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The Smurfs 2, We’Re Bringing You the ‘They Do It for Injury Prevention Replaced with Classical Renditions of Perfect Gift
MEDIA PROMOTION COVERAGE Pre-Promote Coverage 14 DAILY STAR, Friday, December 6, 2013 DAILY STAR, Friday, December 6, 2013 15 £400 A MONTH TO CLEAN SILVER Don’t miss tomorrow’s BUT TV NIGELLA ONLY HOSTED... FREE 2 dinner SMURF TOY parties in FOR EVERY READER one year! ■ by PAUL ROBINS Pictures: HUMPHREY NEMAR NIGELLA Lawson GRAB YOURS told a court yes- terday Charles AT YOUR LOCAL Saatchi let her hold dinner parties just twice a year at the most. PLUS The TV chef said the couple’s£37millionman- sion had a room full of silverware that cost £400 a month to clean. But they rarely held din- ner parties at home in Eaton Square in London’s posh Belgravia because Saatchi, 70, did not like them. The Domestic Goddess, £5 OFF 53, was giving evidence for a second day in the SHOPPING AT £700,000 fraud trial of the FOR EVERY READER CONTROL: Saatchi WHEN YOU SPEND £40 IN STORE now-divorced couple’s two former assistants, sisters Elisabetta, 41, and Franc- esca Grillo, 35. Nigella told the jury: “We had dinner parties only once or twice a year in Eaton Square. I was not very happy about that. PREM STAR IS HIT “I can hardly remember a dinner party in Eaton Square. In all my time there, there were very, very few.” And in a reference to the WITH DRIVE BAN restaurant where her hus- FOOTBALL star Hatem Ben Arfa has been banned from band was pictured in June driving for six months and fined £2,680 after admitting grabbing her neck, Nigella driving offences. -
M I K E S a R K I S S I a N Credits
MIKE SARKISSIAN CREDITS _____________________________________________________________________________ EXECUTIVE PRODUCER / PRODUCER FILM The White Stripes Under Great White Northern Lights Emmett Malloy Jack Johnson En Concert Emmett Malloy Jack Johnson A Weekend at the Greek Emmett Malloy Jack White Jack White Kneeling at The Anthem Emmett Malloy TV Paramount Dream: Birth of the Modern Athlete The Malloy Brothers National Geographic Breakthrough Season 2 Series Producer Revolution Studios Pilot – Everyday People Tim Wheeler GSN / Revolution Studios Drew Carey’s Improv-A-ganza 40 eps Liz Zannin The Dead Weather Live at the ROXY Tim Wheeler Jack Johnson Kokua Festival 05-09 Emmett Malloy From The Basement Raconteurs / Kills / Fleet Foxes Nigel Godrich From The Basement Queens of the Stone Age Nigel Godrich Sundance Channel 5 Years of Change – KOKUA Emmett Malloy Selena Gomez Girl Meets World – Disney Channel Tim Wheeler James Blunt Live & SPPP Studios Tim Wheeler Disney Channel Radio Disney Concert Special Tim Wheeler Nickelback Live at Home Nigel Dick Marie Digby Live At Rick Ruben Studios Mike Piscitelli Grace Potter Live In Burlington Tim Wheeler Alpha Rev Live @SPPP Studios Tim Wheeler Kate Vogel Live @SPPP Studios Tim Wheeler ZZ Ward Live @ The Troubadour Tim Wheeler Nick Jonas Live @ Capitol Records Giles Dunning Grace Potter Live @ The Waterfront Tim Wheeler R5 Live @ the O2 London Tim Wheeler COMMERCIALS Honda Happy Honda Days ’19 Campain Jed Hathaway Apple Apple TV+ 2019 March Launch Robin Cosimir Waze Waze Carpool Jeff + Pete Accenture Talent, Resilience, Disruption Jordan Bahat Google Google Cloud Jordan Bahat Amazon Fire TV Twin Peaks Pie Shop, Playlist Jeff + Pete Always Prepared, No Chance Whip It, Whip it Good Sharknado by the Sea Chicken Little Fingers Dove Real Moms Acura Emotion Is In IBM / Watson Not Easy Nicolas Davenel Max Factor Miracle Touch Camilla Akrins Visa Snapchat / Olympics Giles Dunning McDonalds Fans vs Critics Jordan Bahat Navy Federal Credit Union Veterans Bond Jeff + Pete Dr. -
CINERAMAX STRATO ATMOS LIST Incomplete.Pdf
Collection: Dolby Atmos 32 Movies Title Genre Rating Lead Actor Director Year Type Duration The Amazing SpiderMan 2 Action PG13 Andrew Garfield Marc Webb 2014 4K 141 mins HDR Elysium SciFi R Matt Damon Neill Blomkamp 2013 4K 109 mins HDR Ghostbusters 2 Comedy PG Bill Murray Ivan Reitman 1989 4K 102 mins HDR Hancock Action NRR Will Smith Peter Berg 2008 4K 102 mins HDR In the Heart of the Sea Adventure PG13 Chris Hemsworth Ron Howard 2015 4K 122 mins HDR Inferno Mystery PG13 Tom Hanks Ron Howard 2016 4K 121 mins HDR Pride + Prejudice + Zombies Action PG13 Lily James Burr Steers 2016 4K 107 mins HDR Risen Drama PG13 Joseph Fiennes Kevin Reynolds 2016 4K 108 mins HDR Sausage Party Animated R Seth Rogen Greg Tiernan 2016 4K 89 mins HDR The Smurfs 2 Comedy PG Neil Patrick Harris Raja Gosnell 2013 4K 105 mins HDR Bram Stoker's Dracula Horror R Gary Oldman Francis Ford Coppola 1992 4K 128 mins Ultra HD Léon, the Professional Action R Jean Reno Luc Besson 1994 4K 133 mins Ultra HD American Sniper Drama R Bradley Cooper Clint Eastwood 2014 Blu 134 mins ray quality Batman v Superman: Dawn of Action PG13 Ben Affleck Zack Snyder 2016 Blu 151 mins Justice ray quality The Divergent Series: Allegiant SciFi PG13 Shailene Woodley Robert Schwentke 2016 Blu 121 mins ray quality The Divergent Series: Insurgent SciFi PG13 Shailene Woodley Robert Schwentke 2015 Blu 119 mins ray quality Everest Action PG13 Jason Clarke Baltasar Kormákur 2015 Blu 122 mins ray quality The Fifth Element SciFi PG13 Bruce Willis Luc Besson 1997 Blu 126 mins ray quality Gravity Drama PG13 Sandra Bullock Alfonso Cuarón 2013 Blu 91 mins ray quality The Gunman Thriller R Sean Penn Pierre Morel 2015 Blu 116 mins ray quality The Hunger Games: Mockingjay Drama PG13 Jennifer Lawrence Francis Lawrence 2014 Blu 122 mins (Part 1) ray quality The Hunger Games: Mockingjay Drama PG13 Jennifer Lawrence Francis Lawrence 2015 Blu 136 mins (Part 2) ray quality John Wick Action R Keanu Reeves Chad Stahelski 2014 Blu 101 mins ray quality The Man from U.N.C.L.E. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
Probst Resume
CHRISTOPHER PROBST Director of Photography FEATURES BEYOND SKYLINE Liam O’Donnell Hydraulx HANSEL & GRETEL: WITCH HUNTERS Tommy Wirkola Paramount / Gary Sanchez Prods. (Add’l Photography) FIRE WITH FIRE David Barrett Lionsgate / Emmett/Furla Films DETENTION Joseph Kahn Richard Weager / Detention Films Official Selection, SXSW Film Festival (2011) SKY CAPTAIN & THE WORLD Kerry Conran Paramount / Brooklyn nd OF TOMORROW (2 Unit) TELEVISION BOOMTOWN (2nd Unit) Jon Avnet / Various NBC / Dreamworks DIRECTORS & COMMERCIALS CYRIL GUYOT Mercedes MARK PALANSKY Target TWIN HP STUART PARR Coors Light GRADY HALL Target ALEX AND LEANNE Mercedes JULIEN ROCHER K1664 PHIL BROWN Coors Light JAKE BANKS Toyota JOSEPH KAHN Malibu Rum, Old Navy, LG, Smart Car, Naturemade, Gilette, Bell, Mentos, Clearasil, Blackberry, Solon Energy, BMW, Sears, Bacardi, Mazda, Saab, Citroen, HP, Fox Sports/Nascar, JC Penney, Travelers Insurance, Budweiser Select, AKB48, UFC, Orangina, Johnny Walker, RICH LEE Subaru, Disney Hong Kong, La Gazzetto Dello Sport, Eni Energy, Beats, Special K, Carls Jr., Hyundai, Nissan NIMA NOURIZADEH Adidas BEN MOR Cisco EMNET Lincoln LOGAN Twizzlers, Directv, Exxon MATT OGENS Farmer John WOODS Century 21 SHILO Sports Authority JOHN PARK Kia HIRO MURAI Scion ERIK BUTH Asgrow, Verizon, Kyocera, 1st National Bank, Pringles, Russell Athletics TOM KOH Fox Sports DAVE MEYERS Ciroc Vodka, Lexus MARCELLO PETRELLA Honda, Taylor Made, Bud Light JONG WON KIM Hyundai MATT PIEDMONT Microsoft BOB RICE Prestone, Vegas.Com, Phillips DAN RUSH TBS Promo “My Boys”, TNT Promo TYLER GRECO NFL Terrell Owens Promo ROB HOOVER Direct TV “Mega March Madness” KURT SPENCER Fearnet Promo, TNT Promo ROB MELTZER TLC “Summer” Campaign, Bravo Promo “Launch My Line” DIRECTORS & MUSIC VIDEOS JOSEPH KAHN Lady Gaga, Eminem “Space Bound”, “Love the Way You Lie”, Muse “Knights of Cydonia”, Nicole Scherzinger “Poison”, Britney Spears “Womanizer”, Pussycat Dolls “I Hate This Part”, “When I Grow Up”, Janet Jackson “So Excited” 50 Cent Feat. -
L'animation Stylisée
Universite Paris 8 Master Creation Numerique parcours : Arts et Technologies de l'Image Virtuelle L’animation stylisée Clea Gonay Memoire de Master 2 2019 - 2020 1 résumé Le cinema d’animation est un medium propice a* l’abstraction du reel, a* la simplification des formes et du mouvement. Gra0ce a* un language visuel et une esthetique qui lui sont propre, l’animation stylisee reussit a* conserver le sens tout en amplifiant les emotions du spectateur. Pourquoi et comment realise t-on un film en animation stylisee ? En se basant sur la litterature disponible, mes experiences et une serie d’interviews realisees aupre*s d’acteurs de l’industrie, ce memoire propose une approche philosophique, anthropologique et technique des principes et codes de l’animation stylisee. Il cherche a* mettre en lumie*re les raisons qui poussent un realisateur a* choisir ce medium et explore les possibilites offertes par les outils disponibles a* travers des exemple d’oeuvres 2D, 3D et hybrides. Enfin, pour illustrer mon propos, j’y presente mes mises en pratiques realisees lors de mon etude du sujet. abstract Animation is a perfect medium to abstract reality and to simplify forms and movements. Thanks to its own visual language and aesthetical values, stylised animation conveys meaning as well as amplifies the spectator’s emotions. Why and how are stylized animated movies made ? Using available literature, my own experiences and a series of interviews made with people involved with the industry, this thesis takes a philosophical, anthropological and technical approach to the principles and codes of stylized animation. It highlights the reasons why a director would choose this route and explores the possibilities of the available tools while presenting related 2D, 3D and hybrid works. -
Top Questions About Character Animation
Top Questions About Character Animation What are some of the exciting aspects of character animation, and how is it different than other computer animation forms? The phrase computer animation is often used as a catch-all for many computer generated effects including spinning logos, Flash programming on the Web or special effects in movies. These are not character animation. Character animation is the process of giving life to a character, whether it is a dog that can talk, a drawn person or an animated object. Character animation creates personality. How long does it take one person to create one minute of animation? This is difficult to pinpoint, but it can take one animator about 16 – 20 weeks of full-time work to produce 60 seconds of animation.1 At Pixar Animation Studios, due to their high level of quality control, animators have been known to work on two minutes of film for a year or more. How many animators typically work on an animated feature film? It depends on the studio and its needs, so anywhere from 20 – 80 animators could be working on an animated feature film. What is the biggest myth about character animation? A lot of people believe that the computer does all of the work for the animator, but the reality is that the animator is only using the computer as a tool to create detailed animation frame by frame. What are some of the most challenging aspects of character animation? Character animators work in fun, collaborative, exciting and detailed environments. They need to have a high level of patience while working with the tiny movements of a character frame by frame. -
Brand and the BBC – the Full Expletive-Riddled Truth
Brand and the BBC – the full expletive-riddled truth blogs.lse.ac.uk/polis/2008/11/05/brand-and-the-bbc-the-full-expletive-riddled-truth/ 2008-11-5 Was it a storm in a tea-cup or a symbol of a wider malaise at the BBC? Well Polis has got the full, expletive-riddled story from a senior BBC figure. Caroline Thomson is the BBC’s Chief Operating Officer, second only in importance at the corporation to her namesake, Mark. In a speech to Polis she gave a lengthy and carolinethomson.jpg candid narrative of the whole Brand/Ross prank phone call saga. In it she makes a staunch defence of the BBC’s actions and calls on the corporation to continue taking risk. But she recognised in her speech, and the subsequent exchange we had, that it does raise a wider question: Is the BBC too keen to do too much instead of focusing on what it does best. Here is her speech which I think is well worth reading in full – it will also go up on the main Polis website. The BBC: The Challenge to Appeal to All Audiences Caroline Thomson, Chief Operating Officer, BBC POLIS Media Leadership Dialogues London School of Economics, Tuesday 4 November What a week – when I agreed to do this talk I thought I would focus on transforming the BBC – getting it to be a networked organisation, representing the whole of the UK with London as its hub, not its dominant force, with our plans for our new base in the Manchester region as the central theme. -
Seattle Location Management and Scouting
Mark A. Freid – Seattle Location Management and Scouting. Field Producing. (310) 770-3930 [email protected] www.northernlocs.com QUALIFICATIONS Teamster Local 399 Location Manager. CSATF Safety Passport. LOCATION SCOUTING AND MANAGEMENT 2001-2017 FEATURE FILM/TELEVISION: War for Planet of the Apes. 20th Century Fox. VFX Plate Unit Location Manager Ryan Stafford, VFX Producer. 50 Shades Freed, 50 Shades Darker. Focus Features. 2nd Unit Location Manager Scott Ateah, 2nd Unit Dir. Barbra Kelly UPM. Marcus Viscidi Producer. Grey’s Anatomy. ABC/Disney. Location Scout Thomas Barg, Production Supervisor. Vacation. Warner Brothers/New Line. 2nd Unit Location Manager Peter Novak, 2nd Unit Production Supervisor. The Librarians . Electric Entertainment. Location Scout Bobby Warberg, Location Manager. David Drummond, Location Scout. 50 Shades of Grey. Focus Features. 2nd Unit Location Manager David Wasco Production Designer, Barbra Kelly, UPM, Marcus Viscidi Producer. Transformers 4. Paramount Pictures. Location Manager JJ Hook, Location Manager. Daren Hicks, Production Supervisor. They Die By Dawn. Location Manager Jaymes Seymor, Director. Peter Novak, Producer. America’s Most Wanted. STF Productions. Location Manager Miles Perman, Producer. Paranormal Activity The Marked One. Paramount Pictures Location Scout Christopher Landon, Director. Stephenson Crossley, Location Manager. Hayden Lake. Location Manager Ryan Page, Christopher Pomerenke Directors. Linette Shorr, Production Designer. Lacey Leavitt, Producer. Rampart. Lightstream Pictures. Location Manager Oren Moverman, Director. David Wasco Production Designer. Karen Getchell, Production Supervisor. Ben Foster, Lawrence Inglee, Clark Peterson, Ken Kao, Producers. Michael DiFranco and Lila Yacoub Executive Producers. Late Autumn. Location Manager Kim Tae-Yong, Director. Dave Drummond, Co-Location Manager Mischa Jakupcak, Producer. The Details. Key Assistant Location Manager Doug duMas, Location Manager. -
Views, We Study How Preregistration Has Been Used from Its 2005 Inception to the End of 2012
COPYRIGHT PREREGISTRATION: EVIDENCE AND LESSONS FROM THE FIRST SEVEN YEARS, 2005–2012 * ** Dotan Oliar & Nicholas Matich In 2005 Congress created a new copyright formality: preregistration. Preregistration addresses a growing phenomenon in which copyrighted works are leaked to the Internet prior to official release. Preregistering a work allows copyright owners immediate access to courts and an expanded menu of remedies. Based on an originally constructed dataset coupled with user interviews, we study how preregistration has been used from its 2005 inception to the end of 2012. Over 6,000 works have been preregistered in six eligible categories. Several lawsuits were filed in reliance on preregistrations. Most preregistrations are of motion pictures and literary works. Substantial commercial use of the system has been limited to the movie and TV industries. The music, publishing, and computer software industries virtually have not used it in the ordinary course of business. A few particular users have preregistered a great number of works. Different from the use anticipated by Congress, preregistrations were often obtained after infringement (or even a business dispute) had already started. Most preregistrations were made by individual, small-entity, or other one-time users. The Article recommends that: (1) the duration of preregistrations should be limited; and (2) preregistration (and other copyright) fees should vary with entity size. It offers lessons for formalities and copyright reform: (1) Digital-age formalities may not give rise to the distributional concerns that characterized old formalities; (2) newly minted formalities may limit, rather than expand, access to expressive works; (3) the rates of subsequent registration of preregistered works vary across categories and can inform copyright lawmaking; and (4) the Copyright Office’s views may be affected by its institutional interest. -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop. -
Spelling Sentence Structure
Spelling Sentence Structure Click the link below to begin this lesson https://drive.google.com/file/d/13YuN1X6a5o8GojbFlgowQ39 z9RW9spoC/view a) Although we lost, we were still winners at heart. b) He can break dance and he can ride a BMX really well. c) Khan can play football. How are these sentences different to each other? There are 3 different types of sentences that we can write. simple sentences compound sentence complex sentences Watch the video below to learn about each type of sentence https://www.youtube.com/watch?v=smgyeUomfyA One main idea/clause. Must contain a noun Simple – and a verb. The cat sat on the mat. Two main ideas/clauses. Both can stand alone. Usually joined by ‘and’/‘or’/‘but’. Compound – The cat sat on the mat and the dog sat in front of the fire. At least two clauses. One main (can stand alone) and one dependent (doesn’t make sense alone) The Complex – cat sat on the mat because it was tired. Compound Simple Complex sentence sentence sentence a) Although we lost, we were still winners at heart. b) He can break dance and he can ride a BMX really well. Highlight each sentence to c) Khan can play football. match the sentence type I think that Will Smith is a great actor. He is particularly brilliant in Men In Black 3. It is funny and it is very entertaining. If you haven’t seen it yet, then put it on your to-do list. There are lots of eye- catching effects, such as fast cars.