Towa Tei Future Listeningrar

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The Evolution of Ornette Coleman's Music And
DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style.
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Report-On-Japan.Pdf
Contents 1. Executive Summary p. 4 2. An Introduction to the Music Market p. 6 3. The Entertainment Environment p. 7 (I)TV p. 8 (II) Radio p. 9 (III) Mobile p. 10 (IV) Online p. 12 (V) Print p. 13 (VI) Record Labels p. 14 (VII) Music Publishing p. 15 (VIII) Local Talent p. 16 (IX) Clubs and Dance p. 17 (X) Live Performance p. 18 4. The Digital Landscape p. 21 Mobile Music p. 22 Internet Music Downloads p. 24 Digital Music Services p. 26 5. Market Entry Recommendations p. 26 6. Appendices p. 28 Top 10 Selling Domestic Albums in 2011 p. 28 Top 10 Selling International Albums in 2011 p. 28 Market Statistics p. 28 Music-related Trade Bodies and Associations p. 29 2 CONFIDENTIALITY NOTICE & DISCLAIMER This document was prepared for internal use by Canadian Government and CAAMA members plus Canadian Music Week attendees only and is not for forwarding or distribution to any third party. It may not be posted on any website. All details referenced are the latest available to us at the time of writing, and all information utilized is believed to be accurate and reliable at the time of submission. However, Swat Enterprises Pte. Ltd. accepts no liability whatsoever for any loss or damage resulting from errors, inaccuracies or omissions 3 1. Executive Summary Japan, an archipelago of 6,852 islands with 47 prefectures, has the world’s tenth largest population with over 127 million people. Its area of 377,873 km2 is close to that of Germany and Switzerland. The greater Tokyo area is the largest metropolis in the world with a population of around 36 million, more than the entire population of Canada.
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Ornette Coleman and Harmolodics by Matt Lavelle
Ornette Coleman and Harmolodics by Matt Lavelle A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written and approved under the direction of Dr. Henry Martin ________________________ Newark, New Jersey May 2019 © 2019 Matt Lavelle ALL RIGHTS RESERVED ABSTRACT Ornette Coleman stands as one of the most significant innovators in jazz history. The purpose of my thesis is to show where his innovations came from, how his music functions, and how it impacted other innovators around him. I also delved into the more controversial aspects of his music. At the core of his process was a very personal philosophical and musical theory he invented which he called Harmolodics. Harmolodics was derived from the music of Charlie Parker and Coleman’s need to challenge conventional Western music theory in pursuit of providing direct links between music, nature, and humanity. To build a foundation I research Coleman’s development prior to his famous debut at the Five Spot, focusing on evidence of a direct connection to Charlie Parker. I examine his use of instruments he played other than his primary use of the alto saxophone. His relationships with the piano, guitar, and the musicians that played them are then examined. I then research his use of the bass and drums, and the musicians that played them, so vital to his music. I follow with documentation of the string quartets, woodwind ensembles, and symphonic work, much of which was never recorded.
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The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 9-29-2000 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (2000). The George-Anne. 2962. https://digitalcommons.georgiasouthern.edu/george-anne/2962 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Established 1927 The Official Student Newspaper of Georgia Southern University an safina takes second IVED speaks on the in tournament over-fishing off The Eagles fired a third- marine habitats round 301 for a three-day This Yale University total of 888/+24, second professor has an honest only to Virginia compassion for life in the Commonwealth in the 13- world's oceans. Find out team field. more inside. Page 6 Page 4 Vol. 73 No. 31 Friday, September 29, 2000 a job." Newkirk, the President of PETA, Franti spoke about his recent spoke on the similarities of ani- protests outside of the Republi- mals and humans, and ques- can National Convention in tioned what made humans think Philadelphia, and outside of the that our existence was anymore Democratic National Conven- justified than animals'. She also tion in Los Angeles. He sang a spoke on her protests of the Gap song about the police brutality clothing corporation for their use that went along with the pro- of leather, which resulted in one of the biggest ani- mal rights victories ever.
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Towa Tei Future Listening Zip
Towa Tei Future Listening Zip 1 / 4 Towa Tei Future Listening Zip 2 / 4 References [ ] • ^ [Towa Tei Products] Retrieved January 14, 2018 • ^ [Oricon Ranking Information Service 'You Big Tree'].. Retrieved January 15, 2018 (Subscription required ( help)) • ^ (in Japanese). 1. tei towa future listening 2. towa tei future listening rar (in Japanese) February 11, 2009 Retrieved January 16, 2018 (in Japanese) May 18, 2011.. In 2008, the song was re-arranged and re-titled 'A O R ' • Promotional song to celebrate the 30th anniversary of the release of the game.. • The album charted at number 20 on the Top Albums Sales chart, and number one on the Top Independent Albums and Singles chart,, prior to the establishment of the Hot Albums Chart in 2015.. • 2015 release • Commercial jingle for the phone of the same name, and originally released to iTunes.. rar Just click desired file title and download link will show up!Towa Tei Sound Museum• ^ Sources for additional chart positions are as follows: Future Listening!, Sweet Robots Against the Machine, 'Happy', Sound Museum, Butterfly, 'Let Me Know', Last Century Modern, 'Kasei', Towa Tei Best, Motivation Songs for Make-Up, Motivation Driving Sweets, Towa Tei, Re: Towa Tei, Flash, • The Hot Albums chart was established in 2015. tei towa future listening tei towa future listening, towa tei future listening vinyl, towa tei future listening rar, towa tei future listening Dwg File Editor For Mac Retrieved January 16, 2018 (in Japanese) February 11, 2009 Retrieved January 16, 2018.. Archived from on November 3, 2012 Retrieved January 14, 2018 (in Japanese) August 5, 2015.
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032615 Spring Arts Preview Issue.Indd
2 MARCH 26, 2015 METROWEEKLY.COM METROWEEKLY.COM MARCH 26, 2015 3 EDITORIAL EDITOR-IN-CHIEF Randy Shulman MARCH 26, 2015 ART DIRECTOR Todd Franson Volume 21 / Issue 46 POLITICAL EDITOR Justin Snow NEWS 6 MAKING IT OFFICIAL NEWS & BUSINESS EDITOR John Riley by Justin Snow ASSISTANT EDITOR 8 Rhuaridh Marr MARYLAND’S EQUALITY MEASURES by John Riley CONTRIBUTING EDITOR Doug Rule 10 CONTESTED COMPETANCY SENIOR PHOTOGRAPHERS by John Riley Ward Morrison, Julian Vankim CONTRIBUTING ILLUSTRATOR 12 COMMUNITY CALENDAR Scott G. Brooks CONTRIBUTING WRITERS Christian Gerard, Troy Petenbrink, SPRING ARTS PREVIEW 17 SHAWN SHORT Kate Wingﬁeld by Doug Rule WEBMASTER David Uy 20 FILM by Rhuaridh Marr PRODUCTION ASSISTANT Julian Vankim 26 STAGE by Randy Shulman SALES & MARKETING PUBLISHER 32 POP MUSIC Randy Shulman by Doug Rule BRAND STRATEGY & MARKETING Christopher Cunetto 46 CLASSICAL MUSIC Cunetto Creative by Doug Rule NATIONAL ADVERTISING REPRESENTATIVE Rivendell Media Co. 53 ANCE 212-242-6863 D by Doug Rule DISTRIBUTION MANAGER Dennis Havrilla 56 ABOVE & BEYOND by Doug Rule PATRON SAINT Albert Maysles OUT ON THE TOWN 62 CHERRY BLOSSOM FESTIVAL COVER PHOTOGRAPHY by Doug Rule Julian Vankim GAMES 64 BATTLEFIELD HARDLINE COVER BACKGROUND BY by Rhuaridh Marr Christopher Cunetto FOOD 66 PRE-THEATER DINING by Doug Rule METRO WEEKLY 1425 K St. NW, Suite 350 Washington, DC 20005 NIGHTLIFE 69 BREAFAST CLUB’S SPRING BREAK! AT 202-638-6830 DUPLEX DINER MetroWeekly.com photography by Ward Morrison All material appearing in Metro Weekly is protected by federal copyright law and may not be reproduced in whole or part without the permission of the publishers.
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Screen Sound: a Tribute to Rebecca Coyle
SCREEN SOUND The Australasian Journal of Soundtrack Studies Screen Sound n4, 2013 Screen Sound: The Australasian Journal of Soundtrack Studies Number 4, 2013 Screen Sound is a peer-refereed research journal founded by the late A/Prof Rebecca Coyle (Southern Cross University, Australia). The team includes acting co- editors Sarah Keith, Natalie Lewandowski and Alex Mesker (Macquarie University, Sydney). Editorial Board: • Giorgio Biancorosso (University of Hong Kong) • Anne Cranny-Francis (University of Technology, Sydney, Australia) • Mark Evans (Macquarie University, Sydney, Australia) • Jon Fitzgerald (Southern Cross University, Australia) • Michael Hannan (Southern Cross University, Australia) • Roger Hillman (Australian National University, ACT) • Henry Johnson (University of Otago, Dunedin, NZ) • Kyoko Koizumi (Otsuma Women’s University, Tokyo, Japan) • Theo Van Leeuwen (University of Technology, Sydney, Australia) • James Wierzbicki (University of Sydney, Australia) • Nabeel Zuberi (University of Auckland, NZ) Industry Advisory Board: • Martin Armiger (AFTRS) • Matthew Davies (NFSA, ASRA) • Matthew Hancock (Screen Australia) • Dr Glenda Keam (Composers Association of NZ) • Jo Smith (AGSC) • Mark Ward ISSN 1838-3343 (Print) ISSN 1838-3351 (Online) e-correspondence address: [email protected] The opinions expressed in articles in this journal are those of the authors alone. Copyright for articles published in this journal is held jointly by the authors and Screen Sound and no reproduction of material is permitted without
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The Harmolodic Manifesto
The Harmolodic Manifesto In cooperation w/ Paradise 29 Artel, the Harmolodic Workshop, and the Red Threads manifesto of harmolodics: the harmolodius union ---the symposium of resistance, a cease and desist order from living life, the harmolodic juncture of possibles arrested from the manifold shrinking dimensionalities by revelling in the illuminous PRESENT--- stressing the movement of bodies as intrinsic w/in this glowing originating presence, a multitudinous weft of variation whose extent is just as much unseen as visible, directly felt as peripherally perceived--- the relationship between bodies w/in a space of sensory involvement, both the bodies of the organismic compact and those of sound as correspondences w/in the physical realm of communion, this demarcation of inclusion where the body of place-time, w/ its characteristics and properties of relief and perspective, is allowed for the tension it assists in creating between bodies and their environment, a tension known as pleasure or the heightened circulation of “good feeling” thruout organisms working collectively in proximity to one another---delineations arise naturally as specific functions of the local surroundings and the participants involved, the attractive force of Copyright ! 2006 Bottlecap Press falling bodies willing a soundscape, inclusive of the traditional tone-sounds and instrumental tools and simultaneously leaving them notes on IMPROVISATION behind, any and all or none at the ready, creating and inventing new ---collective improv sounds and instruments, tube power
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Geri Allen Discography
Geri Allen Discography By Akio Kamiyama _________________________________________________ 107. Miles Davis - "Miles Cool and Collected [Sony Records) 106. Timeless Portraits and Dreams / Geri Allen: 2006 Ron Carter, Jimmy Cobb, Wallace Roney, Carmen Lundy, Don Walden, George Shirley, and the Atlanta Jazz Choir 105. Zodiac Suite: Revisited: 2006 Geri Allen: piano; Buster Williams, bass Andrew Cyrille: drums (13,15) Billy Hart drums (all other tracks) 104. Mary Stallings - "Remember Love" (Half Note Records) 2005, Geri Allen, piano and Producer 103. The Life of a Song / Geri Allen: 2004 Geri Allen(p),Dave Holland(b),Jack Dejohnette(ds) 102. American Song / Andy Bey: 2003 Andy Bey (vcl,p), Geri Allen (arr,p), Frank Wess (ts,fl), Dwight Andrews (ss,cl,b,cl,fl,a-fl), Vernell Garnett (tp,flh), Steve Davis (tb,b-tb), Paul Meyers (g), Kiyoshi Kitagawa (b), Mark McLean (ds), Mino Cinelu (per) 101. Jazzpar Concerts 2003 / Lars Moller: 2003 Lars Moller (sax), Geri Allen (p), Buster Williams (b), Billy Hart (ds) 100. The Detroit Experiment / The Detroit Experiment: 2002 Geri Allen (p), Marcus Belgrave (to), Carl Craig (syn,b,g) 99. Lift Every Voice / Charles Lloyd: 2000 Charles Lloyd (ts,fl,taragoto), Geri Allen (p), John Abercrombie (g), Marc Johnson (b), Billy Hart (ds) Larry Grenadier (b) 98. No Room For Argument / Wallace Roney: 2000 Geri Allen (p,e-p,syn), Adam Holzman (m-mo,org,e-p,syn), Antoine Roney (ss,ts), Wallace Roney (tp), Lenny White (d), Buster Williams (b) 97. Houdini / Buster Williams Trio: 2000 Buster Williams (b), Geri Allen (p), Lenny White (d) 96. With Every Breath I Take / Klaus Suonsaari: 1998 Klaus Suonsaari (ds), Scott Robinson (c-mel,ts), Gerri Allen (p), Jules Thayer (b) 95.
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Towa Tei GBI (German Bold Italic) Mp3, Flac, Wma
Towa Tei GBI (German Bold Italic) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: GBI (German Bold Italic) Country: UK Released: 1998 Style: House, Electro MP3 version RAR size: 1413 mb FLAC version RAR size: 1450 mb WMA version RAR size: 1684 mb Rating: 4.8 Votes: 149 Other Formats: WMA AHX AUD RA AAC ASF VQF Tracklist Hide Credits 1 GBI (German Bold Italic) [Radio Edit] 3:34 2 GBI (German Bold Italic) [Original Version] 7:01 GBI (German Bold Italic) [The Sharp Boys Deee-Liteful Dub] 3 8:59 Remix – The Sharp Boys Companies, etc. Phonographic Copyright (p) – Coalition Recordings International Copyright (c) – Coalition Recordings International Notes PROMOTIONAL USE ONLY - NOT FOR SALE. Barcode and Other Identifiers Matrix / Runout: DISCTRONICS S ART 021 CDJ 05 Mastering SID Code: IFPI L501 Mould SID Code: IFPI 8707 Other versions Category Artist Title (Format) Label Category Country Year Towa Tei Featuring Towa Tei Kylie Minogue - GBI 3984-24740-2 Featuring EastWest 3984-24740-2 Australia 1997 (German Bold Italic) Kylie Minogue (CD, Single) GBI (German Bold MFJP-1013-4 Towa Tei Elektra MFJP-1013-4 Japan 1997 Italic) (2x12") GBI (German Bold ART021TJX Towa Tei Italic) (12", Single, Arthrob ART021TJX UK 1998 Promo) Not On TOWA 001 Towa Tei GBI (12", Unofficial) TOWA 001 UK Unknown Label Towa Tei Featuring Towa Tei Kylie Minogue - GBI Not On none Featuring none 1997 (German Bold Italic) Label Kylie Minogue (12", W/Lbl) Related Music albums to GBI (German Bold Italic) by Towa Tei 1. Kylie Minogue - woulden't change a thing 2.
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Freier Download BA 56 Als
56 BAD ALCHEMY 1 2 Mad Max 4? Nein, The Second Coming of SLEEPYTIME GORILLA MUSEUM am 19.10.2007 als FREAKPARADE 2-Highlight im AKW Würzburg! Erneute Ursache für Hirnbeben und Herz- sprünge, der erstaunliche Kladderadatsch von luziferischen Pathosformeln, Groteske, post- apokalyptischem ZombieHop & Kingkongzärtlichkeit - ganz große Spaß- & Wachmacherei!!! 3 All the desperate people in this town / are coming out tonight / They‘ll be here soon... Es braucht nur diese beklemmenden Zeilen, um den Atem beraubenden Auftakt des Sleepy- time-Auftritts auf dem Freakshow Artrock Festival im April 2007 in Würzburg zu beschwö- ren. Mit In Glorious Times (Equilibre Music, EM 013) schickt einen die Band aus Oakland er- neut in das schwarze Feuer ihrer Visionen, die dabei überschattet sind durch den Tod von Nils Frykdahls Bruder, dem Outsider-Künstler und inspirierenden Illustrator des Idiot Flesh- und Sleepytime-Fegefeuers Per ‚Ward C. Picnic‘ Frykdahl (1969-2005). Seine Skizzenbuch- kritzeleien bilden das Artwork des diesmal bei einem französischen Label erschienenen Anschlags auf die Gemütsruhe. Immer wieder hört man seine Telefonstimme, mad, drunk and deaf, während ihm ‚The Salt Crown‘ aus den Haaren tropft. Morbide Motive überwiegen die revoltierenden des Vorgängers Of Natural History (2004) - ‚Helpless Corpse Enactment‘, ‚Ossuary‘, das elegische ‚The Greenless Wreath‘ - live ein wahrhaft magischer Moment. Wenn im Chor At last in the trembling leaves / This bone-cage slips away / Lost in the shive- ring trees / Your absent voice is clay erklingt, dann überlaufen mich Schauer, und bei der Zeile Hungry for your desperate dreams, stehen mir die Tränen in den Augen, wie sonst nur bei Cold Case, wenn am Schluss die Toten grüßen.
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New Year New You! Top Ten Health Tips Keep Those Resolutions We Love 2012!
tokyo JANUARY 2012 weekenderJapan’s premier English language magazine Since 1970 ESCAPE TO OKINAWA SICK OF THE COLD? PLAN YOUR TRIP TO JAPAN’S TROPICAL PARADISE NEW YEAR NEW YOU! TOP TEN HEALTH TIPS KEEP THOSE RESOLUTIONS WE LOVE 2012! INTERIORS TOKYO 2020 PLUS! Tips for redesigning your Can Tokyo’s 2020 Olympic Year Long Calendar house in the new year bid beat London 2012? Every Month Mapped Out Also: The Latest APAC news from the Asia Daily Wire, People Parties & Places, Hit the Ice in Tokyo and much more... HAPPY NEW YEAR TOKYO! JANUARY, 2012 CONTENTS 14 COVER STORY: OKINAWA Sick of the cold? Join us as we escape to Japan’s tropical island paradise. 18 44 2850 NEW YEAR RESOLUTIONS PEOPLE, PARTIES, PLACES FACES & PLACES Want to actually stick to your resolutions Tokyo’s longest running society columnist Check out the pictures from Kitson’s this January? Check out our guide. hangs out with Tom Cruise. Night Out Vol. 3 9 Asia Daily Wire 16 Business Resolution for 2012 42 Bill Hersey A roundup of all the top APAC news of the Tips on how to stick to your business Tokyo’s Longest Running Society Column past month. resolutions in 2012. Printed in Weekender For 40 Years! 10 Olympic year 2012 22 Interior Special 47 Announcements Londoners prepare for the Olympics and The Weekender guide to redesgning your Our new section with your birthday’s, Tokyo bids once again. living space for the new year. wedding’s and celebrations. 15 Hit the Ice 24 Let There be Light 48 Agenda Tokyo Midtown’s Ice Rink reopens in The Weekender guide to the best interior Our pick of some of the best events January 2012.
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