DECEMBER 24-30, 2015 | VOLUME 19 | NUMBER 9 BROWARDPALMBEACH.COM I FREE NBROWARD PALM BEACH ® BROWARDPALMBEACH.COM ▼ Contents 2450 HOLLYWOOD BLVD., STE
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Best Gay Songs: 30–21 30
Best gay songs: 30–21 30 “City Grrrl” by CSS Bad girls and gay boys have always been besties, and this 2011 track from Brazilian combo Cansei de Ser Sexy is a loving ode to that special relationship. Lead singer Lovefoxxx looks back on adolescent fantasies of "being busy with my job and my gay friends, laughing and drinking with my one-night stands" in the "big city." Anyone who's ever felt trapped in a small town (and eventually escaped) will definitely relate. —Ethan LaCroix Download on Amazon www.youtube.com/watch?v=duOA3FgpZqY 29 “Your Loving Arms” by Billie Ray Martin Most gay dance anthems are packed with drama of both the lyrical and vocal variety. But in 1994, German singer Billie Ray Martin invaded clubland with this icy floor filler that's so calm she almost seems detached. Don't let that near-monotone fool you, though—Martin is a formidable vocalist, and when she finally cuts loose ("Burning inside, burning inside, yeah!"), it's a master class in the art of delayed gratification.—Ethan LaCroix Download on Amazon www.youtube.com/watch?v=RVukIhibLYM 28 “Viz” by Le Tigre Before forming her dance-DJ-production project MEN, JD Samson stepped up to the mike as a member of this electro-rock trio. "Viz" (2004), about butch-lesbian visibility, offers an early glimpse of Samson's sly humor and her ability to make radical queer politics into dance-floor fodder. Bandmates Kathleen Hanna and Johanna Fateman join in on the final chorus for a joyous feminist sing-along.—Ethan LaCroix Download on Amazon www.youtube.com/watch?v=vMcCNzUyG5I 27 “The Jean Genie” by David Bowie The copper mullet, the lightning bolt across the face—in 1972, Bowie was at the peak of his androgynous alien phase, pushing Ziggy Stardust closer to the sun until he incinerated in a flash. -
Lady Miss Kier
Lady Miss Kier Kier Kirby más conocida como Lady Miss Kier, mÃtica vocalista, co-productora y bailarina de los no menos mÃticos Deee Lite. Este combo neoyorquino con talante cosmopolita fue fundado en 1986 por la propia Kier y Super Dj Dimitry, a quienes poco después se unió Towa Tey conformando el núcleo definitivo de esa máquina de fabricar hits para las pistas de baile. Su primer single \"Groove Is In The Heart\", editado en el 91, que paso de ser un white label para dj\'s a vender millones de copias, significaba un equilibrio perfecto entre las demandas del mercado pop y las necesidades de las pistas de baile, resumiendo el hedonismo quÃmico de aquella época. Su debut en formato álbum \"World Clique\" llegó poco después, un trabajo que ellos mismo calificaron como \"holographic techno soul\" y que fusionaba p funk, breaks, house y techno. La Kier ejerció además de estilista y directora de arte del grupo, asumiendo desde el diseño de vestuario hasta el concepto de los videos y el diseño gráfico. Su segundo álbum, \"Infinity Within\", llegó un año más tarde y constituÃa un disco de protesta en contra de la guerra del golfo y a favor del pacifismo. Musicalmente continuaba profundizando en las premisas Deee Lite aunque se orientaba hacia un contexto ligeramente más electrónico. Su último álbum oficial fue \"Dewdrop In The Garden\" (1994) -a parte del recopilatorio de rarezas \"Sampladelic Relics & Dancefloor Oddities\" (1996)- un ejercicio de liberación sexual alimentado de sustancias alucinógenas que marcaba el punto final en la trayectoria de una banda genial e inclasificable. -
MEIEA 2017 Color.Indd
Journal of the Music & Entertainment Industry Educators Association Volume 17, Number 1 (2017) Bruce Ronkin, Editor Northeastern University Paul Linden, Associate Editor Butler University Ben O’Hara, Associate Editor (Book Reviews) Australian College of the Arts Published with Support from The Journal of the Music & Entertainment Industry Educators As- sociation (the MEIEA Journal) is published annually by MEIEA in order to increase public awareness of the music and entertainment industry and to foster music and entertainment business research and education. The MEIEA Journal provides a scholarly analysis of technological, legal, historical, educational, and business trends within the music and entertainment industries and is designed as a resource for anyone currently involved or interested in these industries. Topics include issues that affect music and entertainment industry education and the music and entertain- ment industry such as curriculum design, pedagogy, technological innova- tion, intellectual property matters, industry-related legislation, arts admin- istration, industry analysis, and historical perspectives. Ideas and opinions expressed in the Journal of the Music & Enter- tainment Industry Educators Association do not necessarily reflect those of MEIEA. MEIEA disclaims responsibility for statements of fact or opin- ions expressed in individual contributions. Permission for reprint or reproduction must be obtained in writing and the proper credit line given. Music & Entertainment Industry Educators Association 1900 Belmont Boulevard Nashville, TN 37212 U.S.A. www.meiea.org The MEIEA Journal (ISSN: 1559-7334) © Copyright 2017 Music & Entertainment Industry Educators Association All rights reserved Editorial Advisory Board Bruce Ronkin, Editor, Northeastern University Paul Linden, Associate Editor, Butler University Ben O’Hara, Associate Editor, Australian College of the Arts (Collarts) Timothy Channell, Radford University Mark J. -
Descargar En
Influencia Drag Queen en el Diseño de Indumentaria Transformaciones en la Indumentaria Masculina y Femenina Argañaraz, María Candelaria 93565 Diseño Textil y de Indumentaria Investigación Historia y Tendencias 15.09.2020 Índice Introducción …………………………………………………………………………………………..3 Capítulo 1 – La estética en la historia Drag Queen …………….……………………..……….8 1.1 Aparición del concepto drag ……………………………………………………...………….8 1.1.1 Denominación de la figura Drag Queen …………………………......................8 1.1.2 Los comienzos del Drag ……………………………………….……...…………..9 1.1.3 Ball Culture ……………………………………………………….……………….11 1.2 El boom de las Drag Queens ………………………………………………………………12 1.2.1 Movimientos de los 70s…………………………………………………………..12 1.2.2 El furor de los 80s y 90s………………………………………………………….14 1.2.3 Mientras tanto en Bs.As………………………………………………………….14 1.3 Drag Queens en los medios de comunicación …………………………………………..15 Capítulo 2 - Indumentaria femenina tradicional ………………………………………………18 2.1 La indumentaria como expresión ………………………………………………………………18 2.2 Caracterización de lo femenino …………………………………………………………………21 2.2.1 Siglo XIX ...…………………………………………………………………………….21 2.2.2 Siglo XX …..…………………………………………………………………………..23 2.2.3 Siglo XXI……………………………………………………………………………….35 2.3 La femineidad en la actualidad …………………………………………………………………36 Capítulo 3 - Indumentaria masculina tradicional ……………………………………………..39 3.1 A partir del siglo XIX …………………………………………………………………………….39 3.2 Siglo XX …………………………………………………………………………………………..41 3.3 Siglo XXI ………………………………………………………………………………………….48 3.3.1 La masculinidad en la -
Music Games Rock: Rhythm Gaming's Greatest Hits of All Time
“Cementing gaming’s role in music’s evolution, Steinberg has done pop culture a laudable service.” – Nick Catucci, Rolling Stone RHYTHM GAMING’S GREATEST HITS OF ALL TIME By SCOTT STEINBERG Author of Get Rich Playing Games Feat. Martin Mathers and Nadia Oxford Foreword By ALEX RIGOPULOS Co-Creator, Guitar Hero and Rock Band Praise for Music Games Rock “Hits all the right notes—and some you don’t expect. A great account of the music game story so far!” – Mike Snider, Entertainment Reporter, USA Today “An exhaustive compendia. Chocked full of fascinating detail...” – Alex Pham, Technology Reporter, Los Angeles Times “It’ll make you want to celebrate by trashing a gaming unit the way Pete Townshend destroys a guitar.” –Jason Pettigrew, Editor-in-Chief, ALTERNATIVE PRESS “I’ve never seen such a well-collected reference... it serves an important role in letting readers consider all sides of the music and rhythm game debate.” –Masaya Matsuura, Creator, PaRappa the Rapper “A must read for the game-obsessed...” –Jermaine Hall, Editor-in-Chief, VIBE MUSIC GAMES ROCK RHYTHM GAMING’S GREATEST HITS OF ALL TIME SCOTT STEINBERG DEDICATION MUSIC GAMES ROCK: RHYTHM GAMING’S GREATEST HITS OF ALL TIME All Rights Reserved © 2011 by Scott Steinberg “Behind the Music: The Making of Sex ‘N Drugs ‘N Rock ‘N Roll” © 2009 Jon Hare No part of this book may be reproduced or transmitted in any form or by any means – graphic, electronic or mechanical – including photocopying, recording, taping or by any information storage retrieval system, without the written permission of the publisher. -
By Kirby Gookin Spaces Like 112 Workshop (1970, Now White Columns), the Kitchen (1971), P
CREATIVE TIME HISTORY In the midst of this poverty and neglect the voices of activist grassroots organizations could be heard championing the rights of the disenfranchised— minorities, women, gays, the homeless, the infi rm,…and artists. New York was an important center of artistic activism and enterprise in the early seventies and it produced a burgeoning alternative arts movement that was largely spearheaded by artists. Creative Time was formed in 1973, alongside other fl edgling alternative by Kirby Gookin spaces like 112 Workshop (1970, now White Columns), The Kitchen (1971), P. S. 1 (1971), Artists Space (1972), and A.I.R. Gallery (1972).4 As museums did not traditionally exhibit the work of living artists, and most commercial galleries were Creative Time: 33 Years and Counting unapproachably bourgeois and detached from the social realities of the world, young Writing about Creative Time’s thirty-three-year history in New York City is a daunting artists led the way in creating new and alternative means to the conventional art task. Its public art program includes such disparate projects as exhibitions in land- experience. Rejecting the neutral “white cube,” Conceptual artists like Joseph Kosuth mark buildings, advertisements on milk cartons and public buses, poetry in bars, a and Lee Lozano began exploring ways to defl ate art’s materiality and de-emphasize drive-in movie theatre, skywriting, renting out an artist’s body, and the ethereal but its commercial viability, while Adrian Piper took art outside into the streets and monumental Tribute in Light, whose rays commemorate the loss experienced on Robert Smithson pushed it into the landscape. -
THIERRY MUGLER: COUTURISSIME April 3 – August 30, 2020
Press Release THIERRY MUGLER: COUTURISSIME April 3 – August 30, 2020 For the first time in Germany, the Kunsthalle München is presenting an exhibition about the French creator Thierry Mugler. It is initiated, produced and circulated by the Montreal Museum of Fine Arts, in collaboration with the Maison Mugler. The exhibition is curated by Thierry-Maxime Loriot under the direction of Nathalie Bondil, Director General and Chief Curator of the Montreal Museum of Fine Arts. This spectacularly staged retrospective presents the multifaceted work of this visionary couturier, director, photographer and perfumer. It showcases more than 150 haute couture and prêt-à-porter outfi ts, stage costumes and accessories, videos, photographs, design sketches, and archival material created between 1977 and 2014. Some 100 works by famous fashion photographers who have staged Mugler’s creations, from Helmut Newton (1920–2004) to David LaChapelle (*1963), round out the exhibition. In the early 1970s, Mugler, who was trained as a classical ballet dancer, revolutionized fashion by countering the fl owing bohemian looks of the hippie era with morphological and futuristic cuts as well as sculptural, elegant, and form-fi tting silhouettes. With his designs, Mugler lent heroic strength to the people he once described as “fragile, beautiful creatures”. In times of cocooning, of retreating from a world perceived as unmanageable and threatening into a domestic private life, Mugler created glamorous armor that transformed women into superheroines by borrowing from the world of animals and myths as well as from the universe of modern technology and architecture. He experimented with innovative materials such as metal, Plexiglas, fake fur, vinyl and latex. -
October 2015 2 Mailbag and Prison) to ‘Mailbag’, Inside Time, Botley Mills, Botley, Southampton, Hampshire SO30 2GB
the National Newspaper for Prisoners & Detainees THE 2015 KOESTLER AWARDS a voice for prisoners 1990 - 2015 RE:FORM is the UK’s annual national showcase of arts A ‘not for profit’ publication / ISSN 1743-7342 / Issue No. 196 / October 2015 / www.insidetime.org by prisoners, offenders on community sentences, secure An average of 60,000 copies distributed monthly Independently verified by the Audit Bureau of Circulations psychiatric patients and immigration detainees. SHRINK PRISON NUMBERS AND SAVE BILLIONS OF POUNDS Eric McGraw people are sentenced to serve them each year. They destroy lives and are too short to begin he number of men, women and chil- to tackle the causes of offending. Ministry of dren in prison’s in England and Wales Justice research has concluded that suspend- has almost doubled in 25 years - from ed or community sentences are cheaper and result in less offending. fewer than 45,000 in 1990 to more than 85,000 today. Reducing the l Limit the use of remand. prisonT population to its level when Margaret More than 8,000 people in prison have not Thatcher was Prime Minister would allow been found guilty of an offence. While re- governors to improve prison conditions, mand is needed, it’s used far too often. Sev- which were described in July by the Chief In- enty percent of people remanded in custody spector of Prison’s as their worst in a decade. do not go on to receive a custodial sentence. In a submission to the Government’s Spend- l Reduce recalls to custody and use women’s ing Review 2015 the Howard League for Pe- centres in the community, not prisons. -
From the Love Ball to Rupaul: the Mainstreaming of Drag in the 1990S
FROM THE LOVE BALL TO RUPAUL: THE MAINSTREAMING OF DRAG IN THE 1990S by JEREMIAH DAVENPORT Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Music CASE WESTERN RESERVE UNIVERSITY August, 2017 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of Jeremiah Davenport candidate for the degree of PhD, Musicology. Committee Chair Daniel Goldmark Committee Member Georgia Cowart Committee Member Francesca Brittan Committee Member Robert Spadoni Date of Defense April 26, 2017 *We also certify that written approval has been obtained for any proprietary material contained therein. 2 Acknowledgements Thank you from the bottom of my heart to everyone who helped this dissertation come to fruition. I want to thank my advisor Dr. Daniel Goldmark, the Gandalf to my Frodo, who has guided me through the deepest quandaries and quagmires of my research as well as some of the darkest times of my life. I believe no one understands the way my mind works as well as Daniel and I owe him a tremendous debt of gratitude for helping me find the language and tools to write about my community and the art form I love. I also want to thank Dr. Georgia Cowart for helping me find my voice and for her constant encouragement. I am grateful to Dr. Francesca Brittan for her insights that allowed me to see the musicologist in myself more clearly and her unwavering support of this project. I also would like to thank Dr. Robert Spadoni for expanding my analytical skills and for constantly allowing me to pick his brain about drag, movies, and life. -
Baby, That's Art!
June 24, 2009 #991 Baby, That’s Art! Our annual Pride issue celebrates the diverse palate of local LGBT creative types. page 39-48 inSIDE Deep Cover 1,2,3, Fag! - Black Pride page 64 weekend. page 9 GO NATURAL ™ INTRODUCING THE LATEST ADDITION TO THE LINE RANKED #1 IN TASTE. SKYY Infusions™. Vodka infused with real fruit and other natural fl avors. 35% alc.vol (70 proof). ©2009 Skyy Spirits, LLC, San Francisco, CA. Enjoy responsibly. Learn more at SKYYINFUSIONS.COM SKYY Infusions voted best tasting by the Beverage Testing Institute.® SKYY Infusions™. Vodka infused with real fruit and other natural fl avors. 35% alc.vol (70 proof). ©2009 Skyy Spirits, LLC, San Francisco, CA. Enjoy responsibly. Learn more at SKYYINFUSIONS.COM THE PUBLICATION AD: Nightspot LAMBESIS AGENCY This advertisement was prepared by Lambesis Inc. Studio Job # 09-565-054 Studio Manager Proofreader Client/Ad Caption: SKYY Infusions/Pineapple Trade Production Composite Size: L: 5” x 8” T: 5.5” x 8.5” B: 5.75” x 8.75” Art Director Copywriter CD CD: C. Farmer ACD: B. Nichols AE: N. Kane Prod: M. Hayes ACD Account Exec. AD: C. Farmer CW: D. Klowden Client Traffic out in the stars by Charlene Lichtenstein Have fun in the Sun as it those who can give you a leg earthly delights and simply wends its merry way into up. Or is it just press against cannot behave. Temper your romantic Cancer. Emotions those with their leg up? ardor if you can; there is a hit a high note for the next tendency to bite off more than four weeks. -
Emergence Du Hip-Hop Au Montreux Jazz Festival
Emergence du Hip-Hop au Montreux Jazz Festival Enrico Chizzolini - Architecture Lothaire Creppy- Architecture Guillaume Dupont - Physique Maseeh Takhtravanchi - Architecture Projet SHS de 1ère année master Encadré par Constance Frei et Grégory Rauber, SHS Musicologie Rapport accepté le 08.05.2019 Lausanne, année académique 2018 – 2019 Table des matières I. Introduction 3 II. Origines et contexte 5 II.1. Aux USA 5 a) Bref historique du Hip-Hop jusqu’au début des années 90 aux USA 5 b) Etat du Hip-Hop au début des années 90 aux USA 7 II.2 En France 8 c) Bref historique du Hip-Hop jusqu’au début des années 90 en France 8 II.3 En Suisse 9 d) Hip-Hop & médias locaux en Suisse au début des années 90 9 III. Emergence du Hip-Hop au Montreux Jazz Festival 11 a) Regard global sur les concerts Hip-Hop au Montreux Jazz Festival 11 b) Les premiers concerts 15 c) Sous-genres et instrumentation 17 d) Origines géographiques des artistes 19 e) Les femmes et le Hip-Hop au Montreux Jazz 21 IV. Les suites 25 a) Le MJF et les médias entre 1991 et 1993 25 b) A l’époque des premiers concerts 27 c) Le Hip-Hop de nos jours (2015-2017) 29 Conclusion 33 Bibliographie 35 2 I. Introduction Au cours de la décennie 2010, le Hip-hop est devenu un des genres musicaux les plus écoutés notamment aux Etats-Unis et en France. Il gagne également du terrain dans le reste du monde et rencontre un succès planétaire aussi bien culturel qu’économique. -
Press Release
Press Release THIERRY MUGLER: COUTURISSIME extended till Mid-April 2021 For the first time in Germany, the Kunsthalle München is presenting an exhibition about the French creator Thierry Mugler. It is initiated, produced and circulated by the Montreal Museum of Fine Arts (MMFA), in collaboration with the Maison Mugler which restored the designer’s heritage couture. The exhibition is curated by Thierry-Maxime Loriot. This spectacularly staged retrospective presents the multifaceted work of this visionary couturier, director, photographer and perfumer. It showcases more than 150 haute couture and prêt-à-porter outfits, stage costumes and accessories, videos, photographs, design sketches, and archival material created between 1977 and 2014. Some 100 works by famous fashion photographers who have staged Mugler’s creations, from Helmut Newton (1920–2004) to David LaChapelle (*1963), round out the exhibition. In the early 1970s, Mugler, who was trained as a classical ballet dancer, revolutionized fashion by countering the flowing bohemian looks of the hippie era with morphological and futuristic cuts as well as sculptural, elegant, and form-fitting silhouettes. With his designs, Mugler lent heroic strength to the people he once described as “fragile, beautiful creatures”. In times of cocooning, of retreating from a world perceived as unmanageable and threatening into a domestic private life, Mugler created glamorous armor that transformed women into superheroines by borrowing from the world of animals and myths as well as from the universe of modern technology and architecture. He experimented with innovative materials such as metal, Plexiglas, fake fur, vinyl and latex. “My only measure is excess,” said Mugler of his extravagant creations.