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Appendix 5 Station Descriptions And
Appendix 5 Station Descriptions and Technical Overview Stage 2 light rail transit (LRT) stations will follow the same standards, design principles, and connectivity and mobility requirements as Stage 1 Confederation Line. Proponent Teams were instructed, through the guidelines outlined in the Project Agreement (PA), to design stations that will integrate with Stage 1, which include customer facilities, accessibility features, and the ability to support the City’s Transportation Master Plan (TMP) goals for public transit and ridership growth. The station features planned for the Stage 2 LRT Project will be designed and built on these performance standards which include: Barrier-free path of travel to entrances of stations; Accessible fare gates at each entrance, providing easy access for customers using mobility devices or service animals; Tactile wayfinding tiles will trace the accessible route through the fare gates, to elevators, platforms and exits; Transecure waiting areas on the train platform will include accessible benches and tactile/Braille signs indicating the direction of service; Tactile warning strips and inter-car barriers to keep everyone safely away from the platform edge; Audio announcements and visual displays for waiting passengers will precede each train’s arrival on the platform and will describe the direction of travel; Service alerts will be shown visually on the passenger information display monitors and announced audibly on the public-address system; All wayfinding and safety signage will be provided following the applicable accessibility standards (including type size, tactile signage, and appropriate colour contrast); Clear, open sight lines and pedestrian design that make wayfinding simple and intuitive; and, Cycling facilities at all stations including shelter for 80 per cent of the provided spaces, with additional space protected to ensure cycling facilities can be doubled and integrated into the station’s footprint. -
Alexandra Bridge Replacement Project
Alexandra Bridge Replacement Project PUBLIC CONSULTATION REPORT OCTOBER TO DECEMBE R , 2 0 2 0 Table of Contents I. Project description .................................................................................................................................... 3 A. Background ........................................................................................................................................ 3 B. Project requirements ..................................................................................................................... 3 C. Project timeline ................................................................................................................................ 4 D. Project impacts ............................................................................................................................. 4 II. Public consultation process............................................................................................................ 5 A. Overview .............................................................................................................................................. 5 a. Consultation objectives ............................................................................................................ 5 b. Dates and times ............................................................................................................................ 5 B. Consultation procedure and tools .......................................................................................... -
Who Is Watching out for the Ottawa River?
Who Is Watching Out for the Ottawa River? Professor Benidickson CML 3351 369567 April 28 2000 George Brown AContradictions in human behavior are evident throughout the region. There are beautiful farms and ravaged riverbanks; decimated forests and landscaped community parks; chemical and nuclear waste oozing toward the river and conscientious children cleaning highways. In Canada, extremes in river levels that prevent the existence of both natural ecologies and human enterprises are caused by dams built primarily to meet US energy needs. Diverse and contradictory possibilities appear for the river region of the future: economic stability, ecological integrity and sustainability if people take seriously their responsibilities for God=s earth; ecological disaster and economic depression if current practices remain unchangedY@1 The above quotation, is taken from a statement by the US and Canadian Catholic Bishops concerning the Columbia River. Entitled The Columbia River Watershed: Realities and Possibilities, it was meant to remind citizens on both sides of the border, that Awe humans do not live alone in the Columbia watershed. We share our habitat with other lives, members of the community of life B what scientists call the biotic community B who relate to us as fellow inhabitants of the watershed, as fellow members of the web of life.@2 This paper is not about the Columbia River, it is about the Ottawa River. (Ottawa) What I found interesting about the first quotation is that you could very easily have applied it to the Ottawa River, as well as many other rivers throughout North America. I intend to examine the Ottawa from the perspective mentioned above, that it is a river that can have a future characterized by economic stability, ecological integrity, and sustainability, if we take seriously our responsibilities as citizens. -
The Integration Experience of Somali Refugee Youth in Ottawa, Canada: “Failure Is Not an Option for Us”
The integration experience of Somali refugee youth in Ottawa, Canada: “Failure is not an option for us” A thesis submitted to the Department of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of Sociology and Anthropology Carleton University By Mary Ellen Kenny Carleton University September 2007 © Mary Ellen Kenny, September 2007 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-36811-4 Our file Notre reference ISBN: 978-0-494-36811-4 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. -
Nea1re Organ Bombarde
nea1reOrgan Bombarde OURNALof the AMERICAN THEATREORGAN ENTHUSIASTS •' .5 -~ =~a... I -~~•• .-: -~-.I.I BACK IN ACTION ... THE SAN DIEGO FOX 4-31 MORTON ... Story on page 5 1 4 • ( ; • • • ~ HERE IT IS! The Surprise Record Hit of the 1968 A.T.O.E. National Convention! SOUND CITY 1801 (Stereo only) "JUST PLAIN BILL" BILL BLUNK at the 5-24 Marr & Colton A CAVALCADE OF TOP TUNES OF THIS GENERATION AND THE LAST, DONE IN BILL'S POPULAR AND ENTERTAINING THEATER ORGAN STYLE Send Check or Money Order to: Only $5.25 SOUND CITY Postpaid 4136 N.E. 28th Ave., Portland, Ore. 97211 october 1968 2 AMERICANTHEATRE UKb"'"' ~IETY ARCHIVESLIBRARY THE COVER PHOTO EDITH STEELE was the glamour gal of the San Diego Fox in 1932. Today she plays a 3-rank TheatreOrgan Morton in her San Diego home. And our nos talgic cover photo fittingly symbolizes the theatre-to-home transition of many of the fine theatre organs of yesteryear. (For the story of her career as organist and orchestra leader, see Bombarde the Summer 1966 issue of THEATRE ORGAN BOMBARDE. Volume l 0, No. 5 A . T. 0. E. National Membership is $7 .00 per year, which include s a subscription to THEATRE ORGAN B0MBARDE, the official publication of the American Th eatr e Organ Enthu siasts. Single copies : $ 1.25. Make check or money order payable to A . T . 0. E., WHAT DO YOU WANT FROM THE NATIONAL? and mail to P. 0 . Box 23 29 , Livoni a, Mich . 48150 . ALL MATERIAL FOR PUBLICATION First, what is the "National"? It consists of all of you-chapter members EXCEPT ADVERTISING and individuals-including all the chapter chairmen, the elected Board SHOULD BE SENT TO A. -
1009 Trim Road
1009 Trim Road Planning Rationale + Design Brief Official Plan Amendment + Zoning By-law Amendment Applications September 14, 2020 Prepared for 9378-0633 Quebec Inc. Prepared by Fotenn Planning + Design 396 Cooper Street, Suite 300 Ottawa, ON K2P 2H7 September 2020 © Fotenn The information contained in this document produced by Fotenn is solely for the use of the Client identified above for the purpose for which it has been prepared and Fotenn undertakes no duty to or accepts any responsibility to any third party who may rely upon this document. 1.0 Introduction 1 1.1 Supporting Material 2 2.0 Site Context and Surrounding Area 3 2.1 Subject Property 3 2.2 Surrounding Area 4 2.3 Amenities 5 2.4 Transportation Network 6 Road Network 6 Rapid Transit Network 8 Cycling Network 9 3.0 Proposed Development 10 4.0 Policy & Regulatory Framework 18 4.1 Provincial Policy Statement (2020) 18 4.2 City of Ottawa Official Plan (2003, as amended) 20 Land Use Designations 20 Urban Natural Features Designation 21 Urban Employment Area Designation 21 City-wide Employment Area Policies (Section 2.2.3) 22 General Urban Area Designation (Section 3.6.1) 23 Mixed Use Centre designation (Section 3.6.2) 25 Collaborative Community Building and Secondary Planning Processes (Section 2.5.6) 25 Designing Ottawa (Section 2.5.1) 27 Urban Design and Compatibility (Section 4.11) 28 4.3 New City of Ottawa Official Plan (ongoing) 32 Industrial and Logistics Lands Strategy 34 4.4 Orléans Corridor Secondary Plan Study (ongoing) 34 4.5 Vacant Industrial and Business Park Lands -
Journal of the American Theatre Organ Society
ATOS SepOct 51-5 K 8/17/09 3:44 PM Page 1 JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY SEPTEMBER | OCTOBER 2009 ATOS SepOct 51-5 K 8/17/09 3:44 PM Page 2 IntroducingInntroducing thethe 7KHDWUH3LSH2UJDQµ'XHW¶7KHDWUH3LSH22UJDQµ''XHW¶ AtAt last . there’stherre’’ss a complete,complete, ready-to-play,readyy-to-playy,, MIDI Theatre PipePipe OrganOrgan unit which can tratransformansform yyourour instrument into a 24 rank three manual ttheatre oorgan.rgan. ‘Duet’‘Duet’ also providprovidesdes an efeffectivefffective way too add 24 ranks of ‘ensemble’ too existingexisting virtual andd commercial TOs,TTOOs, Keyboards andand MIDI ppreparedrepared PiPipepe OrOrgans!gans! 6SHFL¿FDWLRQV6SHFL¿FDWLRQV E 24 ranksranks,, 32’32’ throughthrough 1’1’ . plusplus an alternatealternate second VoxVox HHumanaumana ranrankk anandd an aalternatelternate thithirdrd TibiaTibiia rankrank One registersreegisters and saves the organ’sorgan’s 2082 voices, couplerscouplers and E 1111 TunedTuned PercussionPercusssion voicesvoices (Chryso.,(Chryso., Xylophone,Xylopphone, VibesVibes etc)etc) trems to pistons through unique divisional/selectdivisiional/select system.system. E 1111 TrapsTraps (Kick(Kick Drum,Drrum, RepeatingRepeating Snare,Snare, CymbalsCymmbals etc)etc) E 8 ToysTTooys (Bells, Whistles,Whistles, Birds,Birds, AoogaAooga etc.etc. onon rightright pistons)pistons) MIDI Con, E 10 memory bbanksankss ooff 10 generagenerall regregisterableisterablee memory pistonspistons :YBOARD Des1gnuf & b111lr111 U with LED indicators.indicators. (Comes(Comes programmedprogrammed -
Cornell Alumni Magazine
c1-c4CAMja11 6/16/11 1:25 PM Page c1 July | August 2011 $6.00 Alumni Magazine Well-Spoken Screenwriter (and former stutterer) David Seidler ’59 wins an Oscar for The King’s Speech cornellalumnimagazine.com c1-c4CAMja11 6/16/11 1:25 PM Page c2 01-01CAMja11toc 6/20/11 1:19 PM Page 1 July / August 2011 Volume 114 Number 1 In This Issue Alumni Magazine 34 Corne 2 From David Skorton Farewell, Mr. Vanneman 4 The Big Picture Card sharp 6 Correspondence DVM debate 8 Letter from Ithaca Justice league 10 From the Hill Capped and gowned 14 Sports Top teams, too 16 Authors Eyewitness 32 Wines of the Finger Lakes Ports of New York “Meleau” White 18 10 52 Classifieds & 34 Urban Cowboys Cornellians in Business 53 Alma Matters BRAD HERZOG ’90 56 Class Notes Last October, the Texas Rangers won baseball’s American League pennant—and played in their first-ever World Series. Two of the primary architects of that long-sought vic- 91 Alumni Deaths tory were Big Red alums from (of all places) the Big Apple. General manager Jon 96 Cornelliana Daniels ’99 and senior director of player personnel A. J. Preller ’99 are old friends and Little house in the big woods lifelong baseball nuts who brought fresh energy to an underperforming franchise. And while they didn’t take home the championship trophy . there’s always next season. Legacies To see the Legacies listing for under- graduates who entered the University in fall 40 Training Day 2010, go to cornellalumnimagazine.com. JIM AXELROD ’85 Currents CBS News reporter Jim Axelrod has covered everything from wars to presidential cam- paigns to White House politics. -
MAJESTIC THEATRE Other Name/Site Number
NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 MAJESTIC THEATRE Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: MAJESTIC THEATRE Other Name/Site Number: 2. LOCATION Street & Number: 230 East Houston Street Not for publication: City/Town: San Antonio Vicinity: State: TX County: Bexar Code: Zip Code: 78205 3. CLASSIFICATION Ownership of Property Category of Property Private:__ Building(s): X Public-local: X District:__ Public-State:__ Site:__ Public-Federal: Structure:__ Obj ect:__ Number of Resources within Property Contributing Noncontributing 1 ____ buildings ____ sites ____ structures ____ objects ____ Total Number of Contributing Resources Previously Listed in the National Register: 1 Name of related multiple property listing: NFS Form 10-900USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 MAJESTIC THEATRE Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this ___ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property ___ meets ___ does not meet the National Register criteria. -
Pathway Network for Canada's Capital Region 2006 Strategic Plan PLANI
Pathway Network for Canada’s Capital Region 2006 Strategic Plan PLANI-CITÉ i June 2006 Pathway Network for Canada’s Capital Region 2006 Strategic Plan THE VISION The National Capital Commission (NCC) and its partners propose the following as a framework for the planning and development of the Capital Pathway network for the next 10 years: Multi-purpose use The Capital Pathway network covers Canada’s Capital Region in its entirety. It is a multi-purpose recreational and tourist network, which also supports non-motorized commuting vocations. Accessibility and safety The network extends to and links natural and built areas. Through its layout and design standards, the network encourages a quality user experience and accessibility, emphasizing the recognition of the “Green Capital”, and highlighting symbolic points of interest within the Capital. The network provides access to waterways, green spaces, cultural and heritage features while supporting the protection of natural areas and offering a wide range of easily accessible services. User education and awareness programs targeting pathway sharing in a respectful and tolerant manner result in a safe and pleasant experience. Connectivity The network, through its linkage with local cycling routes and regional/national trails, is connected to other non-motorized transportation networks within the region to encourage sustainable transportation and forms a key component of Canada’s Capital recreational and cycling experience. Recognition The network, as a result of its multi use vocation, its extensive and far reaching system of pathways and connection with regional, provincial and national trails and pathways within and outside Canada’s Capital Region as well as the quality of the experience is regarded as one of North America’s best. -
Heritage Ottawa Spring/Sum 2007
Dedicated to Preserving Our Built Heritage Winter/Spring 2010 Volume 37, No. 1 Too High and Too Dense – the community questions Ashcroft’s plans By David Jeanes he Monastery of which served in 1923 as the Sisters of the the first home of St. George’s T Visitation is partly Catholic Church. hidden behind a high The few remaining wall which surrounds nuns are elderly and have its 5-acre site at 114 sold the property, intending Richmond Road, just west to retire to another of Island Park Drive and convent in Pembroke. reaching south to the They are progressively e Castonguay (1877-1972) Byron Avenue linear park. removing religious It was founded 100 years decorations, including ago by nuns from the statues and crosses from mother house at Annecy their secluded garden. The in France, an order which Monastère de la Vistation Ste. Marie, Ottawa Ouest. The postcard is City of Ottawa gave notice celebrated its 300th monotone black, photo-engraved and was postally used 1919. last year of its intention to anniversary in that same year, 1910. The sisters, who follow the strict seclusion rule of their cloistered, contemplative order, purchased a large stone mansion on VTEQ Richmond Road, which had been the home successively of four prominent Ottawa businessmen, including Senator James Skead, the founder of Postcard Photographer and publisher: Jules-Alexandr Westboro, and entrepreneur George Holland. osoft Corporation, NA The monastery was built to a traditional European monastic plan, incorporating the stone mansion at one corner of a 3-storey U-shaped building, enclosing a courtyard. -
The Gateway Theater Logan Square
Newsletter – January 2017 Number XXV A Gorgeous Garden of Dreams: The Gateway Theater Logan Square This past year, the Northwest Chicago Historical Society was proud that Jefferson Park and Portage Park were chosen to showcase venues in Open House Chicago, an annual architectural festi- val organized by the Chicago Architecture Foundation. Multiple establishments on the Northwest side opened their door for the very first time to host curious guests from all over the country. The venues included the Copernicus Center, Carl Schurz High School, the Jefferson Masonic Temple, the Rivoli Theater, Our Lady of Victory, Portage Arts Lofts, and the Portage Theater. Over 100,000 people partici- pated this year, making it one of the largest events of its kind in the world. We hope that we are able to continue to bring more people into the area to visit our historical and cultural heritage. In our most recent newsletter issues, members were most excited about the movie theater pic- tures, so this issue continues on that theme. This time, we feature the Kobelinski Theater, a theater inside the Copernicus Center that has been redeveloped into a cultural venue and multi-event complex. At one time, this was called the Gateway Theater, and it was the largest movie palaces on the Northwest Side. Since the Copernicus Center purchased the Gateway, they transformed the lobby and outside mar- quee to be more reflective of its current usage. However, the community is fortunate that they saved the theater from the wrecking ball and have beautifully preserved the historic, decorative interior. While the venue now is mostly used for live performances, the center also hosts many multi-cultural and neighbor- hood events.