Pdf, Viewed 8 August 2011

Pdf, Viewed 8 August 2011

UNIVERSITY OF NOVA GORICA GRADUATE SCHOOL Memonautica Yugoslavia in Digital Memories, Memorials and Storytelling DISSERTATION Martin Pogačar Mentor/s: Prof Dr Tanja Petrović and Dr Andrew Hoskins Nova Gorica, 2011 Contents Preface ................................................................................................................................................... 4 Chapter 1 | Introduction: Cyberplaces of Memory ........................................................................... 7 What This Is All About? .............................................................................................................................................. 7 Technologising Media and Memory .......................................................................................................................... 11 Media and Memory ................................................................................................................................................ 13 Archiving, Techno-topia and Pervasive Scepsis .................................................................................................... 15 A Peek Into the History of Human Communication ............................................................................................... 20 Media Archaeology and Mnemosyne ..................................................................................................................... 24 Grasping Digital Memory: Concepts and Theory ...................................................................................................... 27 Mediated Memories ............................................................................................................................................... 28 Mediation and Mediatisation ................................................................................................................................. 30 Remediation and Media Convergence ................................................................................................................... 31 Digital Storytelling ................................................................................................................................................ 33 Representation and Mediality ................................................................................................................................ 34 Multimodal Mobile Media Objects (4MOs) ........................................................................................................... 36 The Connectivity Turn ........................................................................................................................................... 36 Territoriality and Temporality ............................................................................................................................... 37 Digital Memorials .................................................................................................................................................. 39 Setting Sail ................................................................................................................................................................. 41 Case Studies: An Outline ....................................................................................................................................... 46 Methodology .......................................................................................................................................................... 47 Chapter 2 | Music Blogging: Saving Yugoslav Popular Music ....................................................... 50 Introduction ............................................................................................................................................................... 50 Blogging and Memory ............................................................................................................................................... 53 Blog as a Multimodal Mobile Media Object .......................................................................................................... 55 Yugoslavia in Some Blogs‘ Digital Storytelling ..................................................................................................... 57 A Blog as a Virtual Museum .................................................................................................................................. 59 Popular Music: Heritage and Memory ....................................................................................................................... 64 Music in Cyberspace .................................................................................................................................................. 68 Blogging Yugoslav Popular Music ............................................................................................................................ 72 The Sounds of Yugoslavia – Jugozvuk ................................................................................................................... 78 Digital Storytelling in Jugozvuk ............................................................................................................................ 80 Faulty Records ....................................................................................................................................................... 84 Some Other Post-Yugoslav Music Blogs ................................................................................................................ 92 Conclusion ................................................................................................................................................................. 95 Chapter 3 | YouTube and Digital Memorials: Broadcast your past ............................................. 101 Introduction ............................................................................................................................................................. 101 Co-creating and Sharing Memories in YouTube ..................................................................................................... 102 Digital memorials .................................................................................................................................................... 108 2 Some cases in vernacular digital memorials ............................................................................................................ 118 Tatu - Jugoslavija ................................................................................................................................................ 119 ―Triput sam video Tita‖ ...................................................................................................................................... 128 Jugoslavijo ........................................................................................................................................................... 137 Partisans Forever ................................................................................................................................................ 146 Conclusion ............................................................................................................................................................... 160 Chapter 4 | The Past on Facebook: Profiling Yugoslavia .............................................................. 165 Introduction ............................................................................................................................................................. 165 Facebook: Digital Sociability and Memory ............................................................................................................. 169 Non-personal and Fake Historical Profiles .............................................................................................................. 171 Memories are Made of ... Popular Culture ............................................................................................................... 175 Profiling Yugoslavia ................................................................................................................................................ 178 SFR Jugoslavija ................................................................................................................................................... 178 Josip Broz Tito ..................................................................................................................................................... 195 Romance Departed .............................................................................................................................................. 202 Nova Jugoslavija ................................................................................................................................................. 207 Conclusion ............................................................................................................................................................... 211 Chapter 5 | Conclusion: ... Archiving Nostalgia? ........................................................................... 215 Archiving ... Nostalgia ......................................................................................................................................... 220 Reassembling the Historical ...............................................................................................................................

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    263 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us