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2017 Information & Record Book
2017 INFORMATION & RECORD BOOK OWNERSHIP OF THE CLEVELAND INDIANS Paul J. Dolan John Sherman Owner/Chairman/Chief Executive Of¿ cer Vice Chairman The Dolan family's ownership of the Cleveland Indians enters its 18th season in 2017, while John Sherman was announced as Vice Chairman and minority ownership partner of the Paul Dolan begins his ¿ fth campaign as the primary control person of the franchise after Cleveland Indians on August 19, 2016. being formally approved by Major League Baseball on Jan. 10, 2013. Paul continues to A long-time entrepreneur and philanthropist, Sherman has been responsible for establishing serve as Chairman and Chief Executive Of¿ cer of the Indians, roles that he accepted prior two successful businesses in Kansas City, Missouri and has provided extensive charitable to the 2011 season. He began as Vice President, General Counsel of the Indians upon support throughout surrounding communities. joining the organization in 2000 and later served as the club's President from 2004-10. His ¿ rst startup, LPG Services Group, grew rapidly and merged with Dynegy (NYSE:DYN) Paul was born and raised in nearby Chardon, Ohio where he attended high school at in 1996. Sherman later founded Inergy L.P., which went public in 2001. He led Inergy Gilmour Academy in Gates Mills. He graduated with a B.A. degree from St. Lawrence through a period of tremendous growth, merging it with Crestwood Holdings in 2013, University in 1980 and received his Juris Doctorate from the University of Notre Dame’s and continues to serve on the board of [now] Crestwood Equity Partners (NYSE:CEQP). -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
SPANISH FORK PAGES 1-20.Indd
November 14 - 20, 2008 SPANISH FORK CABLE GUIDE 9 Friday Prime Time, November 14 4 P.M. 4:30 5 P.M. 5:30 6 P.M. 6:30 7 P.M. 7:30 8 P.M. 8:30 9 P.M. 9:30 10 P.M. 10:30 11 P.M. 11:30 BASIC CABLE Oprah Winfrey b News (N) b CBS Evening News (N) b Entertainment Ghost Whisperer “Threshold” The Price Is Right Salutes the NUMB3RS “Charlie Don’t Surf” News (N) b (10:35) Late Show With David Late Late Show KUTV 2 News-Couric Tonight (N) b Troops (N) b (N) b Letterman (N) KJZZ 3 High School Football The Insider Frasier Friends Friends Fortune Jeopardy! Dr. Phil b News (N) Sports News Scrubs Scrubs Entertain The Insider The Ellen DeGeneres Show Ac- News (N) World News- News (N) Access Holly- Supernanny “Howat Family” (N) Super-Manny (N) b 20/20 b News (N) (10:35) Night- Access Holly- (11:36) Extra KTVX 4 tor Nathan Lane. (N) Gibson wood (N) b line (N) wood (N) (N) b News (N) b News (N) b News (N) b NBC Nightly News (N) b News (N) b Deal or No Deal A teacher returns Crusoe “Hour 6 -- Long Pig” (N) Lipstick Jungle (N) b News (N) b (10:35) The Tonight Show With Late Night KSL 5 News (N) to finish her game. b Jay Leno (N) b TBS 6 Raymond Friends Seinfeld Seinfeld ‘The Wizard of Oz’ (G, ’39) Judy Garland. (8:10) ‘Shrek’ (’01) Voices of Mike Myers. -
The Work of the Critic
CHAPTER 1 The Work of the Critic Oh, gentle lady, do not put me to’t. For I am nothing if not critical. —Iago to Desdemona (Shakespeare, Othello, Act 2, Scene I) INTRODUCTION What is the advantage of knowing how to perform television criticism if you are not going to be a professional television critic? The advantage to you as a television viewer is that you will not only be able to make informed judgment about the television programs you watch, but also you will better understand your reaction and the reactions of others who share the experience of watching. Critical acuity enables you to move from casual enjoyment of a television program to a fuller and richer understanding. A viewer who does not possess critical viewing skills may enjoy watching a television program and experience various responses to it, such as laughter, relief, fright, shock, tension, or relaxation. These are fun- damental sensations that people may get from watching television, and, for the most part, viewers who are not critics remain at this level. Critical awareness, however, enables you to move to a higher level that illuminates production practices and enhances your under- standing of culture, human nature, and interpretation. Students studying television production with ambitions to write, direct, edit, produce, and/or become camera operators will find knowledge of television criticism necessary and useful as well. Television criticism is about the evaluation of content, its context, organiza- tion, story and characterization, style, genre, and audience desire. Knowledge of these concepts is the foundation of successful production. THE ENDS OF CRITICISM Just as critics of books evaluate works of fiction and nonfiction by holding them to estab- lished standards, television critics utilize methodology and theory to comprehend, analyze, interpret, and evaluate television programs. -
Cinematic Specific Voice Over
CINEMATIC SPECIFIC PROMOS AT THE MOVIES BATES MOTEL BTS A&E TELEVISION NETWORKS CHOZEN S1 --- IN THEATER "TURN OFF CELL PHONE" MESSAGE FX NETWORKS E!: BELL MEDIA WHISTLER FILM FESTIVAL TRAILER BELL MEDIA AGENCY FALLING SKIES --- CLEAR GAZE TEASE TNT HOUSE OF LIES: HANDSHAKE :30 SHOWTIME VOICE OVER BEST VOICE OVER PERFORMANCE ALEXANDER SALAMAT FOR "GENERATIONS" & "BURNOUT" ESPN ANIMANIACS LAUNCH THE HUB NETWORK JUNE STUNT SPOT SHOWTIME LEADERSHIP CNN NATIONAL GEOGRAPHIC CHANNEL SUMMER IMAGE "LIFE" SHAW MEDIA INC. Page 1 of 68 TELEVISION --- VIDEO PRESENTATION: CHANNEL PROMOTION GENERAL CHANNEL IMAGE SPOT GENERIC :45 RED CARPET IMAGE FOX BROADCASTING COMPANY HAPPY DAYS FOX SPORTS MARKETING HOLIDAY CAMPAIGN TELEMUNDO MEDIA MUCH: TMC --- SERENA RYDER BELL MEDIA AGENCY SUMMER BY BRAVO DESERT ISLAND :60 BRAVO GENERAL CHANNEL IMAGE CAMPAIGN COMPETITIVE CAMPAIGN DIRECTV DISCOVERY BRAND ANTHEM DISCOVERY, RADLEY, BIGSMACK FOX SPORTS 1 LAUNCH CAMPAIGN FOX SPORTS MARKETING LAUNCH CAMPAIGN PIVOT THE HUB NETWORK'S SUMMER CAMPAIGN THE HUB NETWORK ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE SPOT BRAG PHOTOBOOTH CBS TELEVISION NETWORK BRAND SPOT A&E TELEVISION NETWORKS Page 2 of 68 NBC 2013 SEASON NBCUNIVERSAL SUMMER BY BRAVO DESERT ISLAND :60 BRAVO ZTÉLÉ – HOSTS BELL MEDIA INC. ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE CAMPAIGN NICKELODEON HALLOWEEN IDS 2013 NICKELODEON HOLIDAY CAMPAIGN TELEMUNDO MEDIA NICKELODEON KNIT HOLIDAY IDS 2013 NICKELODEON SUMMER BY BRAVO DESERT ISLAND CAMPAIGN BRAVO NICKELODEON SUMMER IDS 2013 NICKELODEON GENERAL CHANNEL IMAGE SPOT --- LONG FORMAT "WE ARE IT" NUVOTV AN AMERICAN COACH IN LONDON NBC SPORTS AGENCY GENERIC: FBC COALITION SIZZLE (1:49) FOX BROADCASTING COMPANY PBS UPFRONT SIZZLE REEL PBS Page 3 of 68 WHAT THE FOX! FOX BROADCASTING CO. -
Direct and Indirect Attitude Scale Measurements of Positive and Negative Argumentative Communications
This dissertation has been 63—50 microfilmed exactly as received GIBSON, James William, 1932- DIRECT AND INDIRECT ATTITUDE SCALE MEASUREMENTS OF POSITIVE AND NEGATIVE ARGUMENTATIVE COMMUNICATIONS. The Ohio State University, Ph.D., 1962 Speech—Theater University Microfilms, Inc., Ann Arbor, Michigan 5 probable if an individual initially agrees with the message or is the probability of reinforcement or change greater if the subject initially disagrees with the message? The implications for persuasion are im- O portant. Research reported by Brehm suggests that pressures will develop to reduce the state of dissonance. Evidence to support this. statement is based on subject action. This study will involve an examination of attitudinal changes taking place in consonant and dis sonant subjects. The direct and indirect attitude scales will be utilized to measure the extent of attitude change as a result of the communication stimuli. I. Experimental Questions The experimental questions to be answered in this study are these: 1. What relationship exists between attitude scores toward censorship obtained with a Thurstone attitude scale and attitude scores toward censorship obtained with a forced-choice attitude instrument? 2. Do positive type communication stimuli induce greater atti tude changes than communication stimuli which are negative in structure? 3. Are changes in attitude by homogeneously structured audi ences as a result of a communication stimulus different from changes in attitude by heterogeneously structured audiences? O Jack W. Brehm and others, Attitude Organization and Change. New Haven: Yale University Press, 1960. 109 POSITIVE STIMULUS Throughout history man has made his greatest accomplishments when his creative mind has been free to roam and develop ideas. -
Announcements
227 Journal of Language Contact – THEMA 1 (2007): Contact: Framing its Theories and Descriptions ANNOUNCEMENTS Symposium Language Contact and the Dynamics of Language: Theory and Implications 10-13 May 2007 Max Planck Institute for Evolutionary Anthropology (Leipzig) Organizing institutions: Institut Universitaire de France : Chaire ‘Dynamique du langage et contact des langues’ (Nice) Max Planck Institute for Evolutionary Anthropology: Department of Linguistics (Leipzig) Information and presentation: http://www.unice.fr/ChaireIUF-Nicolai/Symposium/Index_Symposium.html Thematic orientation Three themes are chosen. I. “‘Contact’: an ‘obvious fact ? A notion to be rethought?” The aim is to open theoretical reflection on the importance of ‘contact’ as a linguistic and anthropological phenomenon for the study of the evolution and dynamics of languages and of Language. II. “Contact, typology and evolution of languages: a perspective to be explored” Here the aim is to open discussion on what is constructed by ‘typology’. III. “Representation of the phenomena and the role of descriptors: a perspective to be established” In connection with the double requirement of theoretical reflection and empirical underpinning, the aim is to develop an epistemological reflection on the elaboration of knowledge in the domain of languages and Language. Titles of communications Peter Bakker (Aarhus) Rethinking structural diffusion Cécile Canut (Montpelllier) & Paroles et Agencements Jean-Marie Prieur (Montpelllier) Bernard Comrie (MPI-EVA, Leipzig & WALS tell us about the diffusion of structural features Santa Barbara) Nick Enfield (MPI, Nijmegen) Conceptual tools for a natural science of language (contact and change) Zygmunt Frajzyngier & Erin Shay (Boulder, Language-internal versus contact-induced change: the case of split Colorado) coding of person and number. -
Bamcinématek Announces the Main Slate for the Eighth Annual Bamcinemafest, a Festival of American Independents with 24 New York
BAMcinématek announces the main slate for the eighth annual BAMcinemaFest, a festival of American independents with 24 New York premieres and one North American premiere, Jun 15—26 Opening night—New York premiere of Ira Sachs’ Little Men Closing night—New York premiere of Tim Sutton’s Dark Night Centerpiece—New York premiere of Todd Solondz’s Wiener-Dog Spotlight screenings—New York premieres of Ti West’s In a Valley of Violence and Jeff Baena’s Joshy The Wall Street Journal is the title sponsor for BAMcinemaFest, BAMcinématek, and BAM Rose Cinemas. Brooklyn, NY/May 10, 2016—BAMcinématek announces the complete main slate for the eighth annual BAMcinemaFest (Jun 15—26), hailed as “New York’s best independent film showcase” (The New Yorker). A 12-day festival presenting premieres of emerging voices in American independent cinema, this year’s lineup features 23 New York premieres and two North American premieres. "This year's annual snapshot of the best of American independent cinema is excitingly eclectic, ranging from a formally adventurous reimagining of post-World War I France to a vampy tribute to 60s erotica shot (and projected!) on 35mm film," says Gabriele Caroti, director of BAMcinématek. "We're thrilled to welcome the great Ira Sachs and Todd Solondz both who join us for the first time with this year's Opening Night and Centerpiece films Little Men and Wiener-Dog. And we're proud and honored to host our first three-time festival alumnus, Tim Sutton (Pavilion, BAMcinemaFest 2012; Memphis, BAMcinemaFest 2014), whose audaciously atmospheric Dark Night screens as this year's Closing Night film." “The Wall Street Journal is proud once again to join BAMcinemaFest in celebrating the work of dynamic new filmmakers,” says Gerard Baker, editor-in-chief of The Wall Street Journal. -
Playing with Words
Playing with Words Playing with Words Humour in the English language Barry J. Blake LONDON OAKVILLE IV PLAYING WITH WORDS First published in 2007 UK: Equinox Publishing Ltd, Unit 6, The Village, 101 Amies Street, London SW11 2JW US: DBBC, 28 Main Street, Oakville, CT 06779 www.equinoxpub.com © Barry J. Blake 2007 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage or retrieval system, without prior permission in writing from the publishers. The author thanks Everyman’s Library, an imprint of Alfred A. Knopf, for permission to quote ‘The Cow’, by Ogden Nash, from Collected Verse, from 1929 On. © 1961. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN-13 978 1 84553 330 4 (paperback) Library of Congress Cataloging-in-Publication Data Blake, Barry J. Playing with words : humour in the English language / Barry J. Blake. p. cm. Includes bibliographical references and index. ISBN-13: 978-1-84553-330-4 (pb) 1. Wit and humor—History and criticism. 2. Play on words. I. Title. PN6147.B53 2007 817—dc22 2006101427 Typeset by S.J.I. Services, New Delhi Printed and bound in Great Britain by Lightning Source UK Ltd, Milton Keynes, and Lightning Source Inc., La Vergne, TN INTRODUCTION V Contents Introduction VIII 1 The nature of humour 1 • Principles of humour 3 – Fun with words 5 – Grammatical ambiguities 7 – Transpositions 8 – Mixing -
Words and Images Matter NETWORK RESPONSIBILITY INDEX TABLE of CONTENTS
A COMPREHENSIVE ANALYSIS OF TELEVISION’S LESBIAN, GAY, BISEXUAL, AND TRANSGENDER IMAGES. words and images matter NETWORK RESPONSIBILITY INDEX TABLE OF CONTENTS • TABLE OF CONTENTS TK EXECUTIVE SUMMARY 3 ABC 8 CBS 10 CW 12 FOX 14 NBC 16 ABC FAMILY 18 FX 20 HBO 22 HISTORY 24 MTV 26 SHOWTIME 28 TBS 31 TLC 32 TNT 34 USA 36 MORE CABLE NETWORKS 38 BIOS 41 EXECUTIVE SUMMARY The GLAAD Network Responsibility Index (NRI) is an evaluation of the quantity and quality of images of lesbian, gay, bisexual and transgen- der (LGBT) people on television. It is intended to serve as a road map toward increasing fair, accurate, and inclusive LGBT media representations. GLAAD has seen time and again how images of multi-dimensional gay and transgender people on television have the power to change public percep- tions. The Pulse of Equality Survey, commissioned by GLAAD and conducted by Harris Interactive, confirmed a growing trend toward greater acceptance among the American public. Among the 19% who reported that their feelings toward gay and lesbian people have become more favorable over the past 5 years, 34% cited “seeing gay or lesbian characters on television” as a contrib- uting factor. In fact when Vice President Joe Biden endorsed marriage equality this year, he cited the NBC sitcom Will & Grace as one of the factors that led to a better understanding of the LGBT community by the American public. As diverse LGBT images in the media become more prevalent, the general public becomes exposed to the truth of the LGBT community: lesbian, gay, bisexual and transgender Americans are parents and teachers, law enforce- ment and soldiers, high school students and loving elderly couples. -
Xerox University Microfilms
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
TUGBOAT Volume 29, Number 2 / 2008
TUGBOAT Volume 29, Number 2 / 2008 General Delivery 231 From the president / Karl Berry 232 Editorial comments / Barbara Beeton TEX 3.1415926 is here, and other Knuthian references; Phyllis Winkler, RIP; New domain name for CervanTEX; Interactive typography courses by Jonathan Hoefler; A helpful CTAN feature: “get”; Recreating the Gutenberg press; Copy-editing the wayward apostrophe; A font game for your amusement 233 The TEX tuneup of 2008 / Donald Knuth 239 Hyphenation exception log / Barbara Beeton Typography 240 Typographers’ Inn / Peter Flynn 242 The Greek Font Society / Vassilios Tsagkalos 246 Designing and producing a reference book with LATEX: The Engineer’s Quick Reference Handbook / Claudio Beccari and Andrea Guadagni 255 Suggestions on how not to mishandle mathematical formulæ / Massimo Guiggiani and Lapo Mori Electronic Documents 264 Wikipublisher: A Web-based system to make online and print versions of the same content / John Rankin 270 Character encoding / Victor Eijkhout Fonts 278 lxfonts:LATEX slide fonts revived / Claudio Beccari 283 Reshaping Euler: A collaboration with Hermann Zapf / Hans Hagen, Taco Hoekwater and Volker RW Schaa Software & Tools 288 Asymptote: A vector graphics language / John Bowman and Andy Hammerlindl 295 The Luafication of TEX and ConTEXt / Hans Hagen 303 Porting TEX Live to OpenBSD / Edward Barrett LATEX 305 Good things come in little packages: An introduction to writing .ins and .dtx files / Scott Pakin ConTEXt 315 ConTEXt basics for users: Indentation / Aditya Mahajan Multilingual MetaPost 317