DOCSLIB.ORG

10Anniversary

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
10Anniversary PHILADELPHIA P • R • O • J • E • C • T I N P R O G R E S S Volume 10:2-3 Summer/Fall 1997 ISSN 1075-0029 Roshni Bhakta Special 10th shows mehandi Anniversary work done by Issue Rashmi Jhaveri, Photo courtesy R. Jhaveri V V V V ANNIVERSARY Where INSI DE were From the editor, p. 2 you in Ten years at the PFP, p. 3 Painted ladies: mehandi, p. 10 January Chia Kue’s carved fruits, p.14 1987? Ione Nash, dancer, p. 16 African dance party fieldwork, p. 18 The Still family reunion and the Underground Railroad, p. 20 A labor organizer in Honduras, p. 24 Information about PFP publications, events, and exhibitions, p. 28 10 V V V V FROM THE EDITOR If you are just meeting us, or if you’ve gotten to know PFP from one of our projects, we hope you will enjoy the abbreviated “growth chart” we include in this special birthday issue. While we can’t V V V V possibly condense 10 years into a few pages, we thought people might enjoy getting glimpses of places we’ve been, people we’ve worked with and things we’ve done. Other articles in this issue Over time, we’ve devel- reflect the work of the past six months. They provide a window on some of what we’ve accom- oped three kinds of plished in this, our 10th year. We’re growing up and out. Our new traveling exhibitions program responses to local placed photos of local folk arts and culture in 26 sites across the region—from the Kensington needs: public Joint Action Council to the Down Jersey Folklife Center, from the Walt Whitman Cultural Arts programs to make Center to the Black Family Reunion Cultural Center. This past year, we also produced our first documentary videotape, “Plenty of Good Women Dancers: African American Women Hoofers local folk artists from Philadelphia”— and showed it at 14 community screenings to wonderful and moving better known and response. We offered nine workshops and gatherings, teaching folk arts, bringing people togeth- understood, services to er, and helping artists and community organizations to sustain and fund the folk arts in their own artists and grassroots communities. Over the course of this past year, more than 12,700 people came to a PFP program, saw an exhibit, learned to tap dance, or joined with others who believe that the quality of life of folk cultural agencies our neighborhoods is improved by a vital folk culture. Our publications, including our brand new to help support local children’s book, “In My Heart I am a Dancer,” reached at least another 5,300 people. And thanks culture in our commu- to the continuing generosity of the Lila Wallace-Reader’s Digest Fund, we grew as a staff, complet- nities (a key compo- ed a strategic plan, improved our ways of working, asked a lot of questions, learned. It has been a wonderful year. We like being 10! nent to quality of life!) The artists in this issue were all involved in this year’s programs. We introduce you to Chia Kue and resources—books, and Rashmi Jhaveri, gifted women who were featured guests at the folk artists’ marketplace at videos, magazines and this past year’s Folk Art Auction. Both Chia Kue and Ione Nash are artists who have participated an archive with more successfully in our technical assistance programs. Fieldwork for forthcoming programs also kept than 45,000 items—to us busy all year, and PFP staff members write about their research and what will come of it in these pages. Stacey Ford describes work that will result in a fabulous social dance party this fall. preserve a record of (Please plan to come!) Teresa Jaynes shares excerpts from a gripping interview done for our Folk the folklife of our city, Arts of Social Change project and for the same project, former PFP staff folklorist Bill Westerman past and present. Some profiles the Still family’s long connection to the Underground Railroad, and ways in which that highlights of those dif- history connects to present traditions and values. Fieldwork with activists is inspiring. In the worst ferent programs are of times, people have managed to hold on to a vision of equity and justice, and to develop pow- erful strategies for working towards that vision. We are 10, but we are only 10, and we are well included here. aware that we are just beginning to learn our job, beginning to ask harder and better questions of all of our teachers: the artists and activists and locally rooted thinkers and chroniclers and histori- ans. We are privileged to start a second decade in such company, and we hope that you are among them. If you are not yet a member, I invite you to join. In these hard times, we need your support more than ever. Our ability to do good work depends on turning occasional magazine readers into participants and supporters. Come to a PFP event this year. Meet the people described in these pages. Help us start our next decade by investing in the arts in our own city neighborhoods. —Debora Kodish HAPPY 2 10 BIRTHDAY! 10 YEARS: Birthday Growth Chart Despite the often-touted years, and those whom life of family businesses, and on folk cultural organizations and on show. Our annual grants workshop Italian folk arts. diversity of the city’s we’ve yet to meet— we doing oral history, and our technical led to technical assistance for assistance resulted in support for apprenticeships and projects involv- Where neighborhoods, we saw offer this growth chart. apprenticeships and projects involv- ing Chamroeun Yin, a Khmer classical incredible neglect of 1989/90 ing Hal Taylor, who carved European- dancer wno had just moved to town, were folk arts (which we also This was the year we were gearing style marionettes, and Blanche Epps, Mom Sak, a Khmer beadworker, and saw as powerful, often 1987/88 up for: the 100th anniversary of the a traditional gardener, and for a Lati- the Cambodian Association of Greater The 100th anniversary of the challenging, alternative American Folklore Society. A thou- no festival organized by Iris Pagan at Philadelphia. American Folklore Society, a sand folklorists from all around the Thomas Eakins House. you in points of views rooted in national organization, was world came to the city in October, approaching, and we wanted to people’s experiences.) and joined the Philadelphians who 1991/92 know more about the place of folk- We saw some work that lore in our city. We opened an turned out for Philadelphia Folk- 1990/91 Intensive fieldwork went into a pho- January lore Month. For a citywide celebra- On the eve of Lithuanian Indepen- tographic exhibition using both needed to be done, and office at the Fleisher Art we created an organiza- Memorial, began field research tion of folklife, we organized 121 dance, our new community con- family pictures and images by into Philadelphia folk cultures, cert series presented the Lithuanian Khmer and American photogra- 1987? tion—with your help— published the first issue of Works Folk Song Quartet in a moving phers. “Bamboo Shoots Grow to do it. As a birthday in Progress, and established our (SRO) concert that was their first Up to Be Bamboo: Cambodian card to all of you—those archive on Philadelphia folklife. As performance outside the Lithuanian Folk Arts in Philadelphia” whom we’ve gotten to we met people and groups who community. Our second concert opened at the Fleisher Art Memorial We were moving into a were trying to preserve and sup- V V V V know over the last ten event featured tap dancers LaVaughn and traveled to United Communities small back room at the port local folk arts and culture, we Robinson and Germaine Ingram in of Southeast Philadelphia. Also at were able to offer them technical an intimate performance and dis- Fleisher, Cambodian master musi- Photos this page, Samuel S. Fleisher Art assistance in carrying out their Memorial. Shortly after plans. Our own research was cussion. We curated two exhibi- cian Koung Peang and his phleng kar l-r: Cambodian that, we could be found focused on understanding how tions as part of the “Art in City Hall” ensemble performed “kat sao,” a wedding, 1990. the city’s many organizations program. “Passing on Traditions: Photo: Thomas B. V V V V in many corners of the supported folk arts, on the folk- Sixteen Master Folk Artists,” co- Morton. Koung city, talking to folk curated with the Folklife Center of Peang playing a Photos this page, artists and to other peo- International House, examined the tror, c. 1990. clockwise from top ple and groups working history of state support of Photo: Thomas B. left: Alpha Kappa to keep culture alive and events offered by 70 organizations. master/apprentice partnerships. Morton. Terrence Alphas stepping at The PFP and Fleisher created a major “Preserving Traditions,” a PFP Cameron and the Greek Picnic, vital in our neighbor- exhibition on the arts of our own exhibition, introduced a wide range one of his steel 1988. Photo: hoods. We met hundreds neighborhood— “Uses of Tradi- of local folk arts, past and present. drums. Jerrilyn of amazing and little- tion: Arts of Italian Americans in Brief catalogs accompanied each Photo: Thomas McGregory. known artists whose Philadelphia.” We supplemented B. Morton Blanche Epps works were significant the exhibition with palm-weaving teaches gardening, workshops, a book, and walking 1990. Photo: Jan and whose voices and tours featuring dressed windows Greenberg. Pegg points of view we came and Italian craftsmen’s work.
Load more

Recommended publications
  • New Greeks on The
    ~ ®. ~ WIDENER UNIVERSITY, CHESTER, PENNSYLVANIA 23 FRIDAY, APRIL 24,1992 . BandS 0 Games & Prizes ,.~ ~'!. ~~ i~m",,,ggii1bgmg"i""'~!'" ........ :,~·5pm t--V y". ment, all activities will be moved Spring into the Schwartz Center Carnival 1992 Fieldhouse. Student Guidelines Outdoor Movie/Fireworks Guidelines (8:30-11:00 p.m.) On Saturday, April 25, the Stu­ dent Activities Committee will • During the movie and fireworks sponsor a Spring Carnival. The dIsplay, all participants are to re­ event will be held behind Wolfgram main in the stadium bleachers. Library and Academic Center North Under no circumstance is anyone from 3:00 - 6:00 p.m. Dinner will be permitted on the field at this served that evening picnic style time. Those who choose not to from 4:30 - 5:30 p.m. at the Carnival. comply with this guideline will be In the event of rain, dinner will be removed from the event. served in the Dining Center "IYf • Students are permitted to bring 4:30-5:30 p.m. A canned beverages for individual Later that evening at 8:30 p.m., JII f: 1/1" consumption to the event. The the movie Terminator 2 will be ~ University reminds all students shown outdoors on the football field " of the Commonwealth of Penn­ followed by a fireworks display. sylvania regulations limiting con­ Please note below that different sumption to those persons who guidelines will apply to both pro­ are at least 21 years of age. grams and must be strictly adhered '!C"-;c:::.;._"~ . - _.~ -:-,, ·~ . f:;' ~ . to in order to provide a safe and en­ __~ - - Flreworks '- O~ • At the conclusion of the event, joyable event for all.
    [Show full text]
  • "Fifty Shades of Black": the Black Racial Identity Development Of
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 4-15-2018 "Fifty Shades of Black": The lB ack Racial Identity Development of Black Members of White Greek Letter Organizations in the South Danielle Ford Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Educational Leadership Commons, Higher Education Commons, and the Higher Education Administration Commons Recommended Citation Ford, Danielle, ""Fifty Shades of Black": The lB ack Racial Identity Development of Black Members of White Greek Letter Organizations in the South" (2018). LSU Master's Theses. 4697. https://digitalcommons.lsu.edu/gradschool_theses/4697 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. “FIFTY SHADES OF BLACK”: THE BLACK RACIAL IDENTITY DEVELOPMENT OF BLACK MEMBERS OF WHITE GREEK LETTER ORGANIZATIONS IN THE SOUTH A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Education by Danielle Ford B.S. Louisiana State University, 2012 May 2018 Don’t Quit When things go wrong as they sometimes will, When the road you're trudging seems all up hill, When the funds are low and the debts are high And you want to smile, but you have to sigh, When care is pressing you down a bit, Rest if you must, but don't you quit.
    [Show full text]
  • African Diaspora Movement Arts in Philadelphia: a Beginning Resource List
    DOCUMENT RESUME ED 403 193 SO 026 530 AUTHOR Brown-Danquah, Benita Binta TITLE African Diaspora Movement Arts in Philadelphia: A Beginning Resource List. Philadelphia Folklore Project Working Papers #10. INSTITUTION Philadelphia Folklore Project, PA. REPORT NO ISSN-1075-0010 PUB DATE 94 NOTE 41p.; Funding also received from the Pennsylvania Arts Council. AVAILABLE FROM Philadelphia Folklore Project, 719 Catharine St., Philadelphia, PA 19147 (Stapled photocopy: $5). PUB TYPE Reference Materials Directories/Catalogs (132) Reports Descriptive (141) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Adult Programs; Art Education; *Black Culture; *Blacks; Community Influence; Cultural Activities; *Cultural Context; *Dance; Ethnic Groups; Ethnography; Material Culture; Music; Nonformal Education; Resource Materials IDENTIFIERS Africa; African Americans ABSTRACT This guide provides history, format, contact names, addresses, and phone numbers of some African dance and African American marching units in Philadelphia (Pennsylvania). The working papers are divided into two categories. "Part One: Movements of African Dance in Philadelphia" begins with a sensitive, detailed explanation of the contextual meaning and authentication of local African dance tradition. "Part Two: African American Marching Units in Philadelphia" is introduced with a brief historical background of this vernacular African-derived dance form. Some emphasis is placed on its evolvement, in part, through the community's need to do something for the children, facilitate a viable apparatus
    [Show full text]
  • On and Off the Stage at Atlanta Greek Picnic: Performances Of
    Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 3-20-2015 On and Off the tS age at Atlanta Greek Picnic: Performances of Collective Black Middle-Class Identities and the Politics of Belonging Synatra A. Smith Florida International University, [email protected] DOI: 10.25148/etd.FI15032125 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Social and Cultural Anthropology Commons Recommended Citation Smith, Synatra A., "On and Off the tS age at Atlanta Greek Picnic: Performances of Collective Black Middle-Class Identities and the Politics of Belonging" (2015). FIU Electronic Theses and Dissertations. 1906. https://digitalcommons.fiu.edu/etd/1906 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida ON AND OFF THE STAGE AT ATLANTA GREEK PICNIC: PERFORMANCES OF COLLECTIVE BLACK MIDDLE-CLASS IDENTITIES AND THE POLITICS OF BELONGING A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in GLOBAL AND SOCIOCULTURAL STUDIES by Synatra A. Smith 2015 To: Dean Michael R. Heithaus College of Arts and Sciences This dissertation, written by Synatra A. Smith, and entitled On and Off the Stage at Atlanta Greek Picnic: Performances of Collective Black Middle-Class Identities and the Politics of Belonging, having been approved in respect to style and intellectual content, is referred to you for judgment.
    [Show full text]
  • On and Off the Stage at Atlanta Greek Picnic: Performances of Collective
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@Florida International University Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 3-20-2015 On and Off the tS age at Atlanta Greek Picnic: Performances of Collective Black Middle-Class Identities and the Politics of Belonging Synatra A. Smith Florida International University, [email protected] Follow this and additional works at: http://digitalcommons.fiu.edu/etd Part of the Social and Cultural Anthropology Commons Recommended Citation Smith, Synatra A., "On and Off the tS age at Atlanta Greek Picnic: Performances of Collective Black Middle-Class Identities and the Politics of Belonging" (2015). FIU Electronic Theses and Dissertations. Paper 1906. http://digitalcommons.fiu.edu/etd/1906 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida ON AND OFF THE STAGE AT ATLANTA GREEK PICNIC: PERFORMANCES OF COLLECTIVE BLACK MIDDLE-CLASS IDENTITIES AND THE POLITICS OF BELONGING A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in GLOBAL AND SOCIOCULTURAL STUDIES by Synatra A. Smith 2015 To: Dean Michael R. Heithaus College of Arts and Sciences This dissertation, written by Synatra A. Smith, and entitled On and Off the Stage at Atlanta Greek Picnic: Performances of Collective Black Middle-Class Identities and the Politics of Belonging, having been approved in respect to style and intellectual content, is referred to you for judgment.
    [Show full text]
  • Lost Pi Phis! the Current Address of Any Lost Pi Phi Should Be Sent to Mis
    gzJeae8dM ... Apology Extended Pi Phis have a right to believe as each wishes as you have stated, I know the rigors and time limitations of putting together a frater­ and I hate for it to appear that those for ERA are in the majority nity magazine, but I could not let your articles on the new Pennsyl­ when I feel the opposite may be true. The status quo tend to be the vania Zeta chapter go without some comment. more docile vote and the ones least apt to voice opinions. Washington and Jefferson College is the founding home of two Nancy Fawn Diehl fraternities, not just Phi Gamma Delta as inferred by your recent Tennessee Beta chartering articles in the Spring, 1980 copy of The ARRow. Phi Kappa Nashville, Tenn. Psi was also founded at W & J, in 1852 . .. Nevertheless, W & J is the better for having Pi Phi on the campus, Although I usually support the old adage, "He who stands for and I admit that perhaps I am a bit prejudiced, since my wife was nothing will fall for anything," in this case I congratulate our Frater­ initiated into your Indiana Epsilon chapter. nity for not taking a stand on ERA. After much prayer and research, I Phi Kappa Psi sends heartiest congratulations to your Pennsylvania decided that I could not in good conscience support the ERA. Thank Zeta chapter and may our two chapters forever build upon the Greek you for not bowing to the pressure of the ERA proponents who have system at W & J. taken it upon themselves to speak for us all.
    [Show full text]
  • Freaknik and the Civil Rights Legacy of Atlanta by Peter William Stockus
    Rethinking African American Protest: Freaknik and the Civil Rights Legacy of Atlanta by Peter William Stockus A thesis submitted to the Graduate Faculty of Auburn University in partial fulfillment of the requirements for the Degree of Master of Arts Auburn, Alabama December 8, 2012 Keywords: Atlanta, Georgia, Civil Rights, Hip-Hop, Protest, Social Copyright 2012 by Peter William Stockus Approved by David Carter, Chair, Associate Professor of History Aaron Shapiro, Assistant Professor of History Charles Israel, Associate Professor of History Abstract During the late 1980s and early 90s, Atlanta played host to the spring break festival Freaknik. A gathering of Historically Black College and University students and African American youth, Freaknik came to challenge the racial dynamics of a city that billed itself as “too busy to hate.” As black revelers cruised the streets, the congregation of up to 250,000 youth created major logistical problems for the city and forced the residents of the predominantly white neighborhoods of Piedmont Park and Midtown to examine the racial dynamics of Atlanta. These contested neighborhoods became hotbeds of protest, with many white residents viewing the actions of the fete participants as damaging to the neighborhoods. While many within Atlanta’s white community opposed the party, leaders of the black community condemned the actions of African American Mayor Bill Campbell and the white populace for restricting Freaknik, suggesting the actions of Freaknik opponents as racist and unnecessary. Utilizing Atlanta’s Civil Rights legacy, Freaknik participants not only confronted contested spaces of community within Atlanta, but also disputed the ownership of the Civil Rights movement.
    [Show full text]
  • ALPHA KAPPA ALPHA SORORITY, INC. Mu Kappa Omega Chapter Chapter Meeting Agenda March 25, 2017 Crowne Plaza River Oaks 2712 Southwest Freeway, Houston, TX 77098
    ALPHA KAPPA ALPHA SORORITY, INC. Mu Kappa Omega Chapter Chapter Meeting Agenda March 25, 2017 Crowne Plaza River Oaks 2712 Southwest Freeway, Houston, TX 77098 MU KAPPA OMEGA’S MISSION: The members of Mu Kappa Omega Chapter of Alpha Kappa Alpha Sorority, Inc. shall cultivate high scholastic achievement; ethical standards and personal development while supporting family unity and implementing effective programs that positively impact the communities we serve. MEETING PURPOSE: To facilitate the business and operations of Mu Kappa Omega Chapter in accordance with the international guidelines of Alpha Kappa Alpha Sorority, Inc. Call to Order Soror J. Watson (2 min) Meditation Soror A. Gibson (3 min) Member at Large Moment Sorors J. Caviel, M. Nunn, S. Robinson (3 min) Minutes Soror T. Sims (2 min) Correspondence Soror S. Ivey (2 min) Welcoming of Sorors Soror D. Brown (2 min) March Birthdays Sorors C. Lugo, T. Beal, C. King, R. Manning (7 min) Nurturing Our Ivy Presentation Sorors S. Price, R. Johnson, M. May (5 min) ---------Sisterly Moments and Networking (5 min)--------- HYMN AND PLEDGE (5 min) -------------------Finance Table Closed------------------------- REPORTS Executive Committee Soror A. Odom (5 min) Tamiouchos Report Soror M. Akompi (3 min) MKO COMMITTEE REPORTS ACTION ITEMS Program Soror J. Hill (5 min) Membership Soror A. Phillips (20 min) Awards Soror T. Anderson (3 min) Publicity Committee Soror M. Green (2 min) Target 1: Think HBCUSM (Wrap-up Report) Sorors R. Robinson, T. Marsalis (3 min) Target 4: Environmental Ownership Soror E. Mosley (3 min) Target 5: Black History (Wrap-up Report) Soror L. Allen (3 min) Scholarship Committee Soror T.
    [Show full text]
  • Rita's Song Ts Her Legacy of Love for Sigma
    Gamma Zeta cheer leaders and Porn Pon girls at Northern Illinois. Three Fraternity Sweethearll a Lenoir Rhyne-Bonnie Shearer l:cf>E pledges, Kay Snead-TKE and Diane Cobb-eZ. Debbie Kimberlin, ~X, is assistant editor of the annual Bronze Book at Central Oklahoma and an officer of l:Tr Auxiliary. Gamma Gammas organize and rehearse for the Greek Sing at Indiana State. OLUME 65 UMBER 4 WINTER 1971 Sigma Yappa :J,.iang/e Official Magazine of Sigma Kappa Sorority Founded at Colby CoiJege, November, 1874 FRANCBS W ARRBN BAKER, Editor NATIONAL COUNCIL 2 Jane Miller, 6. Y Collegiate Convention Chairman aJiolfal Prnidn11-Mrs. Gordon Shows Suitable Clothes to Bring to Kans as City ' Duncan, 6416 Garland, Fort Worth, "ex. 76116 3 Welcome! Something for Everyo ne at Kansas City Convention !st Vice Pre.rident-Mrs. Armand 6 Helen Farrar Dismukes )aquette, RR 5, Western Heights, onticell o, Ind. 47960 7 Betty Ross ?aquette 9 Dean Donnelly leaves a GREAT Record ?ruJ Via President-Mn W . P. addon, 698 Parsippany hlvd., 11 BE's lodge-A Dream Come True 3oonton, N.J. 07005 12 Name Marjean Packard Club Woman of the Year m ational Director of Membcrship­ Fort lauderdale rs. Ritter Collett, 1821 Pinecrest 13 Virgie Cone is First Woman Principal of a Jacksonville, r., Dayton, Ohio 45414 Fl a. High School '!Jational Dirutor of Extension­ 14 Chinese l anguage Almost Seems Simple as She Pictures Mrs. Leslie Collins, 8400 S.E. 61st, fi . ercer Island, Wash. 98040 15 Mission Centennial Natrona/ Sec7etary- T•ea.rurer- M rs 16 Hot Pants- W ater Beds-Midis- She Writes about E.
    [Show full text]
  • St. George's Church Makes a Deal, But
    COMING MAY 28 : THE 100 BEST GREEk Bringing the news RESTAuRANTS ISSuE: FROm to generations of FAVORITE TAVERNAS TO The National Herald Greek Americans HAuTE HELLENIC CuISINE c v A wEEkLy GREEk AmERICAN PuBLICATION www.thenationalherald.com VOL. 14, ISSUE 710 May 21-27, 2011 $1.50 Coming St. George’s Church Makes a Deal, But Methodios Reneges for Greek A Compromise Falls Apart at The Last Workers: Moment After Being Revealed in Detail By Theodore Kalmoukos was reportedly also agreed that TNH Staff Writer the compromise figure would be The Sack? paid for three years and that BOSTON – After weeks of wran - Methodios would lift sanctions gling with Metropolitan Metho - against the church and its pre - Thousands of Civil dios and his demands for a siding priest, Father George $20,000 annual increase in its Tsoukalas, who had been barred Servants Could be assessment, St. George’s Church from performing baptisms and of Lynn, Mass. agreed to pay marriages. He also would be al - Booted By Reforms $10,000 if he would withdraw lowed to be back in communion his sanctions, but the Metropoli - with his fellow priests. ATHENS – Already suffering big tan withdrew his approval at the Methodios had asked the pay cuts, tax hikes and reduced last minute, reportedly because priests of the 63 churches in New pension benefits, Greek public news of the compromise was re - England under his jurisdiction to workers are now facing the end vealed on The National Herald’s sign a letter supporting him in of the long-accepted practice of website.
    [Show full text]
  • THE KEY VOL 97 NO 4 WINTER 1980.Pdf
    I just received my Key and enjoyed reading it as I On October 6. t942. 776 women assembled at Smith College Letters to the Editor: Nonhampton. Mass .. to begin training in an as tonishing new r always do. I was especially interested in the article gram - women orricers in the Navy. the former members or I Dear Diane, on " Choices" about the career programs of mem­ p1oneer midshipman class might look back at thei r lives and see h The article in The Key. Fall, 1979, " Anorexia being a naval orriccr changed their lives. Nervosa" by Hilde Bruch, M.D. ha been a turning bers of Kappa. Two members of that group. LL. Dean Frazier Johnson and However, I have wondered if there ha ever been (J .g.) Carol McConell Wells. arc focusing anention on their fu1 point in our daughter's life. I read it quite casually any kind of survey done on how many Kappas are classmates . Dr. Johnson is a sociologist and Mrs. Wells is at the time, last fall, but several key symptoms archivisL. They hope 10 obtain the addrcs e of as many membc ~ in aviation? I got my license in 1976 and have found the first midshipman class as JX)Ssible. and from these addrc se remained with me . Our daughter, it turned out, had two other Kappas here with thei rs. It would be schedu le interviews or obtain replies to questionnaires. All infom these same symptom and with the invaluable help tion will be kept confidential and the anonymity of participants"' interesting to see how many of the sisters are in this 1 ofNAAS (The National Anorexia Aid Society Inc.) be preserved .
    [Show full text]
  • OUT of the NIGHT THAT COVERS ME: HOW MEMBERSHIP in a BLACK GREEK LETTER ORGANIZATION SHAPES the BLACK STUDENT EXPERIENCE by KE
    OUT OF THE NIGHT THAT COVERS ME: HOW MEMBERSHIP IN A BLACK GREEK LETTER ORGANIZATION SHAPES THE BLACK STUDENT EXPERIENCE by KELBY J. LAMAR KARRI HOLLEY, COMMITTEE CHAIR CLAIRE MAJOR NATHANIEL BRAY STEVE D. MOBLEY JR. LITSA RIVERS A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Education in the Department of Educational Leadership, Policy, and Technology Studies in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2021 Copyright Kelby J. Lamar 2021 ALL RIGHTS RESERVED ABSTRACT The purpose of this study was to examine how membership in a historically Black Greek letter organization (BGLO) shapes the Black student experience at a predominantly White commuter institution. Students who identify as Black Americans with a membership in a BGLO for at least one year and were full-time undergraduate students at such institutions were the participants for this study. The study included 13 participants who were chosen using snowball sampling. Data were collected using semi-structured interviews and a digital recording device. Data were analyzed using three-cycle coding and NVivo software to identify specific codes and themes in the data. Data collected showed that participants experienced a sense of belonging and connection to campus through membership in their BGLO. This study highlighted the need for more scholarship to differentiate between the BGLO experience and the traditionally White GLO experience at predominantly White institutions. ii DEDICATION This dissertation is dedicated first and foremost to my parents, Herman and Veronica Lamar. They have always believed in me and encouraged and supported my dreams since I was a child.
    [Show full text]