Pdf, Viewed 8 August 2011

Total Page:16

File Type:pdf, Size:1020Kb

Pdf, Viewed 8 August 2011 UNIVERSITY OF NOVA GORICA GRADUATE SCHOOL Memonautica Yugoslavia in Digital Memories, Memorials and Storytelling DISSERTATION Martin Pogačar Mentor/s: Prof Dr Tanja Petrović and Dr Andrew Hoskins Nova Gorica, 2011 Contents Preface ................................................................................................................................................... 4 Chapter 1 | Introduction: Cyberplaces of Memory ........................................................................... 7 What This Is All About? .............................................................................................................................................. 7 Technologising Media and Memory .......................................................................................................................... 11 Media and Memory ................................................................................................................................................ 13 Archiving, Techno-topia and Pervasive Scepsis .................................................................................................... 15 A Peek Into the History of Human Communication ............................................................................................... 20 Media Archaeology and Mnemosyne ..................................................................................................................... 24 Grasping Digital Memory: Concepts and Theory ...................................................................................................... 27 Mediated Memories ............................................................................................................................................... 28 Mediation and Mediatisation ................................................................................................................................. 30 Remediation and Media Convergence ................................................................................................................... 31 Digital Storytelling ................................................................................................................................................ 33 Representation and Mediality ................................................................................................................................ 34 Multimodal Mobile Media Objects (4MOs) ........................................................................................................... 36 The Connectivity Turn ........................................................................................................................................... 36 Territoriality and Temporality ............................................................................................................................... 37 Digital Memorials .................................................................................................................................................. 39 Setting Sail ................................................................................................................................................................. 41 Case Studies: An Outline ....................................................................................................................................... 46 Methodology .......................................................................................................................................................... 47 Chapter 2 | Music Blogging: Saving Yugoslav Popular Music ....................................................... 50 Introduction ............................................................................................................................................................... 50 Blogging and Memory ............................................................................................................................................... 53 Blog as a Multimodal Mobile Media Object .......................................................................................................... 55 Yugoslavia in Some Blogs‘ Digital Storytelling ..................................................................................................... 57 A Blog as a Virtual Museum .................................................................................................................................. 59 Popular Music: Heritage and Memory ....................................................................................................................... 64 Music in Cyberspace .................................................................................................................................................. 68 Blogging Yugoslav Popular Music ............................................................................................................................ 72 The Sounds of Yugoslavia – Jugozvuk ................................................................................................................... 78 Digital Storytelling in Jugozvuk ............................................................................................................................ 80 Faulty Records ....................................................................................................................................................... 84 Some Other Post-Yugoslav Music Blogs ................................................................................................................ 92 Conclusion ................................................................................................................................................................. 95 Chapter 3 | YouTube and Digital Memorials: Broadcast your past ............................................. 101 Introduction ............................................................................................................................................................. 101 Co-creating and Sharing Memories in YouTube ..................................................................................................... 102 Digital memorials .................................................................................................................................................... 108 2 Some cases in vernacular digital memorials ............................................................................................................ 118 Tatu - Jugoslavija ................................................................................................................................................ 119 ―Triput sam video Tita‖ ...................................................................................................................................... 128 Jugoslavijo ........................................................................................................................................................... 137 Partisans Forever ................................................................................................................................................ 146 Conclusion ............................................................................................................................................................... 160 Chapter 4 | The Past on Facebook: Profiling Yugoslavia .............................................................. 165 Introduction ............................................................................................................................................................. 165 Facebook: Digital Sociability and Memory ............................................................................................................. 169 Non-personal and Fake Historical Profiles .............................................................................................................. 171 Memories are Made of ... Popular Culture ............................................................................................................... 175 Profiling Yugoslavia ................................................................................................................................................ 178 SFR Jugoslavija ................................................................................................................................................... 178 Josip Broz Tito ..................................................................................................................................................... 195 Romance Departed .............................................................................................................................................. 202 Nova Jugoslavija ................................................................................................................................................. 207 Conclusion ............................................................................................................................................................... 211 Chapter 5 | Conclusion: ... Archiving Nostalgia? ........................................................................... 215 Archiving ... Nostalgia ......................................................................................................................................... 220 Reassembling the Historical ...............................................................................................................................
Recommended publications
  • Sveučilište U Zagrebu Filozofski Fakultet Odsjek
    SVEU ČILIŠTE U ZAGREBU FILOZOFSKI FAKULTET ODSJEK ZA POVIJEST UMJETNOSTI Diplomski rad VIZUALNI IDENTITET SUVREMENE HRVATSKE GLAZBENE ROCK I POP PRODUKCIJE (1990.-2010.) Mateja Pavlic Mentor: dr.sc. Frano Dulibi ć Zagreb, 2014. Temeljna dokumentacijska kartica Sveu čilište u Zagrebu Filozofski fakultet Odsjek za povijest umjetnosti Diplomski studij Diplomski rad VIZUALNI IDENTITET SUVREMENE HRVATSKE GLAZBENE ROCK I POP PRODUKCIJE (1990.-2010.) Mateja Pavlic Rad se bavi vizualnim identitetom suvremene hrvatske glazbene rock i pop produkcije od 1990. do 2010. godine. Prikazana je povijesni razvoj prakse formiranja omota albuma plo ča/CD-a kao vizualne prezentacije glazbenih djela, što rezultira vrijednim likovnim ostvarenjima. Predmet zanimanja je usmjeren na rock pop omote albuma, koji proizlaze iz supkulturnog miljea te se za njih veže odre đena estetika i ikonografija. Pokušalo se naglasiti vrijednost omota, kao umjetni čkih djela, čija vrijednost nadilazi omote marketinških proizvoda, čemu u prilog ide i uklju čivanje etabliranih umjetnika u dizajn omota. Drugi dio rada bavi se konkretno situacijom u Hrvatskoj od 1990. do 2010. godine, odnosno kako su odre đeni čimbenici, s jedne strane jugoslavensko naslje đe oblikovanja omota, raspad Jugoslavije, ratna i poslijeratna situacija, nova društveno-politi čka klima, potiskivanje rock žanra na marginu, s druge strane promjene na tehnološkoj razini, zamjena plo ča s CD-ovima, odnosno digitalizacija glazbe te razvoj profesionalne dizajnerske djelatnosti, utjecali na oblikovanje omota rock pop albuma glazbenika koji prevladavaju na glazbenim ljestvicama i dodjelama nagrada. U radu su navedeni najdominantniji predstavnici rock pop glazbe i njihova poetika, dizajneri albuma te pojedina čni omoti. Prezentirani su i primjeri valorizacije rock pop albuma kao umjetni čke prakse na podru čju Hrvatske.
    [Show full text]
  • Sveučilište U Rijeci Filozofski Fakultet U Rijeci
    SVEUČILIŠTE U RIJECI FILOZOFSKI FAKULTET U RIJECI DIPLOMSKI RAD Maja Gajić MODNI TRENDOVI MLADIH U HRVATSKOJ OSAMDESETIH GODINA DVADESETOG STOLJEĆA Rijeka, rujan 2019. SVEUČILIŠTE U RIJECI FILOZOFSKI FAKULTET U RIJECI ODSJEK ZA POVIJEST DIPLOMSKI RAD MODNI TRENDOVI MLADIH U HRVATSKOJ OSAMDESETIH GODINA DVADESETOG STOLJEĆA Mentor: dr. sc. Darko Dukovski Studentica: Maja Gajić Naziv i vrsta studija: Sveučilišni diplomski studij povijesti i hrvatskog jezika i književnosti Matični broj: 0009060110 Rijeka, rujan 2019. 2 ZAHVALA Prije svega, želim se zahvaliti profesoru i mentoru dr. sc. Darku Dukovskom koji mi je omogućio da rad pišem pod njegovim mentorstvom. Hvala Vam, također, na svim predavanjima tijekom studija, kako onim akademskim, tako i onim životnim. Također, zahvaljujem se svim ispitanicima koji su pristali izdvojiti vrijeme i sa mnom podijeliti sjećanja iz svoje mladosti što mi je uvelike pomoglo. Zahvaljujem djelatnicima Gradske knjižnice Rijeka, s ograncima, na pomoći pri traženju literature za ovaj rad i istraživanje. Najviše se želim zahvaliti svojim roditeljima, Marici i Gojku bez čije financijske i moralne podrške ne bih bila ovdje gdje jesam. Hvala na razumijevanju i strpljenju. Posebna zahvala Alidi i Ani što su najbolje prijateljice koje čovjek može imati i što su imale razumijevanja za svako moje, „Nemam vremena, učim.“ Hvala na svom smijehu i suzama i svakoj iskrenoj radosti za svaki moj položeni ispit. Hvala Lei, Ana Mariji, Žani, Luciji i Luki na svim predivnim godinama provedenim na faksu i izvan njega. Neka prijateljstva sklope se slučajno, a ostaju za cijeli život. Također, hvala svim ostalim kolegama, prijateljima i poznanicima na podršci. Hvala svima. 3 SAŽETAK U ovom diplomskom radu donosim prikaz modnih trendova mladih u Hrvatskoj osamdesetih godina dvadesetog stoljeća, na temelju proučene literature i vlastitog istraživanja.
    [Show full text]
  • Tionsrijeka – Candidate City for European Capital of Culture
    Rijeka 2� 2� : Port of DiveR sity—Wa teR woR k migra Rijeka – Candidate City for European tions Capital of Culture Table of contents Warm welcome to this important publication 0. Introduction – general considerations 2 The opportunity for Rijeka to compete in the final round for the title of European Capi- tal of Culture has given us great pleasure. The first step was to fully understand the 1. contribution to the long-term strategy 9 We have achieved good alignment between the existing clear and sustainable strategy of Rijeka and the boost it is given by a project such as ECOC and its 2. european dimension 17 Naturally it was very stimulating to coalesce with more than hundred international part- ners in developing and structuring of great 3. cultural & artistic content 21 that is not only a collection of serious artistic pro- ductions and projects but also a broader take on the totality of human condition. Deep underlying concept of Port of Diversity was translated to topics of Work, Water and Migrations and a number of great initia- tives. The ambitious programme will be a test for our 4. capacity to deliver 73 but we are confident that the heterogeneous cul- tural scene of Rijeka – fully supported by the City Council – will prove again it's seriousness and stamina. Existing and new infrastructures will host cultural programmes that are not merely there to be adored but are ushering a new era of 5. outreach 80 that is extended to dimensions of learning and participation. We are preparing a genuinely inclusive and invigorating set of frameworks and platforms that will change the way in which each citizen and visitor of Rijeka sees her or his own partici- pation in the public sphere.
    [Show full text]
  • PSY-201 User Guide
    PSY-201 Polarization Synthesizer/Analyzer User Guide Version: 1.1 Date: September 9, 2015 PSY-201 User Guide General Photonics Corporation is located in Chino California. For more information visit the company's website at: www.generalphotonics.com or call 909-590-5473 GP-UM-PSY-201-11 Page 2 of 105 PSY-201 User Guide SAFETY CONSIDERATIONS The following safety precautions must be observed during operation of this product. Failure to comply with these precautions or with specific warnings elsewhere in this manual violates safety standards of design, manufacture, and intended use of the product. General Photonics assumes no liability for customers’ failure to comply with these requirements. Before operation, the user should inspect the product and review the manual carefully. Properly ground the chassis and work space using the chassis ground terminal. Use only in a safe work environment in terms of temperature, humidity, electrical power and risk of fire or shock. The product is designed for indoor use. Avoid exposure to liquids or water condensation. Provide adequate ventilation for cooling. Operate the product on a stable surface. Avoid excess vibration. Standard laser safety procedures should be followed during operation. Never look into the light source fiber connector when the light source is turned on. THE OUTPUT LIGHT FROM A HIGH POWER LASER IS HARMFUL TO HUMAN EYES. Follow industry standard procedures when operating a high power laser source. GP-UM-PSY-201-11 Page 3 of 105 PSY-201 User Guide GP-UM-PSY-201-11 Page 4 of 105 PSY-201 User Guide Section 1.0 Overview..............................................................
    [Show full text]
  • Domaće Popularne, Zabavne, Strane I Rok Pesme
    DOMAĆE POPULARNE, ZABAVNE, STRANE I ROK PESME: o Aerodrom – Obična ljubavna pesma o Ambasadori – Dođi u 5 do 5 o Apsolutno Romantično – Đoletova pesma o Atomsko Sklonište – Olujni Mornar o Atomsko Sklonište – Pakleni vozači o Atomsko Sklonište – Za ljubav treba imat dušu o Azra – Balkan o Azra – Usne vrele višnje o Azra – Voljela me nijedna o Babe – Ko me ter’o o Babe – Noć bez sna o Baby Doll – Brazil o Bajaga – 220 u voltima o Bajaga – Godine prolaze o Bajaga – Moji su drugovi o Bajaga – Na vrhovima prstiju o Bajaga – Ti se ljubiš tako dobro o Bajaga – Tišina o Bajaga – Vratiće se rode o Bijelo Dugme – A i ti me iznevjeri o Bijelo Dugme – Ako ima Boga o Bijelo Dugme – Đurđevdan o Bijelo Dugme – Esma o Bijelo Dugme – Lažeš o Bijelo Dugme – Lipe cvatu o Bijelo Dugme – Na zadnjem sedištu moga auta o Bijelo Dugme – Napile se ulice o Bijelo Dugme – Padaju zvijezde o Bijelo Dugme – Pljuni i zapjevaj o Bijelo Dugme – Ružica si bila o Bijelo Dugme – Tako ti je mala moja kad ljubi o Boris Režak – Anđeo o Colonia – Ti da bu di bu da o Crvena Jabuka – Bacila je sve niz rijeku o Crvena Jabuka – Da nije ljubavi o Crvena Jabuka – Dirlija o Crvena Jabuka – Moje najmilije o Crvena Jabuka – Nekako s prolijeća o Crvena Jabuka – Stižu me sjećanja o Crvena Jabuka – Tamo gdje ljubav počinje o Crvena Jabuka – To mi radi o Crvena Jabuka – Tuga, ti i ja o Crvena Jabuka – Volio bi da si tu o Crvena Jabuka – Zovu nas ulice o Čutura – Voli me o Darko Domijan – Ulica jorgovana o Dado Topić I Slađana Milošević – Princeza o Dejan Cukić – Milica o Dejan Cukić – Nebo
    [Show full text]
  • Relocating Popular Music
    Relocating Popular Music Edited by Ewa Mazierska and Georgina Gregory Pop Music, Culture and Identity Pop Music, Culture and Identity Series Editors: Steve ("lark, University of Tokyo, Japan, Tristanne Connolly, St Jerome's, University of Waterloo, Canada and Jason Whittakcr, f-'alinouth University, UK Advisory Hoard: Chris Be.st, University College Falmouth, UK, Audrey l;aine, Vice President of Marketing, CBS Records, Gavin Hayes, Musician, USA, John Ilutnyk, Goldsmiths, University of London, UK, Allan F;. Moore, University of Surrey, UK, Ryan Moore, l-'lorida Atlantic University, USA, Jennifer Otter, University of East London, UK, John Phillips, National University of Singapore, Singapore, Cristina Kuotolo, San Francisco, USA, Karl Simm.s, University of Liverpool, UK. Will Straw, Mc(iill University, Canada and Steve Waksman, Smith College, USA Pop music lasts. A form all too often assumed to be transient, commercial and mass-cultural has proven itself durable, tenacious and continually evolving. As such, it has become a crucial component in defining various forms of identity (individual and collective) as influenced hy factors such as nation, class, gender, ethnicity, location/situation, and historical period. Pop Music, Culture and Identity investigates the implications of this greatly enhanced status. Particular attention will he paid to issues such as the iconog- raphy of celebrity, the ever-expanding archive, the nature of the performance- event, the parameters of generational memory, and the impact of new technologies on global
    [Show full text]
  • Siyah Beyaz Dergisi___Subat__10 by Siyahbeyazmusic.Pdf
    ALL SHALL FALL Merhaba, Yine fazlaca metal bir sayı hazırladık. Piyasa art Bir diğer büyük festival olan Unirock’ın ise daha arda gelen sağlam albümlerle sarsılırken kayıtsız sert bir kadrosu var. Şu ana kadar açıklanan kalmamız düşünülemezdi. BU ayin benim için isimler, Obituary, Cannibal Corpse, Overkill, sürpriz albümü ise Ankaralı Black Metal topluluğu Amorphis, Heaven Shall Burn, Grave Digger, The Sarcophagus’un yıllardır beklediğimiz Sabaton, Necrophagist, Belphegor ve Dark albümünün nihayet yayınlanmasıydı. Detayları Funeral. içeride bulabilirsiniz. Bunlar dışında 11-12 Şubat’ta Vinnie Moore Bu yaz gerçekleştirilecek iki önemli festivalden konserleri var Ankara ve İstanbul’da. Ankara ilki olan Sonisphere için isimler biraz daha ayağında Black Tooth ön grup olarak sahne netleşir gibi oldu. Organizasyonun verdiği alacak. Orada olacağız. röportajlardan öğrendiğimiz kadarıyla, bu yaz İstanbul’da Heaven and Hell, Metallica, Bu ay dergi kalabalık oldu biraz, o nedenle editör Rammstein, Slayer, Megadeth, Anthrax ve yazısını kısa tutuyorum :) Keyfi ni çıkarın. Mastodon’u ağırlayacağız. Resmi açıklamalar yapmayı sevmeyen organizasyondan mekana Gelecek ay görüşmek üzere. dair net bir bilgi gelmedi henüz. Ancak Slayer’ın web sitesinde konser mekanının İstanbul İnönü Selim VARIŞLI Stadyumu olacağı duyuruldu. :: EDİTÖR // YAYIN VE SANAT YÖNETMENİ :: SELİM VARIŞLI :: YAZARLAR :: EMRE DEDEKARGINOĞLU, ASUMAN İNCİ, BAHA ÖZER, CAN ÇAKIR, DURSUN ÇİFTKROSOĞLU, MELİS SARILAR, ZELİHA KARAKOCA :: İLETİŞİM :: E-Mail: [email protected] Facebook: www.facebook.com/siyahbeyazonline | MySpace: www.myspace.com/siyahbeyazonline SSELELİM VVARIARIŞLLII Sene, geçen sene… Yok yok tamam, bi sayıda bi Amorphis’le. Yazının esasını teşkil edecek olan, 1994 tane Cem Yılmaz geyiği yeter :) Sene 1998 sanırım. tarihli “Tales From The Thousand Lakes” albümüydü O dönem Non Serviam okuyor genç metalciler.
    [Show full text]
  • Croatia-Country-Partnership-Framework-For-The-Period-Of-FY19-FY24.Pdf
    COUNTRY Public Disclosure Authorized PARTNERSHIP FRAMEWORK FOR THE REPUBLIC OF CROATIA FOR THE PERIOD FY19-FY24 Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized © 2019 International Bank for Reconstruction and Development/ The World Bank Office, Croatia Radnička cesta 80/IX 10000 Zagreb Telephone: +385 1 2357 222; Internet: www.worldbank.org/croatia This report is a product of the staff of the World Bank Group with external contributions. The findings, in- terpretations, and conclusions expressed in this work do not necessarily reflect the views of The World Bank Group, its Board of Executive Directors, or the governments they represent. The World Bank Group does not guarantee the accuracy of the data included in this work, which is drawn from multiple external sources. The boundaries, colors, denominations and other information shown on any map in this work do not imply any judgement on the part of the World Bank Group concerning the legal status of any territory or the endorsement or acceptance of such boundaries. Nothing herein shall constitute, or be considered to be, a limitation upon or waiver of the privileges and immunities of The World Bank Group, all of which are specifically reserved. Rights and Permissions The material in this work is subject to copyright. Because The World Bank encourages dissemination of this knowledge, this work may be reproduced, in whole or in part for noncommercial purposes as long as full attribution to this work is given. Any queries on rights and licenses, including subsidiary rights, should be addressed to World Bank Pub- lications, The World Bank Group, 1818 H Street NW, Washington, DC 20433, USA; fax: 202-522-2625; e-mail: [email protected].
    [Show full text]
  • Oaths in Judicial Proceedings and Their Effect Upon the Competency of Witn-Esses
    TIE AMERIGAN LAW REGISTER FOUNDED I852. UNIVERSITY OF PENNSYLVANIA DEPARTBENT OP LAW VOL. 4 N. S. I JULY, 193 NO. 7. OATHS IN JUDICIAL PROCEEDINGS AND THEIR EFFECT UPON THE COMPETENCY OF WITN-ESSES. Self-interest is perhaps the fundamental fact in human nature. Every man naturally seeks to promote the welfare of himself and his family before that of his neighbor. Un- -less he be largely influenced by considerations of morality or religion, he will, if necessary, tell a lie for that purpose. Even in a highly moral conmunity of to-day, a man who will never misrepresent is extremely rare-. In the primitive ages he was probably an unknown species. Ie is, exclu- sively, the product of education and religious training. Of self-interest is born distrust of others. If a man will lie to serve his own interests, he will instantly suspect his neighbor of doing the same thing. It is, therefore, a natural presumption and we can safely assume from the evidence that primitive man had little faith in the accuracy of facts, related to him by.his fellows, if they in any way affected the interests of the relators. With the growth of his intelligence. however, he clearly realized that it is impossible for a well-ordered comunity to exist unless some reliance can be placed upon the words -of the 373 374 OATIIS IN JUDICIAL PROCEEDINGS AND THEIR members of that comnunity. Some means, therefore, had to be devised, bv which men could be bound to tell the truth and to p1erform their promises, so that there might be faith between them.
    [Show full text]
  • Novi Val U Glazbi Kao Odgovor Na Društveno-Politiĉke Promjene U Jugoslaviji 1980-Ih Godina
    Sveuĉilište u Zagrebu Filozofski fakultet Odsjek za povijest DIPLOMSKI RAD Tema: Novi val u glazbi kao odgovor na društveno-politiĉke promjene u Jugoslaviji 1980-ih godina Student: Nino Mihaljek Mentor: Hrvoje Klasić, dr. sc. Vlastoruĉni potpis: U Zagrebu, rujan 2015. _________________ SADRŢAJ 1. UVOD……………………………………………………………………………….3 2. ZAHVALE……………………………………………………………….................4 3. DRUŠTVENO-POLITIĈKA SITUACIJA U JUGOSLAVIJI KRAJEM 70-IH GODINA…………………………………………………………………….5 4. OBILJEŢJA PUNK GLAZBE…………………………………………………. 10 5. VAŢNOST BIJELOG DUGMETA ZA RAZVOJ DOMAĆE ROCK GLAZBE………………………………………………………………………….. 12 6. POJAVA PRVE JUGOSLAVENSKE ALTERNATIVNE GRUPE – BULDOŢER……………………………………………………………………… 14 7. RAZVOJ JUGOSLAVENSKOG PUNKA……………………………………....17 7.1. Pojava Pankrta i stvaranje ljubljanske punk scene……………………………17 7.2. Razvoj riječke punk scene – Paraf i Termiti…………………………………...23 7.3. Prljavo kazalište i formiranje zagrebačke punk scene………………………...32 8. FORMIRANJE ZAGREBAĈKE NOVOVALNE SCENE……………………..40 8.1. Azra…………………………………………………………………………….40 8.2. Film i Haustor………………………………………………………………….48 9. POJAVA I RAZVOJ BEOGRADSKOG NOVOG TALASA………………….53 10. BEOGRADSKI NOVOTALASNI BENDOVI………………………………....57 10.1. Električni orgazam…………………………………………………………...57 10.2. Idoli…………………………………………………………………………...61 11. ZAKLJUĈAK……………………………………………………………………65 12. SAŢETAK………………………………………………………………………. 67 13. BIBLIOGRAFIJA……………………………………………………………….68 2 1.Uvod IzmeĊu druge polovice 70-ih i sredine 80-ih godina 20. stoljeća, u Jugoslaviji se, pod utjecajem svjetskih dogaĊanja,
    [Show full text]
  • NBS 50 Khz Phase Angle Calibration Standard
    A 11 10 2 MflTbbb NATL INST OF STANDARDS & TECH R.I.C. A1 11 02489666 Turgel, R. S/NBS 50 kHz phase angle call QC100 .U5753 NO.1220 V1986 C.2 NBS-PUB-C NBS PUBLICATIONS NBS Technical Note 1220 NBS 50 kHz Phase Angle Calibration Standard R. S. Turgel . Tm he National Bureau of Standards' was established by an act of Congress on March 3, 1901. The J Bureau's overall goal is to strengthen and advance the nation's science and technology and facilitate their effective application for public benefit. To this end, the Bureau conducts research and provides: (1) a basis for the nation's physical measurement system, (2) scientific and technological services for industry and government, (3) a technical basis for equity in trade, and (4) technical services to promote public safety. The Bureau's technical work is performed by the National Measurement Laboratory, the National Engineering Laboratory, the Institute for Computer Sciences and Technology, and the Institute for Materials Science and Engineering The National Measurement Laboratory 2 Provides the national system of physical and chemical measurement; • Basic Standards coordinates the system with measurement systems of other nations and • Radiation Research furnishes essential services leading to accurate and uniform physical and • Chemical Physics chemical measurement throughout the Nation's scientific community, in- • Analytical Chemistry dustry, and commerce; provides advisory and research services to other Government agencies; conducts physical and chemical research; develops, produces,
    [Show full text]
  • EURASIA MAILORDER Prog List 2021/8/2 Updated How to Order
    EURASIA MAILORDER Prog List 2021/9/1 updated How to Order 0.720 ALEACION [SAME] (MEX / PRIVATE / 86 / WI) EX/EX USD 61 / EURO52 14 BIS [A IDADE DA LUZ] (BRA / EMI / 82 / WI) EX/EX USD 34 / EURO29 14 BIS [ALEM PARAISO] (BRA / EMI / 82 / WI) EX/EX USD 34 / EURO29 14 BIS [ESPELHO DAS AGUAS] (BRA / EMI / 81 / WI) EX/EX USD 34 / EURO29 14 BIS [II] (BRA / EMI / 80 / WI) EX/EX USD 34 / EURO29 14 BIS [SAME] (BRA / EMI / 79 / ) EX/EX USD 34 / EURO29 14 BIS [SETE] (BRA / EMI / 82 / WI) EX/EX USD 34 / EURO29 1979 IL CONCERTO [V.A.] (ITA / CRAMPS / 79 / 2LP/FOC) EX/EX USD 34 / EURO29 220 VOLT [MIND OVER MUSCLE] (HOL / CBS / 85 / WI) EX/EX USD 25 / EURO21 5 U U'S [SAME] (US / PRIVATE / 86 / WI/WB) M-/EX USD 34 / EURO29 A BARCA DO SOL [PIRATA] (BRA / PRIVATE / 79 / ) EX/EX USD 90 / EURO76 A BARCA DO SOL [SAME] (BRA / CONTINENTAL / 74 / ) EX/EX USD 151 / EURO127 A BOLHA [E PROIBIDO FUMAR] (BRA / POLYDOR / 77 / FOC) EX-/VG+ USD 70 / EURO59 A BOLHA [UM PASSO A FRENTE] (BRA / CONTINENTAL / 73 / FOC) EX/EX USD 288 / EURO242 A THINKING PLAGUE [SAME] (US / ENDEMIC MUSIC / 84 / WI) EX+/EX- USD 79 / EURO67 A. ASPELUND / L.MUGARULA [KARIBU] (FIN / DELTA / 76 / WI) M-/M- USD 34 / EURO29 ABACUS [EVERYTHING YOU NEED] (GER / GREEN TREE RECORDS / 12 / RE) M/M USD 16 / EURO14 ABACUS [SAME] (GER / POLYDOR / 71 / ) EX+/EX- USD 169 / EURO142 ABISSI INFINITI [TUNNEL] (ITA / KNIGHTS / 81 / FOC) EX+/EX USD 225 / EURO189 ABISSI INFINITI [TUNNEL] (ITA / KNIGHTS / 81 / FOC) EX+/EX USD 198 / EURO167 ABUS DANGEREUX [LE QUATRIEME MOUVEMENT] (FRA / AJ RECORD / 80 / ) EX/EX USD
    [Show full text]