:

• Hands have fingers spread wide with pressure at the base of the fingers and the fingers tips

• Feel the lift in the center of the palm engaging the muscles of the arms and the wrists

• Ensure the hands have grounding through the thumb and index finger

• Feel free to slightly rotate through the shoulders to release tension.

• Avoid over extension of the arms by having a slight bend in the elbows (this can help to release shoulders

• Use plank pose as a foundation for the hands and feet locations

• hands are approximately shoulder distance apart (maybe further)

• feet are hip distance apart (again play and explore)

Core:

• think about mountain and lengthen and engage

• pull the belly up and in lengthen the spine

• externally rotate the hips by internally rotating the thighs (let your tailbone blossom like a flower (tee hee))

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com Alignment:

• Equal balance between hands and feet

• In cases where hands are week we can shift our weight back into our feet

• let the neck be and extension of the spine

Pranayama (Breath):

• Look for the moment where the breath shifts in order to find the full expression of the pose

Verbal Cues:

• Lengthening of the spine with engagement of the core

• Remember to keep awareness in the pressure points of the hands (hasta bandha)

• be mindful of locking any joints (especially elbows)

• release tension from the shoulders

DRISTI & AWARENESS

Dristi:

• Point of focus is a neutral gaze when the neck is extended

Awareness:

• Awareness should be drawn to the body part than you are looking to focus on. Either hamstrings or lengthening the spine (or playing between them both)

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com NOTES

Bend your knees if there are any challenges in the hamstrings or hips. This is a great way to access the stretching and strengthening of the core and the spine.

Walking the dog (bending at ankles and knees can be a great stretch)

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com - Child’s Pose (bah-LAHS-anna) bala = child

BENEFITS

What are some of the benefits of the pose

Can be calming and centering.

In sun salutations it is considered a resting pose.

PRECAUTIONS & CONTRAINDICATIONS

People prone to leg cramps may choose to keep their toes curled under (flexed rather than pointed)

Pregnant ladies (may need to adjust or add bolsters to create comfort)

If head is below heart you can stack fists to make pillow

Be mindful of joint challenges in the ankles, knees and hips

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com ALIGNMENT, PRANAYAMA & CUES

Foundation:

• For hands see Downward Facing Dog (DFD) notes

• Knees are wider than the hips to give space for the core and breath

• Tops of the feet are pressing into the earth or toes are turned under

Core:

• Engage the core by drawing belly up and in

• Lengthen through both front and back of the body

• Release and open through the hips

• Actively press the tailbone in the opposite direction of the crown of the head

• Look to keep and engage neutral spine

Alignment:

• Let the neck be an extension of the spine

Pranayama (Breath):

• This is a great pose to “catch your breath” by slowing it down and extending its length

Verbal Cues:

• Lengthen, strengthen, extend, expand

• Cue awareness of breath through senses

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com DRISTI & AWARENESS

Dristi:

• Point of focus is soft and relaxed with the option of closing the eyes

Awareness:

• Awareness should be drawn to breath

• Extension of the spine and lengthening of tail bone

• Release through shoulders and hips

NOTES

Two variations of child’s pose. Knees together and knees apart.

Tracey Eccleston • [email protected] • Ageless Arts Yoga • www.agelessartsyoga.com Surya Namaskar: Sun Salutation SERIES A & B

Ashtanga Yoga Surya Namaskara A & B

Surya Namaskara A

Let’s talk about Surya Namaskara ...

Surya Namaskara B

Let’s talk about Surya Namaskara ... - Corpse Pose (shah-VAH-sah-nah) shava = corpse

BENEFITS

What are some of the benefits of the pose

Stress relief - calming and relaxing

Way to relax all the muscles

Helps to reduce high blood pressure

PRECAUTIONS & CONTRAINDICATIONS

Pregnant ladies need to use a pillow or blanket under the right side of the body to shift the weight of the baby,

Pregnant ladies should find any position that is comfortable ALIGNMENT, PRANAYAMA & CUES

Foundation:

• Lying on our back

• If extension through the legs causes discomfort in the spine “bend the knees, plant feet on floor then knock knees together”

Core:

• Spine is neutral

• The neck should continue the neutral spine, and may need some support through blocks or blankets.

Alignment:

• Arms resting down the sides with the palms facing up. (look to Mountain to see distance from the body - usually 25-45 degrees)

• Legs extended hip distance apart and relaxed (this may allow for toes to turn out or in)

Pranayama (Breath):

• Follow the natural rhythms

Verbal Cues:

• Find ease in the body (and still maintain the core elements of the pose)

• Let go of anything which no longer serves you.

• Surrender DRISTI & AWARENESS

Dristi:

• Point of focus is relaxed closed eyes

Awareness:

• Awareness should be drawn to relaxation, and let go of the awareness of the body

NOTES