Animation Festival 2019
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UPA : Redesigning Animation
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously -
Polish Cinema 2008
New Polish Films: WITH SENSE AND SENSIBILITY Andrzej Wajda’s School: THE MASTER AND HIS TRAINEES “Peter and the Wolf”: SECOND OSCAR FOR A FILM MADE IN SE-MA-FOR STUDIO Russia, Afghanistan and Belarus: IN POLISH DOCUMENTARIES „PETER AND THE WOLF” Polish Cinema 2008 THE TRAGEDY OF PRISONERS OF WAR, THE MISERY OF THEIR FAMILIES ANDRZEJ WAJDA’S “KATYŃ” Polish Cinema 2008 editorial “Kino” monthly , a journal providing a perceptive and original insight into various aspects of the film industry, has accompanied Polish cinema for over forty years now. In line with this tradition, in this special English language issue, we present a selection of articles published in “Kino” in the last year. They include reviews, interviews, as well as articles concerning the history of Polish cinema and opinion columns. However, we focus on the most interesting Polish feature films (of which 41 have been made there between the beginning of 2007 and May 2008), as well as documentary and animated films of the last year. Some of them could be seen at various international festivals, where they received numerous awards. The most prestigious award, an Oscar, came to the short animated film, “Peter and the Wolf”, which is a British-Polish co-production, directed by Suzie Templeton and made in the Studio Se-Ma-For in Łódź. On the other hand, the most awarded Polish film was “Tricks” by Andrzej Jakimowski, which till April 2008 received 12 awards, including at the festivals in Gdynia, Venice, Tokyo, Mannheim, Sao Paulo and Miami. However, what counts more than awards is the fact that Polish viewers have regained pleasure in watching Polish films. -
European Animation Emile Awards 2017 Call For
EUROPEAN ANIMATION EMILE AWARDS 2017 CALL FOR ENTRIES - GENERAL RULES INTRODUCTION The Emile Awards, first ceremony of the European Animation Awards (EAA), will be held Friday 8th December 2017, at le Nouveau Siècle in Lille, France to reward the skills of European professionals. The awards will be voted by the EAA members, representing a large vision of European professionals. CATEGORIES 1. Best Student Film 2. Best Commissioned Film 3. Best Animated Short Film 4. Best Background and Character Design in a Short Film Production 5. Best TV/Broadcast Production (Best Director) 6. Best Background and Character Design in a TV/Broadcast Production 7. Best Character Animation in a TV/Broadcast Production 8. Best Writing in a TV/Broadcast Production 9. Best Storyboard in a TV/Broadcast Production 10. Best Soundtrack in a TV/Broadcast Production 11. Best Feature Film (Best Director) 12. Best Background and Character Design in a Feature Film 13. Best Character Animation in a Feature Film 14. Best Writing in a Feature Film 15. Best Storyboard in a Feature Film 16. Best Soundtrack in a Feature Film 17. Lotte Reiniger Life Achievement Award 1 SELECTION PROCESS Submission To qualify for entry, productions must have had their first release between January 1, 2016 and July 31, 2017. Production Content Requirements Entries submitted will be nominated based on the completed production in its entirety. For some of these categories some additional work will be required too, as designs, scripts, etc.. Submissions must consist only of material used in the final production. Cut sequences, unused music, deleted performances, omitted characters and similar surplus material will not be considered for nomination. -
Ten Years Supporting, Delivering & Promoting the Whole Spectrum of Animation
TEN YEARS SUPPORTING, DELIVERING & PROMOTING THE WHOLE SPECTRUM OF ANIMATION Directors Message Wow – we made it to our 10th anniversary!! Who would have thought it? From very humble beginnings – our first festival in 2004 screened at the now-defunct Rupert Street Cinema in Piccadilly – to LIAF 2013, 10 days at 3 different venues. We have survived - sort of. Over 10 years we’ve received more than 12,000 entries, screened more than 2,500 films, and had some of the most talented animators in the world come and hang out with us. And we’ve had a ball on the way. It’s time to blow our own trumpet. As well as being the largest festival of it’s kind in the UK in terms of films and programmes screened, we have a substantial touring component and we run satellite events all year-round. We’ve screened at festivals, cinemas, theatres and colleges all around the world and in the UK and hopefully we have spread the word that animation is a valid artform that is only limited by the animator’s imagination. In short, our maxim is that in animation anything can happen. Long may this be. There are far too may people to thank here (hopefully you know who you are) but the guidance and immense work-rate of my co-Director Malcolm Turner has to be acknowledged. Way back when in our ground zero - actually in the year 1999 - I still vividly recall that very first meeting Malcolm and I had with our then-colleague Susi Allender in the back garden of our Melbourne flat. -
Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights. -
Creative Corner Think 3Ds Max Is the Most flexible CG Software out There, and It's Also the a Look at Artists and Facilities Taking Creativity to New Levels
Commercials, shorts, and now feature films a small team and you have to fix something very quickly. It's amazing for Storytelling to the max (3ds and otherwise) For Platige Image, it’s Platige has created over 2,500 commercials and has worked with the that, especially when you’re working in commercials. I love the fact that As Platige moves into feature film production with its forthcoming Another largest advertising agencies in Poland and abroad. Commercials created by any challenges we encounter can be solved either within the program or Day of Life, it should be interesting to see how the company’s artists Platige have appeared in the United Kingdom, Russia, Portugal, and the with a few plug-ins. There is something brilliant about that.” transform their skills at telling a short story—as evidenced in numerous all about the story United States; they promote a wide variety of brands, including LEGO, commercials and short animated films—into telling a long one. As is the Warsaw VFX company moves into feature film production Kellogg Company, the Discovery Channel, the History Channel, and case with many other studios, Autodesk is proud to play a role in this Vodafone. Platige won international recognition and acclaim for its evolutionary process, and it’s always exciting to see how tried-and-true animated shorts, including The Cathedral (2003), Fallen Art (2004), The tools, like 3ds Max, continue to be used in new and innovative ways. Platige Image, a CG and VFX firm headquartered in Warsaw, Poland, has Kinematograph (2009), and Paths of Hate (2010). -
Prix Ars Electronica 2021
Now open for submissions: Prix Ars Electronica 2021 (Linz, 13 January, 2021) Projects can be submitted to the Prix Ars Electronica 2021 from now until 3 March in the following categories: Computer Animation, Artificial Intelligence & Life Art, u19 – create your world, and Digital Musics & Sound Art (now featuring the “Isao Tomita Special Prize”). This year, entrants will also have the opportunity to submit their projects to the new “Ars Electronica Award for Digital Humanity,” made possible by the Austrian Federal Ministry for European and International Affairs. All projects and works submitted for the Prix Ars Electronica can also be nominated for the STARTS Prize. An overview of the Prix Ars Electronica 2021: Computer Animation … ... is open to independent art and science works, as well as commercial high-end productions from the film, advertising and entertainment industries. Artistic originality counts as much as excellent technical performance. Submissions may include experimental approaches based on expanded interpretations of computer animation that go beyond the screen in both artistic and technical terms. Digital Musics & Sound Art ... ... is looking for contemporary digital sound productions from the broad spectrum of “electronica”: from works that combine sound and media, to electro-acoustic or experimental computer compositions, to sound installations. Regardless of media or genres, the focus is on the musical and sonic qualities of the submitted works. … and the Isao Tomita Special Prize This year’s jurors will be the first to award the 5000-euro Isao Tomita Special Prize in the category Digital Musics & Sound Art. The prize is named after the Japanese pioneer of electronic music who died in 2016. -
Concordia University Presents
ConcordiaConcordia UniversityUniversity presentspresents THE 30th ANNUAL SOCIETY FOR ANIMATION STUDIES CONFERENCE | MONTREAL 2018 We would like to begin by acknowledging that Concordia University is located on unceded Indigenous lands. The Kanien’kehá:ka Nation is recognized as the custodians of the lands and waters on which we gather today. Tiohtiá:ke/ Montreal is historically known as a gathering place for many First Nations. Today, it is home to a diverse population of Indigenous and other peoples. We respect the continued connections with the past, present and future in our ongoing relationships with Indigenous and other peoples within the Montreal community. Please clickwww.concordia.ca/about/indigenous.html here to visit Indigenous Directions Concordia. TABLE OF CONTENTS Welcomes 4 Schedule 8-9 Parallel Sessions 10-16 Keynote Speakers 18-20 Screenings 22-31 Exhibitions 33-36 Speakers A-B 39-53 Speakers C-D 54-69 Speakers E-G 70-79 Speakers H-J 80-90 Speakers K-M 91-102 Speakers N-P 103-109 Speakers R-S 110-120 Speakers T-Y 121-132 2018 Team & Sponsors 136-137 Conference Map 138 3 Welcome to Concordia! On behalf of Concordia’s Faculty of Fine Arts, welcome to the 2018 Society for Animation Studies Conference. It’s an honour to host the SAS on its thirtieth anniversary. Concordia University opened a Department of Cinema in 1976 and today, the Mel Hoppenheim School of Cinema is the oldest film school in Canada and the largest university-based centre for the study of film animation, film production and film studies in the country. -
California Institute of the Arts
Ismael Sanz-Pena ismaelsanzpena.com California Institute of the Arts • 2008-11 MFA in Experimental Animation Los Angeles Central Saint Martins School of Arts and Design • 2007-08 Postgraduate Diploma in Character Animation London Thames Valley University • 2004-07 BA(Hons) Digital Animation London • 2018- Maryland Institute College of Art Professor Animation department . • 2016-18 Kansas City Art Institute Assistant Professor Animation department t • 2015/16 Klipp og Lim Media AS Animator Short films, music videos and commercial work . • 2013/14 Promatica AS UX/UI Designer Interface and web design for a marketing and date management software . m • 2011/12 Maryland Institute College of Art University of Maryland, Baltimore County Adjunct Professor Animation and Foundation Departments Visual Arts Department. m • 2008-10 CalArts Arts Partnership Animation Instructor Workshops for High School Students at the Inner City Arts, Los Angeles m • 2008 Lister Community School, London Assistant Teacher at Performing Arts Specialized School m • 2007-08 Chiang Mai University, Thailand Animation Instructor Media Department m • 2016 - Kunstakademiet I Trondheim, guest lecturer, Norway - Høyskolen Kristiania, guest lecturer, Norway. - Norges Kreative Høyskole, guest lecturer, Norway. • 2014 - Norges Kreative Fagskole, guest lecturer, Norway. • 2013 - Lademoen Kunstnerverksteder, workshop, Norway. - Noroff, guest lecturer, Norway. - Diploma, The Visuelt Competition. Oslo, Norway. - Best International Very Short Films Competition: Sommets du Cinema d’Animation, Canada. (2017) - ARTfest Digital, Highly Commended (2017) - Stipend, Norwegian Film Institute (2017) - Stipend, Midtnorsk Film (2017) - British Animation Awards, Public choice (2016) - Film grant, Stipend, Midtnorsk Filmsenter Trondheim (2016) - Artist grant, Tilskudd til Kunstner Trondheim (2015) - Artist grant, Cultiva Ekspress Kristiansand (2013) - Artist grant, Tilskudd til Kunstner Kristiansand (2013) - Full Scholarship to study at the Mahindra United World College of India (02-04). -
"Mind's Eye" Award @ SHORT SHORT STORY Film
STUCK IN THE MIDDLE (update 25/09/2019) Awards (4) - "Mind's Eye" Award @ SHORT SHORT STORY Film Festival / Providence / USA - Diploma for the Best Film School Program @ KINOPROBA Festival / Yekaterinburg / RUSSIA - Best Animation Film @ Arouca Film Festival / Arouca / PORTUGAL - Jury Prize @ Festival du Film Court / L’Isle-Adam / FRANCE Selections (73) - HRIZANTEMA Horror & Fantasy Film Festival / Subotica / SERBIA - ArtFutura Festival / Barcelona / SPAIN - Taichung International Animation Festival (TIAF) / Taichung / TAIWAN - EQUINOXIO Festival / Bogotá / COLOMBIA - BANJALUKA International Animated Film Festival / Banja Luka / BOSNIA - KuanDu International Animation Festival (KDIAF) / Taipei City / TAIWAN - HELL DE JANEIRO Festival / Rio de Janeiro / BRAZIL - BANG AWARDS Festival / Torres Verdras / PORTUGAL - CHANIARTOON International Comic & Animation Festival / Chania / GREECE - FILMPLAYA Festival / Los Angeles / USA - LES NUITS MAGIQUES International Animation Film Festival / Bègles / FRANCE - KINOFEST International Digital Film Festival / Bucharest / ROMANIA - Mostra Internacional de Cinema / São Luís / BRAZIL - Festival International du Court-Métrage Étudiant TYO / Cergy-Pontoise / FRANCE - Festival Internacional Animacion (FIA) / Montevideo / URUGUAY - TERROR CÓRDOBA Festival / Córdoba / ARGENTINA - San Sebastián Horror and Fantasy Film Festival / San Sebastián / SPAIN - PRIME THE ANIMATION! International Student Festival / Valencia / SPAIN - exground filmfest / Wiesbaden / GERMANY - AJAYU International Animated Short Film Festival -
Concept Artist's Workshop
NAJLEPSI POLSCY ILUSTRATORZY THE BEST POLISH ILLUSTRATORS Concept Artists EBOOK No 002/02 EN VIRTUAL GALLERY The series includes 161 eBooks in two language versions https://gallery.beslow.pl THE BEST POLISH ILLUSTRATORS is a non-profit project. It is thanks to the trust and money of the Readers and the support of Partners that the implementation of this project is possible. We thank you for your trust and support. SLOW Foundation 2020 WHAT IS CONCEPT ART By Dr. Kamila Tuszyńska The term – Concept art is more and more commonly used these days. Illustration though is a final product, a viewer can see – it is a process With its growing popularity there is a problem of understanding the and aim in the same time. term and, in the same time, of setting the border separating it from Concept art is story telling with picture. It consists of many drawn illustration, sketch or model design. Everything artist does in the form of elements, and their sum carries the story which must be interesting for concept, an idea is considered to be a concept art work. Does concept a viewer. Each of these elements means something and in a message art include any idea presented in the form of visual means? What about of 2D picture serves a particular role thus concept art verges on the stage designers or scenographers who draw their ideas for decorations border of art and communication. and costumes? Shall we consider them concept artists? When can Concept art is expressive and impressive. It has to be coherent and we call someone a concept graphic artist and when only a designer functional, i.e. -
Emerging Narrative
Emerging Narrative 25 Feature Scripts in Development Arrow Written and directed by Emily Carmichael, produced by Adam Spielberg and Josh Hetzler, cinematography by Ben Richardson. In a madcap alternate-reality Brooklyn, three science-fiction heroes face their greatest challenge yet: not saving the world anymore. (Sci- fi/Comedy) The Assumption Written and directed by Tom Quinn, produced by Steve Beal and Ellen Knechel. A young priest attempting to save his elementary school from closure becomes a local celebrity after a near-death experience. (Drama) Baby Lu Written and directed by Emily Ray Reese, produced by Tati Barrantes and Caroline Oliveira. A forbidden crush forces 13-year-old Lucinda and her mountain man father to confront her developing sexuality in a small town in Northern New Mexico. (Coming of Age) The Blandishments Written and directed by Kyle Smith. The Blandishments, a five-piece band from Indiana, weather the challenges that come with writing a hit alternative-rock song in 1993. (Comedy) Brooklyn Flee Written and directed by Alexandra Roxo, written and produced by Devon Kirkpatrick. When two girls meet online and agree to drive across country together, their impromptu adventure brings them much closer than they’d anticipated. (Comedy) Chicken Day Written by Melissa Brandt. A troublesome teenage girl must win a small town’s annual chicken competition in order to save the members of her dysfunctional family. (Drama) Cutlet Written and directed by Clay Liford, produced by Angie Meyer and Brock Williams. A road trip to an isolated farm becomes a nightmare for two siblings when they are forced to battle a mutated herd of carnivorous cattle.