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Pennsylvania Folklife Magazine Pennsylvania Folklife Society Collection

Spring 1959 Pennsylvania Folklife Vol. 10, No. 1 Frances Lichten

Victor C. Dieffenbach

Walter E. Boyer

Earl F. Robacker

Edna Eby Heller

See next page for additional authors

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Recommended Citation Lichten, Frances; Dieffenbach, Victor C.; Boyer, Walter E.; Robacker, Earl F.; Heller, Edna Eby; Hostetler, John A.; Shoemaker, Alfred L.; Andreas, Jeremiah W.; Shively, Jacob G.; Bowman, John Butz; Smith, Elsie; and Baver, Florence, "Pennsylvania Folklife Vol. 10, No. 1" (1959). Pennsylvania Folklife Magazine. 5. https://digitalcommons.ursinus.edu/pafolklifemag/5

This Book is brought to you for free and open access by the Pennsylvania Folklife Society Collection at Digital Commons @ Ursinus College. It has been accepted for inclusion in Pennsylvania Folklife Magazine by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Authors Frances Lichten, Victor C. Dieffenbach, Walter E. Boyer, Earl F. Robacker, Edna Eby Heller, John A. Hostetler, Alfred L. Shoemaker, Jeremiah W. Andreas, Jacob G. Shively, John Butz Bowman, Elsie Smith, and Florence Baver

This book is available at Digital Commons @ Ursinus College: https://digitalcommons.ursinus.edu/pafolklifemag/5

EDITORS :

Dr. Alfred L. Shoemaker, M anaging SPRING 1959, VOL. 10, NO. I D r. D on Y ocl er, A ssociate DEPARTMENT E DITOR : Contents D r. E a rl F . R obacker, A ntiques Frances Lich ten, Art Craf ts : 2 "Tramp Work" : Penknife Plus Cigar Boxes Henry .J . K auff man, X V III Century FR.\ XCES Ll HTEN Olive G . Zehner, Contempora1'Y LeR oy Gensler , D esign 8 Tramps of My Youth Rev. Thomas R. Brend le, Folklore V I CTOR C. DI EFFENBAC H Edna Eby H ell er, Food Frederick \V eiser, Genealogy 14 The German Broadside Songs of Dr. Arthur D. Graeff, H istory Pennsylvania \\. a l tel' E. Boyer, L iterature II' ALTE R E. B OYE R Dr . .T. William Frey, M u. ic 20 The Ri se of Interest 111 Folk Art S BSCRIP TION R ATES : E ARL F . R OBA CKER 5.00 a year in the nited tates ancl Canacla. E lse\\'here fi fty cent a ddi t i o n al fo r postage. ingle 30 Dutch Treats for Breakfast cople TOO. EDXA E BY H E LLE R

1\1 A D PHOTOG RAPH : 33 The Am.ish, Citizens of Heaven and America The Editor will be glad to consider J H N A. Ho. TETLER M and photographs ent with a vi ew to publication. When un ui t­ able, and if accompanied by return 38 Collectanea po tage, every care will be exer­ ALF RE D L .• H OE;.rAK E R ci ed toward t heir return, a lthough no responsibility fo r their afety 42 My Great-Grandmother i a sumed. .JI;:rm ;'IJ .\ H \\'. A~\, DR EAS PE~X S YLVAXI A F OLKLIFE, Spring ] 9.59 , Yo\. ]0, N o. ] , pub­ 43 Old Sweitzel"'s Ghost li shed . emi-a nnuall y by the P enn­ sylvania Folkli fe Roc i ty, Inc., Ire. t King. 't., Lancaster, P a. 8x­ ec utivc ancl editoria l office 21 \\'. 44 Pastimes of My Youth :\ Iain . 't., K utztoll'n, P a. Content, Copyril-!h ted .J Oll'" B UTZ B O W~1A N 4 6 Battalion Day ELS II~ ,':'TI T TT

4 7 Seven Day Make One Wept

F LO RlcXCE B AVER 1. Comb and Brush holde r: ill7 ple but characteristic piece of edge carving.

2. Hanging Dressing Cabinet, three feet in height, is delightful ex­ am pIe of edge carving a/ its best.

2 "TRAMP WORI("": Penknife Plus Cigar Boxes

By FRANCES LICHTEN

"Tramp ll"Ork," a blunt and unflattering term for a broad category of old-time craft, has been passed over by antique co llector- in their pre ent-day co mpetition for article of fo rmer days. Yet these articles, locally dubbed "tramp Ilork," were whim ical and often most attractive exampl es of handwork quite worthy of a collector's con ideration. They II·ere contrived fr0111 wa te materi al-di carded cigar boxes-and the only requisite we re patience and a harp pcnknife. :\ly mo t important piece of tramp work lI'a acquired in an amu ing fashion. I was spending a weekend in a J enn ylvani a Dutch farmhou e, and my ho tess had sent me out to her summer kitchen to~look at a nonde cript aggregation of old golden pi eces of furniture which he had collected and pile 1 up for her hu band to re tore and rcfi ni h. He is an amiable man who spends t he weekends

3. Match Holder, whose contour sugge ts the work oj primitive peoples.

3 Courtesy: Notional Callery 0/ Art. Index 0/ American Design. 4. Wooden casket. c. 7860--1890. Carved all four ide with traditional lIlolif froll1 cigar . and then mounted on a ba e.

4, working in hi barn with tho e engro 'si ng ma ~c ulin e play­ in antiqur s h op~, things-modern power tools, Ou r chief ~ollrce of materi al, hOII'C' I'c r, fo r ou r const ru c­ In the midst of thi heterogeneous collect ion I had spied tion pro.iect~ II'a~ a pi lc of ciga r box scraps, whi ch was an object \I'hich was to send me back to the fa rmhouse intended for kindling, :\1,1' fat her, JI1 hi s ro le of customer kitchen bubbling oyer with enthu s i a~m , Even in the dim of the facto ry \I'hi ch turned out ciga r I oXt's, 11'C1~ el'idently greeni h light which filtered in thro\lgh the litile yine­ gi \'cn a IOi1d of thi s sc rap from time to time, From t h e~r covered Irindow of the old tone building I could ~ee that bit s of cedar, we cont ri \'rd e ndl C'~f' ]liece~ of doll flll'niture, on this object mirror gli ttered, and that it ~ entire surfacc JT nd t, as a child, e\,er see n piC'ces of the craftsma n ~ hi p I was worked Irith fin e carving, In tha t lOll' ligh t I did not noll' fi nd so appea ling a cx,1J1lples of peasa nt handi craft, I cxamine it carefully enough to decide on i t~ purpose, buL might have tried to orn ament the edge~ of my piece" in like my hoste recogni zed it, neyerthele", from m~ ' meage r fas hi on, Perhaps at that time I did seC' them but b~ ' pa s~e d de cription and grabbed her ister by the arm. ~ uch objects then a "countrificd," or, more lik e l ~', was dis­ "Emil y," ehe ea id , " burr~ ' out to the summer ki tc hen and co uraged from attemptin g surh carving b~' the invari abl e get that old tbing and give it to her before ~ b e changes her dulln ess of such pcnknivc ~ as little girl s possesscd. mind! " In a few minu te Emily returned with " tha told While edge ca rving wa s the fina l simplificat ion of the thing"-a bulky yet not too h avy object. In the brighter age-old craft of -ca n 'ing, it fa ll ~ Il'ithin its most primi­ light, I sa w that it I\"a a hanging dre, ~ in g cabin et, deco rated ti l'e dil'ision-that of chip ca1'ving, Chip ca n 'ing was a Il'ith II'hat-for Irant of a better name-I hall ca ll "edge tec hni que prac ti sed throughout the ce nturie by peasants ra rying," In a tastefu l fa hi on, it co ml)i ned small mirror ~, pf many coun tri es and, eve n today, b)' S<1 I'<1ge t ri bes. As a special ection to hold brush and co mb, toO'et hcr with four soon a man del'ised a cutting nnd Il'as movee! to little dra IVers for t rinkets, deco rate the objects he mad C', chip can'ing el'olvee!, :\Iy ho te, looked at the cabinet, and then at me, q\liz­ (" hi p ca rving ca n be defi ned as ornament Il'hi ch is produced zica ll~ ', saying, "Do you really Ira nt it~ IVe were going to r ntirely wit h or c hi ~e J. All its ba~ i c cuts nre tria ngular burn it wh en we get round to cleaning out the summer in "hnpe, and the I\' hole ~c b e m e of de:,ig n is made up of kitchen." combin ations of thesr ~m;l ll e l e men t~, Three in cision s of "Indeed I do," I repli ed, "I think it is beautiful and I the knife producC' n t ri ,tn gul ,lI' pocke,t, fou r, a ~ qu a r e one, knoll' just Il'here I am going to pl ace it." I n edge carving , two di agona l cut:; faci ng rach oth C' r at a In my mind's eye, I already all' it h\lng in a tiny hall in .J.5 ° angle m,ld e on the edge of a piece of Il'ood producr a my city apartment, it wa rm cedar brow ns harmoni zing diamond shapr, In edge ca n 'i ng , this met hod of chi pping delightfully with the co ral color of the wa ll. It hangs there edge is the o nl~ ' d e~ig n elemr nt C' mp}oyed, but oddl y r nougb, today, and i , to me, the mo t attractil'e piece of P e nn ~y l­ it wa~ one ('~c h ewecl by the chi p ca rver , The latter co nfined "1ll1i a Dutch \\'orkmanship I pos ee ' their decoratil'e effo rts to the fidd of obj ecL they ornn­ ":\lother will be , 0 pleased you arc ta king it," my h oste~~ l11e nt E' d, and ignored the (' dge~, went on. "It u ed to belonO' to her, he ca n tell you all The technique of edgr ca rTing req uired the ~ impl rst of about it." rC]uipment. After the piece,; of the design Il'e re cut out and This Il'olk of art-for such it actuall ,l' i ~-was made of the ornamented on the r d ge~ wit h a penknifC', tbrl' co uld be Il'ood of dii'ca rd ed ciga r boxe , and is a splendid exa mpl e a ...... ;embl ed Il'ith a ham mer, some brad~, and gl ue, X 0 I'i, e of edge ca n 'ing, Edge-ca rved Irork ::eems to me to be the Ir a~ neC'ded to hold the piece, fo r the chip ca rver cou ld la::t unlval-in the direct linC'--of the pea"a nt t radition hrace hi ~ wo rk aga in ~t hi ::; hod~ ' to s tC' <1 d~' it. With tbiR in II'oodcarving, object in thi technique being produced in ~ upport , hr could p roceed to place his ~ mall slanting cuts the late 19th century, These a rticl e~ han> enormou appea l in a de li berate m,lnner, rnn wbile C' ngaging in Iivel,I' poli tic,11 for me, I find them touchinO' examples of the c r afts m a n '~ lI rgum ent Il'ith fellow whittler ~, The cra ft of edge cal'l'ing losing fight again t industrialism whi ch wiped out the craft InlS one Il'hi ch lC' nt it elf to Ro ciabilit,l' as it co uld be followed tradi ti on in a fell' decades . II'herevcr the \I'hittling f r ate rni t~, co ngregatrd- in such II'ell­ T' e rh ap~ ml' inte r e~t in objects made from ciga r box woocl known ce n ter~ of good talk <15 the benc h e~ o ut ~i d e the io fou nded on nostalgia , for in m~ ' childhood, though raw co untr~ ' store, in the dim co rn e r ~ of lil'ery ~tab l e or black­ material for children', p ro jcct~ was hard to CO Jl1 e by, t here ~ mit h ~ h op, or around tho stOI'C, II'a, plenty of cigar hox wood arou nd home. :\Iy father Or t be ca n 'P I' mi ght be fo und adding h i~ minute chips ',I'a one of the m a n~ ' manufacturers Il'ho establi shed ciga r of (' dar to the litter of ~ h a \'ing s on the floor of a fn rm factories in the Lehigh Y alle~' and adj acent co un ties in the I\'o rkshop Il'hose am iable Oll' n(>[ had prol'idcd him Il'it h a late nineteenth centUly-a region in Il'hic h labor in t hi s Hight'" lodgin g, mea ls, and ~o m e di sca rd ed box C's in exc hange , pecializrd trade wa plentiful. Quitr a fell' of our pl ay­ fo r a pirco of hi s tedio usl,l' prod uced handll'ork alld the t h ing~ were b~'p r oducts of the ciga r-m anufactu ring busi­ l ate~t reporb on the doings in the cou n t r~ 's id e througb nr~~ : among thp~r were lovely sa mplr boob of ciga r box which hi" wallde rin g~ took him, In the m,lin , edge ca n 'ing It.brb, !!'Ii ttering Ivitb gold e l1lbo ~s ing and ri (' hl ~ ' co lored 1I',lS prnC'l iscd b,l' el d(TI~ ' German immigra n t ~ whom thr lithography, Then therc were littlc packeL of "hin .\' cigar machine age had p i 1 ~~e d b~ ', ,\'hatel'er thei r craft m a~' hand~, also bright orange and ~'rllow ribbon ~ braring printrd hnl'e been, there wa~ no long( r a n~ ' demand for it. But inscriptions which Il'rre lI sed to tir around bundlr;.; of ('igar~, ('wn wit hout an,l' me , tn ~ of support, the.I' still lik ed to k ep The lattrr two iteJl1i' were ]lar tic lllarl~ ' ~o ught aftrr b~ ' hu ~~', ~o tu rn rd 10 the making of ~ mall I\'ooden ob.i ects whi ch ladie", who collrctrd in hoth categorir~ from their cigar­ t h e~' co uld prdelle throughout the ('ountry ~ icl e, or exc hange ~moking frirndr< ane! relatiwf'. The cigar band:,; they tran ~­ fer a mgbt's lodgi ng and a ll1 C'a l r two , formed into a~ht r a~'s, hy gluing them to the underside of To fi nd thr raw material for their craft pr e~e nt d no glass tray, in formal pat tern s, TIl(' ribbons t 11(',1' ~e\Ve d problem, Cigar box(' ~ were pi ntiful at the tUI'l1 of the rogrt l1Pr In geoJl1etrical arrangrJl1e nt , to make c'u ~ hi o n tops, (enlur.I', al' m('n ~ !l1 oked eiga rs, not eiga rC'ttes, .\Illong t1w Both itf'm" in great vog1le a half-c'enturl' ago, noll' tllrn lip ~o lid citizen r ~' ciga rettC'Cl, rlul bC'eI "coffin s," hnd made

5 ourtesy: Norman mith , Lenhartsville, Po. 5. Multiple mirror lrame, with cresting whittled Irom cigar box wood. A pea ant simplicity is evident.

6 little headway. 'iga r bow provided ju t the kind of wood con truction can be deduced from certain piece of wood the ca rn' rs preferred for their work-thinly 'awed, fine­ wh ich a re much longe r than tho e provided by the a veragc grained, not too ha l' I, and lIith a moothly fini hed surface. box. Furthermore, it did not plinter easily. I have been tolel by ome one Il'ho remember t he old­ The average piece of edO'e ca n 'C'd \I'o rk wa ma Ie of cut ti me yendors of edge-carved work (it wa he II'ho ca lled il nd haped piece of II'ood, each bo rdered with evenly cut it "tramp \I'ork") t hat t he cold felloll' used to inquire of notches. The e piece were t hen assembled in layer, suc­ the cu' tomers they met on their rounds whether the~' had cessively c1imini hing in sizC', so that the email diamond­ any boxes or bits of broken mirrors to givc all'ay. I ca nnot shaped notche pre ented a ri ch effect, one often of almo t state with a n~' authori ty whether thi type of work II'a' Oriental intricac~', yet an intricacy achi eyed by the mo t made in other s ctions of the United States. I, myself, elementary of means. ometime there were as man~' as have noted exa mples only in eastern Pennsylvani a. I might ten or tweh'e layer of edge carved piece. The average ve nture a gues!:', hOIl'ever, that in all likelihood, they were piece, however, attained a fairly elaborate effect II'ith but produced in thi locale-as it was one II'here the craft t radi­ fo ur or fiye layers. tion lingered on-and b~' the itinerant cra ftsman who could Before \\'orking on the C'dge of a piece, the craftsman IIOt fi t into t he \I'orld of machinery. chimmel, that well­ had to have a clea r picture-either in hi s mind or drawn publicized 1I'00dcarver of the nineteenth century, was an on paper-of what he planned to make. Each layer of a old German wanderer of thi type. H e, like the edge motif had to be cut out in order that it would be smaller carvers, \yorked with scrap material he picked up, and than the one heneath it, so that each notched edge would practised hi craft in such malc haunts as wago n hops, be \·isible and thu contribu te it bit to the general decora­ 0 1' even when ea ted along the road id e, working away at tive etfect. his birds and eagles with hi cIa p knife. Although come craft~men piled up the e multiple layers ::Jcwspaper holders, picture and mirror frames, doll furni­ on their pieces, ot h er~-II ' ith les~ , kill , les material, 0 1' ture, sewing boxes, t rinket cases and match holders a re but rerhap less patiencc--\I'ere content to notch t he edge of a fCII' of the a rti cles deco rated with edge carl'ing, or if not a decoratiye fo rm and appl~' this form as a si nO'le layer to carved in that fashion , II'ere made from the sa mc ciO'ar box a plain background. (ee illu. t ration l.) Edge carving \\'ood. All di play a ce rtai n charm and artistic pea ant embelJi hed many small ohjects whi ch were planned to catch f)uality. tbe homemaker's fancy. One of the com monest wa the Illustration 1 holl' a brush a nd comb holder which is brush and comb holder. Eyery farmhouse had one of t hese typical of the impler form of this a rticle found in Penn- aid to rural good grooming, placed beneath a small looking ylvani a Dutch lo ca le . Thi ~piece is ornamented with gla hung in the kitchen, or on the back porch near the several 1 orders of chip ca rl'ing, together with variou edge ]lump. Answering the ca ll of the dinner bell to meal, the ca rved 1'0 etteR. A gouge chi eI wa used to add a linear men on tbe farm cleaneelup at the p ump, grabbed the brush decoration. llnd comb from the holder, and gave their hair a ha ty Illustration 3 is a match holder whose can 'ing is much slickin CT oyer before sitting lown to t he huge meal ]lrovided more preci e than on mo. t pieces I have seen. This very daily by the country \\'ife. B ru ~h and comb holder added arcuracy of workmanl'hip suggests that it may not have 11 (ouch of ornamentation all'o to bedroom. , an I in ome been made by a n itinerant whittleI' in P enn ylvania, but in:,tance \yore ext remely elaborate pieces of wo rkmanship. that it ca me from that co un t ry of skill ed \rQod carvers, Illustration 2 pictures the piece which hangs in my hal hYay; II'i tzerland. it is the large t and best -d e~igned that I have ever een. "While not an exa mpl e of edge ca rving, the casket shown Studying it in detail, one get the id ea that it might have in Illustration 4 fall~ in thi s cateO'o ry of cra ft 1I'0rk, for it, been planned a, a wedding gift, so sentimental a re t he too, is made of ciga r boxes, its decoration being both carved clements of its design. The, e include fiye hea rt-shaped a nd pi ercd. The ornament, cut in separate pi ece, was mirror , additional heart>; can'ed of \I'ood, plu that ymbol mounted on a ciga r box foundation. The bird and flower of good luck-the horse hoe-and yarious unit II'hich re­ [ll'e \I'ell designed , yet pleasantly primitive. Here again, the oemble pairs of cherubs' \I'ings. :\Iy piece is probably not u~r of a chi seled line a dcl ~ needed detail to the imple forms the unique creation I ~t thought it lI'a~, fo r friend who of the birds. Half-round is tacked on for fin ish haunt count r ~' auction. told me that t h e~' 8aw a sim il ar­ a nd further embell ishment. This piece was obviously pro­ but not so large or elegant an example, come up recently luced by 130m one II'ho lovec! to wield a penknife, and is at a sale. ~ upp osed to have been made in Berks County, P nnsylvania, From my friend's motlwr, I learned the hi tory of the in the 1 O's or 1890's. cabinet. It wa. made in .\Ilentown in the Lehigh oun ty Illustration 5. The cre ti ng on the of this multiple Jail by a man \\'ho was placed there becau~e he didn't up­ jJicture framc was deyi, eci by .ome one also \\'ho lik cl to port his wife. Thi8 "tor~ ' made it (·lea r where the carvel' (' ut a n I whittle. The I ird a nd lea f form could hardly be fonnd the time to lavish 1'0 much Inbor on t he piece, and jmpler in outline than the~ ' a rc . ,Vhat enrichment the ma~' even explain ~ome of the sentiment al aRpects, si nce bird motif po. e se~ was added b~ T closely set line, made 111' had amplr time for repentance ami rcflection. In addi­ with a CTollge chi el to in li cate feathers and vei nings. The tion to the lI'in!!' shapes Il'hirh he adcleel to diversify t he Cr ting is initialed, but lI'hethel' the e ini tial represent the ontline of my particular cabinet, t here arc appliques of carver or the owner, no one can ~ay. Thi, again, i a -mall ro~ett c~, hearts, and bordrr~ of linked ovalR, all noteh­ piece of loca l origin. ('dgecl. Thc ornamentation on thi~ piecc i~ built up of foul' Before t he instinct for ca rving in the oIl craftsmen finally layers. Thr piecc is madc entirelv of cigar box wood, flickered out, it ca n 1 e se n from t hese fell' exa mple -an 1 fa~tenrd togethrr with glllr ami brad '. ,'omr of t he drawer, I know that many more ca n be found-that r ("a ll~ ' a l' List ie made of thr box it~rlf, still brar thr brand marks of the ohject WNe prodll crd from that hUlllbl eHt f matcrials­ factory. That (·igu r boxe. of various. 'izr ' were u: d in its the discardPcl cigar box.

7 Tramps of My Youth 0 0 00 00 0 0 By VICTOR C. DIEFFENBACH Tramps, when I mlS a youth-in the 1890's-were a remember- was a genuine, dyed-in-the-wool German. He frequent sight on alma t a ny co untry road. Today they co uld swim in Inge r beer. I do not knoll' of hi working, but ha ve a It bu t d isa p pea red. he would playa monstrous ha rmonica in the country taverns 'Webster defin es n trnmp n a foot-walker. This accord~ fo r d rinks. He could keep it up a long Winter's eve and with the Pennsylvania Dutch designa tion "der rum-Iayfer. " still be quite abel'. ome of the wanderers were also called "en bettelmann," If one cnme to a country inn some fifty year ago and sa w that is, one who begs; nnd veril y most, if not nil , did .iust a short, thick et man, witb a big bea d, round a a bullet, a that. Some, though, were very helpful a round the fa rm . closely cli pped mustache, nnd hnvi ng a pencil and making Whenever a knight of the road asked for a handout or fo r pot-hooks, curve and curlicues on a sheet of paper-thnt permission to Icep in t he bnrn, he wn customa ril )' nssigned was Eddie Brnun. It II'ould not ta ke more t hnn ten minutes :1 stint :"It the II'oodpile to or cut wood in to stovc-Iength, when the paper wou ld cen e to revolve, and t he sketch was ~ uffi c i e nt for a fell' dn)',' requirement. I remember the time fi ni shed. H e lI'ould draw a nyone', feature for a drink. Iyh en lye hnd nll gone to a nearby sa le. ''i' hen we came home, Eddie drank chnapp ; nnd he would get drunk. there in front of the barn sat a t ramp. One cou ld sec he Then t here wa a smnll , todgy, bcwhi skercd old gent; had been Iyorking, his shirt wa weat-sonked . H e wa "des T routmannly" i, II'h nt he n l way~ called himcclf. W hat making hi pipe, mealmhile fa nning him elf with his hat. ail ed hi s eye I do not knOll', but the cdges of his cyelid He had been to t he woodpile a nd hncl cut enough II'ood to wc re raw and fie ry red, as though someone had cut off a lnst over a month. ::Jaturally (hi fellow wa one of t he thin strip. H e came to Dad's pl nce fo r )'ea r , nnd he lI'a.; " regula rs," the name we a signe I to t hose t r a mp ~ who came always cheerful and gn~·. H c, too, was a Germa n. Il lway at certain time, of t he ~ ·ea r. Some II·ottid he nrou nd Old ~J a r x was a . He would tell u tall talc of only twice 11 yea r- in the Spring nnd F all. Others would come four t im es a yen r, and a few, who did not mind working; nnd who liked good food and a good clea n bcd, would come IlS often perhap a every other month. The latter were for t he most part clea n in garb and habit. One of them, for instance, always aid grace at table. D ad always insisted that if one was good enough to work a day in t he field or 1V00d , he was entitled to a good Il"a rm meal with t he fn lllil~·. The tramps who passed th rough ou r northwestern pa rt of Berks County ca me from many d ifferent countrie. l\I n n ~ ' , I would gue three-qua rters of t hem, were Germa ns; in fac t in our Pennsylvania Dutch speech t he word "en D eitscher" or a German was synonymous with t ramp. M y parents ga\'(' shelter to Briton , Irishmen, F rench, Itali ans and on e lone paniard. J ell' by t he score came a round, but t hese were in another category. Al 0, once in a while a negro would co me along, but very, very seldom . And there wa one lone specimen from the "F lowery Kingdom"-J apan .

WHO THEY WERE

Of all t he tramp, Professor Kintzel was my fnvori te; he, \\'as a big, heavil y built man, with a fl owing red beard, thi ck-l ensed glasses, plus a hear t of gold. H e II'n s a ma the­ matician nnd an astronomer. While just a kid of tender year I watched him and listened to hi s High German as he tl\ught my older brother the rudimen ts of a lgebra. Seated at the big table in the ki tchen, he would explain in detail ''1l"ie ix ist zu zett" (a X i to Z) un til I fell asleep listenin o­ to his droning voice. "Der D eitsch Fridder"-what hi la t name wn s I do not

8 the Ba ron :\lunchha usen yari ety un t il we laughed and cri ed C ha rley 1(ell er \I'as a taciturn ma n. H e seemed to be in s imult aneou~ly . continual retrospect. ITe would it for hours by t he fire, A spare, wi?ened gnome, lea ding a n emaciated nag, too silent a the Sphinx. \\'eak to carr~' a rider on it back, a nd a lw a ~ 's accompanied Cha rley Winter, like K ell er, wa tall a nd thin, but more by a dog or tll'O- that \I·a. "c\rr \Yaldfogel. " \Vhether thi!' loquacious. itting by the fire, hi pipe a -O'l ow, a nd a mug was hi real name or not 1 ca nnot tell ; it is t he onl y name of cider nea rby, he Il'ould regale us for hours at a sitting. \I'e eyer found out a nd he was a bi rd from the , a his I-Ie wa from Bava ri a, and spoke more like a P enn ylva ui a na me implied . Dutchma n tha n a rea l Germa n, although he I\'ould interj ect K a p CI' Xebelhut \I'as (a ll and !