The Gopher Peavey 1936
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Music Playlist Auggie: 1
Music Playlist Auggie: 1. Ugly- Sugababes This links to Auggie because throughout the book Auggie gets more comfortable with his face being different and this is linked to the lyrics “ i got real comfortable with my own style”. the lyrics “But there will always be the one who will say something bad to make them feel great” this links to Julian asking if Auggie was in a fire and saying he looks like Darth Sideous. 2. This is me- Keala Settle This song links to Auggie because he works his way to accepting himself for who he is. The lyrics “I won’t let them break me down” Is linked to Auggie not letting people hurt him and he ignores the mean comments people make. The lyrics “I’m not scared to be seen” is linked to Auggie not getting upset or hide away when people stare at him. Via: 1. Ok not to be ok- Demi Lovato and Marshmello This song links to Via because she does not have to act like she is ok when something is wrong just because her parents don’t pay as much attention to her as Auggie. The lyrics “Or give up when you’re closest” is linked to Via because in the book it says if she struggles on something she works it out on her own, so Via doesn’t give up until she has figured it out. 2. History- One Direction This links to Via because her and Miranda were best friends and had a lot of history. The lyrics “Thought we were going strong I thought we were holding on” links to Via because at the start of high school she found out Miranda was ditching her in the summer holidays and their friendship was falling apart. -
Moments of Observation
John Walker Moments of Observation Sheldon Museum of Art January 18–July 14, 2019 Introduction and Beer With a Painter: John Walker, Revisited by Jennifer Samet ohn Walker’s recent paintings are about a compression of energy: forms and patterns J locked into one another. There is an urgency to his most recent paintings, a directness that is about that relationship between a person and a place, and the impulse to record that relationship through mark making. It is symbolized by how the forms lock into one another: the penetration of earth and shallow water. I think about the painting by Cezanne, The Bay of Marseilles, Seen from L’Estaque, which is also about water and shore locking into one another like mirroring, perfect jigsaw puzzle pieces. For more than fifteen years, Walker has turned his attention and gaze to Seal Point, Maine, where he lives and works. But in the newest paintings, Walker pares down his formal vocabulary to elements like patterns of zigzag lines, painterly, irregular grids, oval-shaped forms and dots. They are abstractions, but they are also landscape paintings that turn the genre on its head. They are oriented vertically, rather than the horizontal format we traditionally code as landscape. The horizon line is pushed to the uppermost portion of the canvas so that only a thin band of form suggests sky, clouds, sun or moon. Instead, Walker focuses on the patterns that form when earth and water meet. And in this area of Maine, the inlets and bays are as much about mud as they are about water. -
I'll Be There for You (V1) Artist:The Rembrandts
I'll Be There For You (v1) Artist:The Rembrandts. Writer:Phil Sōlem, Danny Wilde, David Crane, Marta Kauffman, Michael Skloff, Allee Willis A -2-2-2-0------------0-----2-2-2-0--------------0---- E -3---------3-1-1-3-----3--3----------3-1-1-3-----3- C -2---------------------------2--------------------------- G -0---------------------------0--------------------------- Strumming Pattern: Island Strum Intro: [G] [F] [G] [F] [G] So no one told you life was gonna be this [F] way [G] Your job's a joke, you're broke, your love life's [Gmaj7] D.O.A. [F] It's like you're [C] always stuck in [G] second gear And it [F] hasn't been your [C] day, your week Your [D] month or even your [D7] year, but Gmaj7 [G] I'll be [C] there for [D] you, when the rain starts to [G] pour I'll be [C] there for [D] you, like I've been there be-[G]fore I'll be [C] there for [D] you, 'cause you're there for me [F] too [F] [G] You're in bed at ten and work began at [F] eight [G] You've burned your breakfast so far things are going [Gmaj7] great [F] Your mother [C] warned you there'd be [G] days like these But she [F] didn’t tell you [C] when the world has [D] brought You down to your [D7] knees that [G] I'll be [C] there for [D] you, when the rain starts to [G] pour I'll be [C] there for [D] you, like I've been there be-[G]fore I'll be [C] there for [D] you, 'cause you're there for me [F] too [F] [G] [G] [C] No one could ever know me, no one could ever see me [Em] Sometimes the only one who knows what it's like to be me [Am] Someone to face the day with, [Am7] make it through -
History of the National Forest
HISTORY OF THE FREMONT NATIONAL FOREST O Melva M. Bach. O Fremont National Forest Lakeview, Oregon 1981 CAPTAtN JOHN C. FRENONT FOREWORD Gifford Pinchot once said, "The Forest Service is the best organization in the government because of the people in it". In my opinion, the out-door-loving S persons who choose their life work in the Forest Service and other conservation agencies are among the greatest Perhaps this is because these devoted people are more interested in helping to wisely use and perpetuate our natural resources rather than to exploit them. The8emen and women employees of the Forest Service are loyal, dedicated, and hard-working persons They work many hours of unpaid overtime to get the job done They are unselfish, giving a great deal of their own time and effort to community activities, such as the Boy Scouts, Camp Fire Girls, 4-s, United Fund, Rotary, Lions, and other service organizations. The wives of these men are exceptional and fine women who do their part in community af fairs They snow that housing and living conditions in the Forest Service are sometimes undesirable and in isolated places, but they cheerfully accept them It has been very pleasant working for and with the great number of persons who have been on this forest I have appreciated this lengthy opportunity to know and make friends with some very fine people, and thank them for their help and pleasant associations One reason for this long opportunity was a letter I received from MrShirley Buck of the Regional Office when I started to work in Lakeview e said "It is hoped you will stay a considerable length of time" I thought he meant it. -
The Gopher Peavey 1948
I I FOREWORD This year's PEAVEY has been designed to coincide with the wishes of both the student body and the alumni. Technical articles have been omitted and in their stead are articles on your school, your activities, and your interests. The Alumni News section has been enlarged and a strong effort has been made to strengthen and improve this section. We, the staff, present for your ap proval the 1948 GoPHER PEAVEY AND ALUMNI NEWS. ( 2) The Gopher Peavey and Alumni News 1948 Annual Pu&lication ol the F 0 R EST RY CL U B University ol Minnesota l Table of Contents Dedication: E. L. DEMMON 6 THE FORESTRY SCHOOL Faculty 9 Seniors 10 Juniors 13 Sophomores 14 Freshmen . 15 Graduates. 16 ORGANIZATIONS PEA VEY Staff 18 Xi Sigma Pi 19 Alpha Zeta 20 ACTIVITIES Bonfire 21 Forestry Assembly 22 Forestry Club 23 Foresters' Day 24 ARTICLES The Deserted Camp 28 Itasca Corporation 30 Cloquet Corporation . 32 I Remember Itasca . 34 THE ALUMNI NEWS Report of Chief 38 Alumni News Notes 43 Alumni Directory 60 (5) DEDICATION E. L. DEMMON FoR HIS RECORD OF ACCOMPLISHMENTS IN FOREST RESEARCH, his ability to bring the message of forestry and conservation in general to the public, his interest in the training and develop ment of young foresters, and for his helpful suggestions and guidance to the Forestry Club of the University of Minnesota, we affectionately dedicate this issue of the GOPHER PEAVEY· ALUMNI NEWS to E. L. Demmon, Director of the Lake States Forest Experiment Station. We welcome you back to the Lake States after your absence of more than twenty years. -
Newsletter Newsletter of the Pacific Northwest Forest Service Retirees — Spring 2013 President’S Message—
OldSmokeys Newsletter Newsletter of the Pacific Northwest Forest Service Retirees — Spring 2013 President’s Message— Wow! This past year as your President has been action packed and a lot of fun. It makes me proud to be part of this great organization, which now weighs in at 925 members! We have some recent key changes in our Board of Directors positions. Bill Funk has assumed the huge job of Database Manager (that’s keeping track of all our membership information) and Dick Bennett will be taking over as Treasurer. Plus, at the annual Spring Banquet on May 19, we will be installing Linda Goodman as President and Al Matecko as President-elect. We’ll give thanks to John Berry for his outstanding leadership as he completes his three-year term through the successive presidential chairs, too! Hopefully, you have already sent in your reservations. If not, act quickly! Remember, too, that we will have a silent auction this year, so get your auction items ready and bring your wallet. It makes me proud to serve with the hard-working officers and committee members who keep us rolling and informed. I value and thank each and every one of them for the many hours they give us. It deserves mentioning again that this is undoubtedly the largest and most active of the Forest Service retiree organizations. You know, in 1944 the Thirty-Year Club was founded, and that became our current Pacific Northwest Forest Service Association (PNWFSA)—OldSmokeys—organization. I’m certain that our founders would be pleased to see how we have flourished not only as a social organization but for the concrete things we are doing through our emergency fund disbursements and project grants that now total over $59,000 and countless person-hours of volunteer work in the preser- vation of our Forest Service heritage. -
SWAN CV Updated December 2020.Docx 12/21/20 | Cs
SWAN_CV_Updated_December 2020.docx 12/21/20 | cs CURRICULUM VITAE CLAUDIA SWAN AREAS OF EXPERTISE European art, with a focus on the Netherlands in the sixteenth and seventeenth centuries; art and science; early modern global encounters; Renaissance and Baroque graphic arts (prints and drawings); the history of collecting and museology; history of the imagination. EDUCATION Ph.D., Art History, 1997 Columbia University New York, NY Dissertation: “Jacques de Gheyn II and the Representation of the Natural World in the Netherlands ca. 1600” Advisor: David Freedberg (Readers: Keith P.F. Moxey, David Rosand, Simon Schama, J.W. Smit) M.A., Art History, 1987 Johns Hopkins University Baltimore, MD Thesis: “The Galleria Giustiniani: eine Lehrschule für die ganze Welt” Advisor: Elizabeth Cropper B.A. cum laude with Honors in Art History, 1986 Barnard College, Columbia University New York, NY Senior thesis: “‘Annals of Crime’: Man among the Monuments” Advisor: David Freedberg EMPLOYMENT Inaugural Mark S. Weil Professor of Early Modern Art 2021- Department of Art History & Archaeology Washington University in St. Louis St. Louis, MO Associate Professor of Art History 2003- Department Chair 2007-2010 Assistant Professor of Art History 1998-2003 Northwestern University Department of Art History Northwestern University, Evanston, IL Assistant Professor of Art History Northern European Renaissance and Baroque Art The Pennsylvania State University, University Park, PA 1996-1998 Instructor Art Humanities: Masterpieces of Western Art Columbia University, New York, NY 1995-1996 Lecturer (for Simon Schama) 17th-Century Dutch Art and Society Columbia University Spring 1995 Research Assistant Rembrandt Research Project Amsterdam 1986 Translator, Dutch-English Meulenhoff-Landshoff; Benjamins; Rijksmuseum, Amsterdam; Simiolus 1986-1991 FELLOWSHIPS AND RESEARCH AWARDS Post-doctoral fellowships and awards (Invited) Senior Fellow, Imaginaria of Force DFG Centre of Advanced Studies Dir. -
I'll Be There For
Allee Willis/Danny Wilde/ David Crane/ Pop 1995 BPM: 191 Aflyttet af Martin Krøger 2019 Marta Kauffman/ Michael Skloff/Phil Solem I’ll Be There For You The Rembrandts – L.P. (1995) Intro | A (riff) | % | % | % | | A (riff) | % | % | % | A1 So no one told you life was gonna to be this way | A | % | % | G | Your job's a joke, you're broke, your love life's DOA | A | % | % | C#m | It's like you're always stuck in second gear | G | Hm | A | % | Well, it hasn't been your day, your week | G | D/f# | Your month, or even your year (but) | Asus | % | B1 I'll be there for you, when the rain starts to pour | D | G | A | % | I'll be there for you, like I've been there before | D | G | A | % | I'll be there for you, 'cause you're there for me too | D | G | A | % | | G | % | A2 You're still in bed at ten and work began at eight | A | % | % | G | You've burned your breakfast, so far, things are going great | A | % | % | C#m | Your mother warned you there'd be days like these | G | Hm | A | % | But she didn't tell you when the world | G | D/f# | Has brought you down to your knees that | Asus | % | B2 I'll be there for you, when the rain starts to pour | D | G | A | % | I'll be there for you, like I've been there before | D | G | A | % | I'll be there for you, 'cause you're there for me too | D | G | A | % | | G | % | A | % | C No one could ever know me, no one could ever see me | Dadd9 | % | % | % | Seems like you're the only one who knows what it's like to be me | F#m | % | % | % | Someone to face the day with (Ooh) | Hm | % | Make it through all the -
TO: All Olympia FSL Staff the PNW HISTORY COMMITTEE Has Sent
United States Forest PNW - Olympia Department of ServiceService Agriculture Reply to 1680—1 Date November 1 6 , 1988 TO: All Olympia FSL Staff The PNW HISTORY COMMITTEE has sent the Lab. a copy of Robert Cowlin’s history of research at PNW. This book will be kept in the library and available for all to read. Eventually, the committee expects to have a summary for public distribution and also a supplement to bring the historic record to the present. DEAN DeBELL Director’s Rep. About This File: This file was created by scanning the printed publication. Misscans identified by the software have been corrected; however, some mistakes may remain. FS-6200-11b (7/81) United States Forest PNW Department of Service Agriculture Reply to: 1680-1 Date: October 27, 1988 Subject: Historical Report To: Director’s Representatives Here for use as a reference is a copy of Robert Cowlin’s history of research at PNW. Copies have been sent to all PNW FSLs and several copies are available in the Director’s Offi ce and RIS. Please let colleagues at your FSL know where the book will be kept. Eventually, we expect to have a summary for public distribution and also a supplement to bring the historic record to the present. PNW HISTORY COMMITTEE Federal Forest Research in the Pacifi c Northwest The Pacifi c Northwest Research Station Robert W. Cowlin October 1988 Preface The primary purpose of this history is to record the scientifi c research of the Pacifi c Northwest Forest and Range Experiment Station and analyze its signifi cance in the management and utilization of the total forest resources of this region1 in the context of the national economy. -
Family Values: Friends – One Community Away Preaching: Danny Gulden, Lead Pastor, Promise Road Campu Text: Acts 2:42-47 E-Mail: Danny Gulden Watch the Service
Copyright February 14, 2021. Geist Christian Church. All Rights Received. Title: Family Values: Friends – One Community Away Preaching: Danny Gulden, Lead Pastor, Promise Road Campu Text: Acts 2:42-47 E-mail: Danny Gulden Watch the Service. The television show Friends aired from 1994 until 2004 and was one of the most-watched tv shows of that timeframe. The show focused on a group of six friends living close to one another in New York City. Chandler, Ross, Joey, Rachel, Monica, and Phoebe became household names and must- see tv on Thursday nights. The Central Perk café, a coffee shop where many communal scenes take place, was a leader in Americans making coffee shops a central meeting place, a third space where people gather. The show helped people learned the English language. A 2012 poll by the Kaplan International English Colleges found that more than a quarter of students cited watching the show as the best way for them to improve their English. It also led to a rise in the idea that one can construct families of choice through friends’ groups. According to a pop culture expert at the University of Buffalo, Friends is "one of those rare shows that marked a change in American culture." The images of youth and the roles they portray are better defined and represent a lifestyle that centers around creating and sustaining relationships between friends running their own lives and seeking help from each other.” Today we are concluding a series called Family Values, where we have been looking at the intersection of some favorite tv families and theology and looking at the values they teach us when it comes to relationships both within our families and outside of our families. -
Newsletter Final 5/05
t h e BOSTON pp rr ii nn tt mm aa kk ee rr ss newsletter Spring 2008 From Mesh Size to Megapixels: Silkscreen to Digital in Holland Robert Tomolillo On a recent trip to Holland I spent time with two silkscreen Zeger, located 25 miles north, has set up shop in a small corner printers who were comrades of mine at the Printshop in of his first floor studio in Ijmuiden. He recently purchased a Amsterdam. The Printshop, located on one of the major canals twelve color Canon 8100 digital printer. As a screen printer, I in Amsterdam, was at the center of Dutch art- facilitating all have seen Zeger perform surgeon-like stencil cutting when he manner of traditional printmaking techniques to artists the produced prints for op-artist Victor Vasarely. He’s worked on world over. Although the Printshop has gone the way of most manual and automatic screen presses and has suffered through workshops from the same era, some thirty years later printers the years when lacquer-based links were the only alternative. Zeger Reijers and Bernard Zeger is currently working Rykrok continued to practice with Dutch artist Rob their screen-printing craft, each Scholte who produces having navigated through the images that seem perfect for changing modes of consumer digital printing. Scholte is demands. Several years ago things participating in a thematic started to change: gone are the venue based on Rembrandt’s large screen tables, stores of Night Watch. He purchased fragile silk stretched over a vast an antique tapestry catalog of frames, and depicting the famous enumerable cans of ink that led painting and photographed to the sacred mixing area which the reversed side, exposing usually revealed an explosion of the threads and an colorful drips on the table or abstracted version of the floor. -
I'll Be There for You (Theme from Friends)
I’LL BE THERE FOR YOU THE REMBRANDTS (THEME FROM FRIENDS) PARTY – SLOW DOWN 1% song length – 3:08 MOVE A: Traveling right, lift right knee (arms cross and punch in front), then kick right (arms punch out to sides). Repeat X2, then shift hips side to side X4 (arms bent, pull same elbow down to hip). Repeat traveling to left. Stashed 7/25/21 MOVE B: Pivoting your hips, pick up your knee and stomp front, then pick up your knee and stomp side (punch same arm front then side with each stomp). Repeat on right X4, then left X4, then right X2, then left X2. MOVE C: Low alternating kicks, traveling forward X4 (opposite arm swings forward, same arm out to side); then low alternating kicks to back diagonal, traveling back X4 (arms in tricep extension). # of repetitions/ MOVE LYRICS counts NOTES INTRO (instrumental) 32 cts Shift side to side, playing guitar A X So no one told you 2 rounds/64 cts B X I’ll be there for you 1 round/48 cts FILLER TOO 8 cts Shift side to side, playing guitar A X You’re still in bed at ten 2 rounds/64 cts B X I’ll be there for you 1 round/48 cts FILLER TOO 16 cts Shift side to side, playing guitar C X No one could ever know me 4 rounds/64 cts FILLER YOU, yeah (instrumental) 32 cts Shift side to side, playing guitar A (instrumental) 2 rounds/64 cts FILLER YEAR 4 cts Hold before Move B B X I’ll be there for you 1 round/48 cts FILLER TOO 8 cts Shift side to side, playing guitar C X I’ll be there for you 3 rounds/48 cts OUTRO TOO 9 cts Shift side to side, playing guitar.