German Short Films 2021

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German Short Films 2021 2021 ser Katalog präsentiert 53 unabhängige und 47 Hochschulproduktionen. Die 51 Regisseurinnen und 63 Regisseure dies Die er * K : u s r z e f g l a m u e g w n Kurzfilmkatalog short film catalogue a u l r e d v e i t catalogue de courts metrages n a i n n r ü i b e rövidfilm-katalógus e h t r 3 n i 0 “ v e cuốn sách phim ngắn e u r g s o c l h a Catalogo dei Cortometraggi t i e a d c catálogo de cortometrajes e n m l e f īsfilmu katalogs n t L r ä o 短編映画カタログ n h d s „ e Katalog filmów krótkometrażowych r s n n g a e e b m Kısa Film Kataloğu o r s i e h n T . „ каталог короткометражных фильмов K s e u i r r z t f n l u kortfilmkatalog მოკლე ფილმების კატალოგი m o k c a t t n a e l r Catálogo de Curta-Metragens o e g f “ f kratkometražni film i h d e 0 i ß 3 t n 短片目录 i n a h i h t r e e r Orodha ya Filamu Fupi n o Katalog kratkog filma M m u n t i t e n Каталог късометражни филми r r s o p b r a e r Kortfilmskatalog c e h e w n s : * m l T f h t i r s o c h a s e s e h t f o s r o t c e r i d 3 6 d n a s e s s e r t c e r i d 1 5 e h T . s n o i t c u d o r p l o o h c s m l f 7 4 d n a t n e d n e p e d n i 3 5 s t n e s e r p e u g o l a t INHALTSVERZEICHNIS TABLE OF CONTENTS EDITORIAL PORTRÄT AG KURZFILM PORTRAIT AG KURZFILM IMPRESSUM IMPRINT FÖRDERER & UNTERSTÜTZER SPONSORS & SUPPORTERS DIE KURZFILME THE SHORT FILMS 1-100 REGISTER TITEL TITLE 101 REGIE DIRECTOR 102 STUDENTENFILME STUDENT FILMS 103 KATEGORIE CATEGORY 104 VORFÜHRFORMAT SCREENING FORMAT 105 FILMLÄNGE LENGTH 106 EMPFEHLUNGEN FÜR KINDER UND JUGENDLICHE RECOMMENDATIONS FOR CHILDREN AND YOUTHS 107 SERVICE MITGLIEDER DER AG KURZFILM MEMBERS OF THE GERMAN SHORT FILM ASSOCIATION 109 KURZFILMFESTIVALS IN DEUTSCHLAND SHORT FILM FESTIVALS IN GERMANY 111 FILMSCHULEN, KUNSTAKADEMIEN UND FILMKLASSEN FILM SCHOOLS, ART ACADEMIES AND FILM CLASSES 116 VERLEIH UND VERTRIEB VON KURZFILMEN DISTRIBUTION AND SALES OF SHORT FILMS 119 FILMFÖRDERER FILM FUNDING BODIES 120 KULTURELLE FILMFÖRDERUNGEN NON-COMMERCIAL AND CULTURAL FILM FUNDING BODIES 121 FILMVERBÄNDE GERMANY-WIDE FILM ASSOCIATIONS 122 FILMBÜROS UND –VERBÄNDE AUF LÄNDEREBENE FEDERAL “LÄNDER” FILM ASSOCIATIONS 123 WEITERE FILMINSTITUTIONEN FURTHER FILM ORGANISATIONS 124 EDITORIAL Zeit für Experimente Time for Experiments In den vergangenen zehn Jahren sind kurze Formate äußerst beliebt gewor- Over the last decade, short formats have become hugely popular. Series den. Serien haben den Trend in den Nullerjahren angeschoben, soziale Me- drove this trend in the 2000s, with social media adding further fuel to it. dien haben ihn weiter befeuert. Parallel dazu wird in einer Art Kurzschluss- Parallel to this, for some time now in a kind of knee-jerk reaction, there reaktion seit einiger Zeit von der Chance für den Kurzflm gesprochen, von has been talk of the opportunity for short film to profit from this trend. diesem Trend zu proftieren. Alles streamt „Erzählhäppchen“, Clips und „Epi- When everyone is streaming "narrative snippets", "clips", and "short-for- sches im kleinen Format“, warum also nicht auch Kurzflme. Zum Beispiel mat epics", then why not short films as well? Well, for instance, because deshalb, weil die Reduktion auf die Laufzeit verkennt, dass der Kurzflm reducing everything to their running time fails to recognise that while zwar zunehmend auch in digitalen Medien stattfndet und Entwicklungen short films are indeed now found increasingly on social media and quickly und Techniken schnell aufgreift, er mit ihnen oder den dort populären Platt- embrace developments and technologies, for that they cannot be equat- formen und Formaten aber nicht gleichzusetzen ist. Und auch der Vergleich ed with these media or the popular platforms and formats found there. mit der „zeitgemäßen Art des Erzählens“ der Serien ignoriert, dass der And, likewise, any comparison with the "contemporary narrative struc- Kurzflm seine Geschichten eben ganz anders erzählt als die häufg doch ture" found in series ignores the fact that short films recount their stories nur in schematischen Dramaturgie-Modellen verhafteten Serien. in a completely different way and manner to that in series, which are of- ten trapped in merely schematic dramatization and composition models. Das Kino begann mit dem Kurzflm. Doch es ist für die Wahrnehmung und Bedeutung des Kurzflmes entscheidend, dass dieser Beginn ein Experi- Cinema began with short film. However, it is decisive for the perception ment gewesen und der Kurzflm in seinem Kern auch immer eines geblieben and significance of short film that this beginning was an experiment, and ist. Als die Möglichkeit der Kombination mehrerer Filmrollen entdeckt und that short film has at its core always remained one. When the possibility damit der Langflm möglich wurde, zogen nach und nach klassische drama- of combining several film reels was discovered, permitting the advent of turgische Konstruktionen ins Kino ein. Mit diesen kann der Kurzflm nichts feature-length films, classic dramatization constructions gradually found anfangen. In der Konsequenz eroberte er – abseits der Wochenschauen – their way into the cinemas. And short film was unable to do anything with in den 1920er Jahren nach und nach Nischen für sich. Ökonomisch ist der them. The consequence of this was that – apart from the weekly news- Kurzflm spätestens mit der Etablierung des Fernsehens und der fast voll- reels – short film progressively conquered niche areas for itself through- ständigen Verbannung aus den Kinos irrelevant geworden. Und nur weil die out the 1920s. On a commercial level, short film became irrelevant at the Aufmerksamkeitsspannen heute spürbar sinken, kommt kaum jemand auf latest with the establishment of television and its almost complete ban- die Idee, auf dem Weg zur Arbeit in der U-Bahn oder in der Freizeit nebenbei ishment from the cinemas. And just because our attention spans have einen Kurzflm zu schauen. Der (künstlerische) Kurzflm benötigt Konzen- clearly gotten shorter nowadays, hardly anybody would think of having a tration und in vielerlei Hinsicht Zeit, weshalb er in Nischen stattfndet. quick look at a short film while they are in the train on their way to work or during their leisure time. The (artistic) short film requires concentration and in many ways time, which is why it occurs and is to be found in niches. « TABLE OF CONTENTS Gerade deshalb hat der Kurzflm in den über 120 Jahren seiner Existenz aber For these reasons especially, over its more than 120 years in existence, auch eine Eigenständigkeit durch Offenheit entwickelt, die heute weit über short film has, however, through its openness also developed an auto- die Übung an der Filmhochschule, die Visitenkarte, das Häppchen für den nomy that today goes far beyond the film-school cinematic exercise, Slot zwischen TikTok und Let‘s Play oder den Vorflm hinausgeht. Doch ge- the little treat for the slot between TikTok und Let's Play or the cinema nügt es nicht, permanent die Floskel zu wiederholen, dass die Spielarten supporting film. However, it is not sufficient to permanently repeat the des kurzen Formates aufregend, innovativ und unterhaltsam sind. Auch hollow phrase that the short-format variants are exciting, innovative and dass der Kurzflm uns eine Nachdenklichkeit offeriert, der wir uns selbst im entertaining. The fact that short film offers us a moment of reflection, one beschleunigten Alltag kaum noch hingeben können, hilft als intellektuali- we are scarcely able to indulge in anymore in our accelerated daily lives, is sierte Diagnose kaum. barely helpful as an intellectualised diagnosis. Film trifft zunehmend auf durch andere Medien geprägte Weltbilder, wes- Film increasingly encounters world views and images shaped by other halb er das Denken und Handeln viel weniger beeinflusst, als allgemein media, for which reason it has far less influence over our thoughts and angenommen. Doch gerade weil Bilder nach wie vor unseren Alltag bestim- actions than is generally assumed. But exactly because our everyday lives men, ist eine Auseinandersetzung mit ihnen und den dem Film so eigenen continue to be determined by images, a discussion and analysis of this Möglichkeiten notwendiger denn je. Die Sichtbarkeit des Kurzflmes muss and the various possibilities that film provides is more necessary than sich also nicht um seiner selbst willen erhöhen, sondern weil er sich in vie- ever. Thus, the visibility of short film must increase not for its own sake, lerlei Hinsicht als Ausgangspunkt einer Auseinandersetzung mit Bewegt- but because it is suitable in so many ways as a starting point for a critical bildern und Gesellschaft eignet. Der Katalog der AG Kurzflm ist jedes Jahr examination of and confrontation with moving images and society itself. aufs Neue ein Baustein notwendiger Vermittlungsarbeit, weil er zuerst ein- Each year, the AG Kurzfilm’s – German Short Film Association – catalogue mal Möglichkeiten aufzeigt. 100 Filme sind darin versammelt, die zunächst acts anew as a component of this mediation work, first and foremost be- eine ästhetische Erfahrung der Welt gestatten. Ausgehend davon können cause it reveals possibilities. 100 short films have been compiled in the neue Konzepte ausprobiert, Fragen des sich vielleicht ergänzenden, sym- catalogue that initially permit an aesthetic experience of the world.
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