WELCOME to HARLEM HARLEM Frederick Douglass Harriet Tubman 125Th Street A/K/A Martin Luther King, Jr

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WELCOME TO HARLEM HARLEM Frederick Douglass Harriet Tubman 125th Street a/k/a Martin Luther King, Jr. Boulevard Apollo Theater Hotel Theresa Adam Clayton Powell, Jr. State Office Building and Statue • Studio Museum in Harlem • Civil Rights Museum • National Urban League. Marcus Garvey Park Central Park St. Nicholas Park Morningside Park Sylvia’s Restaurant Red Rooster Schomburg Center for Research in Black Culture Mother A.M.E. Zion Church Abyssinian Baptist Church St. Philip’s Episcopal Church St. James Presbyterian Church Striver’s Row Convent Avenue 409 Edgecombe Avenue • Hubert Harris • Ruby Dee • Marcus Garvey • Ossie Davis • Adam Clayton Powell, Jr. • Billie Holiday • A. Philip Randolph • Miles Davis • Paul Robeson • Duke Ellington • Langston Hughes • Jackie Robinson • Zora Neale Hurston • John Carlos • Malcolm X • Martin Luther King, Jr. • James Baldwin • Romare Bearden • Madame C.J. Walker “The name Harlem has been included in the titles of at least thirty-five books, seventy-four songs, and twenty- six movies. No other neighborhood in the country can match this recognition.” —A. Peter Bailey Carolyn D. Johnson is the president of Welcome to Harlem (2004) & Harlem Jazz Boxx (2014). Welcome to Harlem is a boutique-tour company focusing on the rich history and cultural diversity of Harlem. Harlem Jazz Boxx is the musical arm of Welcome to Harlem and we are proud to be a successful NYC and New York State- certified minority and women-owned business. We are a full-service tour company that reverberates to the vibrant pulse of Harlem and its unique enclaves. I am a graduate of the City University of New York, a New York City licensed tour guide, and co-author of The Harlem Travel Guide. Phone: (212) 662-7779 Email: [email protected] Website/URL: www.welcometoharlem.com.

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Where Stars are Born and Legends are Made™ The Apollo Theater Study Guide is published by the Education Program of the Apollo Theater in New York, NY | Volume 2, Issue 1, November 2010 If the Apollo Theater could talk, imagine the stories it could tell. It The has witnessed a lot of history, and seen a century’s worth of excitement. The theater itself has stood proudly on 125th Street since 1914, when it started life as a burlesque house for whites only, Hurtig & Seamon’s New Burlesque Theater. Dancers in skimpy costumes stripped down to flesh-colored leotards, and comics told bawdy jokes – that is, until then New York City Mayor Fiorello H. LaGuardia made the decision to close down burlesque houses all over the city. When the doors of the burlesque theaters were padlocked, the building was sold. By S ul the time it reopened in 1934, a new name proclaimed itself from the marquee: the 125th Street Apollo Theatre. From the start, the Apollo was beloved by Harlemites, and immediately of became an integral part of Harlem life. When the Apollo first opened, Harlem boasted a lot of theaters and clubs. But many didn’t admit black audiences. Though the musicians who played in the clubs were black, the audiences were often white; the country still had a lot to American learn about integration. But the Apollo didn’t play primarily to whites. As soon as it opened its doors, black residents of Harlem streamed in themselves to enjoy the show. In the early years, the Apollo presented acts in a revue format, with a variety of acts on each bill.
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