Apollo Theater Spring 2021 Announcement
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Where Stars Are Born and Legends Are Made™
Where Stars are Born and Legends are Made™ The Apollo Theater Study Guide is published by the Education Program of the Apollo Theater in New York, NY | Volume 2, Issue 1, November 2010 If the Apollo Theater could talk, imagine the stories it could tell. It The has witnessed a lot of history, and seen a century’s worth of excitement. The theater itself has stood proudly on 125th Street since 1914, when it started life as a burlesque house for whites only, Hurtig & Seamon’s New Burlesque Theater. Dancers in skimpy costumes stripped down to flesh-colored leotards, and comics told bawdy jokes – that is, until then New York City Mayor Fiorello H. LaGuardia made the decision to close down burlesque houses all over the city. When the doors of the burlesque theaters were padlocked, the building was sold. By S ul the time it reopened in 1934, a new name proclaimed itself from the marquee: the 125th Street Apollo Theatre. From the start, the Apollo was beloved by Harlemites, and immediately of became an integral part of Harlem life. When the Apollo first opened, Harlem boasted a lot of theaters and clubs. But many didn’t admit black audiences. Though the musicians who played in the clubs were black, the audiences were often white; the country still had a lot to American learn about integration. But the Apollo didn’t play primarily to whites. As soon as it opened its doors, black residents of Harlem streamed in themselves to enjoy the show. In the early years, the Apollo presented acts in a revue format, with a variety of acts on each bill. -
Morningside Heights Upper West Side Central Park
Neighborhood Map ¯ Manhattanville Salem United 601 Junior High School 499 431 429 401 305 299 Methodist Church 199 101 99 1 555 W 129 Street W 129 Street W 129 Street W 129 Street Harlem Village Manhattanville National Jazz Museum Green 556 Health Center St. Nicholas in Harlem Edward P. Bowman 2168 3219 Sheltering Arms 30 29 25 Park 368 369 Broadway 601 2401 2406 Amsterdam Bus Depot 2094 3200 Playground Park Rev. Linnette C. Williamson Metropolitan Church of Memorial Park St. Nicholas Baptist Church Jesus Christ of Collyer Brothers 401 Unity Park 12 439 399 301 Playground South 101 Latter-day Saints Park W 126 Street 567 11 St. Nicholas Houses Amsterdam Avenue Amsterdam W 128 Street W 128 Street W 128 Street Convent Avenue St. Nicholas Avenue Old Broadway Blvd Douglass Frederick 559 M2 1361 14 LTD M2 3181 M3 499 M10 LTD 5 6 Maysles 2066 M3 M10 348 M2 Documentary 2160 M2 St. Andrew’s 1 Center 125 St Bx15 Episcopal Church M104 M101 299 201 W 125 StreetBx15 LTD 401 399 363 357 349 301 199 101 99 1 LTD Terrace Nicholas St. M101 W 127 Street W 127 Street W 127 Street M11 LTD Bx15 M100 M104 Bx15 M101 439 LTD M11 04 1 501 M100 M M101 M7 M104 M104 M102 M7 167 166 327 332 2130 2133 2358 2359 Clayton M102 2050 George Bruce 499 3170 William B. Williams 8 Avenue 8 Library Avenue 5 Washington Community Avenue Lenox 401 399 349 Garden Garden 299 201 199 101 99 1 Malcolm X Boulevard W 126 Street W 126 Street W 126 Street Broadway General Grant Houses Adam Clayton Powell, Jr. -
LEGEND Location of Facilities on NOAA/NYSDOT Mapping
(! Case 10-T-0139 Hearing Exhibit 2 Page 45 of 50 St. Paul's Episcopal Church and Rectory Downtown Ossining Historic District Highland Cottage (Squire House) Rockland Lake (!304 Old Croton Aqueduct Stevens, H.R., House inholding All Saints Episcopal Church Complex (Church) Jug Tavern All Saints Episcopal Church (Rectory/Old Parish Hall) (!305 Hook Mountain Rockland Lake Scarborough Historic District (!306 LEGEND Nyack Beach Underwater Route Rockefeller Park Preserve Rockefeller Park Preserve Rockefeller Park Preserve CP Railroad ROW Rockefeller Park Preserve Rockefeller Park Preserve CSX Railroad ROW Rockefeller Park Preserve (!307 Rockefeller Park Preserve Rockefeller Park Preserve NYS Canal System, Underground (! Rockefeller Park Preserve Milepost Rockefeller Park Preserve Rockefeller Park Preserve Rockefeller Park Preserve )" Sherman Creek Substation Rockefeller Park Preserve Rockefeller Park Preserve Methodist Episcopal Church at Nyack *# Yonkers Converter Station Rockefeller Park Preserve Upper Nyack Firehouse ^ Mine Rockefeller Park Preserve Van Houten's Landing Historic District (!308 Park Rockefeller Park Preserve Union Church of Pocantico Hills State Park Hopper, Edward, Birthplace and Boyhood Home Philipse Manor Railroad Station Untouched Wilderness Dutch Reformed Church Rockefeller, John D., Estate Historic Site Tappan Zee Playhouse Philipsburg Manor St. Paul's United Methodist Church US Post Office--Nyack Scenic Area Ross-Hand Mansion McCullers, Carson, House Tarrytown Lighthouse (!309 Harden, Edward, Mansion Patriot's Park Foster Memorial A.M.E. Zion Church Irving, Washington, High School Music Hall North Grove Street Historic District DATA SOURCES: NYS DOT, ESRI, NOAA, TDI, TRC, NEW YORK STATE DEPARTMENT OF Christ Episcopal Church Blauvelt Wayside Chapel (Former) First Baptist Church and Rectory ENVIRONMENTAL CONSERVATION (NYDEC), NEW YORK STATE OFFICE OF PARKS RECREATION AND HISTORICAL PRESERVATION (OPRHP) Old Croton Aqueduct Old Croton Aqueduct NOTES: (!310 1. -
Selected Observations from the Harlem Jazz Scene By
SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan. -
Central Park / Ybor Choice Neighborhood Application
ENCORE Renderings - NW Aerial Parcel 2 - Multi Family Rendering - Ground Parcel 4 - Senior Housing Response to: U.S. DepartmentRendering - Corner of Perspective Housing and Urban Development Choice Neighborhoods Initiative for Parcel 5 - Bank/Pharmacy/Office Rendering Ground CENTRAL PARK / YBOR CHOICE NEIGHBORHOODS IMPLEMENTATION GRANT Submitted by: Housing Authority of the City of Tampa 1529 W. Main Street Tampa, FL 33607 www.thafl.com/choice-neighborhoods/ www.encoretampa.com April 2012 Choice Neighborhoods U.S. Department of Housing OMB Approval No. Implementation Grant and Urban Development 2577-0269 (exp. 1/31/2015) The public reporting burden for this collection of information for the Choice Neighborhoods Program is estimated to average fifteen minutes, including the time for reviewing instructions, searching existing data sources, gathering and maintaining the data needed, and completing and reviewing the collection of information and preparing the application package for submission to HUD. Send comments regarding this burden estimate or any other aspect of this collection of information, including suggestions to reduce this burden, to the Reports Management Officer, Paperwork Reduction Project, to the Office of Information Technology, US. Department of Housing and Urban Development, Washington, DC 20410-3600. When providing comments, please refer to OMB Approval No. 2577-0269. HUD may not conduct and sponsor, and a person is not required to respond to, a collection of information unless the collection displays a valid control number. The information submitted in response to the Notice of Funding Availability for the Choice Neighborhoods Program is subject to the disclosure requirements of the Department of Housing and Urban Development Reform Act of 1989 (Public Law 101-235, approved December 15, 1989, 42 U.S.C. -
125Th Street, Harlem, NY
APOLLO ANNUAL REPORT 2016-17th 125 Street, Harlem, NY 1 TABLE OF CONTENTS APOLLO MUSIC APOLLO COMMUNITY LEADERSHIP Page 10 Page 16 Page 4 APOLLO DANCE APOLLO EDUCATION ELLA FITZGERALD Page 12 Page 18 CENTENNIAL CELEBRATION Page 6 APOLLO THEATER APOLLO IN THE MEDIA Page 13 Page 20 WOMEN OF THE WORLD Page 8 APOLLO SIGNATURE APOLLO CELEBRATIONS Page 14 Page 22 APOLLO PEOPLE STATEMENT OF Page 27 OPERATING ACTIVITY Page 24 APOLLO SUPPORTERS Page 28 STATEMENT OF FINANCIAL POSITION Page 26 JOIN THE APOLLO Page 30 “Since its inception, the Apollo Theater has been home to legendary and FROM OUR up-and-coming artists alike, serving as an ever-changing, driving force in popular music and culture, not only in Harlem but across the world.” LEADERSHIP Jonelle Procope, President and CEO of the Apollo Theater We are delighted to share this Annual Report highlighting It is an incredible honor to bring my voice to the Apollo’s the incredible accomplishments of the Apollo’s season. Key storied legacy and exciting future. My first season at the milestones from the 2016-2017 season include welcoming Apollo has been a whirlwind of inspiring and innovative Kamilah Forbes as the new Executive Producer; presenting performances and programs. I especially want to mention The First Noel, the first multi-week run of an Apollo-Presents the four-day Women of the World Festival, which was show on the iconic Mainstage; and welcoming popular anchored by a special tribute concert to the incomparable Brooklyn-based festival, Afropunk, for their first appearance artist/activist Abbey Lincoln. -
To View Proposal
R E N A I S S A N C E Architecture and Placemaking in Central Harlem Religion 1. Abyssinian Baptist: Charles W. Bolton & Son, 1923 It is true the formidable centers of our race life, educational, industrial, 2. St Philip's Episcopal: Tandy & Foster, 1911 financial, are not in Harlem, yet here, nevertheless are the forces that make a 3. Mother AME Zion: George Foster Jr, 1925 group known and felt in the world. —Alain Locke, “Harlem” 1925 4. Greater Refuge Temple: Costas Machlouzarides, 1968 We intend to study the landmarks in Harlem to understand the 5. Majid Malcolm Shabazz Mosque: Sabbath Brown, triumphs and challenges of Black placemaking in America. 1965 The backdrop to this proposal is the national story of inequality, both Culture past and present. Harlem’s transformation into the Mecca of Black 6. Paris Blues: Owned by the late Samuel Hargress Jr. culture that we recognize today was enabled by failed white 7. Apollo Theater: George Keister, 1914 speculation and shrewd business by Black figures such as Philip 8. Studio Museum: David Adjaye, 2021 Payton Junior. The Harlem Renaissance blossomed out of the 9. Schomburg Center for Research in Black Culture: neighborhood’s Black and African identity, enabling Black artists and Charles McKim, 1905; Marble Fairbanks, 2017 thinkers to flourish in the 1920s and beyond. Yet, the cyclical forces of 10. Showman’s Jazz Club speculation, rezoning and rising land values undermine this flourishing and threaten to uproot Harlem’s poorer and mostly Black population, People while landmark designations seek to preserve significant portions of 11. -
Nichole Rustin's CV
Nichole Rustin-Paschal, Ph.D., J.D. [email protected] Division of Liberal Arts Rhode Island School of Design 2 College St. Providence, RI 02903 EDUCATION: UNIVERSITY OF VIRGINIA SCHOOL OF LAW, J.D. NEW YORK UNIVERSITY, Ph.D. American Studies AMHERST COLLEGE, B.A. Interdisciplinary Studies, magna cum laude PRIMARY RESEARCH INTERESTS: African American Cultural History; Gender Studies; Critical Race Feminism; Law PUBLICATIONS: BOOKS • Art Law: Framing a Critique of Justice in Contemporary Art and Culture (in progress) • The Kind of Man I Am: Jazzmasculinity and the World of Charles Mingus Jr. (Wesleyan University Press, 2017) o Nominated for 2018 Association for Recorded Sound Collections Award for Excellence in Historical Recorded Sound Research EDITED VOLUME • Oxford Handbook of Jazz and Gender (Oxford University Press, in progress) CO-EDITED VOLUMES • The Routledge Companion to Jazz Studies, co-editor with Nicholas Gebhardt and Tony Whyton (Routledge University Press, 2019) • Big Ears: Listening for Gender in Jazz Studies, co-editor with Sherrie Tucker (Duke University Press, 2008) ARTICLES • “You Won’t Forget Me: Miles Davis and the Gendered Silence of Influence in Jazz,” in Miles Davis Beyond Jazz: 1971-1991, eds. Roger Fagge, Nicolas Pillai, and Tim Wall (Oxford University Press, under contract) • “The Reason I Play the Way I Do Is: Jazzmen, Emotion, and Creating in Jazz,” Routledge Companion to Jazz Studies, eds. Nicholas Gebhardt, Nichole Rustin-Paschal, and Tony Whyton (Routledge University Press, 2019). N. Rustin-Paschal 1 • “Self Portrait: On Emotion and Experience as Useful Categories of Gender Analysis in Jazz History,” in Jazz Debates/Jazzdebatten, edited by Wolfram Knauer. -
Manhattan Community District 10 11 12 5 6
8 12 7 10 MANHATTAN COMMUNITY DISTRICT 10 11 12 5 6 4 3 10 TOTAL POPULATION 1990 2000 2010 9 9 2 Number 99,519 107,109 115,723 10 1 11 % Change - 7.6 8.0 11 7 1 8 7 1 4 3 5 6 VITAL STATISTICS 2005 2010 2 4 2 3 1 5 6 8 Births: Number 1,659 1,716 1 Rate per 1000 15.5 14.8 DR. HARLEM IVER R HARLEM RIVER Deaths: Number 1,022 850 Rate per 1000 9.5 7.3 MBE GECOAVE. ED . Infant Mortality: Number 13 - E V A Rate per 1000 7.8 7.5 S A L O H IC N W. 123rd ST. T S CENTRAL . HARLEM VE FIFTH AVE. E A ID S G MO N UNT I MO RRIS PARK N R O M INCOME SUPPORT 2005 2012 CENT RAL PARK NORTH FIFTH AVE. Cash Assistance (TANF) 11,139 8,472 Supplemental Security Income 8,827 9,016 LAND USE, 2012 Lot Area Medicaid Only 28,503 31,911 Lots Sq. Ft.(000) % 1- 2 Family Residential 538 915.8 3.6 Total Persons Assisted 48,469 49,399 Multi-Family Residential 2,444 10,770.1 42.3 Mixed Resid. / Commercial 647 5,502.5 21.6 Percent of Population 45.3 42.7 Commercial / Office 156 1,271.1 5.0 Industrial 17 151.5 0.6 Transportation / Utility 18 212.0 0.8 Institutions 290 3,758.6 14.8 Open Space / Recreation 40 1,416.3 5.6 Parking Facilities 44 223.7 0.9 TOTAL LAND AREA Vacant Land 251 1,237.6 4.9 Miscellaneous 9 24.3 0.1 Acres: 897.0 Square Miles: 1.4 Total 4,454 25,483.5 100.0 New York City Department of City Planning Manhattan Community District 10 r. -
Downbeat.Com December 2020 U.K. £6.99
DECEMBER 2020 U.K. £6.99 DOWNBEAT.COM DECEMBER 2020 VOLUME 87 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
HOBOKEN PICTORIAL Str«*T 2Nd Class Postage Paid VOLUME 11 NO
HOBOKEN PICTORIAL Str«*t 2nd Class Postage Paid VOLUME 11 NO. 26 .-070SO THURSDAY, AUGUST 28, 1969 Ai Hobokrn, N. J. TEN CENTS HtS mother-in-law moved in ON HONEYMOON CONSTRUCTION NEARS with Mm. That's not too bad but NUPTIAL VOWS EXCHANGED the ruults had him dizzy. He ON OIL PLANT souk" 1't smoke in his own home. She objected to him reading the It is expected that within • paper in the living room. She month's time, initial dictated policy as to the daily construction on Supermarine's 40 million oil processing facility fnenu. Had all the neighbors will begin. It will straddle the jp-in arim with her complaints Weehawken-Hoboken boundary •gainst their cats and dogs. He line on the site of the Todd was in a dilemma as to just how Shipyard. to solve this problem. His wife Charles Krause, former inderstood but she had been Weehawken mayor and attorney tominatad all her life by her for the oil company said the nother. The mother-irvtow engineering work and plans have somptained so much about the been completed and submitted for approval. prden in the backyard that he Construction will be on the tired a gardener to take care of portion of the shipyard which tie lawn. Never would he believe Supermarine purchased from the t. but this did it. The U. S General Services nother-in-tew being a widow and Administration last March. Part he gardener being a widower, of the area is in Weehawken and hey had a common ground for STELLA MARIS CHURCH in part in Hoboken. -
Apollo Resounding a Virtual Benefit to Support the Apollo on Monday, June 7 at 7:30Pm Et
APOLLO THEATER ANNOUNCES APOLLO RESOUNDING A VIRTUAL BENEFIT TO SUPPORT THE APOLLO ON MONDAY, JUNE 7 AT 7:30PM ET Honoring Felicia and Ben Horowitz with the Impact Award and Derrick ‘D-Nice’ Jones with the Percy E. Sutton Award Apollo to induct Mary J. Blige, award-winning singer/songwriter, actress and producer, to its legendary Apollo Walk of Fame Harlem, NY – May 12, 2021 – The Apollo today announced the non-profit’s annual spring fundraiser will take place virtually on the Apollo Theater’s Digital Stage on Monday, June 7 at 7:30pm ET. This year’s benefit, APOLLO RESOUNDING, will honor Felicia and Ben Horowitz with the inaugural Impact Award, given to individuals whose philanthropic leadership has made an extraordinary impact on the arts and artists and who share the Apollo’s values of innovation, diversity, and inclusion. Multihyphenated producer and DJ Derrick ‘D-Nice’ Jones will receive the Percy E. Sutton Award, recognizing indiviuals who uphold the value of the arts and philanthropy as a crucial part of the fabric of our community. The benefit is chaired by the Apollo Board Chair Charles Phillips and Karen Phillips, Cheryl and Derek Jones, and Carolyn and Mark Mason. APOLLO RESOUNDING will include highlights from the induction ceremony of nine-time Grammy Award-winning and two-time Academy Award nominee Mary J. Blige into the Apollo’s Walk of Fame. Additional details for the outdoor ceremony to be shared at a later date. The evening will also feature tributes to Motown Records Chairwoman and CEO Ethiopia Habtemariam; activist and co-founder of Campaign Zero Brittany Packnett Cunningham; and President and Director-Counsel of the NAACP Legal Defense Fund Sherrilyn Ifill for their dedication to amplifying Black culture and their ongoing work for a more just and equitable future.