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Serato DJ Con I Vinili O CDJ 5 Benvenuti in Serato DJ Pro
Manuale Utente 1 Sommario 2 Sommario 23 Panoramica Schermata Principale 5 Introduzione 24 Serato DJ con i Vinili o CDJ 5 Benvenuti in Serato DJ Pro. 24 Modalità Assoluta (Absolute Mode) 5 Hardware 24 Modalità Relativa (Relative Mode) 5 Requisiti Minimi di Sistema 24 Modalità Diretta (Through Mode) 6 Installazione su Mac (OSX/macOS) 25 Modalità di Passaggio (Changeover Mode) 6 Installazione su PC (Windows) 25 Modalità Interna (Internal Mode) (INT) 6 Installazione Software 25 Livello di uscita principale (Master Output Level) 7 Sottoscrizione 26 Piatto Virtuale (Virtual Deck) 7 Attivazione del periodo di prova Serato DJ Pro 27 Indicatore Piatto Attivo (Active Deck Indicator) 7 Acquistare la licenza di Serato DJ Pro 27 Informazioni Traccia (Track Display) 7 Attivazione 27 TAP Tempo (BPM Tapper) 8 Attivare la licenza di Serato DJ Pro 28 Panoramica della Traccia (Track Overview Display) 8 Gestione Attivazione Serato DJ Pro 28 Visualizzazione della Forma d’Onda Principale 9 Avvio del Software 28 Visualizzazione Sincronizzazione Battute (Beat 9 Guida Introduttiva Matching Display) 10 Panoramica Software 28 Auto Play 14 Utilizzo della didascalia (Tool Tips) 29 Navigazione e gestione della libreria 14 Visualizzazione dei Tutorial 29 Navigazione tramite Mouse e Tastiera 14 Tasti di scelta rapida (Keyboard Shortcuts) 29 Navigazione Hardware 16 Aggiungere file musicali nella libreria di Serato DJ 29 Ricerca Pro 29 Navigazione (Browsing) 16 Dischi Rigidi Esterni 29 Icone di Stato della Libreria 16 Importare la Musica 30 Scaletta (Preparare View) 17 -
Input Formats & Codecs
Input Formats & Codecs Pivotshare offers upload support to over 99.9% of codecs and container formats. Please note that video container formats are independent codec support. Input Video Container Formats (Independent of codec) 3GP/3GP2 ASF (Windows Media) AVI DNxHD (SMPTE VC-3) DV video Flash Video Matroska MOV (Quicktime) MP4 MPEG-2 TS, MPEG-2 PS, MPEG-1 Ogg PCM VOB (Video Object) WebM Many more... Unsupported Video Codecs Apple Intermediate ProRes 4444 (ProRes 422 Supported) HDV 720p60 Go2Meeting3 (G2M3) Go2Meeting4 (G2M4) ER AAC LD (Error Resiliant, Low-Delay variant of AAC) REDCODE Supported Video Codecs 3ivx 4X Movie Alaris VideoGramPiX Alparysoft lossless codec American Laser Games MM Video AMV Video Apple QuickDraw ASUS V1 ASUS V2 ATI VCR-2 ATI VCR1 Auravision AURA Auravision Aura 2 Autodesk Animator Flic video Autodesk RLE Avid Meridien Uncompressed AVImszh AVIzlib AVS (Audio Video Standard) video Beam Software VB Bethesda VID video Bink video Blackmagic 10-bit Broadway MPEG Capture Codec Brooktree 411 codec Brute Force & Ignorance CamStudio Camtasia Screen Codec Canopus HQ Codec Canopus Lossless Codec CD Graphics video Chinese AVS video (AVS1-P2, JiZhun profile) Cinepak Cirrus Logic AccuPak Creative Labs Video Blaster Webcam Creative YUV (CYUV) Delphine Software International CIN video Deluxe Paint Animation DivX ;-) (MPEG-4) DNxHD (VC3) DV (Digital Video) Feeble Files/ScummVM DXA FFmpeg video codec #1 Flash Screen Video Flash Video (FLV) / Sorenson Spark / Sorenson H.263 Forward Uncompressed Video Codec fox motion video FRAPS: -
Scape D10.1 Keeps V1.0
Identification and selection of large‐scale migration tools and services Authors Rui Castro, Luís Faria (KEEP Solutions), Christoph Becker, Markus Hamm (Vienna University of Technology) June 2011 This work was partially supported by the SCAPE Project. The SCAPE project is co-funded by the European Union under FP7 ICT-2009.4.1 (Grant Agreement number 270137). This work is licensed under a CC-BY-SA International License Table of Contents 1 Introduction 1 1.1 Scope of this document 1 2 Related work 2 2.1 Preservation action tools 3 2.1.1 PLANETS 3 2.1.2 RODA 5 2.1.3 CRiB 6 2.2 Software quality models 6 2.2.1 ISO standard 25010 7 2.2.2 Decision criteria in digital preservation 7 3 Criteria for evaluating action tools 9 3.1 Functional suitability 10 3.2 Performance efficiency 11 3.3 Compatibility 11 3.4 Usability 11 3.5 Reliability 12 3.6 Security 12 3.7 Maintainability 13 3.8 Portability 13 4 Methodology 14 4.1 Analysis of requirements 14 4.2 Definition of the evaluation framework 14 4.3 Identification, evaluation and selection of action tools 14 5 Analysis of requirements 15 5.1 Requirements for the SCAPE platform 16 5.2 Requirements of the testbed scenarios 16 5.2.1 Scenario 1: Normalize document formats contained in the web archive 16 5.2.2 Scenario 2: Deep characterisation of huge media files 17 v 5.2.3 Scenario 3: Migrate digitised TIFFs to JPEG2000 17 5.2.4 Scenario 4: Migrate archive to new archiving system? 17 5.2.5 Scenario 5: RAW to NEXUS migration 18 6 Evaluation framework 18 6.1 Suitability for testbeds 19 6.2 Suitability for platform 19 6.3 Technical instalability 20 6.4 Legal constrains 20 6.5 Summary 20 7 Results 21 7.1 Identification of candidate tools 21 7.2 Evaluation and selection of tools 22 8 Conclusions 24 9 References 25 10 Appendix 28 10.1 List of identified action tools 28 vi 1 Introduction A preservation action is a concrete action, usually implemented by a software tool, that is performed on digital content in order to achieve some preservation goal. -
English Language User Manual Dear Customer
English Language User Manual Dear Customer, ARCHOS thanks you for your choice of this exciting PMA430™ Personal Media Assistant. Based on the tried and tested Linux® operating system, you can now get all the entertainment you want, right in the palm of your hand. This guide will explain to you the functions of the PMA430™. This product is, in reality, a computer. Our engineers have packed this product Pocket Media Assistant PMA430™ with many functions and capabilities*. The better you know how to use it, the more enjoyment you will get from it. Remember, with the PMA430™, you can… Video Player & Recorder / Music & Audio / Wifi / Linux® / Personal Information Manager (PIM) • Record video from your television, VCR, or any video source • Play MPEG-4 movies • Listen to and record digital music files • Download images from a digital camera • View photo images • Play regular games as well as Mophun® based games • Use it as an Internet browser or E-mail device • Use it as a Personal Information Manager (calendar, appointments, address book, etc.) • Add third party software for a variety of tasks • Store any type of data file, it’s a portable hard drive too! We wish you many years of enjoyment from your PMA430™ product. Don’t forget to check our web site (www.archos.com category software), as we periodically update the ARCHOS PMA430™ internal software to offer new functions and improved features. The ARCHOS TEAM FR: Manuel d’utilisation complet (Français) sur le disque dur du PMA430. ES: Manual completo (Español) en el disco duro del PMA430. *As our engineers are always updating and improving the software, your device’s DE: Das komplette Handbuch (Deutsch) steht auf der Festplatte des PMA430 zur Verfügung. -
University of Alaska Imaging Standards
University of Alaska Imaging Tutorial and Standard 2/16/2005 8:37 AM 2/11/05 Document History Draft 1: December 2004 Introductory sections and initial draft of film imaging section. Draft 2: January 2004 Revisions based upon December 21, 2004 Committee meeting, and first draft of digital imaging section. Draft 3: January 2004 Revisions in response to the Committee review of Draft 2 on January 21, 2004. Table of Contents 1 Introduction....................................................................................................1 1.1 Purpose ..................................................................................................1 1.2 Organization ...........................................................................................1 2 Common Topics.............................................................................................2 2.1 General Terminology ..............................................................................2 2.1.1 Imaging............................................................................................2 2.1.2 Records Management .....................................................................2 2.2 When to Image .......................................................................................6 2.2.1 Imaging at Beginning of Life Cycle ..................................................6 2.2.2 Microfilming When Records Become Inactive .................................7 2.2.3 Imaging at the End of the Life Cycle................................................7 2.3 Choosing -
MINE Progettazione Di Un Controller Modulare Per Dj Studente
MINE Progettazione di un controller modulare per dj Studente: Belingheri Riccardo Matricola: 765598 Relatore: Prof. Venanzio Arquilla Laurea Magistrale Design del Prodotto per l’Innovazione Politecnico di Milano Scuola del Design A.A 2012/2013 Il disco digitale: il Compact Disc 127 Indice Digitalizzazione 128 La crisi del CD e la nascita della musica liquida 129 DJing nell’era digitale 132 1. INTRODUZIONE 4 Il futuro 136 2. DJ CULTURE 6 4. ABLETON LIVE! 140 - Il dj e le sue origini 10 - Caratteristiche e funzionalità 142 Tipologie di prodotti 88 Chi è e cosa fa il dj? 10 Cos’è Ableton Live? 142 L’era della radio 12 Workflow 144 R’n’b e rock’n’roll 4 Arrange View 146 Jimmy Savile, il primo esempio di dj da discoteca 18 Session View 147 Le prime discoteche 20 Browser 148 Una rivoluzione nel ballo: il twist 22 L’inizio della club culture 24 Vista Traccia e Vista Clip 148 Gli acidi 25 - Djing con Ableton Live! Perchè? 151 - Il dj moderno e i nuovi generi musicali 26 Ableton Live non è un Dj Software 152 Motivi per usare Live 154 Northern Soul 26 Chi dovrebbe usare Ableton per il djing? 159 Reggae 30 Considerazioni 159 La rivoluzione Disco e il primo dj moderno, Francis Grasso 34 Gli ideali del Loft di David Mancuso 36 - Device per Ableton Live 162 La nascita del remix e del 12” 38 Cresce il fenomeno disco 40 5. USER INTERFACE (UI) 188 La morte della disco 44 Cos’è l’UI? 190 L’Hip Hop e il suo precursore, dj Kool Herc 46 Le interfacce dei midi controller 191 Il maestro dei giradischi: Grandmaster Flash 48 Nuove interfacce 204 Afrika Bambaataa 52 Ableton Dj Setup 209 I rapper 53 6. -
Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 A Dissertation Presented by Jason James Hanley to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philsophy in Music (Music History) Stony Brook University August 2011 Copyright by Jason James Hanley 2011 Stony Brook University The Graduate School Jason James Hanley We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Judith Lochhead – Dissertation Advisor Professor, Department of Music Peter Winkler - Chairperson of Defense Professor, Department of Music Joseph Auner Professor, Department of Music David Brackett Professor, Department of Music McGill University This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 by Jason James Hanley Doctor of Philosophy in Music (Music History) Stony Brook University 2011 The British band Throbbing Gristle first used the term Industrial in the mid-1970s to describe the intense noise of their music while simultaneously tapping into a related set of aesthetics and ideas connected to early twentieth century modernist movements including a strong sense of history and an intense self-consciousness. This model was expanded upon by musicians in England and Germany during the late-1970s who developed the popular music style called Industrial as a fusion of experimental popular music sounds, performance art theatricality, and avant-garde composition. -
Polygram 1983-1992
AUSTRALIAN RECORD LABELS PolyGram 7”, 12” singles & LP’s 1983 to 1992 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, MAY 2019 POLYGRAM 7”, 12” SINGLES & LP’S, 1983–1992 POLYGRAM PRODUCT GUIDE –1 = 12” SINGLES, LP’S –2 = CD SINGLES, CD’S (NOT LISTED) –3 = VHS VIDEO (NOT LISTED) –4 = CASSETTE SINGLES, CASSETTES (NOT LISTED) –7 = 7” SINGLES 370, 377—WINDHAM HILL 370 111-1 TEARS OF JOY TUCK & PATTI 1.90 377 008-1 LOVE WARRIORS TUCK & PATTI 1.90 390–397—A & M 390 419-7 LOVE SCARED / LOVE SCARED PART II (LET’S TALK IT OVER) LANCE ELLINGTON 3.91 390 460-7 STONE COLD SOBER / THE RETURN OF MAGGIE BROWN DEL AMITRI 7.90 390 462-7 THE MESSAGE IS LOVE (2 VERSIONS) ARTHUR BAKER 3.90 390 462-1 THE MESSAGE IS LOVE (2 VERSIONS) / THE MESSAGE IS CLUB ARTHUR BAKER 3.90 390 466-7 DIAMOND IN THE DARK / LAST NIGHT CHRIS DE BURGH 6.90 390 471-7 LOVE TOGETHER (2 VERSIONS) L.A. MIX 7.90 390 471-1 LOVE TOGETHER (2 VERSIONS) L.A. MIX 7.90 390 472-7 PERFECT VIEW / WE NEVER MET THE GRACES 3.90 390 474-7 NOTHING EVER HAPPENS / NO HOLDING ON DEL AMITRI 4.90 390 474-1 NOTHING EVER HAPPENS / NO HOLDING ON / SLOWLY, IT’S COMING BACK DEL AMITRI 5.90 390 475-7 I’M A BELIEVER / NO WAY OUT GIANT 6.90 390 476-7 INSIDE OUT / BACK TO WHERE WE STARTED GUN 4.90 390 477-7 WITH A LITTLE LOVE / WINDOW PEOPLE SAM BROWN 4.90 390 477-1 WITH A LITTLE LOVE / WINDOW PEOPLE / DOLLY MIXTURE SAM BROWN 4.90 390 480-7 A CHANGE IS GONNA COME / MY BLOOD THE NEVILLE BROTHERS 3.90 390 484-1 SUPER LOVER (2 VERSIONS) / WHEN WILL I SEE YOU AGAIN BARRY WHITE 6.90 390 486-7 TWO TO MAKE IT RIGHT -
Free and Open Source Software
Free and open source software Copyleft ·Events and Awards ·Free software ·Free Software Definition ·Gratis versus General Libre ·List of free and open source software packages ·Open-source software Operating system AROS ·BSD ·Darwin ·FreeDOS ·GNU ·Haiku ·Inferno ·Linux ·Mach ·MINIX ·OpenSolaris ·Sym families bian ·Plan 9 ·ReactOS Eclipse ·Free Development Pascal ·GCC ·Java ·LLVM ·Lua ·NetBeans ·Open64 ·Perl ·PHP ·Python ·ROSE ·Ruby ·Tcl History GNU ·Haiku ·Linux ·Mozilla (Application Suite ·Firefox ·Thunderbird ) Apache Software Foundation ·Blender Foundation ·Eclipse Foundation ·freedesktop.org ·Free Software Foundation (Europe ·India ·Latin America ) ·FSMI ·GNOME Foundation ·GNU Project ·Google Code ·KDE e.V. ·Linux Organizations Foundation ·Mozilla Foundation ·Open Source Geospatial Foundation ·Open Source Initiative ·SourceForge ·Symbian Foundation ·Xiph.Org Foundation ·XMPP Standards Foundation ·X.Org Foundation Apache ·Artistic ·BSD ·GNU GPL ·GNU LGPL ·ISC ·MIT ·MPL ·Ms-PL/RL ·zlib ·FSF approved Licences licenses License standards Open Source Definition ·The Free Software Definition ·Debian Free Software Guidelines Binary blob ·Digital rights management ·Graphics hardware compatibility ·License proliferation ·Mozilla software rebranding ·Proprietary software ·SCO-Linux Challenges controversies ·Security ·Software patents ·Hardware restrictions ·Trusted Computing ·Viral license Alternative terms ·Community ·Linux distribution ·Forking ·Movement ·Microsoft Open Other topics Specification Promise ·Revolution OS ·Comparison with closed -
New and Noteworthy
INGLE REVIEWS PUBLISHER: Beechwood, BMI Tasty R &B /club offering with house POP A.C. KELLY She's A Slammer (4:15) Capitol 79805 leanings features a fine performance PRODUCERS: Allen George, Fred McFarlane NEW AND Owens splashes this tune, a top -10, B- from Starr. Contact: 212 -529 -2600. WRITERS: A. George, F. McFarlane, A. Morero PUBLISHERS: CBS /Jaman, ASCAP /A /Tron, BMI side record for him in 1965, with MIXERS: Dennis Mitchell, Allen George, Fred spunk and fire. Updated production is SLY & ROBBIE Dance Hall (7:03) McFarlane, Kevin Woodley NOTEWORTHY kept simple but strong. Guitar solo PRODUCER: KRS-One Columia 44 -73108 (12 -inch single) WRITERS: S. Dunbar, R. Shakespeare, W. Broady SHAKESPEAR'S SISTER You're History (4:06) adds fullness. JANE CHILD Welcome To The Real World (4:14) PUBLISHERS: Island /Ixat, BMI /BDP, ASCAP PRODUCER: Jimmy lovine, Shakespear's Sister, Familiar new jack swing with a Teddy MIXER: Murray Elias Richard Feldman PRODUCER: Jane Child Riley /Guy attitude. Island 0-96536 (c /o Atlantic) (12 -inch single) WRITERS: Fahey, Detroit. Feldman, Seymour WRITER: Jane Child PUBLISHER: Warner -Tamerlane /Warner Chappell, PUBLISHER: Radical Dichotomy BMI Great hip -hop dance hall track from Warner Bros. 0-21346 (12 -inch single) BMI /Orca /Make -Z /BMG /Anxious, ASCAP TYLER COLLINS Whatcha Gonna Do? (4:06) the duo's fab new album works in the FFRR 886 694-4 (c /o PolyGram) (cassette single) PRODUCER: Phillip Gordy Canadian classical new mixes but we could have done Refreshing hooks abound on this WRITERS: Phillip Gordy, Tyler Collins musician /composer- turned -rocker PUBLISHERS: TLC Music /Dinger & 011ie JOHN ANDERSON Who's Lovin' My Baby (3:21) without the weathered Rob Base track from the act's "Sacred Heart" Music /Dagwood Music, BMI makes a splashy debut with this PRODUCER: John Anderson Jimmy Bowen. -
VINYL ROCK 2011 08 20.Xls 20/08/2011 1/193
Artist Title Units Media Price € Origin Label Genre Release Eancode A Armada Anam Cara 1 Lp 20 € Eu H.Sir Roc 22/06/2009 0678277156623 A Bullet For Fidel Cold Before Morning 1 Lp 18 € Usa Scat Roc 30/06/1990 9990304097251 A Frames 333 3 Lp 36 € Usa S-S Roc 3/08/2010 9991702074424 A Frames A Frames 1 Lp 22 € Nld Bornb Roc 3/05/2007 5413356130812 A Frames Black Forest 1 Lp 19 € Nld Subpo Roc 29/03/2005 0098787066814 A Hawk and a Hacksaw Cervantine 1 Lp 23 € Usa Lm Roc 24/11/2010 0655035011318 A Hawk and a Hacksaw Cervantine 1 Lp 24 € Nld Lm Roc 10/02/2011 0655035011318 A Joint Effort Final Effort 1 Lp 22 € Nld Void Roc 15/05/2007 9991301081007 A Joint Effort Final Effort 1 Lp 23 € Usa Void Roc 30/06/1990 0725543864413 A Lords A Lords 1 Lp 22 € Nld Rif M Roc 30/06/2011 A Marble Calm Blue Turns To Grey 1 Lp 25 € Nld Cradi Roc 23/01/2007 9991207033476 A Perfect Circle Emotive 2 Lp 30 € Nld Virgi Roc 13/01/2005 0724386668714 A Perfect Circle Mer De Noms 2 Lp 27 € Nld Emi Roc 15/09/2008 0724384925314 A Place To Bury Strangers A Place To Bury Strangers 1 Lp 19 € Nld Impor Roc 25/10/2007 0793447517025 A Place To Bury Strangers Exploding Head 1 Lp 24 € Usa Mute Roc 6/10/2009 0724596942017 A Place To Bury Strangers Exploding Head 1 Lp 24 € Eu Mute Roc 18/08/2010 0724596942017 A Plea For Purging Marriage of Heaven & Hell 1 Lp 23 € Nld Prost Roc 6/09/2010 0803847109314 A Silver Mt. -
3.1 Multimedia Basics Multimedia Is a Combination of Text, Graphic Art, and Sound, Animation and Video Elements
UNIT -3 IT6501-GRAPHICS AND MULTIMEDIA UNIT III MULTIMEDIA SYSTEMS DESIGN Multimedia basics − Multimedia applications − Multimedia system architecture −Evolving technologies for multimedia − Defining objects for multimedia systems −Multimedia data interface standards − Multimedia databases. 3.1 Multimedia Basics Multimedia is a combination of text, graphic art, and sound, animation and video elements. The IBM dictionary of computing describes multimedia as "comprehensive material, presented in a combination of text, graphics, video, animation and sound. Any system that is capable of presenting multimedia, is called a multimedia system". A multimedia application accepts input from the user by means of a keyboard, voice or pointing device. Multimedia applications involve using multimedia teclmology for business, education and entertainment. Multimedia is now available on standard computer platforms. It is the best way to gain attention of users and is widely used in many fields as follows: * Business - In any business enterprise, multimedia exists in the form of advertisements, presentations, video conferencing, voice mail, etc. Schools - Multimedia tools for learning are widely used these days. People of all ages learn easily and quickly when they are presented information with the visual treat. Home PCs equipped with CD-ROMs and game machines hooked up with TV screens have brought home entertainment to new levels. These multimedia titles viewed at home would probably be available on the multimedia highway soon. Public places - Interactive maps at public places like libraries, museums, airports and the stand-alone terminal Virtual Reality (VR) - This technology helps us feel a 'real life-like' experience. Games using virtual reality effect is very popular MULTIMEDIA ELEMENTS High-impact multimedia applications, such as presentations, training and messaging, require the use of moving images such as video and image animation, as well as sound (from the video images as well as overlaid sound by a narrator) intermixed with document images and graphical text displays.