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Facts and Figures 2020 ZDF German Television | Facts and Figures 2020
Facts and Figures 2020 ZDF German Television | Facts and Figures 2020 Facts about ZDF ZDF (Zweites Deutsches Fern German channels PHOENIX and sehen) is Germany’s national KiKA, and the European chan public television. It is run as an nels 3sat and ARTE. independent nonprofit corpo ration under the authority of The corporation has a permanent the Länder, the sixteen states staff of 3,600 plus a similar number that constitute the Federal of freelancers. Since March 2012, Republic of Germany. ZDF has been headed by Direc torGeneral Thomas Bellut. He The nationwide channel ZDF was elected by the 60member has been broadcasting since governing body, the ZDF Tele 1st April 1963 and remains one vision Council, which represents of the country’s leading sources the interests of the general pub of information. Today, ZDF lic. Part of its role is to establish also operates the two thematic and monitor programme stand channels ZDFneo and ZDFinfo. ards. Responsibility for corporate In partnership with other pub guide lines and budget control lic media, ZDF jointly operates lies with the 14member ZDF the internetonly offer funk, the Administrative Council. ZDF’s head office in Mainz near Frankfurt on the Main with its studio complex including the digital news studio and facilities for live events. Seite 2 ZDF German Television | Facts and Figures 2020 Facts about ZDF ZDF is based in Mainz, but also ZDF offers fullrange generalist maintains permanent bureaus in programming with a mix of the 16 Länder capitals as well information, education, arts, as special editorial and production entertainment and sports. -
Press Release
PRESS RELEASE Collaboration between AGF and YouTube provides new evidence of the relevance of video in the German media landscape Frankfurt/Hamburg, Mar. 6th, 2019 — For the first time, the AGF Videoforschung (AGF) and YouTube published the results of their cooperation. Their collaboration started more than three years ago. The aim of this cooperation is to map the additional use of video through other platforms within the framework of the AGF convergence standard. The results for the observation period show that — with an average daily viewing time of 267 minutes for persons 18 years and older — the relevance of video in Germany is unbroken! During the study period, traditional linear TV usage averaged 232 minutes per day. Plus 35 minutes of streaming usage, mostly through mobile devices (60%). "It is a remarkable milestone for AGF's video research to have reached the current level together with YouTube. Everyone involved knows that we need to work continuously on this internationally unique project to best reflect the differentiated use of the platform in this dynamically changing technological environment. AGF's goal is to identify YouTube as a reliable, transparent partner in the AGF system, in line with the common market standard", said AGF Managing Director Kerstin Niederauer-Kopf. Dirk Bruns, Head of Video Sales, Google Germany: "We are very proud to be able to present the first results together with AGF Videoforschung and hope that industry representatives from other countries will follow the example of AGF. Google has long been committed to transparent measurement. And the presented data highlights the relevance of the YouTube platform for users, the advertising industry, and our content partners." 1 YouTube as platform in the AGF system Since April 2015, AGF and YouTube have collaborated intensively with the common goal of integrating the YouTube platform into the AGF system. -
FUNK UND TECHNIK Breitbandnetze
FUNK UND TECHNIK Breitbandnetze Sorauer Straße 17 - 25 03149 Forst (Lausitz) Service-Telefon: 03562 959030 Programmliste Forst TV - analog (Stand: 26.07.2013, Änderungen und Irrtümer vorbehalten) Nr. Kanal Frequenz Programm Programmplatz 1 S6 140,25 Super-RTL 2 S7 147,25 3-sat 3 S8 154,25 Juwelo TV 4 S9 161,25 NDR 5 S10 168,25 N-24 6 K5 175,25 ARD 7 K6 182,25 ZDF 8 K7 189,25 rbb Brandenburg 9 K8 196,25 QVC 10 K9 203,25 PRO7 11 K10 210,25 SAT1 12 K11 217,25 RTL 13 K12 224,25 Forst - TV, Kanal 12 14 S11 231,25 KABEL 1 15 S12 238,25 RTL2 16 S13 245,25 arte 17 S14 252,25 VOX 18 S15 259,25 n-tv 19 S16 266,25 EUROSPORT 20 S17 273,25 Sport 1 21 S18 280,25 VIVA 22 S19 287,25 Tele5 23 S20 294,25 BR 24 S21 303,25 Phönix 25 S22 311,25 Comedy Central /Nick 26 S23 319,25 DMAX 27 K21 471,25 MDR 28 K22 479,25 SIXX 29 K23 487,25 Forst - TV, Kanal 12 30 K24 495,25 hr 31 K25 503,25 Bayern Alpha 32 K26 511,25 ASTRO TV 33 K27 519,25 WDR 34 K28 527,25 Bibel TV 35 K29 535,25 Das Vierte 36 K30 543,25 H.S.E.24 37 K31 551,25 Euronews 38 K32 559,25 CNN International 39 K33 567,25 KIKA 40 K34 575,25 sonnenklar TV Seite 1 Programmliste Forst TV - digital (Stand: 26.07.2013, Änderungen vorbehalten) Nr. -
A TEAR in the IRON CURTAIN: the IMPACT of WESTERN TELEVISION on CONSUMPTION BEHAVIOR Leonardo Bursztyn and Davide Cantoni*
A TEAR IN THE IRON CURTAIN: THE IMPACT OF WESTERN TELEVISION ON CONSUMPTION BEHAVIOR Leonardo Bursztyn and Davide Cantoni* Abstract—This paper examines the impact of exposure to foreign media on not only one of the most fundamental economic decisions; the economic behavior of agents in a totalitarian regime. We study private 2 consumption choices focusing on the former East Germany, where differ- it is also a defining feature of the Western way of life. The ential access to Western television was determined by geographic features. destabilizing effects of the desire for higher levels of material Using data collected after the transition to a market economy, we find no consumption have been observed across a variety of totali- evidence of a significant impact of previous exposure to Western television on aggregate consumption levels. However, exposure to Western broadcasts tarian regimes and can, of course, together with the wish for affects the composition of consumption, biasing choices in favor of cate- personal freedom and civil liberties, be seen as one of the gories of goods with a high intensity of prereunification advertisement. The causes of the breakdown of the socialist system.3 effects vanish by 1998. This paper considers how former exposure to foreign television during a communist regime later translated into I. Introduction differences in private consumption. To study this issue, we exploit a natural experiment: the differential access to West N 1980, over 60% of the countries in the world were German television broadcasting in East Germany (the Ger- I ruled by autocratic regimes. As of 2010, this number man Democratic Republic, GDR) during the communist era. -
Entwicklungsbericht 2019 2 Einleitung
Entwicklungsbericht 2019 2 Einleitung 4 Programmentwicklung 5 Zentrale und crossmediale Aktivitäten 9 Programm-Management 11 Programmmarken 14 Fernsehen für das Erste und das Inhalt Dritte Programm und für ARTE 15 Finanzen 17 Personal 20 Technik 22 Unternehmenskommunikation 23 Radio Bremen Media GmbH Entwicklungsbericht 2019 Inhalt 1 23 Einleitung 1948 – vor 70 Jahren also – hat die Bremische Dass unser freier gemeinsamer Rundfunk – bei Bürgerschaft die Grundlage für die Errichtung und aller Kritik im Detail – nach wie vor im Zentrum Aufgaben einer Anstalt des öffentlichen Rechts der Gesellschaft steht, hat zuletzt wieder eine beschlossen: das Radio Bremen-Gesetz. Umfrage des Marktforschungsinstituts GfK MCR Bis heute befähigt und verpflichtet uns im Frühjahr 2018 ergeben. Demnach erreicht die dieses Gesetz, »als Medium und Faktor des ARD mit ihren Angeboten in Fernsehen, Hörfunk Prozesses freier, individueller und öffentlicher und Internet wöchentlich 94 Prozent der Menschen Meinungsbildung zu wirken und dadurch die ab 14 Jahren in Deutschland. Täglich sind es 80 demokratischen, sozialen und kulturellen Prozent. 84 Prozent der Befragten bewerteten Bedürfnisse der Gesellschaft zu erfüllen« (§2 (2) das Angebot mindestens als »gut«. 78 Prozent Radio Bremen-Gesetz). Der Auftrag besteht nach schrieben der ARD eine wichtige Rolle für die wie vor – die Rahmenbedingungen aber haben Allgemeinheit zu. Und der Medienvielfaltsmonitor sich über die Jahrzehnte erheblich verändert: der Landesmedienanstalten kam im November Die Medienlandschaft in Deutschland erlebt 2018 zu dem Ergebnis, dass der Medienverbund einen tiefgreifenden Umbruch, der auch den der ARD die mit Abstand größte Wirkung auf die öffentlichen Rundfunk unter einen starken Meinungsbildung der Deutschen hat (21,8 Prozent) Veränderungsdruck setzt. – vor Bertelsmann (11,3 Prozent), dem ZDF (8,1 Prozent), Springer (7,7 Prozent), ProSiebenSat1 Neben der Frage der Finanzierung werden in (6,4 Prozent) und Burda (3,4 Prozent). -
Fes Tiv Al Guide 2018
popronde popronde popronde 2018 2018 2018 2018 2018 2018 2018 2018 FESTIVAL GUIDE 2018 FESTIVAL popronde popronde popronde VOORWOORD Krakkemikkige geluidssets, kapotte verster- kers, vier shows in een weekend, slaapgebrek en een laatste biertje dat misschien toch niet gedronken had moeten worden… Als je oud-Popronde-deelnemers spreekt hoor je ze vaak over deze onderwerpen spreken. Horror- verhalen. Of, toch niet… Want als het gesprek zich verder doorzet blijkt hoeveel ze hebben geleerd van die gebroken snaren, het busje dat ergens op de weg tussen Groningen en Middelburg besloot ermee op te houden en dat laatste biertje wat misschien beter toch niet gedronken had moeten worden… Tijdens mijn eerste jaar Popronde - inmiddels vijf jaar terug - zat ik in de auto met Tim, toen verantwoordelijk voor de social media, op de terugweg van Popronde Almere. Tim sprak toen de gevleugelde woorden: ‘fuck de TROS, de Popronde is de grootste familie van Ne- derland. In ieder geval de leukste!’ In die vijf jaar ben ik mij steeds meer gaan beseffen dat hij, met misschien een laatste biertje wat mis- schien beter toch niet gedronken had moeten worden op, gelijk had. In die vijf jaar heb ik er 3 Affiche_CHRIS_125x185mm_cmyk_AFAS_POPRONDE.indd 1 31/07/2018 12:01 namelijk een familie bijgekregen, bestaande uit coördinatoren, geluidstechnici en muzikanten. Toegegeven, het is niet de meest doorsnee familie, maar, zoals Jack Kerouac ooit in zijn magnum opus On The Road schreef: ‘The only people for me are the mad ones, the ones who are mad to live, mad to talk, -
Press, Radio and Television in the Federal Republic of Germany
DOCUMENT RESUME ED 353 617 CS 508 041 AUTHOR Hellack, Georg TITLE Press, Radio and Television in the Federal Republic of Germany. Sonderdienst Special Topic SO 11-1992. INSTITUTION Inter Nationes, Bonn (West Germany). PUB DATE 92 NOTE 52p.; Translated by Brangwyn Jones. PUB TYPE Reports Evaluative/Feasibility (142) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Developing Nations; Foreign Countries; Freedom of Speech; *Mass Media; *Mass Media Effects; *Mass Media Role; Media Research; Professional Training; Technological Advancement IDENTIFIERS *Germany; Historical Background; Journalists; Market Analysis; Media Government Relationship; Media Ownership; Third World; *West Germany ABSTRACT Citing statistics that show that its citizens are well catered for by the mass media, this paper answers questions concerning the media landscape in the Federal Republic of Germany. The paper discusses: (1) Structure and framework conditions of the German media (a historical review of the mass media since 1945); (2) Press (including its particular reliance on local news and the creation of the world status media group, Bertelsmann AG);(3) News agencies and public relations work (which insure a "never-ending stream" of information);(4) Radio and Television (with emphasis on the Federal Republic's surprisingly large number of radio stations--public, commercial, and "guest");(5) New communication paths and media (especially communication and broadcasting satellites and cable in wideband-channel networks);(6) The profession of journalist (which still relies on on-the-job training rather than university degrees); and (7) Help for the media in the Third World (professional training in Germany of journalists and technical experts from underdeveloped countries appears to be the most appropriate way to promote Third World media). -
ONLINE QUIZ LEAGUE Questions Set by David Dixon for Use in OQL-USA Friendly Matches ONLY
ONLINE QUIZ LEAGUE Questions set by David Dixon For use in OQL-USA Friendly matches ONLY Correct as at 1/10/2021 Round 1 1a The position of Acting Secretary of Defense in the Trump Patrick Shanahan, Mark Esper, administration has been held by four men since the resignation of Jim Richard Spencer, Christopher Miller Mattis in January 2019. Name two of them 1b The free alternative weekly newspaper in Madison, Wisconsin, is Isthmus named after what geographical term for a thin strip of land between two bodies of water? 2a The Milwaukee Brewers' only World Series was in 1982. Name two of Robin Yount, Paul Molitor, Don the five Brewers in that roster who have been inducted into the Nelson, Rollie Fingers,Ted Baseball Hall of Fame. Simmons 2b What numerically titled adventure novel, published in 1870, is subtitled Twenty Thousand Leagues Under A World Tour Underwater? The Sea 3a The caterpillar of the monarch butterfly is a fussy eater, and only milkweed consumes the leaves of what plant? 3b What genre of electronic music, emerging in the early 2010s with vaporwave musical acts such as Macintosh Plus and Blank Banshee, uses looped, slowed-down samples of 80s EZ-listening music? 4a First and last name please. Who is the only film character whose Vito Corleone (accept Vito Andolini) portrayals won two Academy Awards for Best Actor-- one in a 1972 film, and again in the 1974 sequel? 4b What brand of vodka, packaged in an anatomically-correct bottle, was Crystal Head (NOT Skull) co-founded by actor Dan Aykroyd based on his fascination with certain -
Television and the Cold War in the German Democratic Republic
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages Envisioning Socialism Revised Pages Revised Pages Envisioning Socialism Television and the Cold War in the German Democratic Republic Heather L. Gumbert The University of Michigan Press Ann Arbor Revised Pages Copyright © by Heather L. Gumbert 2014 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (be- yond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2017 2016 2015 2014 5 4 3 2 A CIP catalog record for this book is available from the British Library. ISBN 978– 0- 472– 11919– 6 (cloth : alk. paper) ISBN 978– 0- 472– 12002– 4 (e- book) Revised Pages For my parents Revised Pages Revised Pages Contents Acknowledgments ix Abbreviations xi Introduction 1 1 Cold War Signals: Television Technology in the GDR 14 2 Inventing Television Programming in the GDR 36 3 The Revolution Wasn’t Televised: Political Discipline Confronts Live Television in 1956 60 4 Mediating the Berlin Wall: Television in August 1961 81 5 Coercion and Consent in Television Broadcasting: The Consequences of August 1961 105 6 Reaching Consensus on Television 135 Conclusion 158 Notes 165 Bibliography 217 Index 231 Revised Pages Revised Pages Acknowledgments This work is the product of more years than I would like to admit. -
Rising Hyperpop Star Elyotto Releases “Sugarcrash!” Feat
RISING HYPERPOP STAR ELYOTTO RELEASES “SUGARCRASH!” FEAT. KIM PETRAS AND CURTIS WATERS (Los Angeles, CA – April 23rd, 2021) - Rising Hyperpop star ElyOtto releases a new version of his hit song “SugarCrash!” featuring pop sensation Kim Petras and on-the-rise artist/producer Curtis Waters via RCA Records. Listen HERE. ElyOtto says, “I never thought my own song could sound this good. Kim and Curtis added so much energy to it, it gives me goosebumps every time I listen.” Kim Petras says, “I heard “SugarCrash!” and, like anyone who’s ever been on TikTok, had it on repeat for a while. When ElyOtto reached out I immediately said yes, wrote the verse, and sent it in. And ElyOtto loved it. I love ElyOtto as an artist and feel really proud to be a part of this.” Elliott Platt, the 17-year-old singer, songwriter and producer from Calgary, Canada known as ElyOtto, has taken the internet by storm with his insanely catchy earworm of a song “SugarCrash!” which has reached #11 on the TikTok Viral Charts and has garnered over 8M creations. The hyperpop bop has bounced off the platform and is a streaming juggernaut with 100M streams on Spotify to date, peaked at #43 on the Spotify U.S. chart and reached No. 1 on Spotify’s U.S. Viral 50 playlist in February. ElyOtto, who has been called “the New Face of Hyperpop” by SPIN Magazine, is looking forward to releasing new music under his newly inked deal with RCA Records. Photo Credit: Sami Drasin About Kim Petras: Fast-rising international pop sensation Kim Petras has become one of music’s most buzzed-about artists. -
Download This Issue (PDF)
On behalf of the working people of Erie, IUPAT District Council 57 endorses: JOE BIDEN JOSH SHAPIRO KRISTY GNIBUS For President For Attorney General For Congress THESE CANDIDATES SHARE WORKING PEOPLE’S VALUES: FOR WORKERS’ FOR AFFORDABLE FOR FUNDING RIGHTS HEALTHCARE PUBLIC EDUCATION President Trump has • BROKEN HIS PROMISE ON INFRASTRUCTURE • PLANNED TO DEFUND HEALTHCARE • TAKEN THE CONSTITUTIONAL RIGHT OF COLLECTIVE BARGAINING AWAY FROM WORKERS • GIVEN TAX BREAKS TO LARGE CORPORATIONS DURING A PANDEMIC, WHILE OUR MOM AND POP SHOPS CONTINUE TO SUFFER Your livelihood for the next 4 years is on the line. Vote for candidates who will choose helping your family over fattening their wallets. WE CAN BE THE CHANGE Paid for by the IUPAT Political Action Together Political Committee, Hanover, MD CONTENTS From the Editors The only local voice for news, arts, and culture. OCTOBER 21, 2020 On keeping our heads on On behalf of the working people of Erie, Editors-in-Chief y most accounts, Erie-born magician Brian Graham & Adam Welsh Harry Kellar had an exceptionally good Managing Editor IUPAT District Council 57 endorses: Nick Warren What We’re Voting For – 5 Bhead on his shoulders. Throughout his standard-setting career, he demonstrated sav- Copy Editor Erie County and the soul of America Matt Swanseger vy, dignity, and class, while never forgetting where he came from. But despite his fami- Contributing Editors Still Making an Impression – 6 Ben Speggen ly-friendly reputation, he wasn’t above a lit- Jim Wertz Dafmark Dance Theater celebrates 30 years in tle shock value. For instance, detaching that Contributors Erie distinguished dome of his in front of a paying Liz Allen crowd of men, women, and children of all ages. -
In-Fusiones De Jazz Introducción Julián1 Ruesga Bono
Librojazz 19/1/11 12:42 Página 3 Julián Ruesga Bono (edición) - Norberto Cambiasso - Luís Clemente Luc Delannoy - Chema García Martinez Santiago Tadeo - Daniel Varela arte-facto colectivo, cultura, contemporánea Librojazz 19/1/11 12:42 Página 4 Edita: arte/facto, Colectivo Cultura Contemporánea Colabora: ICAS, Instituto de la Cultura y las Artes de Sevilla. [email protected] www.parabolica.net Coordinación editorial: Julián Ruesga Bono y Mac de Paz Diseño y Maquetación: Krates Impreso en los talleres de Gráficas Tebas, Sevilla. © de los textos los autores Depósito legal: SE 7820-2010 ISBN: 978-84-614-5668-0 Librojazz 19/1/11 12:42 Página 7 0Prologo Cuando comenzábamos a trabajar en este proyecto conocimos el libro de David Morley, “Medios, modernidad y tecnología” (Gedisa 2008). En uno de los capítulos, Morley, refiere una anécdota que presenta como una historia apócrifa. En África occidental, en los años ‘60, alguien preguntó a un antropólogo, cómo se podía distinguir entre las tradiciones “vivas” de las danzas tribales y las que habían sido reinventadas instrumental- mente por el Estado local como atracciones turísticas. El antropólogo res- pondió que era relativamente fácil distinguir entre los dos fenómenos, pues todo dependía de si los trajes para las danzas llevaban cremalleras modernas o “tradicionales”, hechas con lazos de cuero y dientes de ani- males. En su opinión, dada su mayor comodidad, sólo los trajes que lle- vaban cremalleras modernas podían entenderse como parte de una tradi- ción viva, mientras que el uso fetichista de las cremalleras supuestamen- te “tradicionales” (pero menos prácticas) hechas de cuero y dientes era claramente una indicación de falta de “autenticidad”.