Goethe As a Catalyst for Germanistik at Harvard, 1825-1945 Michael P
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Early Faust Criticism in America
D35" EARLY FAUST CRITICISM IN AMERICA BY AMY ADALINE BEACH A. B. University of Illinois, 1914 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN GERMAN IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS 19 18 UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL (D I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION KY flfYYUj , P[ cLtxh^lsU ^TB^O^C^xJ ENTITLED EcxhJLt^, ^ckaaA^J Qa^CLuca^tyO i<nrO Qj nrYUsWQJOU . BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF iTYl (uX&A) Cr^ (MJQj In Charge of Thesis Head of Department Recommendation concurred in* Committee on Final Examination* Required for doctor's degree but not for master's Digitized by the Internet Archive in 2013 http://archive.org/details/earlyfaustcriticOObeac . TABLE OF CONTENTS Introduction I Chapter One 1 The Position of German Literature in America In the early 19th Century. Chapter Two 5 The Early German Scholars at Harvard. George Ticknor. Edward Everett. Alexander Everett. George Bancroft. Joseph Cogswell. George Calvert. Chapter Three 20 The Transcendental is ts. George Ripley. Frederick Hedge. James Clarke. Ralph Emerson. Sarah H. Hfhitman. Chapter Four 33 r.Iargaret Fuller and Goethe. Chapter Five 41 Miscellaneous Faust Criticism in American Periodicals. Conclusion 52 Bibliography 56 IHUC I INTRODUCTION. "Faust", that wonderful creation of a master-mind and the very mirror of its author's soul has probably given rise to more criticism than any other single work in modern literature. Doubtlessly the reason for this is its wide appeal to all peoples of all generations. -
Henry Stevens Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/ft258003k1 No online items Finding Aid for the Henry Stevens Papers, ca. 1819-1886 Processed by Saundra Taylor and Christine Chasey; machine-readable finding aid created by Caroline Cubé UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2002 The Regents of the University of California. All rights reserved. Finding Aid for the Henry Stevens 801 1 Papers, ca. 1819-1886 Finding Aid for the Henry Stevens Papers, ca. 1819-1886 Collection number: 801 UCLA Library, Department of Special Collections Manuscripts Division Los Angeles, CA Contact Information Manuscripts Division UCLA Library, Department of Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Telephone: 310/825-4988 (10:00 a.m. - 4:45 p.m., Pacific Time) Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ Processed by: Saundra Taylor and Christine Chasey Encoded by: Caroline Cubé Text converted and initial container list EAD tagging by: Apex Data Services Online finding aid edited by: Josh Fiala, May 2003 © 2002 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Henry Stevens Papers, Date (inclusive): ca. 1819-1886 Collection number: 801 Creator: Stevens, Henry, 1819-1886 Extent: 71 boxes (35.5 linear ft.) Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Abstract: Henry Stevens (1819-1886) was a London bookseller, bibliographer, publisher, and an expert on early editions of the English Bible and early voyages and travels to America. -
Max Beckmann, Self-Portrait in Tuxedo,1927, Oil on Canvas, Harvard Art Museums/Busch-Reisinger Museum, Association Fund, BR41.37 107 CASTING
106 CASTING_ OLD WORLD ART ON THE SOIL OF THE NEW Figure 1 Max Beckmann, Self-Portrait in Tuxedo,1927, Oil on canvas, Harvard Art Museums/Busch-Reisinger Museum, Association Fund, BR41.37 107 CASTING_ R Abstract S.311 Lynette Roth “OLD WORLD ART ON THE SOIL OF THE NEW” PLASTER CASTS AND THE GERMANIC MUSEUM AT HARVARD UNIVERSITY WITHOUT QUESTION, the work of art most readily asso- ciated with Harvard’s Busch-Reisinger Museum is Max Beckmann’s iconic Self-Portrait in Tuxedo Figure 1 . The first modern painting to enter the museum’s collection—in 1941—it depicts the artist at the height of his fame in the late 1920s.1 When it debuted in Berlin at the Secession exhibition in 1928 it was immediately recognized as a major work, one marking a new stylistic development in the artist’s use of large planes of colour, especially black. While the Beckmann portrait may have been the first modern painting in the museum, the first painting to enter the collection—in 1909 and also a portrait—was another one entirely: it was a recent likeness of German Emperor Wilhelm II by the academic painter Arthur Kampf Figure 2 . Not unlike Beckmann, the Kaiser was a man with a 108 CASTING_ OLD WORLD ART ON THE SOIL OF THE NEW Figure 2 Arthur Kampf, Portrait of Emperor William II of Germany, 1908, Oil on canvas Harvard Art Museums/Busch-Reisinger Museum, Gift of Mr. Hugo Reisinger, BR09.1 109 CASTING_ OLD WORLD ART ON THE SOIL OF THE NEW penchant for portraits of himself and a love of costume. -
George Bancroft
PEOPLE MENTIONED IN CAPE COD PEOPLE OF CAPE COD: SECRETARY OF THE NAVY GEORGE BANCROFT “The critic’s joking comment that Bancroft wrote American history as if it were the history of the Kingdom of Heaven, had a trifle of truth in it.” — Russel Blaine Nye “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY “Stack of the Artist of Kouroo” Project People of Cape Cod: George Bancroft HDT WHAT? INDEX THE PEOPLE OF CAPE COD:GEORGE BANCROFT PEOPLE MENTIONED IN CAPE COD CAPE COD: Bancroft does not mention Champlain at all among the PEOPLE OF authorities for De Monts’ expedition, nor does he say that he ever CAPE COD visited the coast of New England.... Bancroft makes Champlain to have discovered more western rivers in Maine, not naming the Penobscot.... It is not generally remembered, if known, by the descendants of the Pilgrims, that when their forefathers were spending their first memorable winter in the New World, they had for CHAMPLAIN neighbors a colony of French no further off than Port Royal (Annapolis, Nova Scotia), three hundred miles distant (Prince seems to make it about five hundred miles); where, in spite of many vicissitudes, they had been for fifteen years. ... the trials which their successors and descendants endured at the hands of the English have furnished a theme for both the historian and poet. (See Bancroft’s History and Longfellow’s Evangeline.).... The very gravestones of those Frenchmen are probably older than the oldest English monument in New England north of the Elizabeth Islands, or perhaps anywhere in New England, for if there are any traces of Gosnold’s storehouse left, his strong works are gone. -
Irving and Ticknor in Spain: Some Parallels and Contrasts
Studies in English Volume 8 Article 10 1967 Irving and Ticknor in Spain: Some Parallels and Contrasts Hal L. Ballew University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/ms_studies_eng Part of the American Literature Commons, and the Spanish and Portuguese Language and Literature Commons Recommended Citation Ballew, Hal L. (1967) "Irving and Ticknor in Spain: Some Parallels and Contrasts," Studies in English: Vol. 8 , Article 10. Available at: https://egrove.olemiss.edu/ms_studies_eng/vol8/iss1/10 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English by an authorized editor of eGrove. For more information, please contact [email protected]. Ballew: Irving and Ticknor in Spain: Some Parallels and Contrasts IRVING AND TICKNOR IN SPAIN: SOME PARALLELS AND CONTRASTS by Hal L. Ballew Washington Irving’s position in American literature might be called, for want of a better term, inconsistent. The first American to gain a wide and enthusiastic audience abroad, he is paid the conventional honor of being “the father of American literature.” Yet Irving, as a recent biographer says, ranks below any other American writer who enjoys “a comparable fame.”1 Thus, despite the fact that he converted the Hudson River country and the Cat skills into legends that seem to exude a vapor as timeless as the pyramids, it may be conceded that some of Irving’s works never had any appeal for Americans; that others, such as his biographies of George Washington and Oliver Goldsmith, were scarcely sus tained for some years by the magic of his reputation; that others, such as his Life and Voyages of Columbus, fell into a critical vacuum when they were proved by more thorough studies to in clude a considerable amount of romantic fancy along with the facts. -
George Bancroft: Master Historian
George Bancroft: Master Historian GEORGE ATHAN BILLIAS 'M HAPPY that Ellen Dunlap, John Hench, and Jim Moran invited me to speak here because it gives me an opportunity I to repay in a small way the great debt I owe the Society. My indebtedness is profound both personally and professionally. Speaking personally, I first saw Margaret, who is now my wife, in this great hall. We were married in the Eirst Baptist Church across the street, and through Marcus McCorison's good graces held our wedding reception in the Goddard-Daniels House. Here I have also made many good friends: Joanne Chaison, Nancy Bur- kett, Gigi Barnhill, Stan Shapiro, Marie Lamoureux, Tom Knoles, and others who helped me over the years. Professionally, I wrote my Elbridge Gerry biography back in the stacks—that is, when a reader could go into the stacks. At my retirement in 1989, a symposium was held in my honor under what Esther Eorbes called this 'generous dome.' My debt to the Society is enormous, and my effort tonight constitutes only a modest repajmient. Two hundred and eighty paces from where we are sitting, there stands a tiny tablet on Salisbury Street. It marks the birthplace of George Bancroft, whose two hundredth anniversary we cele- brated last year. Symbolically, the plaque is too small to reflect his 'George Bancroft, Master Historian' was presented as a public lecture in Antiquarian Hall on May 15, 2001. In preparing this essay, I have had help from several people I wish to thank: three Clark colleagues, Paul Lucas, Daniel Borg, and William Koelsch; two family members who are fellow scholars, my wife, Margaret, and daughter, Nancy Mardas; Robert Skotheim, president of the Huntington Library; Thomas Knoles, curator of man- uscripts at the American Antiquarian Society; and Albert Southwick, our local historian. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9316201 A history of women in Germanics, 1850-1950 Nagy, Ellen Manning, Ph.D. The Ohio State University, 1993 Copyright ©1993 by Nagy, Ellen Manning. -
Saulnier Final Dissertation Draft
UCLA UCLA Electronic Theses and Dissertations Title “They could there write the fates of nations": The Ideology of George Bancroft’s History of the United States during the Age of Jackson Permalink https://escholarship.org/uc/item/4070c3t7 Author Saulnier, Eric Scott Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles “They could there write the fates of nations": The Ideology of George Bancroft’s History of the United States during the Age of Jackson A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History By Eric Scott Saulnier 2016 © Copyright by Eric Scott Saulnier 2016 ABSTRACT OF THE DISSERTATION “They could there write the fates of nations": The Ideology of George Bancroft’s History of the United States during the Age of Jackson by Eric Scott Saulnier Doctor of Philosophy in History University of California, Los Angeles, 2015 Professor Stephen A. Aron, Co-Chair Professor Joan Waugh, Co-Chair Abstract: During the 1820s, 30s, and 40s, national politics operated under the influence of Andrew Jackson’s political rise and enduring influence. The Jacksonian Era saw dramatic changes occur in the United States. Most importantly, the United States’s national borders expanded to reach the Pacific Coast of North America, encompassing an area that Mexico, Great Britain, Russia, and numerous Native American groups !ii claimed. At the same time, American letters burgeoned into a vibrant and unique national literature, one that practitioners believed rivaled any European discourses of nationalism in passion and erudition. -
Table of Contents
The Proceedings of the Cambridge Historical Society, Volume 35, 1953-1954 TABLE OF CONTENTS OFFICERS...............................................................................................5 OFFICERS, 1905-1955.............................................................................7 PAPERS EARLY HISTORY OF CAMBRIDGE ORNITHOLOGY......................................11 BY LUDLOW GRISCOM THE CAMBRIDGE PLANT CLUB................................................................17 BY LOIS LILLEY HOWE, MARION JESSIE DUNHAM, MRS. ROBERT GOODALE, MARY B. SMITH, AND EDITH SLOAN GRISCOM THE AGASSIZ SCHOOL..........................................................................35 BY EDWARD WALDO FORBES FORTY YEARS IN THE FOGG MUSEUM......................................................57 BY LAURA DUDLEY SAUNDERSON CAMBRIDGEPORT, A BRIEF HISTORY......................................................79 BY JOHN W. WOOD PAGES FROM THE HISTORY OF THE CAMBRIDGE HIGH AND LATIN SCHOOL...............................................91 BY CECIL THAYER DERRY I, TOO, IN ARCADIA..............................................................................111 BY DAVID T. POTTINGER ANNUAL REPORTS.....................................................................................125 MEMBERS...................................................................................................133 THE CAMBRIDGE HISTORICAL SOCIETY PROCEEDINGS FOR THE YEARS 1953-54 LIST OF OFFICERS FOR THESE TWO YEARS President: Hon. Robert Walcott Vice Presidents: Miss -
The Presence of the Past
Oglethorpe Journal of Undergraduate Research Volume 7 | Issue 1 Article 1 7-1-2017 The rP esence of the Past Kelly Jacobson [email protected] Follow this and additional works at: https://digitalcommons.kennesaw.edu/ojur Recommended Citation Jacobson, Kelly (2017) "The rP esence of the Past," Oglethorpe Journal of Undergraduate Research: Vol. 7 : Iss. 1 , Article 1. Available at: https://digitalcommons.kennesaw.edu/ojur/vol7/iss1/1 This Article is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Oglethorpe Journal of Undergraduate Research by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. Jacobson: An Argument for the Reconsideration of Three Boston Historians I. The Art of the Historian Ningún pasado es ideal. Pero sólo del pasado surgen ideales que no sean linfáticos, ideales con sangre en las venas. No past is ideal. But only from the past do ideals arise that are not lymphatic, ideals with blood in their veins. ***** Sin talento literario el historiador falsifica inevitablemente la historia. Without literary talent, the historian inevitably falsifies history. -- Nicolás Gómez Dávila1 Modern historical writing had its inception in the nineteenth century, reflecting the changes in mentality and understanding produced by the political and scientific revolutions of the era. These changes were especially marked in the evolution of historical writing in the United States. In the early 1800s, the field of American history was made up of a cadre of historians who focused mainly on document collections and what would now be considered local history. -
Blog Posts Videos Online Appendices
To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/650 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Exploring the Interior Essays on Literary and Cultural History KARL S. GUTHKE EXPLORING THE INTERIOR Exploring the Interior Essays on Literary and Cultural History Karl S. Guthke https://www.openbookpublishers.com © 2018 Karl S. Guthke. Copyright on the translations of chapters one, seven and eight are held by the translators. The text of this book is licensed under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International license (CC BY-NC-ND 4.0). This license allows you to share, copy, distribute and transmit the work for non-commercial purposes, providing attribution is made to the author (but not in any way that suggests that he endorses you or your use of the work). Attribution should include the following information: Karl S. Guthke, Exploring the Interior: Essays on Literary and Cultural History. Cambridge, UK: Open Book Publishers, 2018. https://doi.org/10.11647/OBP.0126 In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/650#copyright Further details about CC BY-NC-ND licenses are available at https://creativecommons. org/licenses/by-nc-nd/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/650#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
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