DOCSLIB.ORG

RC Catalogue 2016 Eng+(1).Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
RC Catalogue 2016 Eng+(1).Pdf A PASSION FOR BLUE SINCE 1775 THE ROYAL COPENHAGEN STORY OF GIFTS ANNUAL CATALOGUE 2016 WWW.ROYALCOPENHAGEN.COM A PASSION FOR BLUE SINCE 1775 THE ROYAL COPENHAGEN STORY OF GIFTS ANNUAL CATALOGUE 2016 WWW.ROYALCOPENHAGEN.COM THE ROYAL COPENHAGEN STORY OF GIFTS Royal Copenhagen has long been associated with the art of gifting. From the development of Flora Danica to the porcelain dinner service given by Lord Nelson to his great love, a gift of Royal Copenhagen is a gift of exceptional beauty and taste. Each piece of carefully hand-crafted porcelain in its artfully wrapped package tells a story of luxury and tradition. A story of great gifts. – 4 – – 5 – THE ROYAL COPENHAGEN STORY OF GIFTS Royal Copenhagen has long been associated with the art of gifting. From the development of Flora Danica to the porcelain dinner service given by Lord Nelson to his great love, a gift of Royal Copenhagen is a gift of exceptional beauty and taste. Each piece of carefully hand-crafted porcelain in its artfully wrapped package tells a story of luxury and tradition. A story of great gifts. – 4 – – 5 – A PASSION FOR GIFTS SINCE 1 775 Royal Copenhagen porcelain and the passion for gifts. The two have gone hand-in-hand since the company’s very beginning in 1775. The precious Flora Danica porcelain was originally designed in 1790 as a gift for Catharina the Great and remains the ultimate present to this very day. And after Lord Nelson’s hard-worn victory in Denmark in the Battle of Copenhagen, he bought a Royal Copenhagen dinnerware set for his beloved Lady Hamilton. It has always been a sign of good diplomatic practice, and good taste to give fine porcelain as gifts. Even today, important celebrations within the Danish Royal Family are marked by a personal gift from Royal Copenhagen. In Denmark, the home of Royal Copenhagen, our porcelain is a feature on wish lists for birthdays, weddings and other special occasions. Royal Copenhagen is and has always been about giving more than is expected. About giving a gift of great quality and craftsmanship that conveys feelings of love, friendship, gratitude, desire and affection. About giving something to be cherished. The Royal Copenhagen gift is an entire experience; the distinct wrapping alone embodies elegance, luxury and the anticipation of something quite lovely, to be enjoyed, treasured and then passed on to future generations. When you give a piece of beautifully wrapped Royal Copenhagen porcelain, you become part of our ongoing tale…where the act of giving is a wonderful gesture, a loving thought and a wish for happiness. WWW.ROYALCOPENHAGEN.COM – 6 – – 7 – A PASSION FOR GIFTS SINCE 1 775 Royal Copenhagen porcelain and the passion for gifts. The two have gone hand-in-hand since the company’s very beginning in 1775. The precious Flora Danica porcelain was originally designed in 1790 as a gift for Catharina the Great and remains the ultimate present to this very day. And after Lord Nelson’s hard-worn victory in Denmark in the Battle of Copenhagen, he bought a Royal Copenhagen dinnerware set for his beloved Lady Hamilton. It has always been a sign of good diplomatic practice, and good taste to give fine porcelain as gifts. Even today, important celebrations within the Danish Royal Family are marked by a personal gift from Royal Copenhagen. In Denmark, the home of Royal Copenhagen, our porcelain is a feature on wish lists for birthdays, weddings and other special occasions. Royal Copenhagen is and has always been about giving more than is expected. About giving a gift of great quality and craftsmanship that conveys feelings of love, friendship, gratitude, desire and affection. About giving something to be cherished. The Royal Copenhagen gift is an entire experience; the distinct wrapping alone embodies elegance, luxury and the anticipation of something quite lovely, to be enjoyed, treasured and then passed on to future generations. When you give a piece of beautifully wrapped Royal Copenhagen porcelain, you become part of our ongoing tale…where the act of giving is a wonderful gesture, a loving thought and a wish for happiness. WWW.ROYALCOPENHAGEN.COM – 6 – – 7 – In the 18th century, it was customary among kingdoms, between Denmark and Russia, Denmark had let Russia aristocrats and princes to present one another with fine down during the war between Sweden and Russia. To porcelain gifts, in the name of diplomacy. In 1801, in make amends, a significant diplomatic gift was thus celebration of his victory in the battle of Copenhagen, required from the Danish king. In 1796, the tsarina Lord Nelson showered his beloved Lady Hamilton with died before the service was completed. The Danish presents from the Royal Porcelain Factory. The Danes regent continued production of Flora Danica, and may have lost the battle but a love of Danish porcelain later expanded from 80 to 100 place settings. In 1802, was victorious. however, production was stopped and the whole set The original Flora Danica service, consisting of 1802 delivered to the Royal Palace, where it is still used pieces, was probably ordered as a gift for the Russian when celebrating special occasions; perhaps the most tsarina Catharine II. In spite of the defence alliance precious porcelain service in the world. Royal Copenhagen Flagship Store – 8 – – 9 – In the 18th century, it was customary among kingdoms, between Denmark and Russia, Denmark had let Russia aristocrats and princes to present one another with fine down during the war between Sweden and Russia. To porcelain gifts, in the name of diplomacy. In 1801, in make amends, a significant diplomatic gift was thus celebration of his victory in the battle of Copenhagen, required from the Danish king. In 1796, the tsarina Lord Nelson showered his beloved Lady Hamilton with died before the service was completed. The Danish presents from the Royal Porcelain Factory. The Danes regent continued production of Flora Danica, and may have lost the battle but a love of Danish porcelain later expanded from 80 to 100 place settings. In 1802, was victorious. however, production was stopped and the whole set The original Flora Danica service, consisting of 1802 delivered to the Royal Palace, where it is still used pieces, was probably ordered as a gift for the Russian when celebrating special occasions; perhaps the most tsarina Catharine II. In spite of the defence alliance precious porcelain service in the world. Royal Copenhagen Flagship Store – 8 – – 9 – Outside Royal Copenhagen Flagship Store – 10 – – 11 – Outside Royal Copenhagen Flagship Store – 10 – – 11 – The Royal Copenhagen Flagship Store in central people, it is not Christmas before they have visited Copenhagen is more than just a shop with beautiful Royal Copenhagen to browse and admire the shop’s porcelain. It is a living museum; a retrospective exhibi­ Christmas décor and table settings. tion that showcases Royal Copenhagen’s enduring The Danish Royal family continue their relationship respect for tradition while also illustrating how with Royal Copenhagen. In 2003 HRH Queen Margrethe the company has spearheaded Nordic design and was in charge of the Christmas table setting at the craftsmanship since its inception. Flagship store. Royal Copenhagen’s beautiful gift When it first opened, the shop on Amagertorv was wrapping also has royal connections. Inspired by frequented by men; it was the master of the household origami paper art from Asia, the late Queen Ingrid who purchased the family porcelain as he was the one suggested gift wrapping that would unfold like a who earned money and controlled the housekeeping flower when opened. Wrapping the boxes in royal finances. Later, the lady of the house would be the blue paper and decorative ribbon, requires skill and one to visit the shop, in the company of her peers. dexterity and creates a piece of art itself. Giving a Christmas was an especially busy time, when presents gift of this beautifully­wrapped Royal Copenhagen would be ordered, beautifully wrapped and delivered is an unique experience; like giving a little piece of to Copenhagen households. Even today, for many Copenhagen, to be kept forever. Royal Copenhagen Flagship Store Amagertorv – 12 – – 13 – The Royal Copenhagen Flagship Store in central people, it is not Christmas before they have visited Copenhagen is more than just a shop with beautiful Royal Copenhagen to browse and admire the shop’s porcelain. It is a living museum; a retrospective exhibi­ Christmas décor and table settings. tion that showcases Royal Copenhagen’s enduring The Danish Royal family continue their relationship respect for tradition while also illustrating how with Royal Copenhagen. In 2003 HRH Queen Margrethe the company has spearheaded Nordic design and was in charge of the Christmas table setting at the craftsmanship since its inception. Flagship store. Royal Copenhagen’s beautiful gift When it first opened, the shop on Amagertorv was wrapping also has royal connections. Inspired by frequented by men; it was the master of the household origami paper art from Asia, the late Queen Ingrid who purchased the family porcelain as he was the one suggested gift wrapping that would unfold like a who earned money and controlled the housekeeping flower when opened. Wrapping the boxes in royal finances. Later, the lady of the house would be the blue paper and decorative ribbon, requires skill and one to visit the shop, in the company of her peers. dexterity and creates a piece of art itself. Giving a Christmas was an especially busy time, when presents gift of this beautifully­wrapped Royal Copenhagen would be ordered, beautifully wrapped and delivered is an unique experience; like giving a little piece of to Copenhagen households. Even today, for many Copenhagen, to be kept forever.
Load more

Recommended publications
  • G.C. Oeder's Conflict with Linnaeus and the Implementation of Taxonomic and Nomenclatural Ideas in the Monumental Flora Danica
    Gardens’ Bulletin Singapore 71(Suppl. 2):53-85. 2019 53 doi: 10.26492/gbs71(suppl. 2).2019-07 G.C. Oeder’s conflict with Linnaeus and the implementation of taxonomic and nomenclatural ideas in the monumental Flora Danica project (1761–1883) I. Friis Natural History Museum of Denmark, University of Copenhagen, Universitetsparken 15, DK–2100 Copenhagen Ø, Denmark. [email protected] ABSTRACT. Hitherto unpublished parts of the history of the Icones … Florae Danicae (1761–1883), one of the largest illustrated botanical works published, are analysed; it covered the entire flora of the double monarchy of Denmark–Norway, Schleswig and Holstein and the North Atlantic dependencies. A study of the little noticed taxonomic and nomenclatural principles behind the Icones is presented. G.C. Oeder, founder of the project, approved the ideas of Buffon and Haller and rejected Linnaean binary nomenclature because of its lack of stability of genera. In the Icones …, Oeder cited all names used for each plant in chronological order, with the binary Linnaean name last, to which principle Linnaeus reacted. By the end of the 18th century, Linnaean nomenclature had become standard, apart from in Flora Danica and a very few other botanical works. Applying Linnaean nomenclature elsewhere, O.F. Müller, editor 1775–1782, and M. Vahl, editor 1787–1799, followed Oeder’s norm in the Icones. J.W. Hornemann, editor 1810–1840, followed Oeder in his first fascicles, but began experimenting with changes towards Linnaean nomenclature from 1810. After 1840, subsequent editors consistently applied Linnaean principles for accepted names and synonyms. Keywords. Accepted names, genera, natural classification, species, synonymy Introduction In his excellent monograph on how the Linnaean reforms gained general acceptance among botanists, Stafleu (1971: 260) specifically stated that he left out a discussion of C.G.
    [Show full text]
  • Ceramics Monthly Jun90 Cei069
    William C. Hunt........................................Editor Ruth C. Buder.......................... Associate Editor Robert L. Creager........................... Art Director Kim Schomburg....................Editorial Assistant Mary Rushley................... Circulation Manager Mary E. Beaver.................Circulation Assistant Jayne Lx>hr.......................Circulation Assistant Connie Belcher.................Advertising Manager Spencer L. Davis.................................Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Box 12448, Columbus, Ohio43212 (614) 488-8236 FAX (614) 488-4561 Ceramics Monthly (ISSN 0009-0328) is pub­ lished monthly except July and August by Professional Publications, Inc., 1609 North­ west Blvd., Columbus, Ohio 43212. Second Class postage paid at Columbus, Ohio. Subscription Rates: One year $20, two years $36, three years $50. Add $8 per year for subscriptions outside the U.S.A. Change of Address: Please give us four weeks advance notice. Send both the magazine address label and your new ad­ dress to: Ceramics Monthly, Circulation Of­ fices, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (including 35mm slides), graphic illustra­ tions, announcements and news releases about ceramics are welcome and will be considered for publication. A booklet de­ scribing standards and procedures for the preparation and submission of a manu­ script is available upon request. Mail sub­ missions to: The Editor, Ceramics Monthly, Box 12448, Columbus, Ohio 43212. Infor­ mation may also be sent by fax: (614) 488- 4561; or submitted on 3.5-inch microdisk- ettes readable with an Apple Macintosh™ computer system. Indexing: An index of each year’s articles appears in the December issue. Addition­ ally, articles in each issue ofCeramics Monthly are indexed in the Art Index; on-line (com­ puter) indexing is available through Wilson- line, 950 University Avenue, Bronx, New York 10452.
    [Show full text]
  • Denmark–Norway, 1761–1769: Two Missed Opportunities?
    MEETING VENUS C. Sterken, P. P. Aspaas (Eds.) The Journal of Astronomical Data 19, 1, 2013 Denmark–Norway, 1761–1769: Two Missed Opportunities? Per Pippin Aspaas University Library of Tromsø, N-9037 Norway Abstract. Despite a promising start in the sixteenth and seventeenth centuries, Denmark–Norway was not a Great Power of Astronomy any longer when the eight- eenth-century transits of Venus occurred. Official activity relating to the transit of 1761 was very limited; in this respect, Denmark–Norway was completely overshad- owed by Sweden and Russia. In 1769 steps were taken to invite an astronomer of international reputation, the Jesuit Father Maximilianus Hell. He arrived in 1768 and left the country two years later, having published an elaborate report in the name of the King Christian VII. Although Hell’s observations from Vardøhus were successful, Denmark–Norway failed to re-establish itself as a country capable of deliv- ering noteworthy contributions to the European community of astronomers. Sweden and Russia displayed a higher level of activity, both quantitatively and qualitatively, making the impression of Denmark–Norway’s lagging behind even stronger. 1. Introduction Throughout the eighteenth century, the northernmost part of Europe was divided between three powers: Denmark–Norway, Sweden, and Russia. They all encom- passed territories with very similar advantages as far as the transits of Venus were concerned. However, the history of Venus transit activity in the three countries men- tioned is far from uniform. Other contributions to these Proceedings analyze Venus transit activities in Sweden (Widmalm) and Russia (Bucher). There are also case studies on individual astronomers active in these parts (Pekonen, St´en & Aspaas, Voje Johansen, Kontler).
    [Show full text]
  • Auction Results SA240421 Saturday, 24 April 2021
    Auction Results SA240421 Saturday, 24 April 2021 Lot No Description 2 A Victorian blue and white transfer meat plate liner printed with dog rose border to/w various other ceramics, including Royal £25.00 Worcester Astley coffee service, jasper ware, Japanese eggshell coffee service etc (box) 4 Two cut-glass ring-neck decanters and stoppers to/w three claret jugs with ep tops and give various other decanters (box) £70.00 5 Studio glass lustrous vase, signed Siddy Langley 1997 to/w an Imari cache-pot, Victorian china fruit dishes with matching £85.00 sauce tureens, Denby fruit bowl etc (box) 6 Two boxed Bilston enamel Easter eggs to/w two patch-boxes and two Halcyon Days boxes, lot also includes Victorian £65.00 rosewood tea caddy, coach lamp and eight various pewter mugs (box) 8 A Victorian Shelley blue and white cylindrical vase printed with dragons to/w various collectables including silver oddments, £40.00 Pathescope Ace projector, three Decca Toytown gramophone records, candles etc (box) 9 AnA Clarice 18th century Cliff honey-glazed style enamel dinner box with service hinged with cover, green painted banded with decoration, courting couples37 pieces in includingArcadian tureenssettings, and 9.5 cover cm wide to/w a £40.00 10 (possibly) Capodimonte box with painted interior to lid depicting 18th century family scene, Royal Doulton terrier cleaning £110.00 plate HN1158, Karl Ens owl, Dresden floral-painted heart-shaped pin-dish and an advertising jug for Worthingtons beer 11 A PottschapelMeakin pottery (Dresden) 'Nordic' Carlpattern
    [Show full text]
  • The Sunday Times
    OCUS F 17.05.15 Psaros’s KPS has restored theprestige of the Waterford Wedgwood brands and earned an estimated €350m profit from their sale CRYSTAL AMAZEMENT solicit potential investors and buyers. The still manufactured in Ireland. It was marketing and sales. for making orange-handled scissors, and bank contacted 182 potential investors. beyond saving. Waterford, Wedgwood, Royal Doulton was one of the rst companies in Europe Only two, KPS and Golden Gate Capital, It was a very different story for the and Royal Albert operated as four to make microwave ovens. WaterfordWedgwood wasawhite elephant progressed past the preliminary stage. brand. “One of the things that people separate businesses, each with their own It started looking seriously at Golden Gate said it would be willing to said was that nobody was buying crystal marketing and distribution functions. diversi cation to high- end consumer thatbrokeabillionaire but, six yearson invest only if Waterford Wedgwood were or ceramics any more,” he said. “That There were too many warehouses, products just eight years ago, buying put into an insolvency process. Deloitte was wrong. These were four global iconic and warehouses in the wrong places. Littala, a Finnish homeware designer. was appointed receiver in January 2009. brands that sold in 80 countries.” Villemejane closed unpro table shops.“ It added ceramics companies Rorstrand from receivership, its china crisis has been The receiver obtained 78 expressions Early in the due diligence, KPS There was quadruple redundancy, if such and Royal Copenhagen in 2010 and of interest and hired JM Cazenove to run retained Pierre de Villemejane, a former a term can exist,” he said.
    [Show full text]
  • Bing & Grøndahl Royal Copenhagen Georg Jensen Holmegaard
    Royal Copenhagen Mill Price Suggested Retail Christmas Plate 2020 ...................$96.00............ $120.00 Christmas Drop 2020 ..................$48.00.............. $72.00 Annual Figurine 2020 Owl ............$96.00............ $120.00 Annual Santa 2020 .......................$72.00.............. $90.00 Annual Christmas Tree 2020 .......$72.00.............. $90.00 Annual Plaquette 2020 .................$24.00.............. $30.00 Dear Friends of the Danish Windmill, Christmas Bell 2020 .....................$96.00............ $120.00 Annual Ornament 2020 Pinecone .........................................$72.00.............. $90.00 Oluf August Hermansen was a Danish 19th Century painter who was born in 1849— Bing & Grøndahl just one year after our Mill was built in Christmas Plate 2020 ...................$96.00............ $120.00 Nørre Snede. Christmas Drop 2020....................$48.00.............. $60.00 Mother's Day Plate 2020 ..............$72.00.............. $90.00 His painting of the three nisses and their Children's Day Plate 2020 ............$60.00.............. $75.00 cat sleeping up in the windmill after Christmas Bell 2020 .....................$96.00............ $120.00 enjoying a bowl of rice pudding the farmer put out, reminds us of the Danish Christmas traditions we love. It’s been a challenging year for the world. That’s why it’s especially important this Visit our website to see the full assortment of annual season to take comfort in simple collectibles, dinnerware and back-issue plates available to pleasures like hanging paper cones, complete your collection! Some items are special order. baking Christmas cookies, making Advent calendars, decorating the Christmas tree and enjoying time with family and friends in front of a crackling fire—even if it’s virtual (thanks to technology)! This Christmas catalog is a “hygge- inspired” collection which represents the genuine coziness and hygge of the Danish Christmas time, just as we know it, so you can create it in your own home.
    [Show full text]
  • Martin Vahl (1749-1804) – Den Første Norske Botanikkprofessor
    Blyttia Norges Botaniske Annaler Martin Vahl (1749-1804) – den første norske botanikkprofessor Per M. Jørgensen Jørgensen, Per M. 1999. Martin Vahl (1749-1804) – den første norske botanikkprofessor. Blyttia 57: 53-60. Martin Vahl (1749-1804) – the first Norwegian professor of botany. This paper commemorates the 250th anniversary of the birth of the Norwegian botanist Martin Vahl, present- ing the known facts about his childhood and youth in Bergen, his study years in Copenhagen and Uppsala (with Linnaeus 1770-1774)) and his scientific activity, mainly as professor in Copenhagen(1786-1804). His main contribution is that of preparing and publishing several fascicles of the prestigious «Flora danica», comprising both flowering plants and cryptogams, particularly fungi and lichens, and describing plants from exotic regions of interest to the Danish Crown (West Indies, West Africa and India (Tranquebar)), altogether 1100 new species. He was also occupied with redescribing the original material of Linnaeus to clarify the numerous misunderstandings that he had seen during travels in Europe, as contemporary botanists mainly relied on the illustrations cited by Linnaeus. However, Vahl died before he had finished this task, leaving his main work, «Enumeratio Plantarum», unfinished. At his death he had a position among European botanists rather like that of his teacher Linnaeus. Per M. Jørgensen, Botanisk institutt, Universitetet i Bergen, Allégt. 41, N-5017 Bergen. Feil i overskriften? Den første norske botanikk- professor var vel Christen Smith, han som døde på Kongofloden i 1816, før han rakk å tiltre profes- soratet (Lynge 1951). Joda, han var den første som ble professor i faget ved Det kgl.
    [Show full text]
  • Bodil Manz CV
    Bodil Manz Born 1943, Copenhagen, Denmark Education 1961–1965 Arts and Crafts School, Copenhagen 1966 Escuela de Diseño y Artesanias, Mexico City, Mexico Art Department, Berkeley University, California Awards 2006 The 4th World Ceramic Biennial, Korea, Grand Prize 2005 The 3rd World Ceramic Biennial, Korea, Honourable mention The 7th International Ceramic Competition, Mino, Japan, Honourable mention 2003 Knud V. Engelhardt’s Memorial Grant The 2nd World Ceramic Biennial, Korea, Jury’s prize Bavarian State Prize, Germany 2002 Artist of the Year, West Zeeland, Denmark 2001-2 Anna Klindt Soerensen’s 2 years grant, 2001 The 6th International Ceramic Competition, Mino, Japan, Honourable mention The 1st World Ceramic Biennial, Korea, Special prize The Thorval Bindesboell Medal 2000 C.L. David’s Fund Carl Jacobsen’s Travel Grant, The New Carlsberg Foundation 1998 The Life Long Grant of the Danish Government The 5th International Ceramic Competition, Mino, Japan, Gold Medal 1997 Ellen and Knud Dahlhoff Larsen’s Foundation Merchant L.F. Foght’s Foundation Kutani International Decorative Ceramic Competition Award of Merit, Japan 5th World Triennial Exhibition of Small Ceramics, Zagreb, Krapina prize 1994-5 The Danish Arts Foundation,3 year grant 1993 4th World Triennial Exhibition of Small Ceramics, Zagreb, Grand Prix Arts, Crafts and Design Council’s Annual prize Johan S. Kroeir’s Foundation Silversmith Kay Bojesen and Mrs. Erna Bojesen Memorial Grant 1985 Ole Haslund’s Artist Grant 1978 Ole Haslund’s Artist Grant 1972 The Royal Copenhagen Porcelain Manufactory, Jubilee Competition,2nd prize 1969 Den Permanente, Ceramic Competition, 1st prize The Cowi Foundation Handelsbanken Jubilee Grant 1968 The Danish National Bank’s Jubilee Foundation K.A.
    [Show full text]
  • FINE EUROPEAN CERAMICS Wednesday 14 June 2017
    FINE EUROPEAN CERAMICS Wednesday 14 June 2017 SPECIALIST AND AUCTION ENQUIRIES EUROPEAN CERAMICS Sebastian Kuhn Nette Megens Sophie von der Goltz FINE EUROPEAN CERAMICS Wednesday 14 June 2017 at 2pm New Bond Street, London VIEWING ENQUIRIES CUSTOMER SERVICES PHYSICAL CONDITION OF Sunday 11 June Nette Megens Monday to Friday 8.30am LOTS IN THIS AUCTION 11am - 3pm Head of Department to 6pm PLEASE NOTE THAT ANY Monday 12 June +44 (0) 20 7468 8348 +44 (0) 20 7447 7447 REFERENCE IN THIS 9am - 4.30pm [email protected] CATALOGUE TO THE PHYSICAL Tuesday 13 June Please see page 2 for bidder CONDITION OF ANY LOT IS FOR 9am - 4.30pm Sebastian Kuhn information including after-sale GENERAL GUIDANCE ONLY. +44 (0) 20 7468 8384 collection and shipment INTENDING BIDDERS MUST SALE NUMBER [email protected] SATISFY THEMSELVES AS TO 24223 THE CONDITION OF ANY LOT Sophie von der Goltz AS SPECIFIED IN CLAUSE 14 OF CATALOGUE +44 (0) 20 7468 8349 THE NOTICE TO BIDDERS [email protected] CONTAINED AT THE END OF £25.00 THIS CATALOGUE. International Director BIDS As a courtesy to intending +44 (0) 20 7447 7447 European Ceramics & Glass bidders, Bonhams will provide a +44 (0) 20 7447 7401 fax John Sandon written indication of the physical To bid via the internet please +44 (0) 20 7468 8244 condition of lots in this sale if a visit bonhams.com [email protected] request is received up to 24 hours before the auction starts. This Please note that bids should be written Indication is issued submitted no later than 4pm on subject to Clause 3 of the Notice the day prior to the sale.
    [Show full text]
  • Of the Hunt Institute for Botanical Documentation
    Carnegie Mellon University, Pittsburgh, Pennsylvania Vol. 25, No. 1 Bulletin Spring 2013 of the Hunt Institute for Botanical Documentation Inside 4 What We Collect on display 4 In Memoriam Kazunori Kurokawa 4 Illustrated mushroom books, part 1 4 Open House 2013 Rumex obtusifolius leaf [Rumex obtusifolius Linnaeus, Polygonaceae], watercolor on paper by Julia Trickey, 2006, 55 × 36.5 cm, HI Art accession no. 7755, © 2006 Julia Trickey, All Rights Reserved. Gift from the artist. News from the Art Department What We Collect opens Whether working alongside botanists for scientific and horticultural publications or preparing artworks for collectors, galleries or commercial use, artists throughout the centuries have added their individual perspectives to portraying plants and have made lasting contributions to the botanical record and the history of art. What We Collect: Recent Art Acquisitions, 2007–2012, includes work by 41 artists active from the 18th century to the present in Europe, Asia and North and South America. The items in the exhibition are organized by topics and create a context for the collecting practices of the Hunt Institute’s Art Department. The artists working before 1900 include Pancrace Bessa (1772–1846), Sydenham Edwards (1769?–1819), Will Kilburn (1745–1818), James Sowerby (1757–1822), William Jackson Hooker (1785–1865), W. A. Meyn (19th-century), Powe (18th-century) and Christian Schkuhr (1741–1811). The contemporary artists featured include Bobbie Angell, Wendy Brockman, John Cody, Felicity Rose Cole, Carolyn Crawford, Paul Dobe (1880–1965), John Doughty, Beverly Duncan, Josephine Eyston Elwes, Alison Gianangeli, Janice Glimn-Lacy, Audrey Hardcastle, Lizzie Harper, Christina Hart-Davies, Lyn Hayden, Richard Homala (1934–2009), Job Kuijt, Donelda LaBrake, Peter Loewer, Rogers McVaugh (1909–2009), Susan G.
    [Show full text]
  • Paper-Composite Porcelain
    Paper-Composite Porcelain: Characterisation of Material Properties and Workability from a Ceramic Art and Design Perspective Paper-Composite Porcelain: Characterisation of Material Properties and Workability from a Ceramic Art and Design Perspective Jeoung-Ah Kim The School of Design and Crafts HDK (Högskolan för Design och Konsthantverk) at the Göteborg University Thesis for the degree of Doctor of Philosophy in Design at School of Design and Crafts, Faculty of Fine and Applied Arts, Göteborg University ArtMonitor is a publication series from the Board for Artistic Research (NKU) of the Faculty of Fine and Applied Arts, Göteborg University Publisher: Johan Öberg Adress: Art Monitor, Göteborgs universitet Konstnärliga fakultetskansliet Box 141, SE-405 30 Göteborg, Sweden www.konst.gu.se Designed and typeset by Sara Lund, Anna Frisk and the Author Swedish translation by Cecilia Häggström Photographs by: Jeoung-Ah Kim Cover: Right above: Figure 1 of Paper I. Paper-composite porcelain (MCP 3) fired at 1300oC. Mullite, α-quartz, anorthite and amorphous materials are formed during batch composition. Left above: Figure 5 of Paper I. The SEM image of paper-composite porcelain (MHP1) fired at 1260oC. Fibrous structures display binding and an interlocking of the fibres, and construction of fibrous bridging. Below: Figure 1 (b) of Paper III. A model produced with MCP 3 by the slip casting method and fired at 1300oC. A transparent glaze was applied. The image was photographed by Jeoung-Ah Kim and the layout designed by Cecilia Häggström. Printed by Elanders, Mölnlycke 2006 © Jeoung-Ah Kim, 2006 isbn: 91-975911-2-2 To my parents, and my son Peter List of Papers This doctoral thesis is based on the following four papers, which are referred to by the Roman numerals as shown below: Paper I Jeoung-Ah, K.
    [Show full text]
  • Acquisition of Royal Copenhagen Kari Kauniskangas, President & CEO Helsinki, December 12, 2012 Agenda the Acquisition Royal Copenhagen Introduction Next Steps
    Acquisition of Royal Copenhagen Kari Kauniskangas, President & CEO Helsinki, December 12, 2012 Agenda The acquisition Royal Copenhagen introduction Next steps Page 2 Fiskars acquires Royal Copenhagen – creates a portfolio of leading Scandinavian design brands Accelerates Strong strategic fit international Shared values and & complementary expansion of Home long heritages offering business Creates unique Strengthens portfolio of position in Scandinavian Scandinavia dining brands and Asia Page 3 Transaction in brief • Fiskars has signed a definitive agreement to acquire 100 % of the shares in “Royal Copenhagen” (Royal Copenhagen A/S and Royal Scandinavian Modern KK Japan) from Royal Scandinavia A/S, whose controlling parent company is the Danish private equity group Axcel • The total consideration payable (debt free enterprise value) is DKK 490 million, or appr. EUR 66 million, less net debt and working capital adjustments as per closing of the transaction • The transaction will be financed through Fiskars’ existing credit programs • Closing of the transaction is expected to take place in Q1 2013 Page 4 Financial effects • Royal Copenhagen will be a part of Fiskars’ Home Business Area • In 2011, Royal Copenhagen’s reported • net sales were DKK 492.3 million (EUR 66 million) • EBIT was DKK 38.7 million (EUR 5 million) • Balance sheet total was DKK 409.4 million (EUR 55 million) • The acquisition is expected to have a positive effect on Fiskars Group’s EBIT from 2013 onwards Page 5 By acquiring Royal Copenhagen Fiskars will • Create a unique
    [Show full text]