Side by Side by Sondheim Program

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University of Southern Maine USM Digital Commons Theatre Programs 1970-1989 Theatre Programs 1983 Side by Side by Sondheim Program University of Southern Maine Department of Theatre Follow this and additional works at: https://digitalcommons.usm.maine.edu/theatre-programs-1970-1989 Part of the Theatre History Commons Recommended Citation University of Southern Maine Department of Theatre, "Side by Side by Sondheim Program" (1983). Theatre Programs 1970-1989. 41. https://digitalcommons.usm.maine.edu/theatre-programs-1970-1989/41 This Program is brought to you for free and open access by the Theatre Programs at USM Digital Commons. It has been accepted for inclusion in Theatre Programs 1970-1989 by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. RUSSELL SQUARE PLAYERS PRESENTS STEPHEN SONDHEIM'S A Musical Entertainment DIRECTED BY Walter R. Stump MUSICAL DIRECTION BY CHOREOGRAPHY BY Rhonda Martin Nancy Salmon SCENIC DESIGN BY LIGHTING DESIGN BY Charles S. Kading Garland Purdy COSTUME DESIGN BY PROJECTION DESIGN BY Cil Cutter Nanci E. Kahn Music and Lyrics by STEPHEN SONDHEIM and music by Leonard Bernstein, Mary Rodgers, Richard Rodgers, Jule Styne :ontinuity by Ned Sherrin Produced on Broadway by Harold Prince in association with Ruth Mitchell SIDE BY SIDE BY SONDHEIM is presented through special arrangement with MUSIC THEATRE INTERNATIONAL, 1350 Avenue of the Americas, New York , N.Y . 10019. CAST Ed Romanoff Deborah Hall Terry Drew Glenn Crane Rhonda Martin* *Carole Mahoney will replace Rhonda Martin on July 20 and July 22 ORCHESTRA Rhonda Martin Flute Victoria Stubbs First Piano Rebecca Wing Second Piano William Manning Percussion .

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Putting It Together
46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager .............................................................
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Side by Side by Sondheim Stellar Cast Confirmed for a Celebration of the Music and Lyrics of Stephen Sondheim! Jan
FOR IMMEDIATE RELEASE December 12, 2016 Side by Side by Sondheim Stellar cast confirmed for a celebration of the music and lyrics of Stephen Sondheim! Jan. 27 – Feb. 19, 2017 at Spencer Theatre Kansas City, MO– Kansas City Repertory Theatre is pleased to announce the cast of this mid- season addition to its 2016/2017 season. Artistic Director Eric Rosen will direct a starry cast in the acclaimed musical revue Side by Side by Sondheim featuring actors Jenny Ashman, Shanna Jones, Orville Mendoza and Oliver Thornton. Nominated for both London’s Olivier Award and Broadway’s Tony Award for Best Musical, Side by Side by Sondheim celebrates the music and lyrics of Pulitzer-, Tony-, and Academy Award-winning composer Stephen Sondheim. Side by Side by Sondheim ran in London and New York for well over a thousand performances, making it one of the most successful musical revues of all time. In a glittering evening of music, comedy, and song, the star-studded cast will perform beloved numbers from such Broadway hits as Gypsy, West Side Story, A Funny Thing Happened on the Way to the Forum, Anyone Can Whistle, Company, Follies, A Little Night Music, and Pacific Overtures. Featured songs include “Comedy Tonight,” “Broadway Baby,” “Anyone Can Whistle,” “A Boy Like That,” and the Grammy Award-winning favorite “Send in the Clowns,” to name a few. “KC Rep audiences love Sondheim – among our biggest hits of all time are Sunday in the Park with George, Into the Woods, and Company,” says Artistic Director Eric Rosen. Side by Side takes us back to Sondheim’s most prolific period, from when he was a young artist writing lyrics for Leonard Bernstein’s music in West Side Story to the triumphs of musicals like A Little Night Music that made him a legend.
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Sondheim Puzzle
THEATRE Copyright Lighting &Sound America June 2010 http://www.lightingandsoundamerica.com/LSA.html THE SONDHEIM PUZZLE Assembling the pieces of Sondheim on Sondheim was a brain-teasing task By: David Barbour know what we’ll do/We’ll do a life and examining the pains, Stephen Sondheim was at the revue.” Show fans will recognize pleasures, and problems of writing for forefront of artists who reinvented the these lines from “Opening Doors,” the musical theatre. It’s filled with musical with a modernist sensibility. “Iin the Stephen Sondheim/George stimulating and/or revelatory nuggets What Picasso and cubism were to Furth musical Merrily We Roll Along . of information. A sequence combining painting, Sondheim is to the musical. They’re words that theatre people three totally different opening Sondheim on Sondheim helps to have taken to heart; ever since 1977’s numbers written for A Funny Thing explain why. Side by Side by Sondheim , revues Happened on the Way to the Forum Onstage, Sondheim on Sondheim based on the songwriter’s catalog opens a window on that show’s unfolds with such elegant simplicity have proliferated. Some, like Opening troubled out-of-town tryout. The that one might not guess that its Doors, are linked to events in juxtaposition of two closing numbers creation proved to be a brain-teasing Sondheim’s life; others, like Putting it from Company reveals how Sondheim challenge for the members of its Together and Marry Me a Little , place adjusted his work to fit changes in design team. In essence, they weren’t the songs in a loose narrative the show’s libretto.
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Side by Side by Sondheim.Pdf
sim ACT I CAST SIDE BY SIDE BY SONDHEIM COMEDY ITONIGHT "FORUM" COMPANY CAREY ALLEN ALMA NICHOLSOI IF MOMMA WAS MARRIED "GYPSY" SARITA RAINEY JUSTIN ANDERSON ALYSON NIJEM Music and Lyrics by \ YOU MUST MEET MY WIFE ALYSON NIJEM CHRISTY CLYATT RICHARD NUNLE "A LITTLE NIGHT GARY MOSER MARY HELEN CULBRETH Stephen Sondheim f MUSIC" HOPE INCE TIM FAUSETT RHENDA PARKER and music by Bernste'in, LITTLE THINGS YOU DO TOGETHER "COMPANY" COMPANY JOHN FISHER SARITA RAINEY M St R. Rogers, Styne GETTING MARRIED TODAY "EVENING PRIMROSE" RHENDA PARKER JIM GALLOY JIM RINEHART RICHARD NUNLEY HOPE INCE I REMEMBER MATT SCHENK Continuity by Ned Sherrin "COMPANY" CAREY ALLEN CAN THAT BOY FOXTROT JAMES JOBES SHIRLEY SELLS "COMPANY" LADIES Permission from Music Theatre COMPANY AMY KILGARD DENISE STEPTO: "COMPANY" COMPANY ALLEN MCLEOD International ANOTHER HUNDRED PEOPLE ROSALIND WHIT "COMPANY" HOPE INCE GARY MOSER BARCELONA "COMPANY" MARY HELEN CULBRETH SPECIAL THANK YOU GARY MOSER I NEVER DO ANYTHING TWICE "THE 7% SOLUTION" HOPE INCE Frank R. Steele BEAUTIFUL GIRLS JOE D'ALEO (TWIN LAKES TAVERN Director, "FOLLIES" GENTLEMEN AU PARIS MOODY AFB Pianist "FOLLIES" SARITA RAINEY BUDDY'S BLUES OAK TREE (OR UNFINISHED SHOP) "FOLLIES" JIM GALLOY HOPE INCE (PIANO) •Joanne Griner Narrator BROADWAY BABY "FOLLIES" SHIRLEY SELLS THEATRE GUILD YOU COULD DRIVE PERSON CRAZY "COMPANY" LADIES JOANNE GRINER Mary Ann Green Narrator COMEDY TONIGHT REPRISE COMPANY MICHAEL DOVER KEN PERRY CLEANERS Teri Moser Program ACT II 1991-92 SEASON Kerri Miller ANYONE CAN WHISTLE Art Design-
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Side by Side by Sondheim Jan
Side by Side by Sondheim Jan. 27 – Feb. 19, 2017 at Spencer Theatre Cast & Creative Team Overview About the Artists JENNY ASHMAN (Ensemble) KC Rep: Evita; Off Broadway: Sleep No More; Regional: The Little Mermaid in Concert (The Hollywood Bowl); Evita (Opera North); Sweeney Todd (The Production Company); As You Like It (The Next Stage Theatre); Romance Language (Seven Angels Theatre); Little Women (The Lyric Theatre); A New Brain (Orlando Repertory Theatre); Awards: Nominated for a Los Angeles Ovation Award for Featured Actress in a Musical for Sweeney Todd; Upcoming: Bea Stein in J.D. Salinger biopic, Rebel in the Rye (directed by Empire creator Danny Strong); Education: University of Central Florida Conservatory Theatre - www.jennyashman.com - AEA Member. SHANNA JONES (Ensemble) KC Rep: The Diary of Anne Frank, Sunday in the Park with George, Stillwater, Hair: Retrospection, The Santaland Diaries (2013, 2014, 2015, 2016); New York: Phaedra’s Cabaret, Undone, and Decline and Fall (New York Theatre Workshop); Chicago: Tug of War; Foreign Fire & Civil Strife (Chicago Shakespeare Theatre); Regional: Les Misérables (Pioneer Theatre Company); Romeo and Juliet (Utah Shakespearean Festival); Saturday’s Voyeur (Salt Lake Acting Company); Education: BA, the Actor Training Program at the University of Utah (2008) - www.shannajonesmusic.com - AEA Member. ORVILLE MENDOZA (Ensemble) made his KC Rep debut in the world premiere of A Christmas Story, The Musical directed by Eric Rosen. He is thrilled to be back in Kansas City where he was most recently seen as “The Engineer” in Miss Saigon at Starlight Theatre. Orville is excited to be performing Side by Side by Sondheim having worked with Stephen Sondheim in three of his shows: Pacific Overtures, which was Orville’s Broadway debut; Road Show, directed by John Doyle, original company member and original cast recording (Nonesuch Records); and the 2013 Classic Stage Company revival of Passion, also directed by John Doyle, cast recording (P.S.
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Sweeney Todd Bios
SWEENEY TODD PRODUCTION TEAM BIOGRAPHY RICK FISHER, Lighting Designer Rick Fisher (Lighting Designer) is an American lighting designer. Originally from Philadelphia, Mr. Fisher has spent most of his career in Great Britain where he has served as the Chairman of the British Association of Lighting Designers. He won the 2009 Tony Award for Best Lighting Design and Drama Desk Award for Outstanding Lighting Design for Billy Elliot: The Musical on Broadway, and he received the 2008 Helpmann Award for the Australian production of Billy Elliot. His Broadway credits also include Matthew Bourneʼs Swan Lake, Via Dolorosa, Some Americans Abroad, An Inspector Calls (Tony, Drama Desk awards) and Serious Money. Recent opera productions include A Heart of Darkness, Tsarina's Slippers, Wozzeck (Covent Garden); Radamisto and Turandot (English National Opera);Salome (Japan); Peter Grimes (Washington, Oslo, Santa Fe); Betrothal in a Monastery (Glyndebourne, Valencia); Madama Butterfly, Albert Herring, The Last Savage, Wozzeck, Billy Budd, Radamisto, La Bohème, Daphne, Tea and Madame Mao (Santa Fe); The Fiery Angel and Turandot (Bolshoi); A Midsummer Nightʼs Dream (La Fenice); Gloriana and La Bohème (Opera North); and The Little Prince (Houston, New York, San Francisco). Other awards include two Olivier Awards for Best Lighting. SAN FRANCISCO OPERA Education Materials SWEENEY TODD SWEENEY TODD PRODUCTION TEAM BIOGRAPHY JAMES LOWE, Conductor James Lowe (Conductor) Making his San Francisco Opera debut in 2015, James Lowe conducts Sweeney Todd, which he recently led at Houston Grand Opera. Other recent career highlights include Oklahoma! with Lyric Opera of Chicago; Catanʼs Florencia en el Amazonas and Floydʼs Of Mice and Men for Utah Opera; the world-premiere productions of Portmanʼs The Little Prince and Heggieʼs The End of the Affair at Houston Grand Opera, and Carmen, Le Nozze di Figaro, and Die Entführung aus dem Serail for that company; and Adamoʼs Little Women at Lyric Opera Cleveland.
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Damian Sandys
Damian Sandys 6 Mount Pleasant Rd, Represented by: Guy James, Access Artiste Management Ealing, London, W5 1SG 1st Floor, The Bloomsbury Building, [email protected] 10 Bloomsbury Way, London, WC1A 2SL 07957 261 348 [email protected] 020 3916 0270 Training: 2012-2013 MA, Creative Practice In Musical Theatre Arts Educational 1998-2001 BA (Hons), English Literature & Language Oxford University Directing includes: 2019 Aladdin UK Productions Malvern Theatre 2019 The Taming Of The Shrew / Jumbo Hopes C theatre Canal Café Theatre 2019 Just Pretend S T Productions Burntwood Theatre 2018 Beauty and the Beast UK Productions Grand Theatre, Blackpool 2018 Dickens For Dinner C theatre C venues, Edinburgh 2017 Cinderella UK Productions Grand Theatre, Blackpool 2017 You Know How To Love Me Aria Ents The Other Palace 2017 The Poltergeist of Cock Lane S T Productions C venues, Edinburgh 2017 Dirty Rotten Scoundrels Cygnets The Oratory Theatre 2016 Sleeping Beauty UK Productions Anvil Arts Centre, Basingstoke 2016 Shakespeare For Breakfast: 25th Anniversary C theatre C venues, Edinburgh 2016 West Side Story Bill Kenwright Ltd Theatre Royal, Windsor 2016 Betty Blue Eyes Featherstone Putney Arts Theatre 2016 Hairspray Cygnets The Oratory Theatre 2015 Dick Whittington Imagine Hexagon Theatre, Reading 2015 The Drowsy Chaperone University of Cumbria Stanwix Theatre 2015 Happiness? ArtsEd Arts Educational 2015 42nd Street GEOIDS The Bridewell 2014 Soho Cinders University of Cumbria Stanwix Theatre 2014 Equally Interval Productions The Cockpit Theatre
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Into the Woods Study Guide
Civil War Study Guide.qxd 9/13/01 10:31 AM Page 3 MUSIC THEATRE INTERNATIONAL MUSIC THEATRE INTERNATIONAL is one of the world’s major dramatic licensing agencies, specializing in Broadway, Off-Broadway and West End musicals. Since its founding in 1952, MTI has been responsible for supplying scripts and musical materials to theatres worldwide and for protecting the rights and legacy of the authors whom it represents. It has been a driving force in cultivating new work and in extending the production life of some of the classics: Guys and Dolls, West Side Story, Fiddler On The Roof, Les Misérables, Annie, Of Thee I Sing, Ain’t Misbehavin’, Damn Yankees, The Music Man, Evita, and the complete musical theatre works of composer/lyricist Stephen Sondheim, among others. Apart from the major Broadway and Off- Broadway shows, MTI is proud to represent youth shows, revues and musicals which began life in regional theatres and have since become worthy additions to the musical theatre canon. MTI shows have been performed by 30,000 amateur and professional theatrical organizations throughout the U.S. and Canada, and in over 60 countries around the world. Whether it’s at a high school in Kansas, by an all-female troupe in Japan or the first production of West Side Story ever staged in Estonia, productions of MTI musicals involve over 10 million people each year. Although we value all our clients, the twelve thousand high schools who perform our shows are of particular importance, for it is at these schools that music and drama educators work to keep theatre alive in their community.
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Harmony, Voice Leading, and Drama in Three Sondheim Musicals Adam M
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Harmony, voice leading, and drama in three Sondheim musicals Adam M. Hudlow Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Hudlow, Adam M., "Harmony, voice leading, and drama in three Sondheim musicals" (2013). LSU Doctoral Dissertations. 752. https://digitalcommons.lsu.edu/gradschool_dissertations/752 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. HARMONY, VOICE LEADING, AND DRAMA IN THREE SONDHEIM MUSICALS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Music by Adam Hudlow B.M., Northwestern State University, 2007 M.M., University of Houston, 2009 December 2013 © Copyright 2013 Adam Michael Hudlow All rights reserved ii for Nanny & Jack iii ACKNOWLEDGMENTS I owe a debt of gratitude to many people throughout this dissertation process. First, to my committee: my advisor Dr. Jeffrey Perry, for your insightful attention to every detail of my project, for serving as my confidant throughout this difficult project, and for helping to make me the best writer I have ever been; Dr. David Smyth, for inspiring me throughout my time at LSU to become a better music theorist; Dr.
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Audition Packet
Audition Packet Music by Stephen Sondheim, Leonard Bernstein, Mary Rodgers, Richard Rodgers, Julie Styne. Lyrics by Stephen Sondheim Directed by Ron Richards Musical Director: Brenna Whitaker Choreographer: Anne Martin Assistant Director and Stage Manager: Diane Wilson Costumer: Norma Floyd Audition Dates: 7 p.m. Sunday, Nov. 3, and 7:30 p.m. Monday, Nov. 4, 2019, Noblesville First United Methodist Church, 2051 Monument St., Noblesville, Entrance 1. Get ready to laugh, cry and fall in love with lyrics that are heartbreakingly true and music that captures the soaring emotions of a new generation with "Side by Side by Sondheim." Simple and unpretentious, this Tony Award-winning musical revue is a perfect introduction to the work of this contemporary master and a must for die-hard fans. In this award-winning revue, some of the most lush, unforgettable songs from this musical theater master are presented in one magical evening. Featuring music from "Company," "Follies," "A Little Night Music," "A Funny Thing Happened on the Way to the Forum," "Anyone Can Whistle" and "Pacific Overtures," not to mention the classics written with musical theater giants, Leonard Bernstein, Julie Styne and Richard Rodgers, this dazzling array of some of Sondheim's best-known songs demonstrates his masterful craft and astounding creativity. All actors cast will be featured roles in this musical revue. ABOUT THE BELFRY THEATRE In July of 1965, a collection of Noblesville residents who enjoyed gathering to read plays decided it was time to take their passion to the next step. That summer, Mrs. Anne Braswell, Mr. and Mrs. Frank Campbell, Mrs.
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Jackie Clune to Join Cast of Multi Award-Winning
QUEEN’S THEATRE TO CLOSE 13 JULY 2019 FOR RENOVATION OF WARTIME BOMB DAMAGE AND A MAJOR RESTORATION REOPENING AS T H E S O N D H E I M T H E A T R E WITH THE NEW PRODUCTION OF LES MISÉRABLES ON 18 DECEMBER 2019 AS IT ENTERS ITS 35TH WORLD RECORD-BREAKING YEAR LES MISÉRABLES IN CONCERT PLAYS THE GIELGUD THEATRE AUGUST - NOVEMBER 2019 Cameron Mackintosh today (5 July 2019) announces he is delighted that in honour of Stephen Sondheim’s 90th birthday next March, the Queen’s Theatre will be renamed the Sondheim Theatre, making him the only living artist to have a theatre named in his honour both in the West End and on Broadway. Following the renovation of wartime bomb damage and a major restoration of the auditorium and the complete backstage, the newly named Sondheim Theatre will continue as the home of world’s longest running musical Les Misérables as it enters its 35th year. Cameron Mackintosh said: “I have been lucky enough to have been a friend and colleague of Steve’s since our first collaboration in 1976 on the musical revue Side by Side by Sondheim at the Wyndham’s Theatre. After 112 years Shaftesbury Avenue will have a theatre named after a living legend and house the world’s longest running musical, the legendary Les Misérables as it enters its phenomenal 35th year. As an innovative voice in musical theatre, his influence has no equal. Sondheim’s work will undoubtedly be performed as long as audiences want to see live theatre, so I feel honoured that he has agreed to have his name on one of my Shaftesbury Avenue theatres to salute his upcoming 90th birthday.
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Study Guide-West Side Story
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