When Doves Cry

I', CONTENTS

SONG TITLE MOVIEW PAGE

THE ACCIDENTAL TOURIST. THEME FROM .. .THE ACCIDENTAL TOURIST (1988) ...... 89 ARTHUR'S THEME (BEST THAT YOU COULD DO) ...... ARTHUR (1981) ...... 15 THE BATMAN THEME ...... BATMAN (1989) ...... 93 BEAUTIFUI . MAMA OF MY SOUL ...... THE MAMBO KINGS (1992) ...... 153 CHARIOTS OF FIRE ...... CHARIOTS OF FIRE (1981) ...... 20 CLAUDIA'S THEME ...... UNFORGNEN (1992) ...... 149 CONTACT (MAIN TITLE) ...... CONTACT (1997) ...... 248 CRAZY FOR YOU ...... VISION QUEST (1985) ...... 61 DOE EYES (LOVE THEME FROM "THE BRIDGES OF MADISON COUNTY") ....THE BRIDGES OF MAL)ISON COUNTY (1995) ...... 207 DRMNG MISS DAISY ...... DRZWNG MISS DAISY (1989) ...... 99 EXSULTATE JUST1 ...... EMPIRE OF THE SUN (1987) ...... 76 FACE TO FACE ...... BATMAN RETURNS (1992) ...... 131 FREE TO GO ...... U. S. MARSHALS (1998) ...... 263 FREE WILLY (MAIN TITLE THEME) ...... FREE WILLY (1993) ...... 169 THE FUGITIVE (MAIN TITLE) ...... THE FUGITNE (1993) ...... 177 GIZMO (THEME FROM "GREMLINS") ...... GREMLINS (1984) ...... 42 GOTHAM CITY ...... BATMAN AND ROBIN (1997) ...... 242 HOW DO YOU KEEP THE MUSIC PLAYING? .. .BEST FRIENDS (1982) ...... 23 I BELIEVE I CAN FLY ...... SPACE JAM (1996) ...... 232 I CROSS MY HEART ...... PURE COUNTRY (1992) ...... 160 (EVERYTHING I DO) I DO IT FOR YOU ...... ROBIN HOOD: PRINCE OF THIEVES (1991) ...... 120 I WILL ALWAYS LOVE YOU ...... THE BODYGUARD (1992) ...... 137 I'LL REMEMBER ...... WITH HONORS (1994) ...... 189 I'M ALRIGHT ...... CXDDYSHACK (1980) ...... 7 IT'S PROBABLY ME ...... LETHAL WEAPON3 (1992) ...... 141 JFK, THEME FROM ...... JFK (1991) ...... 116 JUST CAUSE (MAIN TITLE) ...... lJUS T CAUSE (1995) ...... 204

ARTHUR (1981) ARTHUR'S THEME (Best That You Can Do) Words and Music by BURT BACHARACH, CAROLE BAYER SAGER, Moderately CHRISTOPHER CROSS and PETER ALLEN Dm7 C

Once in your life, you'll find- Ar - thur, he does what he

Arthur's Theme - 4 - I O 1981 WB MUSIC CORP., NEW HIDDEN VALLEY MUSIC, BEGONIA MELODIES. INC. UNICHAPPELL MUSIC INC., BMG SONGS, INC., WOOLNOUGH MUSIC, INC. and IRVING MUSIC, INC. All Rights Administered by WB MUSIC CORP. & WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved her, some-one who turns- your heart a - round, and pleas - es. All of his life,- his mas - ter's toys, and

next thing you know, you're clos - in' down the town. deep in his heart, he's just, he's just a boy.

Wake up and she's- still with - you, Liv - in' his life - one day at a time, he's

e - ven though you left her way, a-cross town. You're won - der - in' to your - show - ing him - self a real - lygood time. He's laugh - in' a - bout the self. hey, what - 've I found? way they want him to be. I

( When you get caught be-tween the moon and New York Cit - y,

I 1 I know it's cra - zy, but it's true.-

I If you get caught be - tween the

Anhur's Theme - 4 - 3 I moon and New York Cit Y, the

I best thatyou can do, the best that you can d o

D. s.% and fade A/C#

I is fall- in love.-

Arthur's Theme - 4 - 4 THE MAMBO KINGS (1992) BEAUTIFUL MARIA OF MY SOUL ("Bella Maria De Mi Alma")

Lyrics by Music by ARNE GLIMCHER ROBERT KRAFT

Moderately Gm7 C9 Eb6

In the sun-light of your smile, in the sum-mer of our Thoughwe'll a1 - ways be a - part, locked for - ev - er in a

storms a - ev - en

I- I- 31 I I I I. I I I I I I I 8 4 2 3 Beautiful Maria of My Soul - 6 - 1

O 1992 WARNER-TAMERLANE PUBLISHING CORP., OVERBOARD MUSIC, INC. and ISABUG MELODIES INC. All Rights Reserved scat - tered a - way. Lov - ers dream-ing in the I hovethen. noth - ing will change And the taste of you re -

night, reach-ing for Par - a - dise. But as the mains, cling-ing to Par - a - dise. But as the

I dark shad - ows fade, love slips a - rvuy. 011 un enlp-t~. stretch of

1 beacll, in the pat -tern of' rhs waves. Draw-ing pic-tnres with my

- I 1 I I I I A. h i - a - si 4

Beautiful Maria of My Soul - 6 - 2 Cm7 Dp7 E~maj7 F Eb D7

737HB~ m~~~~--3-7 l$iiztrnh732 I I I I & I, I I I u I-I r ~r IA I I. I -- 1 I I I I r w in the sand. I see your face. Skip-ping peb - bles on the

I sea, wish - ing for Par - a- dise. Sand cas - tIes

1 cruin - b!e- be - low. the rest -less tides ebb- and flow.- Listen - ing to a

hop - ing for your voice

Beautiful Maria- of My Soul - 6 - 3 Beau - ti - ful Nar - i

(Trrtrnper Solo) 3 oh, oh, oh.

I 4w 4

Beautiful Maria of My Soul - 6 - 4 dis - tance from you grows. all that my heart ev

Hun-ger for your kiss, long - ing for your nights, haunt-ing all my

1 ~OLIC~ Beau - ti - ful Mar - i a days. Beau - ti - fill Mar - i 3

o f m !f soul. Fill - ing all my

Beautiful Maria of My Soul - 6 - 5 I I C' soul.

- KY Grn Eb D Grn

Si deseo sonreir En un caracol Pienso solarnente en ti Pienso oir tu voz En la rnagia de tu arnor La bella Maria de mi arnor En tu piel, en tu sabor Aunque esternos separados En la isla del dolor En un sueno aiigelicar Recuerdo tu calor Si Ilego de nuevo arnar Desearia rnorir No hay razon, porque carnbiar Cerca de ti Terno yo perrnancer Un ardiente corazon Sin ti en la eternidad Colorea mi pasion Lejos nos puedon separar Deseando compartir Jamas pudiera olvidar El sentir de este vivir Tu risa celestial Tus besos, tu calor En las olas de este mar La bella Maria de mi arnor Sueno en la eternidad Con cada luna vendras Si no te vuelva a ver Con la merea te iras No dejaras de ser La bella Maria de mi amor

Beautiful Maria of My Soul - 6 - 6 CHARIOTS OF FIRE (1981) CHARIOTS OF FIRE

Composed by VANGELIS

CLAUDIA'S THEME

Music by CLINT EASTWOOD Moderately, with expression

I NO chord 737 ,------jT

Claudia's Theme - 3 - 1

Written and Composed by XIoderately slow J = 88 ALAN SILVESTRI

iwirh pedal)

Contact - 3 - l

Words and Music by JOHN BERIS and JON LIND

Medium tempo

Sway - in' room as the Try - in' hard to con-

mus - ic starts.- Stran - gers mak - in' the ' most- of the dark. trol my heart,- I walk o - ver to where- you are.

1 see you through the smok - y au. - Slow-ly now we be - gin to move.-

Can't you feel the weight- of my stare. You're so close, but still- Ev - 'ry breath I'm deep - er in - to you. Soon we two are stand-

- .- - m b r mar I) I I rl. ! IT TI I

- a world- a - way.- What I'm dy - in' to say: in' still- in time.- If you read my -mind, you'll see I'm

I Crazy for You - 5 - 2 I cra - zy for- you. Touch- me once- and you'll know it's true.-

I I nev - er want - ed an - y - one like this.- It's all brand- new.- You'll

I feel it in my kiss.- I'm cra - zy for you,-

I cra - zy for you.

Crazy for You - 5 - 3 4-t*#*4+* EIB ~#m7/~ G# 7 Cgm7sus4 Cg m7

I cra - zy for- you.- Touch- me once- and you'll know it's true.-

I I nev - er want -ed an - y - one like this.- It's all brand- new.- You'll

feel it in my kiss.- I'm cra - zy for you,-

d$dd333dU L Crazy for You - 5 - 4 I cra - zy for- cra - zy for you,-

I - (Spoken) era - zy for you.

I It's all brand new.- I'm cra - zy for you.-

)(2. D. s.'# (vocal ad lib) and fade

I - And you know it's true. I'm cra - zy, cra - zy for you. -

Crazy for You - 5 - 5 DOE EYES

Composed by LENNIE NIEHAUS and Slowly and freely CLINT EASTWOOD

N.C. 1

I I I I (with pedal)

Doe Eyes - 4 - 1 F/C G /C C (add9) C Csu s C

Doe Eyes - 4 - 2 Doe Eyes - 4 - 3 G9sus N.C.

Doe Eyes - 4 - 4 DRIVING MISS DAISY (1989) DRIVING MISS DAISY

Music by HANS ZIMMER Arranged by SHIRLEY WALKER Moderatelv

r I Driving Miss Daisy - 3 - 1

rit. (

Driving Miss Daisy - 3 - 3 120 ROBIN HOOD: PRINCE OF THIEVES (1991) (EVERYTHING I DO) I DO IT FOR YOU

Written by BRYAN ADAMS, ROBERT JOHN LANCE and MICHAEL KAMEN

Slowly Db

I I 1 I

Pedal rhroughour

Look in - to my eyes.- you will see- Look in- to your heart,- you will find- there's

what you mean tome. Search your heart,- search your noth - ing there to - hide. So, take me as I am, take my

I (Everything I Do) I Do It for You - 4 - 1

O 1991 ZACHARY CREEK MUSIC, INC./MIRACLE CREEK MUSIC, INC. ALMO MUSIC CORP./BADAMS MUSIC & ZOMBA PUBLISHING All Rights Reserved soul, - and when you find me there you'll- search- no more. Don't life, - I would give it all, I would sac - ri - fice. Don't

Dbm Ebm DbIEb E7m D 5

tell me it's not worth fight - ing for. You can't tell me it's not worth dy -ing tell me it's not worth fight - ing for. I can't help it, there's noth- ing I want

Ebm Db Ahus4

You know it's true. - ev-'ry-thing I do. I do it for- more.for- I

I you. you. There's

(Everything I Do) l Do It for You - 4 - 2 I no love like your love.- and/ no 0th - er could give more- love. There's

I no- way.- un - less you're - there all the time, - all the way,- yeah.-

(Everything I Do) l Do It for You - 4 - 3 123 Ebm Ab Absus4 Ab

I Oh, you can't tell me it's not worth try - ing for. I can't

Ebm

I lie- for you.- walk the mile for ~OLI,- yeah,-I'd die for- yoi1.- YOLIknow it's

1 true, ev- 'ry - thing I do, oh. oh. I do it for- YOLI.

rir. ilk, LI' aI 7h 0 TT I I I -d. 17) (Everything I Do) I Do It for You - 4 - 4 76 EMPIRE OF THE SUN (1 98 7) EXSULTATE JUST1

Words and Music by JOHN WILLIAMS Joyously

Lau - da mus te. Lau - da mus. Lau -

da mus te. Lau - da mus. Ex - sul -

Exsultate Justi - 12 - 1

O 1987, 1988 WARNER-TAMERLANE PUBLISHING CORP. (BMI) A11 Rights Reserved ta - te- ju - sti in- Do - mi- no Ex - sul - ta - te in- Do - mi -

I If: ri i i iri I I I iiri i iiri I

no. - Ex - sul - ta - te - ju - sti in- Do-mi-no. Rec - tos -

II de - cet- la - da - ti - o. Al - le - lu - ia, Al - le - lu - la,' -

Exsultate Justi - 12 - 2 A1 - le - lu - ia, A1 - le - lu - ia - a. Sal - va - tor -

II Do - mi-nus Sal - va - tor mun - di. Qui to1 - lis Pec - ca - ta -

mu - n - di. Sal - va - tor- Do - mi - nus. Sal - va - tor-

Exsultate Justi - 12 - 3 mun - di. Qui - to1 - lis Pec- ca - ta- mu - n - mun - n di.

Tutti

A1 - le - lu - ia, A1 - le - lu - ia - a.

Boys choir

II Ex - sul - ta - te - Ju - sti in- Do - mi - no Rec - tos

A1 - le - lu - ia, A1 - le - lu - ia, a. Rec - tos

Exsultate Justi - 12 - 4 To Coda A

II Lau - da - mus te. Lau - da mus. Lau - da - mus te.

Exsultate Justi - 12 - 5 II Lau - da mus. Lau - da mus te. Lau - da - f I I I I II I I I , Il- - - l I I1 N I I I I I. U I I I >

II mus, Lau - da mus Lau - da mus.

I. Can ti - cum no vum.

Can - I I - 1 I I I I I s---"---'

I Can ta - te e I. Can -

Exsultate Justi - 12 - 6

BATMAN RETURNS (1992) FACE TO FACE

Words and Music by DANNY ELFMAN and SOUXSIE & THE BANSHEES Moderately G/B C5

- I I eJ

I t 1001 L\'AI

- rain - ing heaven's blows. Hand on heart, p tic - tac - toe, un - writh-ing in - ter - twined. Face to face, no tell - ing lies, the dream of fly - ing. Who are you? Who am I?

n I I I I I I I I I 4 4 4 I um - der the stars, flow. - B masks, they slide to re - veal a new dis - guise. YOU Wind in wings, two an - gels fall - ing. To

~t - ter - sweet, com - I nev - er can wln, - it's the state I'm in, this die like this with a last kiss, it's I I n

I I I I I I I I I I I I I I I I - - - -A I& I m mI - -i A Face to Face - 5 - 2 mit your crime, v in your dead - ly time. It's dan - ger thrills and my con - flict kills. They say false - hood's flame it's a cry - ing shame.

too di - vine want to I fol - low your heart, - fol - low it - through, - but Face to face, the pas - sion's breathe,

1 want this bliss, ah, but some - thing says I must re - sist. An - 1 how can you, - when it's

00.

I to Face Face - 5 - 3 I And you'll nev - er know.

Dsus4/G E b maj7/G

d You'll nev - er know,

lU You'll nev - er know.

D.S.% a1 Coda $

t Face to Face - 5 - 4 Coda D7

then I hate to leave.

I Repeat andfade (vocal ad lib) ,, I I I I I 1 I - I I I I I I I - 0 1 And you'll nev - er know.

I And you'llnev - erknow.

Face to Face - 5 - 5 U.S. MARSHALS (1998) FREE TO GO

Composed by JERRY GOLDSMITH hloderately slow, freely ( J = 88 )

A little slower

Free to Go - 3 - l

Free to Go - 3 - 2

FREE WILLY (1 993) FREE WILLY (Main Title Theme) Music by BASIL POLEDOURIS Moderately

Free Willy - 7 - 1

O 1993 WARNER-TAMERLANE PUBLISHING CORP. All Rights for the World excluding the U.S.A. and Canada Controlled by NEW ENTERPRISES MUSIC and Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights ~eserved -

Free Willy - 7 - 2 Free Willy - 7 - 3

Free Willy - 7 - 5 Free Willy - 7 - 6 Free Willy - 7 - 7 42 GREMLINS (1 984) GIZMO

BY JERRY GOLDSMITH Slowly, with a free feel

Cmaj 7

Gizmo - ? - 1

A! m7 Bmaj 9 A1 n17 Bmai 9

1. Look- ing o - ver the sky - line of- ?. Sleep- ing a - wake be - cause- of fear.

Gotham City - 5 - I

O 1997 ZOMBA SONGS 1NC.R. KELLY PUBLISHING, INC. (Administered by ZOMBA SONGS INC.) A11 Rights Reserved Now qui - et nights- in the midst of crime Chil - dren are drown - ing in their tears.

Y' v Next door to hap - pi - ness.- liws SOT - row. .and We need a place- where we__ can go. a land where

sig - nals of- so - lu - tion in the A cit - y of jus - ev - ry one will have- a he ro. 1

tice. a cit - y of lobe.- A cit - y of peace- for ev - 'ry one of us.- Cit - y.- oh.yeah.__ - A cit - y of jus - I -

rice. a cit- y of love.- A cit- y of peace- for ev - 'ry one of us.-

i For we all need- it. yeah,_ can't live with - out it.- Goth- am

Gotham City - 5 - 3 Bridge: B

Cit- y.- yeah,- yeah.- Yet. in the mld - dle of storm- y

1 - weath - er. wewon't sturn- ble and- \i2 won't

I - fall. I know a place- that of - fers she1 - ter.- Cit- ! of jus .

I - tice. a cit-y of love.- A cit - y of peace- for e\ - 'ry one of us.-

Gotham City - 5 - 4 We all need- it. can't live with - out it. Goth - am

I - Cit - y.- oh. veah.- A cit - y of jus - Goth - am

Cit - y. ev - 'ry - bod - y needs Gotli - am I~

Rcpeclt ad lib. antif(1de

I Cit - y. Don't- you want to go? Goth - am

Gotham City - 5 - 5 BEST FRIENDS (1 982) 23 HOW DO YOU KEEP THE MUSIC PLAYING?

Words by Music by ALAN and MARILYN BERGMAN MICHEL LEGRAND

How do you keep the mu -sic play - ing? How do you make it

How do you keep the song from fad - ing h I

r How do you lose your -self to some - one and nev - er lose your

And since we know we're always chang - ing. how can it be the I -

- I same? And tell me how. year af - .ter year, you're sure your heart will fall a -

part - each time you hear { namen-

How Do You Keep the Music Playing? - 4 - 2 II know the way I feel for you, it's now or nev - er. The

I How do you keep the mu - sic play - ing? How do you make it

ll more' I love, the more that I'm a - fraid that

1' last? How do you keep the song from

II in your eyes I may not see for - ev - er for - ev - er.

1 fad - ing, keep the song from fad-ing too fast?

How Do You Keep the Music Playing? - 4 - 3 I If we can be the best of lov - ers, yet be the best of

with an - y luck, then

I I I I I I I I I -d u- -a 1 ends.

I How Do You Keep the Music Playing? - 4 - 4

232 SPACE JAM (1996) I BELIEVE I CAN FLY

Words and Music by R. KELLY Slowly J = 72

Verse:

used to think- that Icould not- go on, and life was noth- ing but- an aw - ful I was onthe verge- of break- ing down. Some - times si - lence- can seem- so

I I I I L I I - - 8 f. f'b- 8 I Believe I Can Fly - 5 - I

O 1996 ZOMBA SONGS INC./R. KELLY PUBLISHING, INC. (Adm. by ZOMBA SONGS INC.) (BMI) All Righls Reserved song.- But now I know- the mean - ing oftrue love. I'm I - loud.- There are mir - a - cles- in life- I must- a - chieve, but

lean- ing onthe ev - er - last - ing arms. I first I know- it starts- in - side- of me. ) If I can see it, then I can

~rn7(b~)I~b CIG Drn7IG

{""-}it. if I just be - lieve it, there's noth- ing to it. I be-lieve I can I be -

Chorus: C

I be-lieve I can t - I think a-bout it ev-ery night and day,- spread my wings and

I Believe 1 Can Fly - 5 - 2 ( fly a - way.- I be- lieve I can soar.- I see me run- ning through that o- pen door.I be-lieve I can

I be-lieve I can fly, I be-lieve I can fly.-

I 2. Sze, fly. oh, I be- lieve I can fly.

I Believe I Can Fly - 5 - 3 Bridge: Bbm7 ~bm7(;5)/~. . D L/A l

I - see it. then I can doit, if I just be - lieve it. there's noth - ing

Chorus: E rm7/Al DL BLm7 -. x- Ih

to it.- I be-lieve I can fly, I be-lieve I can tou I think a- bout it ev- ery

II I I

night and day.- spread my wings and

soar,- I see me run - ning through that I be- lieve I can

h I L I i' I I' I I - m I - rn I V 4

I Belleve I Can Fly - 5 - 4 spread my wings. I can fly, I can fly.- I can

1 Believe I Can Fly - 5 - 5 THE BODYGUARD (1 992) I WILL ALWAYS LOVE YOU

Words and Music by DOLLY PARTON Slow Ballad (opt. -first verse a cappella)

IfI should - stay I would- sweet mem - o - ries, that is-- hope life treats you kind and I-

Y on - ly be in your way. So I'll go but 1 a1 I I'm tak - ing with me. So good - bye, please don't hope you have all you've dreamed of. 1 wish you JOY and hap - p~ .

know I'll think of you ev - 'ry step of the way. cry. We both- know I'm not what you, you need. 1 .4nd ness. But a - bove all this, I wish you

I Will ;\I\!:I)\ I.O\,L.1'0~1 - 3 - I

O 1973, 1993 VELVET APP1.E MUSIC (Rhll) All Kighl\ Kcscr\cd , I will a1 - ways- love- you. I

I - wll al - ways- love- you. 1

I Bit - ter- you.

I love. And 1 will a1 - ways- love

I Will Always Love You - 3 - 2 I you. I will al ways- love you. I will al ways- love

I you. I will a1 ways- love you. I will al -ways love

0 00 0 0

I, I will a1 - ways love you.

I Ill- a1 -ways, 1'11- a1 - wa7- love- you.

I Will Always Love You - 3 - 3 WtTH HONORS (1994) I'LL REMEMBER Words and Music by PATRICK LEONARD, Moderately slow MADONNA CICCONE and RICHARD PAGE

Ud -4-4 f/ j Mm. mm.

Say good - bye - to not know - ing when - the truth - and my - whole life - In - side - I was a child - that could - not mend - a bro -

I'll Remember - 4 - 1 O 1994 WB MUSIC CORP., WEB0 GIRL PUBLISHING, INC., NO TOMATO MUSIC, POLYGRAM INTERNATIONAL PUBLISHING. INC., GLOBAL COOLING MUSIC and ALI-AJA MUSIC All Rights on behalf of WEBO GIRL PUBLISHING, INC. Administered by WB MUSIC CORP. Rights on behalf of GLOBAL COOLING MUSIC and ALI-AJA MUSIC Administered by POLYGRAM INTERNATIONAL PUBLISHING, INC. All Rights Reserved E rn7 A D A Brn

e - gan. - \

And I'll re - rnern - ber- the

Brn A D G A Brn

strength that you gave - me now that I'm stand - ing on my - own, - I'll - re - love 1

To Coda $ 1

I'll Remember - 4 - 2 I learned -

1 to let go - of the 1 - I - sion that we can pos - ses. I learned -

1 to let go. - I tra- vel in still - ness. And I'll re- mern - ber - I u hap- pi - ness. I'll re- mem - ber. Mm.u* A LL

D.S. % (2nd lyric) a1 Coda @ Brn A C D C D7 C D Brn A

I I'll re- rnern - ber. Mrn.- - And I'll re -

' Repeat and fade C D Coda

II I I I!. I L I u C D7 C D

I Though I've never been a-fraid to cry, now I fin-ally have a rea- son why. I'll re-rnern - ber. -

1'11 Remember - 4 - 4 CADDYSHACK (1 980) I'M ALRIGHT

Words and Music by KENNY LOGGINS Medium beat AmlD

I'm al right; no - bod - y wor - ry 'bout

me. Why you got to grn -m? a tight? Can't -

- you just let it be?- I 'm al - right: tlon'r -

0 1980 MILK MONEY MUSIC All Rights Reservcd I - no -bod - y wor - ry 'bout me. You - got to girn - me a

I tight. Why don't - you just let me be. Do what you 1Who do you

do - in' it nat - 'ral - ly ,- but if it's too eas - Who you gon-na be to - day? And who is it real -

they're gn- na dis - a - gree. It's your life- mak- in' up your mind? You wan -na lis - ten to the

I I'm Alrighl - 7 - 2 G xooo -mTI

and is - n't it a mys - ter - y. - If it's no - bod - y's I -man? Pay at - ten- tion to the mag - is - trate.- And while I got you in the

I bus' - ness, it's ev - 'ry - bod -y's game.

A 0 0

"Got - ta catch you ;at - er." "NO, - no,

can - non -ball it right a - way." (Group:) "Some CJ~ - der -

I'm Alright - 7 - 3 "Get it up and get you a job." - Dip dip dip dip dip dip dip dip.

mood, lis - ten to your own heart - beat - in', -

heart - beat - in', own heart- beat - in', -

heart - beat in'. Don't it

I II , 1 1 I I I 8 I I'm Alright - 7 - 4 get you mov - in'. m - m - m -man.- It makesme feel good.

Then give it up and give it the job.- (Group:) Wow, Cin - der - el la kid.

, U ., r r r r r r r T -f r - I'm, r Dip dip dip dip dip dip dip dp boom boom boom boom. A ,I I

al right; no - bod - y wor- ry 'bout

I'm Alright - 7 - 5 I me. Why- you got to gim -me a fight? Can't -

I -youjust let it be.- I 'm a1 right; don't-

- no - bod - y wor - ry 'bout me. You - got to gim - me a

I fight. Why don't - you just let me be? I'm a1 - right; no - bod - y wor - ry 'bout me.- Why-

I - yougot to gim-me a fight? Can't- you just let it be7-

Repeat and fade Am/D D Am/D D 0 0 0 0 0 0

'1 I I I I I'm a1 - right. I'm a1 - right.

Am1 D D AmlD D

a1 - right; just let me be.-

I'm Alright - 7 - 7 LETHAL WEAPON 3 (1992) IT'S PROBABLY ME

BY MICHAEL KAMEN, ERIC CLAPTON and STING

Moderately. with a steady rhythm -S 0

-- ma

-d 7 It' the night turn

cold and the stars look down, and you'd hug your-self on the cold, cold emp - ty and the bun-ger's so real. you're too proud to beg and too dumb to

ground. You wake- the morn-ing in a strati-gsr's coat. but no one would you I steal. You search- the cit - y for your on - ly friend. but no one wo~ildyou

It's Probably Me - 7 - I

me? My on - ly friend, who could ~t be'!- I me? A sol - i - ta - ry voice. to speak out- and set me free.-

It's hard- to say it, 1 hat? to say it. but it's pro - bab - ly I hate- to say it. I hat? to say it, but it's pro - bab - ly

I I - eJ me. When !our be1 - Iy's me.

It's Probably Me - 7 - 3 You'renot the eas - i - est per - son I've- ev - er got to know, though it's

1 hard for us both that our feel - ings show. But some would say I should

1 let ~OLIgo your way.you on - ly makc- me cry.- But if there's one-

WY, JUS~ on? g~ly who wo~lldlay down- his life for ~OLIand I -

It's Probably Me - 7 - 2 Csus'

1 die, I hate- to say it, I hate to say it, but it's pro- bab- ly

me. 1 Citirar solo

It's Probably Me - 7 - 4 I w RBI -- !I 1 I1 /I1 I I I I I lrl I- ' rl -I , 8 I I I i 1- -- d4dw= 4 3 $7

I When the world's gone

I cra - zy and it makes no sense, there's on - ly one voice- that comes- to your- de - fense

It's Probably Me - 7 - 5 I When the ju -ry's out and your eyes search the room. one friend - ly Cace is dl you need-

I - to see. And ~ithere's one- $I>, just

I one guy whowould lay down- his Ilt'e for !ou LIIIL! die. I Iiate- to

It's Probably Me - 7 - 6 I hate. to say it, I hate to say it, i

1 Repeat as desired A9

I me. I hate. to

A ii No Chord - I - I - I - I I I YV II

A I:8 ---= It's Probably Me - 7 - 7 U* 204 JUST CAUSE (1995) TUST CAUSE (MAIN TITLE)

Composed by Slowly J = 64 JAMES NEWTON HOWARD

(with pedal)

simile

h h n F r F

Just Cause - 2 - 1

Just Cause - 2 - 2 2 12 A LITTLE PRINCESS (1 995) KINDLE MY HEART

Words and Music by Moderately PATRICK DOYLE

Dsus \

As the i

Kindle h1) Hear1 - 4 - I

fire, as the rain fills ev - 'ry o - cenn and the n

l sun. the earth. vour heart \\ill kindle my heart.

Kindle My Heart - 4 - 2 ndy rU rI If. I rI I I. I r I I I y I

I heart. And my heart can - not be

Kindle My Heart - 4 - 3 kin - dled with - out you. With your heart,- kin - dle my-

Take my heart, rake my heart.

I with your heart. And my heart can- not be

Kindle My Heart - 4 - 4 BATMAN FOREVER (1995) KISS FROM A ROSE

Words and Music by SEAL Slowly J. = 44 Gm

Ba ya ya ba da ba da da da ba ya ya. Ba ya ya ba da ba da da

I 1 I III I I i I 1 Ik-l* WI I I I a I I I ITm. a a m 1 '-7 I -1w-m Dl - w - I I-! - - - - -

ba ya ya. Ba ya da ba ya ya. There- used to be a grey-ing tow - er a - lone on the I da

I sea.- You be-came the light on the dark side of me.- But love- re-mains a

I,,

I eyes be-come large and the light that you shine can't be seen. Ba -

I com-pare you to a kiss from a rose- on the grey.- The more I get of you the

Fsus

stran - ger it feels,- And now that your rose is in bloom,- a I

Kiss From a Rose - 6 - 2 Vocal facet 2 time G Gm

I light hits the gloom on the- grey. Ba ya ya ba da ba da da da ba ya ya.

1 2. There- is so much a man can tell you, so much he can say.- You re-main my

I pow - er, my plea-sure, my pain. Ba - by, to me you're like a growing ad-dic-tion that I can't de -

Won't you tell me, is that health-y babe. But did you know that when it snows, my

Kiss From a Rose - 6 - 3 I eyes be-come large and the light that you shine can't be seen. Ba -

Chorus:-

cl I by._ I com-pare you to a kiss from a rose- on the grey.- The more I get of you the

Fsus

I light hits the gloom on the grey.-

Kiss From a Rose - 6 - 4 i Bridge: c

been kissed by a rose- on the grey.- I've been I I've been

ill

kissed by a rose.- I've been kissed by a rose- on the grey.- kissed by a rose- on the grey.-

Verse 3: G

I - I've been kissed by a rose- There is so much a man can I I've- been kissed by a rose- on the. grey.-

KISSFrom a Rose - 6 - 5 ( tell you, so much he can say.- You re- main my pow - er, my plea - sure my

1 pain. To me you're like a growing ad - dic - tion that I can't de -

G D.S. % ul Chorrcs and fade

1 eyes be-come large and the light that you shine can't be seen. Ba -

Kiss From a Rose - 6 - 6 LEAN ON ME (1989) LEAN ON ME

Words and Music by BILL WITHERS Medium Gospel Ballad

I Some - times in our lives - we all have pain,- we all have

I SOT - row. - But, if we are wise- we know that

- Lean on Me - 7 - 1

on. , Please, - swal- low your pride if I have

iLean on Me - 7 - 2 all of your needs t if you wan- na let them I

No- one can fill. - Let,

show. Ad lib: You just )I call on me, brother, if you I feel you need a hand. 'Cause we all

I u 4- - themshow. Call me.- We all

(

Lean on Me - 7 - 3 D N.C.

I I I I

need somebo to lean on. I just might have a problem

I you understand. Both: We all need some - bod - y to lean - on.- Lean on me

BmlA

Solo: when you're I'll help you car-

Lean on Me - 7 - 4 A Em7

ry on.- For I - know tiI'm gon- na need -

I some - bod- y, some- bod - y to lean on. - Solo: You can

j- I I I I call on me, sister, if you need a hand. We all need somebody to lean

Call me.- need some- bod - y to lean-

Lean on Me - 7 - 5 >- on. I just might have a problem that you can understand. We all

- on. 00. Just call - me. We all

I I,

somebody to lean on.

need some - bod - y lean on. -

Lean on Me - 7 - 6 , Solo: If there is a load - you have to bear\ -~ that you can't

1 car just re- mem- ber I'm right up the road.-

-w D

- shar: your load - if you just call me.

Repent and fade D

me. Call me. -) - Lean on Me - 7 - 7 QUEST FOR CAMELOT (1998) LOOKING THROUGH YOUR EYES Words and Music by CAROLE BAYER SAGER and DAVID FOSTER

Verse:

B 7

I.Look at the sky.- tell me what do you see.- Just close your eyes- and de - scribe-

I - it to me.- ~hrheav- ens are spark - ling with star - light to - night.-

Looking Through Your Eyes - 5 - I

That's what I see- through your eyes 2. I see the heav - ens each Iook at mv - self and in -

/>/-- />/-- v no. - 0

I time that you smile.- I hear your heart - beat just goon for miles.- and I stead I see us.- Wher - ev - er I am.- now. it feels like e - nough.- And

sud- den - Iy I know why life is worth- while.- That's what I see- through your eyes.- I see a sirl- who is learn - ing to trust.- That's who I see- through your eyes.-

Chonls: Fsus F E>

Here in the night.- I see the sun.- - I

Looking Through Your Eyes - 5 - 2

226 MICHAEL COLLINS (1996) LOVE THEME FROM "MICHAEL COLLINS"

Slow waltz, rubato feeling Composed by ELLIOT GOLDENTHAL C J. erprer A - Tfl I -I

mp molto legato througho~rr & J F I I 1- (with pedal)

Love Theme From "Michael Collins" - 2 - 1

Love Theme From "Michael Collins" - 2 - 2 TIN CUP (1996) LOVE THEME FROM "TIN CUP"

Music by WILLIAM ROSS Slowly and freely J = 88 Fsus F 2

simile

Fsus F F 9 Bbsus Bb 3

B dim7 F /C C 7 Fsus F

Iji I t i L O 1996 WARNER-TAMERLANE PUBLISHING CORP. and NEW ENTERPRISES MUSIC ! All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved 166 M. BUTTERFLY (1993) M. BUTTERFLY (Main Title Theme)

Music by HOWARD SHORE Slowly \

M. Butterfly - 2 - 1

O 1993, 1994 WB MUSIC CORP. and SAFE SPACE MUSIC All Rights on behalf of SAFE SPACE MUSIC Controlled and Administered by MCA MUSIC PUBLISHING, A Division of MCA INC. All Rights Resewed I loco

M. Butterfly - 2 - 2 THE FUGITIVE (1993) MAIN TITLE FROM "THE FUGITIVE"

Music by JAMES NEWTON HOWARD

------__----__H. ------_--____------_--_---__------_-____--- with pedal

Main Title From "The Fugitive" - 3 - 1 (R.H. )

(R.H.)

cresc. Iff -1

Main Title From "The Fugitive" - 3 - 2 (R.H.)

rit. ZP A I I _ c. I I 8 be i w be*

Main Title From "The Fugitive" - 3 - 3 186 THE CLIENT (1994) MEET THE BOYS (Main Title from "The Client") Music by HOWARD SHORE Slowly J = 80 F B b/F n -3-

Smoothly - I,. :

Meet the Boys - 2 - I

O 1994 WB MUSIC CORP. and NEW REGENCY MUSIC All Rights Administered by WB MUSIC CORP. All Rights Resewed Meet the Boys - 2 - 2 THE COLOR PURPLE (1985) MISS CELIE'S BLUES (Sister)

Words by Music by QUINCY JONES, ROD TEMPERTON QUINCY JONES and ROD TEMPERTON and LIONEL RICHIE Slow and bluesy, 'gut-bucket' style & _@ A I II \ I I I - 011 I

i Miss Celie's Blues (Sister) - 4 - 1 O 1985, 1986 WB MUSlC CORP., RODSONGS and BROCKMAN MUSIC All Rights Administered by WB MUSIC CORP. All Rights Reserved (Sr~rzg:) Sis - ter, you've been on my mind,- 1 - -

sis - ter, we're two of a kind,- so sis - ter. I'm

keep - in' my eye - on you.- I bet - cha think I don't know

noth - in' but sing - in' the bIues, - oh, sister, have

iMiss Celie's Blues (Sister) - 4 - 2 I I got news for you; I'm some - thin'. 1 hope you think that you're some-thin' too.-

I II . I I U I II 11 I r- - - -I I -e 3 3 4 - - n n Scuf - flin- , 1 been

I up that lone -some toad - and I seen a lot of suns go -in' down,- oh, - but

I trust me, no- low life's gon-na run me a - round.

Miss Celie's Blues (Sister) - 4 - 3 1 So let me tell yo~lsome-thin'; sis - ter re - mem-ber your name,- no

I twist-er gon- na steal your stuff a - way :- my sis - ter, we

sho' ain't got a whole lot of time. - SO shake your shim - my, I 3

Rubato

Miss Celie's Blues (Sister) - 4 - 4 228 A TIME TO KILL (1996) PAVANE FROM "A TIME TO KILL"

Composed by ELLIOT GOLDENTHAL Slowly J = 58

- A V

am a s 5 (with pedal)

BdidA Arn7 DmIA BIA

BdidA Am7 DdA BIA

I I I I

Pavane From "A Time to Kill" - 2 - 1

O 1996 WB MUSIC CORP. and NEW REGENCY MUSIC All Rights Administered by WB MUSIC CORP. All Rights Resewed Am DdA DdA BIA

B Bm F4m B Bm F4m N.C.

Am2 BdidA A m7 DdA BIA

I - I -

iPavane From "A Time to Kill" - 2 - 2 5 0 POLICE ACADEMY (1984) POLICE ACADEMY MARCH

BY ROBERT FOLK Moderately fast, March Tempo No Chord

Words and Music by JON SECADA and DIANE WARREN

Slowly 1= 63

(with pedal)

Verse:

L 1. Did I ev - er give you an - y doubts? Have I giv -en you an - y rea - son- 2. See additional lyrics

for you not to feel the same- love I feel- for you, ba - by?

Real - 4 - I

ll- 'Cause it's- my heart- that's- cry-ing out, now is - n't that what love's all a - bout?- it's{$,-^} be

Chorus: E

I real.- 'Cause if it does-n't feel the way I feel with you, ba - by,-

w then I don't want it and I don't need it 'cause I don't want an-y-bod-y else but you, I don't need an-y-one else. I~'s{~o~gon-na"}be-

- 8

Real - 4 - 2 I real. 'Cause if it does - n't feel the way I feel with you,-

L- - ba - by.- I tell you I don't want it.- I don't want it.-

1 1.2.

(vocal ad lib.)

I for I just don't want it. I - 'Cause if it does- n't feel the way I feel with you,-

- ba - by,- 1 tell you I don't want it.-

Verse 2: So it'll take a little bit of faith. I know it'll take a lot of heart, boy. So here's a little faith and here's a lot of heart. So please trust me the way that I trust you baby. And I promise you I won't let you down. And I promise I'll always be there. I swear I'll stay right here. I swear that I'll be there. I swear that I'll be right there. (To Chorus:)

Real - 4 - 4 I PRESUMED INNOCENT (1990) REMEMBERING CAROLYN

Music by JOHN WILLIAMS Rubato

Remembering Carolyn - 4 - I

Remembering Carolyn - 4 - 2 Remembering Carolyn - 4 - 3 C

L.H.

u Remembering Carolyn - 4 - 4 UT b (Pedal down) SWING SHIFT (1 984) SOMEONE WAITS FOR YOU Words by Music by ,L JENNINGS With a 2 feel PETER ALLEN Dm11 Freely

Oh, my heart knows more with each

7 Pedul tllroughout nn G/F~

I pas - sing day, and I know l'll change If you leave or stay. But

Cmaj7

M 9 ten A& 73- a I I I I I I K I 1 I I I m. I I 1- I I I I C w I IJ I r 1 - when our world turns where it's turn - ing to. vou'll see some hearts fade; while ten. -- ---

mine shines on through. I will still be

Sonleone Wails for You - 4 - 1 O 1984 WARNER-TAMERLANE PUBLISHING CORP., BLUE SKY RIDER SONGS. WOOLNOUGH MUSIC INC. & JEMEVA MUSIC CORP. AII Rights on behalf of BLUE SKY RIDER SONGS Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved ten. f\ S - m. 9 r I I i! 1 I - v I n 6 I I - I I I I I .,' .,' there some - day for you. You see some -

, ten.1

a With a slow steady beat

where some-one waits- for you, who hopes you will- come

I through. we'll wait un - til- you do. You'll see a.

in some fa - mil - iar door. and when you reach- the 1 light

Someone Waits for You - 4 - 2 - - ' ., f l 1 shore it won't hurt an - y - more. Re - mem - her,-

1 night may trou - ble you- with end less dreams,- but

~1 blur skies wait for you- be - yond the sun - rise.- I'm

I 1 I rit. I molt; rit.

I I here so walk in - to- your fate, it

Someone Waits for You - 4 - 3 Fmll

G nev er 1s- too late.- - There's some - one smil - ing I t 1

1 through who'll do all they- can do- for you. Re-mem - ber,

D.s.# a1 Coda $

I some - where some - one waits- for you.

Someone Wails for You - 4 - 4 SOMETHING TO TALKABOUT (1995) SOMETHING TO TALK ABOUT

Words and Music by SHIRLEY EIKHARD

Moderate beat

Something lo Talk About - 5 - 1

O 1985,1991 CANVEE MUSIC (SOCAN)/LYNN JACOBS PUBLISHING & ASSOCIATES (BMI) All Rights Reserved Used by Permission Peo - ple are talk - ing, talk - ing 'bout peo - ple. 1 feel so fool - ish. 1 nev - er no - ticed.

*2333 I hear them whis - per. you won't be - lieve it. You'd act so ner - vous, could you be fall - ing for me?

w w w They think we're lov - ers kept tln - d-r cov - ers. ru - mour to make me won - der.

I just ig -nore it. bt~t tl1t.y- kwp s+ - ing... We Now l'nl con - vinced 1'111 go - ing 1111 dtr

Something to Talk About - 5 - 2 laugh just a lit - tle too loud,- stand - just a lit - tle too close,- Think - ing 'bout- you ev - er - y day.- dream- ing 'bout- you ev - er - y night,-

- - we stare- just a lit - tle too longb/ hop - ing- that you feel the same way.

\lay - bc tliey'rc see - ing some - thing we don't. dar - lint. Now that we know it let's real - ly show it, dar - lin'. I

Let's give them some-thing to talk L.et's givc thcrn some- tliing to talk a - bout. 1 A lit - tle mys- tery to fig - Let's give them some - thin2 to talk a - bout. HON ;i -bout love'!- lirea - bOut.Iout.

u Something lo Talk About - 5 - 5 No Chord

Let's give them some - thing to talk- a - bout, babe,-

a lit - tle mys - tery to fig - ure out. Let's give them something to talk

l a - bout. How a -bout love?

Something to Talk About - 5 - 4 LITTLE SHOP OF HORRORS (1 986) SOMEWHERE THAT'S GREEN

Words by Music by HOWARD ASHMAN ALAN MENKEN

Moderately slow, in 2 G(add A)

A match - box of our own,- a fence of real chain rakes and trims the grass.- He loves to mow and his De - cem- ber Bride.- He's Fa - ther. he Knows

G Em xnnn n nnn

r, I r I u r link, a grill out on the pa - ti - 0,- dis - weed. I look like Bet - ty Crock - er and- I Best. Our kids watch How - dy Doo - dy as - the

CID D7 CID D7

pos - a1 in the sink,- a wash - erand a look like Don - na Reed.- There's plas - tic on the sun sets in the west.- A pic ture- out of

Somewhere That's Green - 3 - I 0 1982, 1983 WB MUSIC CORP. (ASCAP), GEFFEN MUSIC (ASCAP), TRUNKSONG MUSIC, LTD. (BMI) & MENKEN MUSIC (BMI) All Rights on behalf of GEFFEN MUSIC Administered by WB MUSIC CORP. All Rights on behalf of TRUNKSONG MUSIC. LTD. & MENKEN MUSIC for the World excluding the U.S.A. and Canada Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved FIG G7 FIC C ~grn'l-F

dry - er and an i - ron - ing- ma - chine- in a I fur - ni - ture to keep it neat- and clean- in the ~er- ter Homes and Gar - dens mag - a - zinc.- I U h d

tract house that we share- some - where that's green. Pine - Sol scent -ed air- some - where that's green.

1'. G CIG D7sus2 Il2.C, Eb xooo x 0 0 xooo

i@ Yi@ -I EM I Ed'.i K.II- II@EJ%-wo, I I I\ II PoI\ I IJ iJ I I r I r II T I Y II He Be - tween our fro - zen din -

I ner and our bed -time, nine fif - teen,- we

Somewhere That's Green - 3 - 2 I I I" snug - gle watch- in' Lu - cy on our big, e - nor - mous twelve - inch screen. I'mc'

I c#m7-5 Coda xooo

i-F!,->e i-F!,->e I II .I fI I #I I8l I I II r I I1 Far from

Y m- p f Y 1 I I

I1 I

I freely

G CIG DIG G $10 ,DdG xgoo

green. 8va - 7 A

Somewhere That's Green - 3 - 3 in 28 NIGHT SHIFT (1982) THAT'S WHAT FRIENDS ARE FOR Words and Music by Slowly CAROLE BAYER SAGER and BURT BACHARACH Ebmaj9 Ebmaj9/D A5 (add Bb)/C Gm7 Cm 7

Fm7 Bill E~maj9 Gm7 Cm7

nev - er thought I'd feel- this way-

- Dm7(no 5 th) ox -

and as far as I'm- con -cerned- I'm %lad I got- the chance- to say- we11 vou came and 0 - ~enedme- and now there's somuch more- 1 see-

- that I do be - Iieve- I love you. And if I should ev - er go- a - way- - and so, by the way, I thank YOU And then for the times when we're- a - part-

That's What Friends Are For - 3 - I 3 8 O 1982, 1985 WB MUSIC CORP.. NEW HIDDEN VALLEY MUSIC, WARNER-TAMERLANE PUBLISHING CORP. and CAROLE BAYER SAGER MUSIC All Rights on behalf of NEW HIDDEN VALLEY MUSIC Administered by WB MUSIC CORP. All Rights on behalf of CAROLE BAYER SAGER MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved f 00-2 xooo

1 - well, then close your eyes- and try- to feel the way- we do- to - day,- El- well, then close your eyes- and know- thesewords are corn - ing from- my hearq.

and then if you can- re - men1 - ber. -

Keep smil - ing. kzep shin - ing. know - lng you- can a1 - ways count on

I me- for sure- that's what friends are for.

That's What Friends Are For - 3 - 2 For good - times - and bad- times 1 I'll be 011- your side for - ru - er 1 in good - times. in bad- times

more. That's what friends- are for

- -- r P J - 4 1 W I 9 I for. for Vocal ad lib.

d That's What Friends Are For - 3 - 3

canfabile !

I The Batman Theme - 5 - 2 -3- >3

tnolto legato I 1 I

fnon legato)

The Batman Theme - 5 - 4 The Batman Theme - 5 - 5 32 THE RIGHT STUFF (1983) THE RIGHT STUFF

Music by BILL CONTI Majestically

Slightly slower Ab ~b/~b

The Right Stuff - 2 - 1

Tempo I

The Right Stuff - 2 - 2 256 CITY OF ANGELS (1998) THE UNFEELING KISS

BY GABRIEL YARED

Moderatel? fast (d = 80) "Central Market"

0 I998 WR hlUSlC CORP and NkW REGENCY hlUSIC All K~ght\Adr~~~n~\tcrcd b) WR MUSIC CORP All R~ght\Kehe~ved The Unfeeling Kiss - 6 - 2 The Unfeeling Kiss - 6 - 3 Slowly (J = 80) ".An Angel Falls"

n 4 ,!I / \ a- - I

I I a --. - +#' r r r , - I. I& % P- I I 1 \ C) -. I I I The Unfeeling Kiss - 6 - 5 Slower ( J = 70) "The Unfeeling Kiss"

I ,--- . I il I tT 1-r. I I?'

I sub. p

The Unfeeling Kiss - 6 - 6 L. A. CONFIDENTIAL (1997) THE VICTOR

Composed by JERRY GOLDSMITH Slowly J = 63

smoothly

- A. 0 c- I. A F .I "r I I - Y -

Piu rnosso The Victor - 3 - 3 116 JFK (1 991) THEME FROM "JFK"

Music by JOHN WILLIAMS

(Solo - Reflectively) /--

I Theme From "JFK" - 3 - 1

O 1992 WARNER-TAMERLANE PUBLISHING CORP. All Rights for the World excluding the U.S.A. and Canada Controlled by NEW ENTERPRISES MUSIC and Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights ~eserved with a lilt -

Theme From "JFK" - 3 - 2 a tempo

r r r I I I r r 194 LOVE AFFAIR (1994) THEME FROM "LOVE AFFAIR"

Music by ENNIO MORRICONE Gently, flowing

(with pedal)

Theme From "Love Affair" - 2 - I

BY ENNIO MORRICONE Very slow, in 2

i with pedal throughout

E mai 7

8-+-8, --8 -&

Theme From ''Once Upon a Time in America" - 3 - 3 89 THE ACCIDENTAL TOURIST (1 988) THEME FROM "THE ACCIDENTAL TOURIST"

Music by JOHN WILLIAMS

I I legatissirno e espressivo I I I I

O 1989 WARNLK TAMERIzANt PIIBLISHING COKP All Right\ Kocrvcd As gently as possible i

Theme From "The Accidental Tourist" - 3 - 2

238 TWISTER (1996) TWISTER (Main Theme) BY MARK MANCINA

Moderately fast 1= 120 i

Twister - 3 - 1 O 1996 WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved Twister - 3 - 2 Twister - 3 - 3 MAD MAX: BEYOND THUNDERDOME (1985) WE DON'T NEED ANOTHER HERO (Thunderdome) Words and Music by Moderate Rock J = 100 GRAHAM LYLE and TERRY BRITTEN

ins, out from the wreck- age; can't make the same dren, the last gen - er - a - tion. We are the ones

We Don't Need Another Hero - 3 - 1 O 1985 GOOD SINGLE LIMITED & MYAXE MUSIC LTD. All Rights on behalf of GOOD SINGLE LIMITED Administered by RONDOR MUSIC (London) LTD. Administered in the U.S. & Canada by IRVING MUSIC, INC. All Rights- on behalf of MYAXE MUSIC LTD. for the World Administered by WB MUSIC CORP. All Rights Reserved noth - ing else re - I mains. I

way home.- I All we want is life be -1 yond to Thun-der -

We Don't Need Another Hero - 3 - 2 11. 112. TO next strain 1/39

11 4. Fine 1 Bridge 11:

1 o what do we do

- with our lives? I We leave on - ly a I vow. I Will our sto - ry I

shine like a light, I or end in the (dark? Is it all or noth-ing? I We don't need an - 0th - er I

Verse 3: Looking for something we can rely on; There's got to be something better out there. Verse 4: Love and compassion; that day is coming. All else are castles built in the air. (To Bridge I) We Don't Need Another Hero - 3 - 3 PURPLE RAIN(1984) WHEN DOVES CRY

Words and Music by PRINCE

Medium tempo

Dig, if u will, the pic - ture of

I u and I en - gaged in a kiss. The sweat of your bod - y cov -

- - - - - Dream, if u can:- a court - yard, an o - cean of vi' - lets in bloom.-

I I

i - mals- strike cu - ri - GU~ pos - es.

When Doves Cry - 6 - 2 They feel the heat, the heat be - tween me and U. How can u just- leave me stand-

ing a - lone in a world- that's so cold?

May - be I'm just- 2 de - mand - ing. May - be I'm just - like my

When Doves Cry - 6 - 3 fa - ther: 2 bold. May - be you're just- like my moth - er.

She's nev - er sat - is - Why do we scream- at each oth-

er? This is what it sounds like when doves- CrY.

When Doves Cry - 6 - 4 F G - nAm n xnnn

v Touch, if u ~111.- my stom - ach.

I Feel how it trem - bles in - side. You've got the but - ter- flies-

When Doves Cry - 6 - 5 311 tied LIP. Don't make me

How can LI just- leave me stand - lng 3 - I -

When Doves Cry - 6 - 6 CURLY SUE (1991) YOU NEVER KNOW Words and Music by JOHN BETTIS and STEVE DORFF

Moderate shuffle in "4"

C t Life goes on, no - one gets re - hears - al. Who knows why, an - y - thing can hap - pen? A

F Fsus4/G F/A Bb (add C) Dm7 Bb C/Bb Bb

Life goes on through ev - 'ry - day re - ver - sal. With ev - 'ry dawn, - ev - 'ry cloud - y day can sud - den - ly break o - pen.- Be - fore your eyes -there's the

day is- full of chan - ces to find some-good be - fore it's smil - ing- face of sum - mer, chas - ing- all the rain a

You Never Know - 5 - I O 1991 WB MUSIC CORP.. WARNER-TAMERLANE PUBLISHING CORP., JOHN BETTIS MUSIC, STEVE DORFF MUSIC and NOCTURNAL ECLIPSE MUSIC All Rights on behalf of JOHN BETTIS MUSIC Administered by WB MUSIC CORP. All Rights on behalf of STEVE DORFF MUSIC Administered by NOCTURNAL ECLIPSE MUSIC All Rights Reserved is _eon - na take- you,

I a1 - ways- some sur-prise that comes a - long- to shake you.- A

sim - ple- rule of thumb that's of - tenbeen ne - glect - ttd is

1 take life- as it comes,- ex - pect the'un- ex-pect - ed.

You Never Know - 5 - 2

I ( You nev-er see- ex - act - ly where- the road will lead you.- And when it comes- to love,- you

I I I I L I 1' 4.

B5 (add C) Dm7 Am7 Ab13 Gm7 F 4'7

but then a - gain- you nev - er know I -

I I I I h I I

A I 2- t.4 +'It I -0. You Never Know - 5 - 3 - n nnn

Dm7 Fmai7!G Gm7 BI'C C

take life- as it comes,- ex - pect the- un - ex - pect - ed.-

I never saw- ex-act - ly where- the road would lead me.- One day- I woke to

You Never Know - 5 - 4 1 but then a - gain YOU nev er

Repeat utld fade (Itzstr~~r?zental) Gb Bbm7

I know.

B bm7 E bm7 Cb(add Db) E bm7 B bm7 A1 3

You Never Know - 5 - 5 ISBN 0-lli!)2-641 1-5