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Wavelength (February 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1983 Wavelength (February 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1983) 28 https://scholarworks.uno.edu/wavelength/28 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ... ,.. i .,. #pf r f~ ~ I ~ t J t .. ~ • '~ -- •-- .. I ' I . r : • 1 ,, ' ,,. .t, '~'. • .·' f I .. ""' - • ,, ' ' 4. ,I • , /rl. • 4 . • .•, .' ./j ·. ~ f/ I. • t • New Orleans is a live! A day and night kaleido scope of the gaud y, raucous, erotic and exotic Mardi Gras, Steamboats, Parades, Seafood, Jazz and the French Quarter. Discover it all in the award-winning books Mardi Gras! A Celebration and New Orleans: The Passing Parade. Brilliant color photographs by Mitchel L. Osborne are complimented by delightful and informative texts. A vail able in fine bookstores or order directly from Picayune Press, Ltd .: Mardi Gras!: A C!oth $29.95, Paper$15.95 · New Orleans: The Passing Parade: 326 Picayune Place # 200 New Orleans, LA 70130 Paper $14.95 Postage and Handhng $1.50 • LA res1dents add 3% tax • V1sa & Mastercharge accepted. ' ISSUE NO. 28 • FEBRUARY 1983 "I'm not sure, but I'm almost positive, rhar all music came from New Orleans. " Ernie K-Doe, 1979 Available in American Oak, American Walnut, Teak, Mahogany and White Features Melamine at no change In cost. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Grist Only on Soundcult Extreme Album Review
2/22/2018 Drumcorps – Grist only on Soundcult Extreme Album Review article quote Wanna find something? Drumcorps – Grist September 12, 2007 Fiend Leave a comment electronic, review breakcore, electronic, grindcore Album Reviews Music News Where to Send Promos Become a Editor About Us Copyright Policy Post Types Article Image Link Audio Video Quote Categories electronic metal news review rock Amazon Music Deals! Popular I could say i have a sort of love/hate relationship with grindcore, mostly because when its well made, it’s Kingcrow ‑ Insider completely and utterly awesome, but most of the times its just an amalgam of noise and not in the good sense, December 20, 2013 also i could say i have the same feeling with electronic music in general, so when Aaron Specter‘s Drumcorps no comments pulls this “Grist” saying it’s a mixing of grindcore and breakcore… i tend to take it with a grain of salt. It all starts up with “Botch Up and Die” and it’s pretty grindcore, kinda of a homage to Botch, with the eccentric Dark Tranquility and Sonata guitars over a grind blast beat, its not only amusing but quite groovy, nicely done, “Down” is kinda dance meets Arctica joined forces for Heavy noisecore with distorted samples and guitars into the mix, okkk, “Pig Destroyer Destroyer” has some nice Metal Poker Tournament drumming building to a slowed down chopped distorted noise filled beat … are we making fun of Pig Destroyer?, December 12, 2013 is this supposed to be a compliment or a satire, anyway it all builds up to a distorted guitar breakcore fest, no comments mixing real life drumming with beats and distortion…. -
COMING out on JUNE 10, 2014 New Releases from TEEN AGERS • the ANGINA PECTORIS • DAS PROJEKT HELLECTRIFIED EXPOSURE VOL
COMING OUT ON JUNE 10, 2014 new releases from TEEN AGERS • THE ANGINA PECTORIS • DAS PROJEKT HELLECTRIFIED EXPOSURE VOL. 1 • MAN IS THE BASTARD KILLWHITNEYDEAD • THE ADOLESCENTS • FLYBOYS THE MIDDLE CLASS • CLITGORE • SCROTOCTOMY STAGES OF DECOMPOSITION • BITE • THE CROISSANTS HE WHO CANNOT BE NAMED • KEEP THEM GAGGIN’ SIEGE • FLAG OF DEMOCRACY Exclusively Distributed by TEEN AGERS I Hate It, LP STREET DATE: June 10th, 2014 INFORMATION: Artist Hometown: Orlando, FL Key Markets: Philadelphia, PA; Orlando, FL; New York, NY For Fans of: HOW DARE YOU, SAVES THE DAY, THE GET UP KIDS Erupting like a sonic Cthulhu from beneath the Florida swamps comes TEEN AGERS, the brainchild of four gentlemen, current and former members of HOW DARE YOU, GO RYDELL, PROTAGONIST, and DIRECT EFFECT. With plenty of melody to satisfy the crowd at your rad wine mixers and hearty helpings of riffage guaranteed to satiate your unresolved adolescent angst, TEEN AGERS are the result of an unstoppable force meeting an immovable object; just a bit slower, so as to not pull something. A product of blood, sweat, and icy-hot, TEEN AGERS’ initial offering I Hate It was recorded at The Moathouse in ARTIST: TEEN AGERS Gainesville by Roger Lima (LESS THAN JAKE) and mixed/mastered by Stephen Egerton. TITLE: I Hate It LABEL: Anchorless Records CAT#: ALR02301-1 MARKETING POINTS: FORMAT: LP GENRE: Indie/punk - Recorded and Produced by Roger Lima of LESS THAN JAKE BOX LOT: 40 - Mixed and Mastered by Stephen Egerton SRLP: $13.98 - Extensive US and European touring UPC: 616822010419 EXPORT: NO RESTRICTIONS - Festival Appearances - PR by Beartrap Media - Color Vinyl with Mp3 coupon! TRACK LIST: Also Available from ILD: 1. -
A G Lim P S E Thrzough T
A G l i m p s e T h r z o u g h T 2A Thursday, February 20,1988 Daily Nexus Join us Thursdays at 5:30 PM for : paI o o o o o o o o ooooooooooooooo G 9 Id $ 5 No Golden Ponies Here Who on earth are The Golden Palominos? The core of bites. the band is drummer and producer Anton Fier and bass Apart from these three songs, the rest of Visions of guitarist Bill Laswell. Visions o f Excess also boasts a Excess shows little promise. “ B oy(G o)” has a full, lengthy list of guest appearances, including Richard heavy sound — a wall of percussion. If it contained more Thompson, John Lydon (a.k.a. Johnny Rotten), Benue melody, it would sound more like R.E.M. Stipe’s voice is Worrel of Talking Heads fame and R.E.M.’s Michael unmistakable but this stuff is just not of the same Stipe. I have never heard of Syd Straw before but she has caliber. The different vocal levels may prevent a sense a unique voice — a lot like Chrissie Hynde, Exene of complete repetitiveness but the song is overly in- 2/20 The New Male-Female Cervenka and Stevie Nicks all in one. cantatory in places. “ Clustering Train” is similar, with Relationship Despite the impressive name-dropping, the album is, too much guitar accompanying Stipe’s drawn-out whine Janice and John Baldwin, Ph.D. as a whole, a bit mediocre. A few songs, however, to be true R.E.M. -
WHO's WHO in POP LP ENGINEERING the Following Is a List of ENGINEERS Credited on at Least One Album in the Top Pop 100 Charts from January 1993 to the Present
WHO'S WHO IN POP LP ENGINEERING The following is a list of ENGINEERS credited on at least one album in the Top Pop 100 Charts from January 1993 to the present.. (Please note that, due to computer restraints, ENGINEERS are NOT credited on an album that has more than 4 ENGINEERS listed)) This listing includes the ENGINEER'S Name (# of records credited) "Album Title" - Artist/ Other ENGINEERS credited on the record. Robbie Adams(1) - "Zooropa"- U2-/Flood Scott Hendricks(4) - "Don't Rock The Jukebox"-Alan Jackson-/ Gary Laney John Kelton + "Confederate John Agnello(1) - "Where You Been"- Dinosaur Jr.-/ Railroad"- Confederate Railroad-/ + "Hard Workin' Man"- Brooks & Dunn-/ John Kunz Mike Bradley + Elton Ahi(l) - "The Last Of The Mohigans'-Soundtrack-/ "Brand New Man"- Brooks & Dunn-/ Mike Brad Chuck Ainlay(3) - "Greatest Hits Vol. 2"-Reba McEntire-/ + "Easy Come, Easy Go"-George Strait-/ + Henry Hirsch(1) - "Are You Gonna Go My Way?"-Lenny Kravitz-/ "Sweetheart's Dance"-Pam Tillis-/ Dof Geoff Hunt(1) - "Don't Know How To Party"-The Mighty Mighty Bosstones-/Tony Platt David Albert(1) - "Soul Provider'-Michael Bolton-/Terry Christian Matt Hyde(1) - "Porno For Pyros"- Porno For Pyros-/ Rod Selfert Steve Albini(1) - "Meantime"- HelmetVAndy Wallace Ice Cube(1) - "The Predator"- Ice CubeVTorcha Chamba Tony Alvarez(1) - "It's On (Dr.Dre 187um) Killa"- Easy-E-/Donovan The Dirt Biker1 Sound Gregg Jackman(t) - "Shepherd Moons'- EnyaVNicky Ryan Ray Bardani(l) - "Never Let Me Go"-Luther Vandross-/ Rob Jacobs(l) - "Patty Smyth'-Patty Smyth-/ Ouane Baron(2) -
Metaldata: Heavy Metal Scholarship in the Music Department and The
Dr. Sonia Archer-Capuzzo Dr. Guy Capuzzo . Growing respect in scholarly and music communities . Interdisciplinary . Music theory . Sociology . Music History . Ethnomusicology . Cultural studies . Religious studies . Psychology . “A term used since the early 1970s to designate a subgenre of hard rock music…. During the 1960s, British hard rock bands and the American guitarist Jimi Hendrix developed a more distorted guitar sound and heavier drums and bass that led to a separation of heavy metal from other blues-based rock. Albums by Led Zeppelin, Black Sabbath and Deep Purple in 1970 codified the new genre, which was marked by distorted guitar ‘power chords’, heavy riffs, wailing vocals and virtuosic solos by guitarists and drummers. During the 1970s performers such as AC/DC, Judas Priest, Kiss and Alice Cooper toured incessantly with elaborate stage shows, building a fan base for an internationally-successful style.” (Grove Music Online, “Heavy metal”) . “Heavy metal fans became known as ‘headbangers’ on account of the vigorous nodding motions that sometimes mark their appreciation of the music.” (Grove Music Online, “Heavy metal”) . Multiple sub-genres . What’s the difference between speed metal and death metal, and does anyone really care? (The answer is YES!) . Collection development . Are there standard things every library should have?? . Cataloging . The standard difficulties with cataloging popular music . Reference . Do people even know you have this stuff? . And what did this person just ask me? . Library of Congress added first heavy metal recording for preservation March 2016: Master of Puppets . Library of Congress: search for “heavy metal music” April 2017 . 176 print resources - 25 published 1980s, 25 published 1990s, 125+ published 2000s . -
Now Exclusively Distributed by ACXDC Street Date: He Had It Coming, 7˝ AVAILABLE NOW!
PRESENTS RELEASES FROM: ACXDC, ARCHAGATHUS, ASSHOLEPARADE, BACKSLIDER, BEARTRAP, BRIAN WALSBY, CAPITALIST CASUALTIES, CHEST PAIN, CONGA FURY, EDDIE BROCK, GET DESTROYED, LAPSE, MAGRUDERGRIND, MALPRACTICE INSURANCE, MEHKAGO N.T., NASHGUL, NOCOMPLY, OSK, P.L.F., RAPE REVENGE, SEX PRISONER, SIDETRACKED, SHITSTORM, SUFFERING LUNA, TORCH RUNNER, TOTAL FUCKING DESTRUCTION, XBRAINIAX Now Exclusively Distributed by ACXDC Street Date: He Had It Coming, 7˝ AVAILABLE NOW! INFORMATION: Artist Hometown: Los Angeles, CA Key Markets: LA & CA, Texas, Arizona, DC, Baltimore MD, New York, Canada, Germany For Fans of: MAGRUDERGRIND, NASUM, NAPALM DEATH, DESPISE YOU ANTI-CHRIST DEMON CORE’s He Had it Coming repress features the original six song EP released in 2005 plus two tracks from the same session off the A Sign Of Impending Doom Compilation. The band formed in 2003, recorded these songs in 2005 and then vanished for awhile on a many- year hiatus, only to resurface and record and release a brilliant new EP and begin touring again in 2011/2012. The original EP is long sought after ARTIST: ACXDC by grindcore and powerviolence fiends around the country and this is your TITLE: He Had It Coming chance to grab the limited repress. LABEL: TO LIVE A LIE CAT#: TLAL64AB Marketing Points: FORMAT: 7˝ GENRE: Grindcore • Hugely Popular Band BOX LOT: NA • Repress of Long Sold Out EP SRLP: $5.48 • Huge Seller UPC: 616983334836 • Two Extra Songs In Additional To Originals EXPORT: NO RESTRICTIONS • Two Bonus Songs Never Before Pressed To Vinyl, In Additional To Originals Tracklist: 1. Dumb N Dumbshit 2. Death Spare Not The Tiger 3. Anti-Christ Demon Core 4. -
Thematic Patterns in Millennial Heavy Metal: a Lyrical Analysis
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 Thematic Patterns In Millennial Heavy Metal: A Lyrical Analysis Evan Chabot University of Central Florida Part of the Sociology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Chabot, Evan, "Thematic Patterns In Millennial Heavy Metal: A Lyrical Analysis" (2012). Electronic Theses and Dissertations, 2004-2019. 2277. https://stars.library.ucf.edu/etd/2277 THEMATIC PATTERNS IN MILLENNIAL HEAVY METAL: A LYRICAL ANALYSIS by EVAN CHABOT B.A. University of Florida, 2011 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Sociology in the College of Sciences at the University of Central Florida Orlando, Florida Fall Term 2012 ABSTRACT Research on heavy metal music has traditionally been framed by deviant characterizations, effects on audiences, and the validity of criticism. More recently, studies have neglected content analysis due to perceived homogeneity in themes, despite evidence that the modern genre is distinct from its past. As lyrical patterns are strong markers of genre, this study attempts to characterize heavy metal in the 21st century by analyzing lyrics for specific themes and perspectives. Citing evidence that the “Millennial” generation confers significant developments to popular culture, the contemporary genre is termed “Millennial heavy metal” throughout, and the study is framed accordingly. -
Entertainment
§f§§ llill HI' ENTERTAINMENT Back to the Toilet i *^ "■ Vv:,-^ -,;-:TV: 2 - . * * ieutenant Matt Ryder wife Diane, assistant producer stories such as the Isla Vista £ * lies in bed; a sensuous, and actress in the picture, reside riots and the Bank of America ^ * blonde, female officer in the Santa Barbara area, bonfire. He sees The Patriot as a # A _ *rests '7~ J,“°““T'vagainst *“”his *******arm. aHarris a m a a a o ovuvucustudied uuufilm aiat C1UUIU»Brooks steppingowire stone ui in uu his vaicci, career, auu and # vl {n the heat of passion, he con- Institute. In the early seventies hopes it will lead to more am- # IT. fesses,i v o o v a , “Ix didn’tv a a v a ii i, quituuu (thevuic Navy)navy he initiated h is career------ ----- onUiA- the-------------- bitious undertakings.— TTi------------------ His goal1 s-is ^^ j_ because I wanted to stop killin to someday direct his own # ? people. I quit because I wanted material, in hope of eventually £ ? to kill them.” Out come the producing a Hitchcock-style £ ? machine guns, and we’re off to whodunit thriller. When askea to £ ? an evening of all-American comment on The Patriot, Harris £ ? violence in true Rambo style. joked that it was made for the ^ ? . The Patriot previewed at the beer drinkers in Bakersfield. £ ? Fiesta Four theater to an Mr. and Ms. Harris £ £ audience including the director acknowledged that the film is £ ? and various cast and crew aimed at the foreign market, £ J members, as well as the paying although it is being released £ *[ public. -
Single Page Artist/Producer List
Artists, Producers and Songwriters I Have Worked With Barry Rudolph E-Mail: [email protected] VOX: (818)985-1855 (Office) FAX: (818)766-5989 as of 6/11/01 Engineered and Worked with: Hall & Oates, Lynyrd Skynyrd, Rod Stewart, Waylon Jennings, Al Wilson, Johnny Mathis, Jimmy Jam and Terry Lewis, Juice Newton, El Chicano, Shalamar, Dynasty, Gutherie Thomas, O'Bryan, Don Cornelius, Keith Moon, Robin Smith, Ringo, Rosie Gaines, James Last, John Prine, Roy Buchanan, Stanley Clarke, Tony Williams, Levon Helm, Steve Cropper, Cate Bros., Duck Dunn, The Beach Boys, Michael Bishop, Sonny and Cher, Andy Prieboy, Wall of Voodoo, Jamie Glaser, Steve Smith, Jeff Lorber, Evan Rogers and Karl Sturken, Karyn White, Dazz Band, Randy California, Maurice White, Philip Bailey, Jermaine Jackson, Robbie Nevil, David Kahne, Parthenon Huxley, Richard Scher, Jeff Pescetto, The O'Jay's, PHD, Steven Dubin, Christopher Bond, Yves Chovard, Gary Stockdale, Tommy Faragher, Lotti Golden, Paul Young, Najee, Caron Wheeler, Wendy Moten, Craig Safan, David Blue, Jack Wagner, Cleto Escobedo, Pride N' Politix, Billy Cioffi, Wayne Watson, Chris Farren, David Pack, Teena Clark, Jermaine Jackson, Curtis Stigers, Glen Ballard, Cliff Magness, James Ingram, Dr. Jam, The Silos, John Densmore The Butts Band, Wayne Perkins and The Crimsom Tide, Richard Wolf, Wilson Philips, Lucero, Rocio Banquells, Rafael Perez- Botija, Enrique Iglesias, Mick Jagger, Patti Austin, Tracie Spencer, Madness 4 Real, Solid Productions, Boy Howdy, David Frank, Tim Heintz, Siedah Garrett, Simon Stokes, -
COMING out on NOVEMBER 28, 2014 New Releases from ERIC LUNDE • CHUMPED • TOXIC REASONS M.D.C
COMING OUT ON NOVEMBER 28, 2014 new releases from ERIC LUNDE • CHUMPED • TOXIC REASONS M.D.C. • TIM BARRY • LOW THREAT PROFILE CONTINENTAL • CHRISTIAN DEATH • MUMMYDOGS EDDIE AND THE SUBTITLES • DOMINATION KRUM BUMS • TENEBRAE/PANZERBASTARD WORMWOOD • HOUND Exclusively Distributed by ERIC LUNDE ANIMAL MINERAL SELF MIRROR, CD STREET DATE: November 28, 2014 INFORMATION: Artist Hometown: Minneapolis Key Markets: Germany , Japan , USA For Fans of: BOY DIRT CAR, COIL, SWANS ANIMAL MINERAL SELF MIRROR documents artist deep winter visit to isolation in - Eau Clair Wisconsin February 2011 Smallish college town in North west Wisconsin. 3 days 3 nights. Miserable town: ghost town. There is no one there. free clinics, furniture stores, churches, few bars, fewer places to eat. empty streets pumped with uplifting Muzak . ARTIST: ERIC LUNDE TITLE: ANIMAL MINERAL SELF MIRROR LABEL: After Music Recordings MARKETING POINTS: CAT#: AMR #33 FORMAT: CD • First ERIC LUNDE on CIP records GENRE: EXPERIMENTAL • Featured in WIRE magazine September 2011 BOX LOT: 40 • American Composer, Artist and writer ERIC LUNDE document of 72 SRLP: $10.98 hours in the great midwestern winter . UPC: 10360000314 EXPORT: NO RESTRICTIONS Also Available from ILD: TRACK LIST: GHOUL Transmission Zero, LP/CD 1. THEME TC50-1/2 2. Animal 3. eau claire copure GHOUL Maniaxe, LP 4. mineral 5. acetate TC67-1 6.self GHOUL 7. mirror Intermediate Level Hard-Core, CDEP 8. mm TC70-2 9. 000406_0019 Exclusively Distributed by Contact your sales rep: Mike Beer - [email protected] phone 414-672-9948 fax 414-672-9936 www.ildistro.com CHUMPED Teenage Retirement, LP/CD STREET DATE: November 28, 2014 INFORMATION: Artist Hometown: Brooklyn, NY Key Markets: Northeastern US, Chicago, IL, Colorado For Fans of: THE MENZINGERS, LEMURIA, SUPERCHUNK, SLAYER feat SALT -N- PEPA Teenage Retirement is CHUMPED’s debut LP and follow up to their critically (Billboard, Vice, AV Club) acclaimed self-titled EP released in 2013.