Grosvenor Prints Tel: 020 7836 1979 19 Shelton Street [email protected] Covent Garden www.grosvenorprints.com London WC2H 9JN Catalogue 107

Item 5: The children of Charles I

Cover: Detail of item 51 Back: Detail of Item 30

Registered in England No. 305630 Registered Office: 2, Castle Business Village, Station Road, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Ra ment. C.E. Ellis. E&OE VAT No. 217 6907 49 1. Belgian Troops Sep 1815. Bois de Boulogne. Pergolesi Inve.t scul.t Pub.d Anccrding to A. Long. [n.d., c.1815.] Act of Parliament August 30, 1792, No 16 Rare amateur lithograph. Sheet 150 x 265mm Broad Street, Golden Squ.e. (6 x 10½"). Laid on card as issued. £120 Engraving. 420 x 285mm (16½ x 11¼") very A camp with huts made of straw. A large margins. £260 wounded soldier limps with a crutch. A cameo bust portrait of Elizabeth Scott (née Amelia Long (née Hume) (1772-1837), Montague, 1743-1827), wife of Henry Scott, married Charles Long who was created 3rd Duke of Buccleuch, within a page of Baron Farnborough in 1826. Lady festoons. It was published in Michel Angelo Farnborough was Girtin's favourite pupil, Pergolesi's 'Designs for Various Ornaments and her work was widely admired by on Seventy Plates', 1777-1801. professional artists and drawing masters. For Little is known about Pergolesi other than he a sketchbook by the artist see V&A E.21080- came to England to work for Robert Adam, 1957. designing furniture, mantelpieces, ceilings, Stock: 55711 chandeliers, doors and mural ornament. He

returned to Italy c.1801. Stock: 55691

4. [French landscape] Engraved from the Original Picture. Boucher Pinxit. Aliamet Sculpsit. Published Oct.r 2.d 1775 by John Boydell Engraver in Cheapside London. Engraving with sepia wash. 205 x 285mm (8 x 11¼"), on wove paper. Glue stains in very large margins at corners. £140 A river with an old bridge. Stock: 55618

2. Design of a Bridge in imitation of the 5. [Italianate landscape.] No 202. Aqueducts of the Ancients proposed to be Zuaurelli del. [Francesco Zuccarelli?] Joh: built over the Lake at Bowood Park, in Georg Hertel excud. A.V. 3. [Augsburg: Wiltshire. One of the Seats of the Earl of Johann Georg Hertel, c.1750.] Shelburne. Etching. 190 x 295mm (7½ x 11½"). Trimmed R.t Adam Architect 1768. Bened: Pastorini within plate. £130 incidit. Published as the Act directs 1778. An untitled Italianate landscape, with a Engraving. 440 x 590mm (17¼ x 23¼"), with building and a tower by a river. From a large margins. Central crease as normal. series of landscapes after various artists £390 Stock: 55611 A bridge designed by Robert Adam (1728- 92) to resemble a half-ruined classical bridge, 6. Engraved after an Original Picture of Mr. with classical rustic figures fishing. It was George Smith, in the possession of Mr intended for Bowood House in Wiltshire, Rob.t Saltonstall. during Adam's work on the interiors as well G Smith of Chichester pinxit. T. Morris as creation of an orangerie, menagerie and Sculpsit Pupil to Mr Woollett. Published mausoleum. April 4th. 1774 by John Boydell Engraver Published in Adam's 'Works on No. 90 in Cheapside, & Rob.t Sayer, Map & Architecture'. Printseller opposite Fetter Lane, Fleet Street. Stock: 55680 Etching. Sheet 320 x 355mm (12½ x 14"). Trimmed within plate. £180 3. CCCCCXXXII. 66. To Her Grace Elizabeth Thatched farm buildings by a river, Duchess of Buccleugh, Encourager of the overlooked by a ruined church, after George Artists, No 13 of this Work, Is most humbly Smith of Chichester (1714-76). Dedicated by Her Grace's most obedient & Stock: 55669 obliged humble Serv.t Michael Angelo Pergolesi. 7. [Italianate landscape.] G. Vitalba inv. et incis. Publish'd as the Act directs, March 17, 1792, by the Author, Mo 19 Weymouth Street. Etching, printed in brown and hand finished with original coloured borders; Sheet 190 x 250mm (7½ x 9¾"). Trimmed within plate, mounted on 18th century album paper in borders. £130 A landscape with a lake, with a man angling. Giovanni Vitalba (1738-c.1816, a pupil of Bartolozzi, is best known for his plate of Kenwood House in Robert and James Adam's 'The Works in Architecture', 1774. Stock: 55601

8. [Dutch landscape] Engraved from the Original Picture. Ph. Wouvermans Pinxit. Aliamet Sculpsit. Published Oct.r 2.d 1775 by John Boydell Engraver in Cheapside London. Engraving with sepia wash. 200 x 280mm (8 x 11"), on wove paper. Glue stains in very large margins at corners. £140 A river with a half-dead tree on the bank. Stock: 55617 11. [Twelve Months.] Januarius. [&] Febuarius. [&] Martius. [etc] 9. L'Adolescenza. [Hamilton pinx. Gabrieli [& Bonato] sculp. G. Zocxhi inv. F. Bartollozi Scul. Wagner [n.d., c.1790.] Venezia C.P.E.S. [n.d., c.1761.] Set of twelve engravings. Each c.310 x Very fine engraving, 18th century 255mm (12½ x 10"). Most trimmed to plate, watermark. 520 x 340mm (20½ x 13½"), with some with stains to edges. £2800 large margins. £320 A set of twelve ovals representing each Young people, read, play a pipe and flirt month, named in Latin and with lines from among classical ruins. Ovid, including scenes of skating, angling, a Stock: 55693 may pole, harvesting, sheep-shearing hop-

picking and chopping fire wood. Engraved 10. Premio della virtu. by Amedeo Gabrielli and Pietro Bonato. G. Zocchi inv. F. Bartollozi Scul. Wagner May with slight loss at top; June very small Ven.a C.P.E.S. [n.d., c.1761.] tear top centre margin; September small Very fine engraving, 18th century repaired tear left top margin and crease on watermark. 515 x 335mm (20¼ x 13¼"), with left in image; December repairs in title area.

large margins. £320 Stock: 55633 'The First of Virtue'. A female angel kneels on a monument, blowing a trumpet as three 12. Summer. Now swarms the village o'er the figures festoon the monument with jovial mead'... garlands. A half-naked woman with sagging Drawn by T. Hearne. Engraved by W. Ellis. breasts (a Sin?) covers her ears. De Vesme London: Published as the Act directs, 12 740. Aug. 1784, by W.m Ellis, No. 9 Gwynne's Stock: 55692 Build.gs Islington. Etching with engraving, signed in ink by the engraver on reverse. Sheet 345 x 375mm (13½ x 14¾"). Trimmed within plate. creasing, small tear taped. £320 An oval harvesting scene, one of a set painted by Thomas Hearne illustrating Thomson's poem 'The Seasons'. The BM's Writing Sheet; lithograph with very fine example (1849,0328.73) is also signed by hand colour. Sheet folded as issued, front William Ellis. 245 x 205mm (9¾ x 8"). £130 Stock: 55668 A young woman in a flower garden overlooking a river is presented with a valentine by Cupid. Stock: 55723

13. The Evening. Phoebus now setting, Collin then retires... Vangoen pinx.t. Austin sculp.t. Sold by the Printsellers of London & Westminster [Thomas Major, c.1740, but later]. Etching with sepia wash. 275 x 365mm (10¾ x 14¼"), on wove paper. Very small tear in top right margin. £230 Houses at the side of a river, after Jan van Goyen. One of four plates of the times of day engraved by William Austin after Dutch masters, with 'Morning' after Anthonie Waterloo, 'Noon' by Jacob van Ruisdael, and 16. Le Courtisan Suivant le Dernier Edit. La Laquay. 'Night' after Aert van der Neer. Stock: 55619 [Etched by Abraham Bosse.] [Paris: Jean Leblond, c.1635.] 14. The History of St Paul's School. Rare etching. Sheet 300 x 200mm (11¾ x 8"). [London, R. Ackermann, 1816.] Trimmed within plate, small repaired tear Extract, 4to, disbound; pp. 34, partially top, creasing. £260 unopened, two coloured aquatints, very A full-length portrait of French courtier large margins. Soiling to front (back of first dressed in more sombre fashion, his young plate) and edges. £160 valet (lackey) removing his more elaborate The complete text relating to St. Paul's dress. A contemporary print showing the School from "Ackermann's Public Schools", effects of the ordinance of 18th November with the two aquatint plates, each c. 250 x 1633, one of two sumptuary laws in which 300mm (8 x 12"): "St. Paul's School", Louis XIII banned extravagant dress styles. engraved by Stadler after Pugin; and "The No one but princes and the nobility could School Room of St Paul's, by Bluck after wear gold embroidery or caps, shirts, collars Mackenzie. Large paper copy. Abbey Scenery and cuffs embroidered with metallic threads 438. or lace; and puffs, slashes, and bunches of Stock: 55728 ribbon were severely restricted. From a series 'Les Metiers' (Trades) by Abraham 15. [Valentine] Youthful in years and not Bosse (c.1604-76), which contained several deformed to view / With heart devoted references to these mostly-ignored constantly to you... regulations. [n.d., c.1830. Stock: 55654

17. [The Flight of Lot and His Family from image. We have a photocopy of the keyplate Sodom.] Eruditione et probitae Cl.mo V.D. to be included. De Vesme: 538. iii of iv. Joanni Brantio Lc.to Urbi Antverpiensi Ab Stock: 48180 Actis Socero Amantissimo, Petrus Paulus Rubens Gener. Observantiiæ Ergo D.D. P.P. Rubens pinxit. Lucas Vosterman Sculp. et excud. An.o 1620. Engraving, 17th century watermark. Sheet 325 x 385mm (12¾ x 15¼"). Trimmed to plate, repaired tear & nicks. Damaged. £240 An angel leads Lot, his wife and daughters from Sodom before the city is destroyed, after Peter Paul Rubens.. The original painting is in The John and Mable Ringling Museum of Art, the official 19. [The Queen inspecting wounded state art museum of Florida. Coldstream Guardsmen in the Hall of Stock: 55623 Buckingham Palace, 22 February 1855.] [after John Gilbert.] Vincent Brooks [n.d., 1903]. Rare chromolithograph. Printed area 550 x 905mm (21¾ x 25¾"). Paper toned, wear to edges. £450 A scene in the Marble Hall of Buckingham Palace, with the Royal Family receiving 26 Coldstream Guards who had been wounded fighting in the Crimean War. Sir John Gilbert RA (1817-97) sketched this scene from a verbal description, to create a wood engraving for the Illustrated London News for 10th March 1855. He then enlarged 18. [The Death of the Earl of Chatham.] J.S. Copley Pinxit R.A. F. Bartolozzi R.A. the scene for a watercolour, using Sculp.t Published according to Act of photographs of the soldiers for accuracy. Parliament 10.th of Decem.r 1788 by J.S. When it was exhibited at the Old Copley London. Watercolour Society exhibition in 1856, it Engraving, rare proof state before title. 640 x caused a sensation, and was purchased for 813mm (25¼ x 32"), with large margins right the Royal Collection, probably by Edward, and left. Trimmed top and bottom. A few Prince of Wales. repairs to margins. £550 This very large chromolithographic copy of Lord Chatham collapses in the House of the watercolour is still less than half the size Lords, falling against a low platform on the of the painting. right, the Duke of Mahon supporting his In 2019 Queen Elizabeth II was feet, the Duke of Cumberland his arm, his photographed examining the painting when three sons John, William and James Pitt it was included in the exhibition to mark the clustered around him, the throne in the 200th anniversary of the birth of Queen background on the left, and peers gathered Victoria, part of the Summer Opening of in front, one sitting at a table strewn with Buckingham Palace. See the Royal Collection papers, and the Lord Chancellor, Lord Trust RCIN 451958 for the watercolour. Bathurst, wearing a hat. The famous Stock: 55704 tapestries of the defeat of the Spanish Armada fill the surrounding walls, prior to their destruction in the fire that burnt down the Houses of Parliament in 1834. A fine 23. Les Oyes de Frere-Philippe. Friar-Phillip's Geese, A Tale from La Fontaine. O l'agréable Oiseau... H. Bunbury Esq.r. delin.t. Engrav'd by Tho.s. Watson. London Publish'd Oct.r. 3.d. 1782, by T. Watson, No 33 Strand. Stipple. Sheet: 370 x 415mm (14½ x 16¼"). Trimmed within plate, repairs. Damaged. £190 Two pretty young women stand playing lutes. Behind a friar restrains a young man

20. The Destruction of Jerusalem. who is desperate to approach them. Painted by E. Lambert. Engraved by G.S. A scene from Jean de la Fontaine's (1621- Sanders. [London, Published July 12, 1836, 1695) fable 'Friar Phillipes Geese'. a tale in by the Proprietor, 14, Dalston Rise, Near which a friar takes a boy into the wilderness Hackney, and to be had of Mess,,rs and brings him up free from temptation. Ackermann & Co. 96, Strand.] However, at the age of twenty the young Rare mezzotint with engraving, proof before man meets the young women and becomes publication line. 315 x 420mm (12½ x 16½"). besotted: when he asks his father what they £380 are the friar replies that they are geese, a The Romans rampage through Jerusalem at slang name for prostitutes. night, the defenders firing down from Stock: 55705

balconies. In a gap in the clouds the silhouettes of the Roman gods can be seen in the moonlight. Stock: 55635

21. [The Augsburg Confession presented before Emperor Charles V.] Carl Demshart sculp: Aug: Vind. [after Michael Herr] [Augsburg, 1698.] Rare engraving. Sheet 380 x 495mm (15 x 19½"). Trimmed within plate, many worm holes filled in. £280 A scene from the Diet of Augsburg, 1530, showing Charles V receiving the 'Augsburg Confession', 28 articles of faith setting forward what the Lutherans believed, taught

and confessed and abuses they condemned. 24. [The History of Sir William Harrington.] Stock: 55694 The Libertine relaim'd.

W. Harding Inv.t. F. Bartolozzi R.A. Sculp.t. 22. Boy and Birds Nest. In the Collection of his London, Publish'd May 1st 1792 by W. Grace the Duke of Norfolk. B. Murillo Pinxit. Caroline Watson Sculpsit. Palmer, Printseller to her Majesty No 163 Publish'd Sep.r 1st 1781 by John Boydell Strand. Engraver in Cheapside London. Stipple, printed in brown. 380 x 355mm (15 x Stipple. 225 x 180mm (8¾ x 7"), on wove 14"). Thread margins, faint mount burn. £290 paper with very large margins. £130 A boy stroking a bird in a nest, after A scene from 'The History of Sir William Harrington', first published 1771, by Anna Bartolomé Esteban Murillo (1618-82). Stock: 55604 Meades (1734- before .1779). Published anonymously, it is sometimes credited to actor and dramatist Thomas Hull, who brought out a 'revised and corrected' edition in 1797. De Vesme 1504, iii of iii. Stock: 55634 25. [Adam and Eve] Paradise. Chosen by the 27. Priam, king of Troy, supplicating Achilles Sov.ran Planter, when he framed / All to deliver to him the body of his son things to man's delightful use... Hector. Sudden (a venerable sight!) Engraved by Mr T. Fielding, from a Drawing appears; / Embrac'd his knees, and bath'd in by John Martin In the Possession of the his hands in tears. Publisher. London; Published July 1825, by Painted by H.y Fuseli R.A. Engraved by L.s R. Lambe, 96 Cracechurch Street. Schiavonetti. [London: F. I. Du Roveray, Fine aquatint on chine collé. 275 x 225mm 1806.] (10¾ x 8¾") very large margins. £290 Engraving. Sheete 260 x 171mm (10¼ x 6¾"). Adam and Eve walking in the Garden of Bit messy. Trimmed within plate, some Eden, mountains in the distance. Extremely surface wear. £60 rare and fine example of aquatinting. Minerva appears to help Odysseus kill off One illustration of 364 in a three-volume the suitors who are trying to marry Penelope edition of Milton's ''Paradise Lost''. and take over his beloved Ithaca. Stock: 55658 An illustration from Pope's translation of Homer's 'Illiad', the epic story of the the fall of Troy. Weinglass: 242. Stock: 55607

28. Andromache Weeping Over the Ashes of 26. ''Cassy's Happier Days,'' / "I Used to love to Hector. read to Henry to play to him, / to waltz with Painted by Angelica Kauffman. Engraved by him, and sing to him.'' View ''Uncle Tom's W. Dickinson. London, Publish'd May 20th Cabin.'' 1785, by W. Dickinson, Engraver & Louisa Corbaux, del.t et lith. London, Printseller, No 158 New Bond Street. Printed and Pub.d Jan.y 8th 1853, by Stipple, printed in colours. 430 z 325mm (17 Stannard & Dixon, 7, Poland St. x 12¾"). Thread margins, some surface wear. Coloured tinted lithograph. Sheet 365 x £280 240mm (14 x 9"). £160 Andromache mourns her husband Hector, An illustration from the beginning of Harriet killed by Achilles during the Trojan War. Beecher Stowe's important anti-slavery Stock: 55621 novel, 'Uncle Tom's Cabin'. Here Cassy plays a guitar, watched by Henry and two small 29. Marchande de Cupidons. From a beautiful children & high finished Painting in Water Colours 'Uncle Tom's Cabin' first appeared as a serial by F. Bartolozzi, after the Antique. in 1851, then as a book in 1852, both being an F. Bartolozzi pinx. J. Ogbourne sculp. Pub. instant success. This English illustrated May 1 1783 by J. Thane, Rupoert Street, Hay edition also appeared in 1852, with a Market. portfolio of illustrations by Louisa Corbaux. Oval stipple, printed in brown. 200 x 225mm Stock: 54157 (8 x 9"), very large margins. £290 A woman in classical dress holds a winged Annunziata, Cortemaggiore, painted by cherub on her lap as a mother looks Pordenone c. 1529-30. Baillie copied this admiringly over her shoulder. A third image from a red chalk drawing in the woman grasps another cherub by the base of British Museum, which is labelled as a work his wings to lift him out of a basket in which by Corregio. a third cherub sits. Captain William Baillie (1723-1810) retired Stock: 55662 from the army in 1761 and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques. See BM 1946,0713.481 for the chalk drawing & 1837,0408.528 for a lettered state. Stock: 55599

32. Cottage Charity. Published by Dean & Co [n.d., c.1850]. Lithograph with very fine hand colour. Sheet 310 x 355mm (12¼ x 14"). Trimmed to image and around title. Crease in title. £95 The interior of a cottage, with a young woman giving two beggar children a bowl of milk to drink. Stock: 55620

33. Evening. From the original Picture, painted by Paul Potter; In the possession of The Earl Grosvenor. 30. Hylas and the Nymphs. Drawn by W.M. Craig and engraved with C. Benazech Londini, Ex Academiss permission by J. Scott. London. Published Florenciae etc etc invenit et direxit. Publish'd June 1, 1814 by Longman, Hurst, Rees, Orme march 15th 1787 by C.Humpheris, et se & Brown; J. White; Cadell & Davies; And trouve à Paris chez Vidal Rue de la Harpe P.W. Tomkins, Engraver to Her Majesty, No no.181 et chez l'Auteur. 54 New Bond Street. Etching and manière de lavis (early Aquatint with etching on chine collé. 300 x aquatint), printed in colours; wonderful 395mm (11¾ x 15¾"). India paper lifting at colour printing; 400 x 320mm (15¾ x 12½"). corners. £180 Narrow margins, repair to loss at edge of An evening scene in a cow field, with a cow plate on left. £420 being milked to the right. Hylas, beloved by Hercules, joined the hero From 'The British Gallery'. as an Argonaut, but he was kidnapped by Stock: 55624 the water nymphs of Pegae, never to be seen again. 34. A Country Scene in Winter. Boys Making a A pair to 'Daphnis and Amaryllis', both with Snow Man. Breaking the Ice for the Cattle. lines from Virgil's Eclogue under the image. [n.d., c.1840.] Stock: 55655 Lithograph with hand colour. Sheet 205 x 295mm (8 x 11¾"). Original folds, laid on 31. [From a Drawing by Corregio.] fabric. £130 [WBaillie August 1st 1777.] In the background a coach struggles through Fine stipple and mezzotint, proof before the snow. A Magic Print. letters, printed in sanguine. 200 x 250mm (8 Stock: 55625 x 9¾"), with sanguine crayon border in very large margins. £230 A group of nude angels flying amongst clouds, a detail from the dome of the Immaculate Conception chapel in SS. 35. To their Graces the Duke and Dutchess of Coloured aquatint. 430 x 670mm (17 x 26½"). Ancaster This Representation of the Trimmed within plate on three sides. £480 Embarkation Of her Majesty Queen A large rare naval aquatint showing bow Charlotte at Stade; With a View of the view of the British frigate La Nymphe as she Royal Yatchs, &c. &c. is humbly Inscribed sails past the stern of La Cleopatre. By their Graces' Most Devoted & Obliged Captured, La Cleopatre was renamed Oiseau Servant. Thomas Allen. [&] ... This View of and inducted into the Royal Navy, as La Harwich, and the Yatchs going out, With Nymphe had been in 1780. Lord Anson returning the Salute from Stock: 55682 Landguard Fort is most humbly Inscribed ... T. Allen pinx. P.C. Canot sculp. Printed for Jn.o Bowles at the Black Horse in Cornhill; & Carington Bowles, next the Chapter House in St Paul's Church Yard [n.d., c.1765). A pair of very scarce engravings. Each c. 425 x 605mm (!6¾ x 23¾"), with large margins Repaired tear in margin of first plate. £1600 A pair of maritime scenes depicting the passage to England of Charlotte of 37. To the Hon.ble the Court of Directors of the Mecklenburg-Strelitz for her marriage to South Sea Company This Piece being a George III in 1761. The first shows her Representation of the Fishery of Great departure from Stade in Lower Saxony on 28 Britain, in it's three different Branches viz.t August 1761, the second her arrival at Cod, Herring, and Whale, is most humbly Harwich on the 6th September, after a 10- Dedicated. day voyage hampered by three severe T. Baston Del. E. Kirkall sculp. [n.d., 1721.] storms. Etching. 255 x 365mm (10 x 14¼"), extended Stock: 55681 with ink mss. image and borders. Laid on archival paper, with repairs. £360 A composite scene representing the three most important types of commercial fishing. The manuscript borders were added to make the print fit with others in a print room. Ex: Collection Hon C. Lennox-Boyd. Stock: 55664

38. The Fishery. To Sir John Hort Bart. His Majesty's Consul General at Lisbon. This Plate is Inscribed by his Obliged Humble 36. This View of the French National Frigate Serv.t W.m Woollett. The Picture from La Cleopatre, Commanded by Mons.r which this Plate was engraved obtained the Mullon, as brought into Action by his First Premium in 1764, from the Society of Majesty's Frigate La Nymphe, Commanded Arts &c. by Capt.n Pellew on the Morning of the Rich.d Wright pinx.t. W.m Woollett sculp.t. 17th of June 1793, is humbly Inscribed to Published as the Act directs, 30 June, 1768; the Officers of the Royal Navy by their and Sold by W.Woollett in Green Street, obedient Serv.t Rob.t Dodd. Painted by R. Leicester Fields, & T.Bradford, No.132 in Dodd, from the real Ships a few days after Fleet Street, London. the Action, and Engraved from the Original Etching with engraved lettering. Sheet 470 x in Possession of Andrew Lindegreen Esq.r. 578mm (18½ x 22½"). Trimmed to platemark, R. Dodd fecit. London, Publish'd Sept.r 20. laid on archival paper. Creasing in centre. 1793, by Woodfall & Freeman, Printsellers to £280 his Majesty, No 95, Strand; R. Dodd Alsop Several ships on a turbulent sea; on the shore Buildings, New Road, Marylebone & by T. in the foreground, men unload their fishing Adams, Shaftesbury. boats, a lighthouse and building in the distance on the left, a horse-drawn cart approaching the shore on the right. Stock: 55686

39. [A harbour scene.] a6. R. Zeeman. [n.d., c.1650.] Etching, 17th century watermark. 130 x 205mm (5 x 8") very large margins. Mount burn. £180 Etched by Reinier Nooms (1623-67), Dutch painter and printmaker who signed his prints 'Zeeman' ('Seaman'). Nooms travelled widely as a sailor on Dutch merchant vessels 42. The Loss of H.M. Steam Frigate Avenger, in his early life, and his works include views Captain Charles Napier, off the Coast of of Tunis, Tripoli and Algiers as well as many Barbary, on the night of Dec.r 20th,1847, European ports. He produced some 170 when all perished but four. This Print of etchings of seascapes include architecturally the melancholy event is dedicated to Lieut accurate renderings of Amsterdam. D 28 IV. Rook, and the Survivors and Relatives of Stock: 55598 the ill-fated Crew. C.P. Williams del. Allen & Ferguson lith. Glasgow. Ackermann & Co London, W.H. Charpentir, Portsmouth and R.A. Grove, Lymington. Lithograph. Sheet 280 x 375mm (11 x 14¾") Light toning, edges chipped. £220 HMS Avenger, a wooden paddle wheel RN frigate, was launched in 1845 and wrecked two years later on the Sorelle Rocks near Malta. Stock: 55727 40. [Moonlit bay with a statue of Neptune] _ now glow'd the Firmament... 43. Loss of His Majesty's Steam Packet, T. Baston delin: E. Kirkall Sculp. [n.d., Meteor. As she appeared shortly after she c.1720.] struck on the Church Hope Rocks, off Engraving with etching, 220 x 320mm (8¾ x Portland Island, on the night of Tuesday 12½"), extended with ink mss. image and Feb.y 23rd at 10 minutes past 8, in a dense borders. Laid on archival paper. £260 fog, and heavy wind. From a Sketch, taken A calm moonlit bay, with men fishing with the same Evening by W. Hawkes, Civil lines and nets. Engineer, Birmingham. The profits arising The manuscript borders were added to make from the sale of these Prints will be the print fit with others in a print room. Ex: divided among the Crew, for their great exertions in saving the lives of all the Collection Hon C. Lennox-Boyd. Stock: 55663 Passengers on board, by ropes on the Principle of Captn. Manby's Apparatus; 41. [A yacht and three warships in a storm.] most of the luggage was also landed, but [W. Hollar inv: et fec: 1667.] the greatest part carried off or destroyed by Etching, Sheet 115 x 270mm (4½ x 10½"). the Inhabitants of the Island. Trimmed to image, losing Hollar's signature, [Printed by C. Hullmandel.] [Published, image continued with old watercolour. 1830, by W. & I. Natclyffe, 34, New St. Creasing. £190 Birmingham & R. Ackermann, 96, Strand.] From 'Sea Storms', a set of four plates, Lithograph. Sheet 265 x 340mm (10½ x originally published by Peter Stent in 13¼"). Trimmed into image and around the London. title, losing some text, tear. £160 The image was extended to fit with other The wreck of a mail packet coming from prints on a print screen. Pennington 1273. Guernsey in 1830, showing one of the Stock: 55340 passengers being brought ashore using ropes. All 14 were saved. According to 'The Times': ''For the most part [the looters] were Portlanders, who, closely associated with Chesil Beach, were practiced wreckers. The mail was saved. Afterwards, machinery and gear was salvaged and the wreck sold, an action that earned the agent reproof because he omitted to seek the Postmaster’s consent! The vessel struck the rocks at 8.10 p.m. in dense fog and heavy wind. The profits arising from the sale of the wreck were divided amongst the crew for their exertions in saving the passengers lives. Most of the luggage was carried of or destroyed by the islanders. If general attention can be called to this national disgrace, a great public good may be effected''. Stock: 55726

45. Painted Glass in a Window of Farndon Church Containing Portraits of Cheshire Gentlemen who attended K. Charles I. at the Siege of Chester. From a Drawing contributed by the very Rev.d Cholmondeley Dean of Chester. [London, Printed for Lackington, Hughes. Harding, Mavor, and Jones, 1819.] Rare engraving with fine hand colour, including gold highlights. Sheet 310 x 250mm (12¼ x 9¾"). Trimmed to printed border, laid on album paper. £160 An illustration of a window commemorating the Royalists who fought to protect Chester from the Parliamentarians, in a chapel built for William Barnston in St Chad's Church, Farndon. Among the illustrations of musketeers, pikemen and musicians are fiver portraits: standing by a tent is Sir Francis Gammul (1606-1654), former major of Chester; flag-bearer Ensign Hugh [?] 44. Lamb & Whites Patent Life Boats. Clench- Berington; and along the top are Sir Richard built Life Boats for the Revenue Service, Grosvenor (c.1604-65), Sir William Yachts, and Quarter Boats for Emigrant Mainwaring (c.1615-44), and William Ships, Steamers, &c. Barnston (1592-1665), sponsor of the Day & Son, Lith.rs to The Queen. [Isle of window. A fourth portrait on the top row, Wight, 1863.] where the title title is here, has been Lithograph. Sheet 265 x 220mm (10½ x 8¾"). destroyed and forgotten. Laid on blue album paper at edges. £320 From George Ormerod's 'History of the Two illustrations on one sheet: a lifeboat in County Palatine and City of Chester'. Hugh choppy seas with oarsmen and a cox, and a Cholmondeley (1773-1815), Dean of Chester beached boat tilted to show the interior. from 1806 until his death, paid for the From a pamphlet advertising Lamb & restoration of the window. White's boats. https://anneyoungau.wordpress.com/2020/06/21/ Stock: 55725 the-civil-war-window-in-the-church-of-st-chad- at-farndon-in-cheshire/ Stock: 55627 46. [Kangaroo & Lemur] A Remarkable Animal 49. The Rev.d Mr Thomas Warton. found on one of the Hope Islands, in Sir Joshua Reynolds pinxit. C. Hodges fecit. Capt.n Cook's first Voyage. The Vari, or London Publish'd Dec.r 1: 1786, by W. Maucauco, a native of Madagascar. Dickinson No. 158 Bond Street. Engraved for Millar's New Complete & Fine mezzotint. 455 x 325mm (18 x 12¾"). Universal System of Geography. Repairs to margins. £360 Rennoldson sculp. [Kangaroo after George Thomas Warton the Younger (1728-90), Stubbs.] [London: Alexander Hogg, 1782.] historian of English poetry and Poet Engraving. 295 x 190mm (11½ x 7½"), with Laureate. large margins. Slight glue stain on left arm. The portrait, by Sir Joshua Reynolds (1723- £130 92), was exhibited at the Royal Academy in Two scenes within a decorative border. CLB: 1784. It is now in the Common Room of 373 ii of vi. Trinity College, Oxford. Chaloner Smith 33: Stock: 55733 iii/iii. Hamilton p.71, iii/iii. Stock: 55688 47. [Kingfisher] 9/60. Roland Green [pencil]. [n.d., c.1930.] Etching, signed by the artist. 275 x 175mm (10¾ x 7". Some surface abrasions. £180 Roland J. Green (1890-1972) specialised in paintings and etchings of birds on the Norfolk Broads. Maybe a Kookaburra. Stock: 55676

50. Mr. Grinlin Gibbons. G. Kneller pinx. I. Smith fe: & exc: [1690.] Fine mezzotint. 345 x 260mm (13½ x 10¼"), very large margins. Creasing on right. £360

48. The Botanist. Grinling Gibbons (1648-1721) holding a [probably G. Spratt del.] Printed by G.E. marble head and a pair of compasses. He Madeley, Wellington St. Strand. Published was a wood carver and sculptor whose work by C. Tilt. Fleet Street [c.1830] can be seen at St. Paul's Cathedral, Hampton Fine hand-coloured lithograph. Sheet 270 x Court Palace and Blenheim Palace. CS: 105, i 205mm (10¾ x 8"). Some foxing in edges. of ii. Stock: 55630 £230 An assemblage portrait, with a woman's face and a body of flowers, one of a series of professions. Stock: 55722

52. [Martin Rychart] Engraved from a [most capital] Painting of Vandyck in the collection of the Right Hon.ble the Earl of Warwick by J.R. Smith & publish'd by him Novem.r 20 1779 at No 10 in Batemans Buildings Soho Square London. Mezzotint, First state with scratched letter title, 18th century watermark. 380 x 275mm (15 x 10¾"), with very large margins. Pair of worm holes in margins, some lettering abraded. £390 Maerten Rÿckaert (1587-1631), landscape painter and friend of Anthony van Dyck. He had only one arm, explaining the unusual framing of this portrait. Engraved by the leading mezzotint engraver John Raphael Smith after a portrait by van Dyck now in the Museo Nacional del Prado, Madrid. CS: 144, i of iii; Frankau: 302; O'Dench: 139. Stock: 55689

51. Portrait of the late extraordinary Artist, Thomas Girtin, Natus Feb.y 18. 1775 Obiit Nov. 9. 1802. To Sir George Beaumont Bar.t, One of his earliest Patrons This Print is with Permission respectfully dedicated by his very obliged & grateful Serv.t John Girtin. J.Girtin in the recent fire in Broad Str.t having lost all his property, excepting some prints & c. which with this portrait of his late Brother, he respectfully offers to a liberal Public. Painted by John Opie Esq.r R.A. Engraved by S.W. Reynolds. London: Pub.d May 16, 1817, by J. Girtin, Engraver, Printer &c. No 25 Old Compton Street, 3 doors from Princes Street, Soho. Fine mezzotint. 375 x 255mm (14¾ x 10"0. Trimmed to plate. £360 53. Mr John Dryden. Half-length portrait of Thomas Girtin (1775- Peint par le Chevalier Kneller. Gravé par le 1802), holding a porte-crayon and sketch- Chevalier Edelinck C.P.R. [n.d., c.1700.] book. Watercolourist, friend and rival of Engraving, 17th century watermark. 390 x J.M.W. Turner. , with whom he closely 305mm (15 x 12"), with large margins. Fold, worked. He died aged just twenty-seven, crack in right platemark repaired. Repaired shortly after completing his most ambitious top left margin. £380 and spectacular work, the Eidometropolis, a John Dryden (1631-1700) the acclaimed 360-degree panorama of London measuring English poet, literary critic, translator and over 100ft. playwright who made Poet Laureate in 1668. The portrait was published by his brother Stock: 55672 John Girtin, who had just lost his stock in a fire of November 1816. Whitman 114, i of ii, before further shading of letters of names in the inscription. Stock: 55670 56. [Mary of Modena] Her Royal Highness the Dutchess of York. P Lippy pinxit. R. Tompson excudit [n.d., c.1680]. Mezzotint, fine impression. Sheet 340 x 250mm (13¼ x 8"). Trimmed to image on three sides, shaving inscription at bottom, mounted in album paper, folded on left. £280 Seated portrait of Mary of Modena, nearly full-length, wearing a pearl necklace and a

54. Charles Prince of Wales, James Duke of loose dress also with pearls, stroking the York and Princes Mary Children of K. head of a dog Stock: 55730 Charles the 1st. Vandyke del. Purcell fecit. Printed for Robert Sayer at the Golden Buck Fleet Street. [n.d., 57. [William IV] The King. From an Original Drawing of J. Jenkins. Proof. c.1750.] Printed by C. Hullmandel. London, Fine & scarce mezzotint, 18th century colour. Published Dec.r 10th 1830, by S. Gans, 15, Sheet: 255 x 350mm (10 x 13¾"). Thread Southampton St, Covent Garden. margins, fold in middle. £280 Fine lithograph on chine collé, on printed The three eldest children of Charles I, card as issued. Printed area 320 x 205mm standing with two spaniels. On the left is (12½ x 8"), very large margins. £180 Mary (mother of William III) and on the Sketched portrait of William IV looking over right is Charles II, both dressed as adults. In his shoulder. the centre is James II, still in skirts as was Stock: 55636 fashion for infant boys. Van Dyck's first version of this painting (probably commissioned by their mother, Henrietta Maria) showed both boys in skirts, but Charles I thought his heir should be in more respectful adult clothing, so van Dyck tried again. In 1819 this version can be shown hanging in the Second Drawing Room at Buckingham Palace in 'Pyne's Royal Residences'; it is now in the Queen's Gallery, Windsor Castle. CS: 15. Stock: 55665

55. His Royal Highness George Prince of Denmark. t.Amsterdam by T. Temmen, ye 1 Novemb: 58. [William IV.] Presented Gratis with the 1703. Atlas Newspaper. Engraving. 150 x 115mm (6 x 4½"). Trimmed [by James Whiting.] [n.d., c.1830.] to platemark. £220 Engraving on embossed card. Sheet 135 x A portrait of George, Prince of Denmark 165mm (5¼ x 6½"). £160 (1653-1708), consort of Queen Anne, with A cameo portrait of William IV within an much of the borders and his robes composed embossed design including the Royal Arms. of calligraphy. The Atlas Newspaper ran from 1826 - 1869. Stock: 55570 Stock: 55721

59. Jeremiah Brandreth, the Nottingham Captain. A correct likeness C. Ward. C K. fect [Robert & George Cruikshank.] Derby Published Oct.r 24, 1817. Fine coloured etching. 335 x 130mm (13¼ x 5") very large margins. Slight crease. £360 Jeremiah Brandreth (1785-1817), an out-of- 62. [Five heads.] work stocking maker, was executed for De Boissieu f. [Etched c.1795 but a later treason after being convicted of plotting to printing.] overthrow the government. Etching on chine collé. 205 x 175mm (8 x 7"). He and two others, known as the Pentrich Remains of album sheet on reverse. £90 martyrs, were the last people to be beheaded Eight head studies, all representing middle- by an axe (although after being hanged) in aged men, unshaved and wrinkled, by Jean an execution in Britain. Jacques de Boissieu (1736-1810). Stock: 55718 Stock: 55600

63. Joconda. In the Gallery at Houghton. Leonardo da Vinci Pinx.t. Geo. Farington delin,,t. J.B. Michel Sculpsit. Published Mar,, 25th 1775 by Jn:o Boydell Engraver in Cheapside London. Engraving. 185 x 140mm (7¼ x 5½") with large margins. £90 A half-length nude woman, leaning on a balustrade, a rocky landscape behind. The painting, which was sold to Catherine II of Russia and has been in the Hermitage since 1779, is now attributed to da Vinci's workshop. Stock: 55609

60. [La Gazettière Hollandoise.] [Peint par G. Terberg [Gerard Ter Borch]. Gravé par Wille.] [Paris: Jean George Wille, 1758.] Engraving, proof before letters. 400 x 285mm (15¾ x 11¼"). Faint stain in background. £320 A Dutch woman with braided hair, seated in an trompe l'oeil stone border, with a newspaper in right hand, resting on her lap. After Gerard Ter Borch (1617-81). Stock: 55715

61. The Greek Girl. 64. Mrs Mathew. Geo. S. Newton [Gilbert Stuart Newton]. Painted by Sir Joshua Reynolds. Engrav'd by Geo. H. Philipps. London: Published May 2, W. Dickinson. London Publish'd Mar 1st 1842, by Graves & Walmsley, Printseller's to 1780 by Dickinson and Watson No 158 New Her Majesty, & H.R.H. Prince Albert, 6 Pall Bond Street. Mall. Mezzotint. 640 x 380mm (25¼ x 15") very Mixted method engraving on card. Sheet 290 large margins. Some wear in the margins. x 215mm (11½ x 8½"). Trimmed to plate. Few very minor repairs. Creasing in title £160 area. £360 Portrait of a woman in Greek costume, A full-length portrait of Mrs Elisha Matthew, hands clasped at her waist, wearing rings a celebrated 18th-century beauty, in a and bracelet, after Gilbert Stuart Newton landscape, accompanied by a spaniel. (1794-1835, not George as this inscription). The portrait, painted in 1777 and exhibited at Similar works by Newton include 'A the Royal Academy the following year, is Cauchaise Girl', 'A Dutch Girl' and 'An now in the Museum of Fine Arts, Houston. English Girl'. CS: 48, ii of ii. Stock: 55652 Stock: 55683 65. Le Charme de la Musique. D'Après le A half-length portrait of James Asperne Tableau Original qui est dans le Cabinet de (1757-1820), publisher of prints and books, M. De Damery, Chevalier de l'Ordre Royal including the European Magazine from 1803. Militaire de S. Louis. Stock: 55729 Peint par de la Hyre. Gravé par Chevillet. A Paris chez Wille, Graveur du Roi, Quai des 68. Mr James Asperne Bookseller, Cornhill, Augustines. Past Master of the Foundation Lodge No 96, Engraving. 420 x 310mm (16½ x 12¼") A And St Peter's No 249. P.S.D. of the Lodge little surface wear on edges, faint crease. of Antiquity No. 1. And Grand Steward for £360 1814. A woman playing a lute, sheet music on the Painted by S. Drummond A.R.A. Engraved table before her. Probably after Laurent de la by T. Blood. [n.d., c.1820.] Hyre (1606-58). Stipple with etching. 300 x 250mm (11¾ x Stock: 55717 9¾"). Narrow margins, mounted in album paper. £160 A rare portrait of James Asperne (1757-1820), publisher of prints and books, including the European Magazine from 1803, shown seated on a masonic throne, wearing masonic regalia. Stock: 55710

66. [A woman playing a lute at the entrance of a grotto.] Ar.r Devis pinx.t. Tho. Chambars sculp. [n.d., c.1765.] Engraving, proof before title. Sheet 390 x 305mm (15¼ x 12"). Trimmed to plate, a few repairs. £380 An extremely rare portrait, engraved by 69. Mr James Asperne Bookseller, Cornhill, Thomas Chambars after Arthur William Past Master of the Foundation Lodge No 96, Devis, a painter best known for his 'Death of And St Peter's No 249. P.S.D. of the Lodge Nelson'. of Antiquity No. 1. And Grand Steward for We are unable to trace another example. 1814. Proof. Stock: 55716 Painted by S. Drummond A.R.A. Engraved by T. Blood. [n.d., c.1820.] 67. Mr James Asperne, late sole Proprietor of Proof stipple with etching. 300 x 250mm the European Magazine. (11¾ x 9¾"), paper watermarked 'J Whatman Engraved by J. Thompson from an original 1810', with large margins. Folds in margins. Painting by S. Drummond Esq.r A.R.A. Uncut. £280 London, Published (for the Proprietors of the A rare portrait of James Asperne (1757-1820), European Magazine) by the Executors of the publisher of prints and books, including the late Ja.s Asperne, No 32 Cornhill, 1st Feb.y European Magazine from 1803, shown 1821. seated on a masonic throne, wearing Stipple. 200 x 130mm (8 x 5"), very large masonic regalia. margins.. Spotting. £85 Stock: 55709 70. Heloise. In Trance ecstatic may thy pangs Vendramini. Published 1814, by H.L. be drown'd... Evêque, No 14 Brompton Row. Painted by J. Gardner. Engrav'd by T. Scarce proof engraving. 520 x 420mm (20½ x Williamson. London, Published by R. 16½"). Trimmed to plate at top, some Lambe, Gracechurch Street, Dec.r. 1 1814. creasing, some wear to inscription area and Stipple, printed in colours and hand bottom border. Damaged. £290 finished. 245 x 185mm (9½ x 7¼"), with The Duke of Wellington in a camp during margins. Tear entering plate, crease top left. the Peninsula War. £160 Henri L'Evêque (1769-1832), a Swiss painter, A portrait of Eloisa, face lit by a sunbeam, travelled with the British Army, illustrating illustrating Alexander Pope's epic poem British Peninsula War campaign. 'Eloisa to Abelard'. Stock: 55687 Stock: 55605

73. Oliver Cromwell. 71. [A Scandinavian [?] horse archer.] R. Walker pinx. P.Pelham fecit et excud.t. [n.d., c.1800.] 1723. Sold by John Bowles over against Stipple, proof before letters. 415 x 305mm Stocks Market & at Mercers Hall in (16¼ x 12"). Tear entering image on left Cheapside. repaired, other small tears in margin, slight Mezzotint. Sheet 355 x 255mm (14 x 9¾"). soiling. £260 Trimmed into plate, fold on right. £260 A full-length portrait of an archer wearing Half-length portrait of Oliver Cromwell spurs and an inverted bowl-shaped helmet, (1599 - 1658) in armour, painted by Robert standing in a stable. He carries a longbow, Walker (1599-1658), favoured portraitist of quiver, sword and shield. the Parliamentarians. CS: 13, state ii of ii, with Stock: 55731 the address of Bowles added.

Stock: 55674 72. [Wellington] To His Most Excellent Majesty the Emperor of All the Russias, 74. The Right Honorable Lord John This Portrait of Field Marshal His Grace Townshend. To the Gentlemen of the Whig the Duke of Wellington, Is most humbly Club, and the Electors of the City and Dedicated (with Permission) by His Liberty of Westminster This Plate is Imperial Majesty's very humble Servant, Dedicated by their most obedient faithful John Vendramini. Proof. and humble Sert.t Will.m Austin. Painted by H.L. Evêque, Member of the Painted by Sr. Joshua Reynolds. Engraved by Academy of Genova. Engraved by J. John Jones. Published as the Act directs Mar. New Way at Westminster. Peckwell's career was distinguished as much by his philanthropy as for his teaching. Stock: 55656

76. [Head of the Christ Child] Saint John. In the Cabinet at Houghton. Carlo Dolci Pinxit. Jos.h Farington del,,t. S. F. Ravenet sculpsit. Publish'd Mar,, 15th 1780 by Jn:o Boydell Engraver in Cheapside London. Engraving. 165 x 115mm (6½ x 4½"), with large margins. Slight crease through title. £50 The head of Christ Child wrongly identified as St John, with dark curly hair, two top buttons of his jacket open, holding a bouquet of flowers. It was published as plate 13 of Vol.2 of the 'Houghton Gallery', six years after the death of the engraver Simon 25 1789 by Wm. Austin private Teacher of François Ravenet. Drawing and Etching in York Street near St A similar painting is now in the Alte James's Church and the Surry Side of Pinakothek, although it was a subject Westminster Bridge. painted several times by Carlo Dolci (1616- Fine mezzotint. 505 x 360mm (19¾ x 14¼"), 86). with large margins. Repaired tear in left Stock: 55608 margin. £360 Lord John Townshend (1757-1833), Whig M.P. for Cambridge University in 1780-4, Westminster from 1788-90 and Knaresborough 1793-1818. He became a Privy Councillor in 1806 and served as Paymaster of the Forces 1806-7. Stock: 55690

75. Henry Peckwell, D.D. To the Nobility, Gentry; and others who patronise the Charity entitled The Sick Man's Friend. This Print is respectfully Inscribed by their obedient humble Servants, R. Bowyer & J. Fittler. Painted by R. Bowyer. Engraved by James Fittler. Publish'd as the Act directs, Aug.t 1787 by J. Fittler, No. 62, Upper Charlotte Street, Rathbone Place; & R. Bowyer, No. 68, 77. [St Luke] Lucas. Instar, sirma, bovis, Fedei Berners Street. vestigia figo, / Et per me Christum terra An engraving with a rich impression. Sheet fretumque legit. 240 x 175mm (9½ x 6¾"). Trimmed to plate. [by Pieter Feddes van Harlingen.] £120 [Amsterdam: Claes Janzoon Visscher, Henry Peckwell (1746-87), Church of c.1620.] England clergyman and Methodist preacher, Etching. part album sheet verso. Sheet 200 x in academic gown and wig, seated with quill 130mm (8 x 5"). Trimmed to image. £160 and letter. Half-length portrait of St Luke, with a cow Strongly influenced by Selina, countess of sitting on a cloud, from a set of the Four Huntingdon (she was godmother to his Evangelists. daughter), Peckwell led the chapel in the Stock: 55626 81. The Honble Madame Constantia Hare, Twin-Sister to Montague Hare Esqr. deceas'd. Daughter to the Right Hon.ble Henry Lord Colerane, Baron of Colerane &ct. H. Verelst pinxit. J. Smith fecit et excudit. [n.d, c.1694.] Mezzotint, 17th century watermark. Sheet 345 x 250mm (13½ x 9¾"). Thread margins. £260 A full-length portrait of Constantia Hare (d.1726), seated with gathered flowers in her lap, a garden and ornamental vase behind. She was the second wife of Hugh Smithson (1661-1740) MP for Middlesex. The preparatory red chalk study for the mezzotint by John Smith (1652-1743) is in the British Museum (2015,7083.3). Stock: 55667 78. [The Kit-Cat Club] Richard Boyle, Earl of Burlington &c. Between 15 & 16. G. Kneller Bar. pinx 1716. J. Faber Fecit 1734. Fine mezzotint. 350 x 250mm (13¾" x 9¾"), with large margins £280 Richard Boyle (1694-1753), 3rd Earl of Burlington and 4th Earl of Cork, known as the 'Architect Earl' for bringing Palladian architecture to Britain. Among his projects were Burlington House, Westminster School and Chiswick House. Despite being a privy councillor and member of the Kit-Kat Club (a Whig political and literary association), the earl paid little 82. [Anabella Dives] The Lady Howard. attention to politics. CS 208. G: Kneller Eques pinx: I. Smith fec: & exc: Stock: 55671 [n.d., c.1693.] 79. Ralph Clayton, Serjeant at Law. Mezzotint, 17th century watermark; 255 x Painted by L.F. Aboot, Esq.r 1784. Engraved 320mm. 10 x 12½". Creased at top. £260 by Henry Meyer, 1814. A full length portrait of Anabella Dives Mezzotint. 355 x 250mm (14 x 9¾"). Slightly (c.1675-1728), reclining on the ground with trimmed, stained. £160 one elbow leaning on a rock. Dives, a maid Half-length portrait of Ralph Clayton, died of honour to Princess Anne, became the 1813 aged 55. fourth wife of Sir Robert Howard (1626-98) Stock: 55632 in 1693, aged 19 to his 63. She is known to

have been a pupil of Henry Purcell. 80. John D'Oyly Esq. Painted by L.F. Abbott. Engraved by V. Howard was a playwright who was first to Green Mezzotinto Engraver to his Majesty & use the phrase 'We the People' in English. Chaloner Smith: 135. Russell 135, i. the Elector Palatine. [n.d., 1770.] Stock: 55666 Mezzotint, 520 x 380mm (20½ x 15"). Tiny foxing hole, slight wear bottom right margin. 83. Mr John Sturges. £230 J. Vanderbank pinx. F. Kyte delin et fecit Sir John D'Oyly (1702-73), the 4th and last 1733. D'Oyly baronet of Chislehampton, half- Fine mezzotint. 350 x 250mm (13¾ x 9¾"). length, holding a map with a vignette of a Small margins. £240 lighthouse. Ex collection of the Hon. A half-length portrait of John Sturges, a Christopher Lennox-Boyd. Whitman 158. CS 39. carpenter of St George's, Bloomsbury. Stock: 55631 Despite this occupation he is dressed in Frame Maker by Appointment to Her Turkish costume, with a feathered turban, Majesty at his Repository of Arts, 1 Ship fur-lined embroidered coat. Street Brighton. He seems to have commissioned the portrait: Mezzotint. Sheet 675 x 410mm (26½ x 16¼"). in his will, held in the National Archives, he Trimmed within plate. £290 bequeaths ''my own portrait picture in a Full-length portrait of George Wyndham Turkish habit painted by xx Vanderbank'' to (1751-1837), 3rd Earl of Egremont, in his friend Samuel Hawley. uniform, with his house, Petworth House in Stock: 55629 Sussex, in the background, published after he died. Wyndham was a prolific patron of the arts and commissioned works by artists such as Constable and Romney; J. M. W. Turner even had a studio at Petworth House. Stock: 55684

84. Mr. Grevil Verney. M. Dahll pinx. R: Williams fec: Sold by J Smith at ye Lyon & Crown in Russel Street Covent Garden. [n.d., c.1700.] Mezzotint. 355 x 255mm (14 x 10"). Thread margins. Slight mark top right. £260 Greville Verney (d. 1707), second son of John 86. [Louise Rosalie Lefebvre, Madame Verney of Compton Verney, holding a print Dugazon] Nina. Hélas! Hélas! Le bien aimé with a tree in one hand and pointing to a ne revient pas. large world globe with the other. CS: 53. hoin pinxit. Janinet sculp 1787. A Paris, chez Stock: 55675 Janinet, rue Haute-Feuille No 5. Et chez Esnauts et Rapilly rue St Jacques, à la Ville 85. The Portrait of The Right Honourable The de Coutances No 259. Avec Priv. du Roi. Earl of Egremont. From which this Print is A fine aquatint and crayon-manner, printed Engraved, was presented to the Town Hall, in colours. 395 x 275mm (15½ x 10¾"). Small Brighton by the Inhabitants as a mark of hole in background, repairs to margins. their Esteem for his distinguished Worth, £420 and in Testimony of the high estimation Madam Dugazon in the title role of they entertain of his magnificent Support Dalayrac's 'Nina ou la Folle par amour'. of the Public Institutions of that Town, and Driven mad she sits on a bench in a of his Services as Lord Lieutenant of the woodland landscape, mourning the County of Sussex. supposed death of her fiancé. Painted by George Clint. Engraved by Tho.s Louise-Rosalie Lefebvre (1755-1821), was Lupton. 4 Leigh Str.t Burton Crescent. known as Madame Dugazon after her Published by W.H. Mason, Printseller and marriage to Jean-Henri Gourgaud, who went by the stage name Dugazon. By this Fine stipple. 305 x 220mm (12 x 8¾"). marriage Madame Vestris became her sister- Repaired tears in very large margins. £280 in-law. Rosemond Mountain (née Wilkinson, c.1768- A fine example of colour printing. An 1841), an actress said to be the best female example featured in 'Colorful Impressions: singer of the time, three-quarter-length with The Printmaking Revolution in Eighteenth- guitar. Century France', an exhibition held at the Stock: 55651 National Gallery of Art, Washington, 2003. Stock: 55713

87. Mr Garrick and Mrs Pritchard in the Tragedy of Macbeth. Act II Scene III. From the Original Picture painted by J. Zoffany, 89. Errinerung an Ferdinand Raimund. in the possession of George Keate Esq.r. To lith. v. Lauzedelli. gemalt v. Schilcher gedr. Whom this Plate is Inscribed, by his Most John. Höfelich. Verlaf und Eigenthum von Humble Servant, John Boydell. L.T. Neumann in Wein [n.d., c.1836]. J. Zoffany Pinxit. V. Green Engraver to his Lithograph on chine collé, on paper with Majesty fecit. Published March 30th 1776 by printed title. Sheet 500 x 350mm (19¾ x J. Boydell Engraver in Cheapside London. 13¾"). £360 Mezzotint, 18th century watermark. 460 x A portrait of Ferdinand Raimund (1790- 555mm (18 x 21¾"), with large margins. 1836), Austrian actor and dramatist, in the Central vertical crease. £360 role of Valentine in his play 'Der Double portrait of two actors in character, in Verschwender (Spendthrift)' (1834), holding Shakespeare's 'Macbeth': Hannah Pritchard a wood plane. (1711-68) as Lady Macbeth holding dagger The print was published as a memorial: in and indicating towards an open door, and 1836 Raimund, a known hypocodriac, shot David Garrick (1717-79) as Macbeth, himself wrongly thinking a dog that bit him hesitating. was rabid. He took a week to die. The original painting, at the time owned by Stock: 55712 poet and artist George Keate (1729-97), is now in the Garrick Club. Painted in 1768 it is 90. T.H. Shadwell Clerke [facsimile signature]. said to show Hannah Prichard's last Athenaeum Portraits No 11. performance: she retired the same year and E.U. Ellis del.t. W.D. Lith. [William died shortly afterwards. Drummond]. Printed by Day & Haghe. Stock: 55678 London, Published Nov.r 14th 1835, by Tho.s McLean, 26, Haymarket. 88. [Rosemond Mountain] Mrs Mountain. Rare lithograph on chine collé, laid on Buck delin. T. Cheesman sculp.t. Published printed paper. Pritned area 230 x 180mm (9 x October 1st 1804, by William Holland, No.11, 7"). Some spotting and staining, mainly to Cockspur Street, London Of whom may be edges. £230 had the companion prints Miss Bloomfield Thomas Henry Shadwell Clerke (1792-1849), and Mis Waddy. an Irish soldier who, after losing a leg at the Battle of Redinha (Peninsular War, 1811), became the editor of 'Colburn's United has been widely acclaimed as the best book Service Magazine'. He was also a Fellow of on the subject. Most recently he co-curated the Royal Society (elected 10 April 1833), and 'Bonaparte and the British- prints and vice-president of the Royal United Service propaganda in the age of Napoleon' at the Institution, of which he had been one of the British Museum. originators. He was also a fellow of the Stock: 55707 Royal Astronomical Society and the Royal Geological Societies, and an honorary 92. National Types. Ethiopia. foreign secretary of the Royal Geographical G. Bridgman delin. Printed by C.F. Kell, Society. Castle St, Holborn E.C. Deposé. Reynolds & In 1836, shortly after Clerk's death, Major Co. 32 St James St. London [n.d., c.1880.]. Thomas Livingston Mitchell named two Tinted lithograph. Printed area 335 x 205mm peaks in Victoria, Australia, 'Mount (13¼ x 8") large margins. £190 Shadwell' and 'Mount Clerke' in his honour. An appallingly-racist caricature of an Stock: 55732 Ethiopian in smart European dress, but bandy-legged and feet pointing sideways. The Amon Carter Museum of American Art identifies the artist as the Canadian George Bridgman (1864-1943) who taught anatomy for artists at the Art Students League of New York for some 45 years. See Amon Carter Museum of American Art 1974.45 for 'America' from this series. Stock: 55659

91. The English Print, 1688-1802. by Timothy Clayton. Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, New Haven and 93. The Village Ale-House. No more the London, 1997. Farmer's News, the Barbers Tale / No more, Book. 4to Blue cloth cover, gilt title stamped the Woodman's ballad shall prevail / No on spine, with dust cover. Mint. £130 more the Smith his duskey brow shall clear One of the finest reference books on / Relax his pond'rous strength, and lean to eighteenth century English prints. Clayton hear; / The Host himself, no longer shall be examines the world in which the printseller found / Carefull to see the mantling bliss go round: / Nor the coy Maid, half willing lived and worked, describing the structure to be press'd, / Shall kiss the Cup, and pass of the print trade and processes of it to the rest. Goldsmith publication as well as examining the history H. Bunbury Esq.r Delin.t. J. Grozier Sculp. of separately published prints. London, Published April 7.th 1787 by W. Tim Clayton read English at Cambridge and Dickinson Engraver & Printseller No. 158. after several years working for the print New Bond Street collector Christopher Lennox-Boyd won a Rare stipple, printed in sepia. 425 x 530mm research fellowship at Worcester College, (16¾ x 20¾"), 18th century watermark. Oxford. He has written several award Trimmed into plate at bottom. £360 winning books and his latest 'Waterloo: Four Days that Changed Europe's Destiny'(2014) An idealised tavern interior, with a pretty maid drinking from a large tankard. The verse is from Oliver Goldsmith's poem, 'The Deserted Village', decrying the population shift to the cities brought about by the Industrial Revolution. Stock: 55685

96. A Masquerade. 148. Published 4.th April, 1795, by Laurie & Whittle, 53, Fleet Street, London. 94. John Gilpin. Proof. Fine coloured etching. 200 x 250mm (8 x Painted by Tho.s Stotard Esq.r R.A. 9¾"). Slight creasing near flag. £360 Engraved by W.H. Worthington. Published A fancy dress party, including guests by William Pickering and William Henry dressed as Selene, Falstaff, a cleric, a devil, a Worthington, January 1st, 1825. Jew, a Turk and a black man in a jester Engraving. Sheet 270 x 585mm (10¾ x 23"). costume. Not in BM. Trimmed into plate, some surface wear. Stock: 55645 £380 A man rides a galloping horse, unable to 97. A Situation for a Young-Man of Sober stop, his wig flying off. Habits. A scene from William Cowper's comic [George Cruikshank?] London Pub.d by W. ballad, which was inspired by a draper of Cole, 10 Newgate Street [n.d., c.1830]. Cheapside. Attempting to ride to the Bell Coloured etching. Sheet 150 x 185mm (6 x Inn, Edmonton, Gilpin lost control of his 7¼"). £130 horse and over-shot his destination by ten A man in staid dress sits on a sofa with a miles, arriving in Ware. young woman on each leg. Written in 1782 the poem was extremely Stock: 55719 popular, with pirate editions of the book and even John Gilpin toys, an early example of 98. Splendid Jem, once a dashing hero in the merchandising. Editions have been Metropolis, recognized by Tom amongst illustrated by artists as diverse as Randolph the Convicts, in the Dock Yard at Chatham. Drawn & Eng.d by Rob.t Cruikshank. [n.d. Caldecott and Ronald Searle. Stock: 55696 c.1821.] Hand-coloured aquatint. 145 x 220mm (5¾ x 95. Political Dinner, Tom & Bob taking a 8¾"). £95 lesson on the Constitution & not neglecting Jem, one of a gang of convicts kept on hulks their own. on the River Medway prior to gaol London, Published by Jones & Co, Sep.r 8th transportation, lifts his cap to Tom. 1821. Australian interest. Coloured aquatint. 120 x 180mm (4¾ x 7"). From Pierce Egan's "Life in London". Holes in margins, some staining to edges. Stock: 55724 £130 A dinner, with wine being spilt and poured 99. The Ghost of Omichund. What Woes, he on the floor. From Peirce Egan's 'Real Life in cried, hath lust of Gold, O'er my poor Country widely roll'd, Plunderers proceed! London'. Stock: 55720 [London: printed for T. Wright, 1773.] Engraving. 165 x 110mm (6½ x 4¼"), very large margins. Stains and holes in margins. £70 Robert Clive falls back to be supported by 102. [Skittles] La boule qu'autravers de ces two officers, horrified by the appearance of quilles on jette / Nous est une image the ghost of Omichund, a Bengali merchant. parfaite / Du hazard qui regland tout / Behind a man hangs from a palm tree by his Laisse ignorer ce luy qui doit rester de wrists. bout. 14. The plate illustrated a text in the [n.d., c.1750.] 'Westminster Magazine, a satirical dialogue Engraving. Sheet 100 x 180mm (4 x 7"). between 'Nabob' (Clive) and Omichund. Trimmed within plate at bottom, thread After Clive recaptured Calcutta after the margins elsewhere, laid on album paper at 'Black Hole' incident in 1757, Omichund was corners £160 send as an intermediary to help negotiate a A well-dressed group play skittles, while treaty with Mir Jafar. When he demanded a two dogs spar in the foreground. cut of 5% of the treasure recovered, Stock: 55614

threatening to expose the deal, Clive had a 103. [Skittles.] fake copy of the treaty made op for H. Alken del.t et sculp.t. London, Published Omichund to sign, a trick that worked. It by Tho.s McLean, May Market, 1820. was reported that Omichund went mad and Coloured etching. 195 x 250mm (7¾ x 9¾"). died shortly, leading to this attack on Clive's Trimmed within plate at top. Small margins. treachery, but he lived another decade in this £90 will he bequeathed £2000 to the Foundling A well-dressed group play skittles, while a Hospital (the list of benefactors describes woman serves drinks. him as ''a black merchant of Calcutta'') and Stock: 55615 also to the Magdalen Hospital in London. BM Satires 5101. Stock: 55606

100. The Bowling. Les Joueurs de Boules 1736. D. Teniers inv. Vivaret [Francis Vivares] 104. [The Turkey Cock.] Sculp. Rocque Excudit. F. Wheatley inv. J.M. Delattre sculp. Etching. Sheet 150 x 250mm (6 x 9¾"). [London, Publish'd 28 Feb.y 1803 by Anth.y Trimmed within plate, mounted in album Molteno, No 29 Pall Mall] paper. £190 Rare stipple, printed in colours. Sheet 155 x Peasants playing boules outside an inn. 175mm (6¼ x 7"). Trimmed within plate, Stock: 55612 losing title and publication line £230 101. The Diversion of Bowls. Ls Joue de Boules Children play in a farmyard, accompanied 1736. by a large turkey. [after David Teniers the younger.] [n.d., A pair to 'The Wheel Barrow'. c.1750.] Stock: 55657 Engraving. Sheet 140 x 190mm (5½ x 7½"). Trimmed within plate, rust spot, creasing. £130 Peasants playing boules outside an inn. Stock: 55613

Ranelagh Gardens, adjoining the Wren's Pensioner's Hospital, became popular as a place to escape the city and take in the cleaner air in Chelsea. Balls, concerts, dinners and of course gossip were shared here almost daily. It quickly exceeded Vauxhall in popularity, but its popularity waned until the season of 1804 when the fashionable set abandoned it entirely. Longford: 340,a. Stock: 55706

105. The Village Green. [n.d., c.1850.] Coloured lithograph. Sheet 225 x 285mm (8¾ x 11¼"). Trimmed to image top and left. £180 A group of children play various games on the green, including cricket, shuttlecock, kite-flying, skipping, hoops, egg-painting and tag. A good cricket item. Stock: 55653

106. Stars and Stripes. 109. An Exact Perspective View of Dunmow, [n.d., c.1850.] late the Priory, in the County of Essex. With Tinted lithograph with hand colour. Printed a Representation of the Ceremony, & area 240 x 340mm (9½ x 13¼"). Tear nearly Procession in that Mannor, on Thursday touching image on right centre border taped, the 20th of June 1751. When Thomas some spotting in margins. £260 Shakeshaft of the Parish of Weathersfield, A horse grazing in a field with another horse in the County aforesaid Weaver, & Ann his and a calf. A portrait of an American Wife came to Demand & did Actually receive a Gammon of Bacon, Oath, racehorse? Stock: 55622 pursuant to the Antient Custom, in Manner & form prescribed as aforesaid. N.B. Before 107. A View of the Chinese Pavillions and the Dissolution of Monasteries, It does not Boxes. Les Pavillions et les Loges Chinese appear by searching the most Antient dans. Records to have been demanded above J. Wale delin.t. T. Bowles sculp. Publish'd three times, & including this just as often according to Act of Parliament. since. Engraving with fine hand colour, sheet 325 x C. Mosely Sculp.t. Engraved from an 460mm (11¾ x 18¼"). Laid on album paper. Original Painting taken on the Spot by Trimmed to image. £230 David Ogborne. Publish'd according to Act View of the Chinese Pavillions and Boxes in of Parliament Jan.ry 1752. Republish'd Oct.r Vauxhaul Gardens in Kennington. 26th 1806 by R. Cribb, 288 Holborn. Stock: 55708 Engraving. Sheet 370 x 550mm (14½ x 21½"). Trimmed within plate, some restoration, laid 108. The Inside View of the Rotunda in on archival paper. Damaged. £280 Ranelagh Gardens with the Company at An interesting view showing a ceremonial Breakfast. Vue de la Compagnee a procession in Dunmow in Kent. A married Dejeuner dans la Rotonde au Mellieux des couple are carried aloft in a sedan chair as Jardins de Renelagh others ride in carts and carriages and march Bowles delin et Sculp. Printed for R. One man carries aloft a gammon of bacon on Wilkinson in Cornhill & Bowles& Carver No a pole. 69, St Pauls Church Yard London. The couple have taken an oath, printed in Copper Engraving. 285 x 400mm, (11¼ x full lower right, stating that they have never 15¾") very large margins. £280 regretted a day of marriage. In return for taking the oath the couple receive the flitch Aquatint with fine colour. 245 x 165mm (9¾ of gammon. x 6½"), very large margins. Stain in engraved Stock: 55695 text bottom left. £140 Jules Mazarin concluding the Treaty of the Pyrenees (7th November 1659), ending the Franco-Spanish War and agreeing the marriage between Louis XIV of France and Maria Theresa of Spain, the daughter of Philip IV. From the series 'Portraits des Grands Hommes et Femmes Illustres, et sujets mémorables de France', published between 1786-92. Stock: 55602

110. A View of Clare Mount, one of the Seats of his Grace the Duke of NewCastle. J. Rocque del. J. Bonneau Sculp. Taken & Publish'd according to Act of Parliament by J. Rocque at Charing Cross, 1750. Engraving with hand colour. Sheet 355 x 505mm (14 x 19¾"). Trimmed to plate on three sides. £360 A scarce view of Claremont, engraved by Jacob Bonneau after a drawing by John Rocque, when the house was occupied by the Duke of Newcastle. John Rocque (c. 1704-62 is better known for

his plans of country estates and his 113. [Bucentaur] Bucentoro. Solemnite Du monumental maps of London. Bucentaure, qui se Celebre a Venise le Jour Stock: 55677 de l'Ascension.

Exactement Dessinée sue le Lieu au jour par 111. The Ruins of Byland Abbey Yorkshire. le Soin de Pierre Mortier. Libraire A J.R. Hamble sculp. Published March 16. 1812 Amsterdam. [The Hague: Rutgeri by J. Deeley Berwick S.t Soho. Christophori Alberts, 1724.] Aquatint, printed in colours and hand Engraving. 445 x 565mm (17½ x 22¼") very finished. Sheet 475 x 580mm (18¾ x 22¾"), large margins. Creasing as normal. Evidence on Whatman paper. Tear entering image and of cracks in the printing plate. £550 another in margin taped. £360 A magnificent view of the Bucentaur, the A fine view of Byland Abbey in Ryedale, state barge of Venice, taking the doge out to North Yorkshire, centred on the tower and the Adriatic to perform the 'Marriage of the the remains of a huge rose window. Sea', a ceremony that symbolically wedded Founded in 1135 by the Savigniac Order, the Venice to the sea on Ascension Day. The abbey became Cistercian in 1147 and was barge survived until 1798, when Napoleon dissolved in 1538. It is now an English had it destroyed to symbolise his victory Heritage property. Stock: 55700 over Venice. The plate first appeared in Pierre Mortier's 112. Mazarin Conclut la Paix des Pyrénés et le edition of Johannes Blaeu's 'Townbooks of Mariage de Louis XIV. Italy' in 1704, although he also published it Desfontaines del. 1790. Moret Sculp. A Paris, in the 'Le Neptune Francois ou Atlas chez Blin, Imprimeur en Taille Douce, Place Nouveau des Cartes Marines'. However the Maubert, No.17, vis-a-vis la Rue des 3 cracks in the bottom of the plate suggest this Portes, A.P.D.R. comes from the last issue of the 'Townbooks, 1724. Stock: 55679 114. No 45. [An Ostiak, in His Winter Hunting Lithograph. Sheet 365 x 470mm (14¼ x Dress.] 18½"), with large margins.. Repaired tear in [Engraved by J. Dadley.] [London: John left margin. Creasing in title. £380 Stockdale, 1811.] A view of Langholmen, one of the islands of Coloured stipple with etching. Sheet 365 x central Stockholm. 255mm (14¼ x 10"). Trimmed to plate at Stock: 55640 sides £130 An Ostyak of Siberia, from E. Harding's 'Costume of the Russian Empire', with the title taken from the text, which also explains that 'For the purpose of travelling over the snow, they fasten a large piece of board to their feet, not unlike a canoe in shape'. Early ski interest. See Abbey Travel 244-246, but an edition with this plate number not listed. Stock: 55603

115. Utsigt af Stockholm tagen fran Konigl. Djurgarden. Vue to Stockholm, prise du côté du Parc. F. Verner F. Stentryck af C. Müller. [n.d., 118. Utsigt af Stockholm med en del af c.1820.] Norrmalm tagen fran Kongl. Slottet. Vue Lithograph. Printed area 320 x 420mm (12½ de Stockholm, avec une partie de Foubourg x 16½"), with very large margins. Some du Nord; prise du Coté de Chateau. F. Verner del. Stentr. af C. Müller. [n.d., cockling of paper. Uncut. £280 A general view of Stockholm, with deer in c.1820.] Lithograph. Sheet 365 x 470mm (14¼ x the foreground. Stock: 55734 18½"), with large margins. Repaired tears below title; creasing in centre. £380 A view of Norrmalm from the Royal Palace. Stock: 55641

119. Vue de Stockholm prise de Blasieholmen. Utsigt af Stockholm tagen fran Blasieholmen. F. Verner del. Stentryck af C. Müller. [n.d., c.1820.] Lithograph. Sheet 365 x 470mm (14¼ x 18½"), with large margins. Slight crease in centre. £320 A view of Stockholm from Blasieholmen. 116. Utsigt af Stockholm fran sodra sidan. Vue Stock: 55642 de Stockholm prise du cüté méridionale. F. Verner del. Stentr. af C. Müller. [n.d., 120. [Stockholm] Utsigt af en dek af hamnen c.1820.] och Blasieholmen, tagen fran sjosidan Lithograph. Sheet 365 x 470mm (14¼ x nedanfore Konung Gustaf III.s staty. Vue 18½"), with large margins. £330 d'une partie du port de de Blasieholmen A view of Stadsholmen, with Stockholm prise du côté de ja Mer auprés de la Staue Palace. de S.M. le Roi Gustave III. Stock: 55639 F. Verner F. Stentryck af C. Müller. [n.d.,

c.1820.] 117. Utsigt af Stockholm fran Langholmen pa Lithograph. Printed area 320 x 420mm (12½ stadens vestra sida. Vue de Stockholm x 16½"), with very large margins. Uncut. prise de Langholmen du cüté occidentale £320 de la ville. A view of the port of Blasieholmen, F. Verner del. Stentr. af C. Müller. [n.d., Stockholm, with the statue of Gustav III. c.1820.] Stock: 55735 Martin lived in London between 1770-80, receiving training from William Woollet and Francesco Bartolozzi. BM 1917,1208.432. Stock: 55737

121. Utsigt af Stockholm, med en del af Staden och Riddarscholmen, et Malare sidan; tagen fran Kongsholms Bron. Vue de Stockholm,

avec une partie de de la Cité et du 124. Utsigt af Stockholm fran Castelholmen pa Riddarholm, du côté du Lac Malaren; prise Stadens ostra sida. Vue de Stockholm prise du pont de Kongsholm de Castelholmen du côté oriental de la Stentryck af C. Müller. F. Verner del. [n.d., ville. c.1820.] J.F. Martin fec. [Watermarked 1810.] Lithograph. Sheet 365 x 470mm (14¼ x Aquatint. 370 x 540mm (14½ x 21¼") very 18½"), with large margins. Repaired tear large margins. A few small stains in image in below title. £360 sky. Uncut. £360 A view of Stockholm from Kungsholmen. The second in a series that eventually Stock: 55643 numbered 48, engraved by Johan Frederik

Martin (1755-1816, brother of Elias Martin) 122. Utsigt af Kongl. Slottet och nya Bron tagen from his own sketch. ifran framl. H..E. m.m. Herr Grefve von Martin lived in London between 1770-80, Fersens tradgard Hans Kongl. Höghet receiving training from William Woollet and Sveriges och Norres, Vue du Chateau Royal de Stockholm et du nouveau pont, prise du Francesco Bartolozzi. Stock: 55736 côte du jardin de feu S.E. & M.r le Comte de Fersen. Kron Prins Joseph Frans Oscar. i. 125. Utsigt af Stockholm med en del af Staden, underdanighet tillegnadt af Fred. Vrener. Riddarcholmen och Norrmalm; lagen fran Stentryck af C. Müller. [n.d., c.1820.] Malare Sidan vid Skinnareviken. Vue de Lithograph. Sheet 365 x 470mm (14¼ x 18½") Stockholm... large margins. Repaired tears top margins. F. Verner del. Stentryck af Müller. [n.d., £360 c.1820.] A view of the Royal Palace, Stockholm. Lithograph. Sheet 365 x 470mm (14¼ x Stock: 55644 18½"), with large margins. Repaired tears below title. £290 123. Utsigt af Stockholm fran Langholmen pa Stadens vestra sida. Vue de Stockholm A view of Riddarholmen, one of the islets of prise de Langholmen du côté occidental de Stockholm, with the Church that is one of la ville. Stockholm's oldest buildings. Stock: 55638 J.F. Martin sc. [Watermarked 1810.]

Aquatint. 370 x 540mm (14½ x 21¼") very 126. Philippus III Catholicus Hispaniarum Rex large margins. Scraped area in central image, et Indiarum Nouique Orbis Monarcha stains and wear to margins. £320 Potentissimus. The fourth in a series that eventually P. Southman Effigiauit et excud. Cum Priuil numbered 48, engraved by Johan Frederik Sa. Cæ. M. J. Suÿderhoef Sculpsit. [n.d., Martin (1755-1816, brother of Elias Martin) c.1645.] from his own sketch. Etching with engraving, 17th century watermark. Sheet 410 x 280mm (16 x 11"). Trimmed to plate, very slight creasing top and Indian War', the North American theatre left. £320 of the 'Seven Years' War'. Philip III (1578-1621), king of Spain from The fortress was captured by a New England 1621. army backed by the Royal Navy in 1745, part Stock: 55628 of the 'War of the Austrian Succession'. Returned to French possession at the end of the war, it was attacked again unsuccessfully in 1757 and finally in 1758, prior to the Seige of Quebec by James Wolfe. The first issue of the 'Grand Magazine' was in July 1758; it ceased publication after the November 1759 issue. Stock: 55702

127. Vue de Freetown prise de Kingstown, Sur la Côte deSierra Leone en Afrique. Dessiné par J.s Gray. Gravé par Himeley. Déposé à la Direction. [n.d., c.1840.] Scarce aquatint. Sheet 350 x 470mm (13¾ x 18½"). Surface crease in image. Trimmed. £480 Stock: 55637

128. A Map of the Island of Cape Breton. [n.d., July 1758.] Rare engraving. 200 x 120mm (8 x 4¾"). Trimmed within plate on left. £180 A map of Cape Breton, marking Louisburg and where the English landed in June 1758, published in the 'Grand Magazine of Magazines', to illustrate an account of English attacks during the 'French and 130. A Map of the Country between Crown Indian War', the North American theatre of Point and Albany being the Great Pass the 'Seven Years' War'. from the English to the French Settlements The French fortress of Louisbourg was in North America. captured in 1758, prior to the Siege of [n.d., 1758.] Quebec by James Wolfe. Engraving. 200 x 130mm (8 x 5¼"). Narrow The first issue of the 'Grand Magazine' was margins, crease as issued, stitch holes in map in July 1758; it ceased publication after the area on far right. £450 November 1759 issue. A map of New York State between Albany Stock: 55703 and Crown Point on Lake Champlain, showing wagon trails, forts, and settlements. 129. A Plan of the City & Harbour of Louisburg. It was published in the 'Grand Magazine of [n.d., August 1758.] Magazines', to illustrate an account of the Rare engraving. 200 x 120mm (8 x 4¾"). progress of the 'French and Indian War', the Trimmed within plate right and bottom. North American theatre of the 'Seven Years' £180 War'. A plan of the environs of the French fortress The first issue of the 'Grand Magazine' was of Louisbourg, published in the 'Grand in July 1758; it ceased publication after the Magazine of Magazines', to illustrate an November 1759 issue. account of English attacks during the 'French Stock: 55701

131. El dia de San Juan en las Tierras Calientes Gabriel Stedman. It was published in E. Colombia. Mackenzie's 'A New and Complete System [after Ramón Torres Méndez.] Imp A. of Modern Geography'. Delarue, Paris [n.d., 1860.] Stock: 55647 Rare lithograph with hand colour. Sheet 265 x 360 (10½ x 14¼"). Some wear to edges, 134. James Fenimore Cooper [with facsimile with small repaired tear to outer margin on signature]. right. £260 Painted by J.W. Jarvis. Engraved by E. Two horsemen compete over a dead bird, Scriven. [n.d., c.1835.] during the festival of St Juan. Stipple. Sheet 200 x 120mm (8 x 4¾"). From 'Album de cuadros de costumbres'. Trimmed within plate (as issued) £95 Stock: 55661 A half-length portrait of James Fenimore Cooper (1789-1851), in naval uniforum. The 132. An Indian Village or Bahi, Corantine River. American author, best known for the [London: Richard Bentley, 1834.] romantic novel 'The Last of the Mohicans', Aquatint. Sheet 140 x 210mm (5½ x 8¼"). went to sea in 1806, aged 17, on a merchant Trimmed within plate, two repaired tears in ship, before serving in the US navy 1808-10. upper edge, outside image. £160 The original portrait was painted in 1822 by A village on the Courantyne River, Surinam, his friend John Wesley Jarvis (c.1780-1839), a the border with Guyana. member of Cooper’s famous 'Bread and From 'A Residence in the West Indies and Cheese Club'. Described by Cooper's wife as America' by Lieut-Col. Thomas Staunton St. her favourite portrait of her husband, it now Clair (1785-1847, which also included an resides in the Fenimore Art Museum. acoount of his participation in the Walcheren Stock: 55649 Expedition in 1809. Abbey Travel 679. Stock: 55650

135. Portrait of Bennilong; a native of New Holland, who after experiencing for two 133. [Suriname] A Planter in his Morning Dress. years the Luxuries of England, returned to Engraved for Mackenzie's Modern his own Country and resumed all his Geography. savage Habits. Lambert [after John Gabriel Stedman.]. [London, 1817.] [Newcastle: Mackenzie and Dent, 1817.] Engraving. 210 x 160mm (8¼ x 6¼") very Engraving. 235 x 180mm (9¼ x 7"). Thread large margins. Text offset. £160 margins. £230 Bennelong (c.1764-1813) was an aborigine A Surinam planter smoking a pipe and kidnapped by Governor Philip in 1789 and walking around his estate, accompanied by a forced to learn English, following orders topless negro slave who pours him a tipple. from King George III to open relations with This is a copy of the portrait engraved by the locals. He was brought to England in William Blake for the "Narrative, of a Five 1792 and was said to have had an audience Years’ Expedition, Against the Revolted with the king, although there is no evidence. Negroes of Surinam, in Guiana, on the Wild He returned to Australia in 1795 where he Coast of South America", by Captain John returned to the bush and led a clan. His grave was found in 2011 in the garden of a A plate from 'Cook's Voyage to the Pacific'. private house in present-day Putney, New A portrait of Poulaho, King of the Friendly South Wales, which is being turned into a Islands, wearing a headdress and a neck museum. ornament. From George Alexander Cooke's 'Modern John Webber (1751-93) travelled with and Authentic System of Universal Captain Cook on the Third Voyage (1776-80) Geography'. Rex Nan Kivell Collection ; as the Official Artist of the expedition, NK4777. A similar portrait thought to depict recording the explorer's death at the hand of Bennelong, signed 'W.W.' is now in the Dixson Hawaiian natives. Galleries of the State Library of New South Stock: 55269 Wales. Stock: 55697

138. [Willem Barentsz in the Arctic] The Ice Bear attack'd & Killed w.th Lances. 7. S. V. de Melen delin. E. Kirkhall fecit. [n.d.,

136. Te po a Chief of Rarotonga. c.1730.] Printed in Oil Colours by G. Baxter, Fine mezzotint. 175 x 200mm (7 x 8") with (Patentee) 3, Charter-house Square. From a very large margins. Repaired tear leaving Painting by J. Williams Jun.r. [Published by crease in title. £280 John Snow, 26, Paternoster Row, London.] A scene from the second voyage of Willem [n.d. c.1837.] Barentsz (c. 1550-97) into the Arctic in search Baxter print. Sheet 185 x 115mm (7¼ x 4½"). of a Northeast Passage in 1595. A polar bear Publication line lost by abrasion. £140 attacked a shore party, killing two crewmen Possibly Te Po Kurikuri. He has full body before being killed itself. tattoo, a spear in his left hand, a fan in his On their third expedition (1596) Barentsz right. He is wearing an elaborate head-dress and his crew were stranded on Nova Zembla and is draped with a cloth over his shoulders Island for the winter. Needing to hunt polar and his hips. In the background are a bears for food, they were the first to record Rarotongan canoe and a European sailing that the bears' livers were toxic (due to the ship. Rarotonga, in the Hervey Islands, was high concentratin of vitamin A). the home of the Rev. John Williams in the Stock: 55648

South Seas for some years. 139. Stock: 55698 [Circassian Chiefs] [Tshûrûkh-Okû Tûghûz. Hadji-Okû Mehmet & Vordezav- 137. [Tonga] Poulaho, King of the Friendly Okû Zepsh.] Islands. W. Warren lith. from a sketch by Ja.s J. Webber del. J. Hall sculp. [London: Nicol Stanislaus Bell. Day & Haghe Lith.rs to the & Cadell, n.d., c.1785.] Queen. [London: Edward Moxon, 1840.] Engraving. On 18th century watermarked Lithograph with hand colour. Sheet 175 x paper. Sheet 290 x 230mm (11½ x 9"), 115mm (7 x 4½"). Trimmed, losing title. £75 includes thread margins. Very slight Three Circassians wearing fur hats, from creasing across face. £160 'Journal of a Residence in Circassia during the years 1837, 1838 and 1839', by James Stanislaus Bell (1796-1858). In 1836 'the 'Vixen', a ship owned by Bell, a Scottish merchant, breached the Russian blockade of Circassia and was seized. Different accounts describe the shipment as either salt or guns. The Vixen incident nearly led to war between Britain and Russia at the time, and certainly contributed to the Crimean War a decade later. The following year Bell travelled to Circassia to try to recoup on his losses. Bell was looked upon as a spy! Abbey Travel 355. Stock: 55610 142. Jonque Chinoise a Sincapour. Dessiné par Le Breton, Lith.é par de Laplante. Lith. Thierry frères, Paris. Gide Editeur. [Paris, 1840-54.] Coloured lithograph on india. Printed area 265 x 325mm (10½ x 12¾"), very large margins. Publisher's blind stamp. £380 A view of a Chinese junk in the harbour of Singapore, drawn by Louis Le Breton, surgeon on Jules Dumont D'Urville's second expedition to the South Seas. From 'Voyage au pôle Sud et dans l'Océanie sur les corvettes l'Astrolabe et la Zélée 1837- 140. Jerusalem from the North East. 1840', the official account containg 31 Engraved by J.C. Armytage from an Original volumes that took 14 years to publish, not Drawing by W.H. Bartlett. [n.d., c.1850.] helped by D'Urville's death in the famous Engraving with hand colour. Sheet 340 x Versailles Rail Accident of 1842, the first 485mm (13½ x 19"). Trimmed within plate. French railway disaster. £320 Stock: 55699 A prospect of contemporary Jerusalem and the Mount of Olives. 143. Selim III. The Reigning Grand Seignor. Æ.t Stock: 55714 31.

Pain.d by Duchateau 1792. Engra.d by 141. [Penang] Burmah temple at Prince of Wales Nutter 1798. London Published, May 1st Island. (taken January 1805.] 1798 by J. White Fleet Street. Drawn by E.H. Looker Esq.r F.S.A. Engraved Stipple. Sheet 200 x 125mm (8 x 5"). by L. Byrne. London: Published by Trimmed within plate. £75 Longman, Hurst, Rees, Orme & Brown, Selim III (1761-1808), Sultan of the Ottoman Paternoster Row, Aug. 1. 1811. Empire from 1789 to 1807. His attempts at Coloured engraving. Sheet 205 x 255mm (8 x reform ended when the Janissaries deposed 10"). Trimmed within plate. £190 and imprisoned him: when a rescuing army A view of a Buddhist temple on Penang, approached Constantinople Selim was drawn by Edward Hawke Locker (1777- stabbed, the only Ottoman sultan to die by 1849), Admiral Edward Pellew's civil the sword. secretary during his East Indies command. Jean-François Duchateau lived in Istanbul From George Cook's ''Scenery of the East 1775-96 and painted many portraits of the India Islands". Stock: 55660 Ottoman court. His oil of Selim III is now in the Topkapi Saray Museum. Stock: 55646