Latin American Studies Harvard University
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Critical Race Analysis of the Impact of Familial DNA Searching on Canada's Aboriginal Peoples
E-racing the Genetic Family Tree: A Critical Race Analysis of the Impact of Familial DNA Searching on Canada's Aboriginal Peoples Amy Conroy A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of the Ph.D. in Law Faculty of Law University of Ottawa © Amy Conroy, Ottawa, Canada, 2016 TABLE OF CONTENTS ABSTRACT ................................................................................................................................... v ACKNOWLEDGMENTS ........................................................................................................... vi CHAPTER ONE: Introduction ............................................................................................... 1 1.1 Introduction to the Research ................................................................................................. 1 1.2 Methodology ................................................................................................................................ 7 1.3 Canada’s NDDB ......................................................................................................................... 18 1.4 Aboriginal Overrepresentation on Canada’s NDDB ..................................................... 27 1.5 Literature Review .................................................................................................................... 37 (i) The Uniqueness of DNA ....................................................................................................................... 40 (ii) Societal Acceptance -
International Society for Applied Biological Sciences
International Society for Applied Biological Sciences th ISABS Conference on Forensic and Anthropologic Genetics and Mayo Clinic Lectures in Individualized Medicine Hotel Dubrovnik Palace / Dubrovnik, June 19-24, 2017 www.isabs.hr th Dear Colleague, Please join us at the Tenth International Society for Applied Biological Sciences (ISABS) Conference on Forensic and Anthropologic Genetics and Mayo Clinic Lectures in Individualized Medicine, Dubrovnik, Croatia, June 19-24, 2017. This jubilee event commemorates the twentieth anniversary of our conference series. The idea for the conference was conceived out of necessity to bring to Croatia and broader region insights into the rapidly developing genetic techniques to forensic and clinical applications. The impact of the conferences and the resulting professional ties on applied genetics in the region has been substantive. It affected numerous research and educational efforts being crowned in 2009 with the opening of the Center for Forensic Sciences at the University of Split, currently the only institution that offers the specialized graduate program in the region. In addition, ISABS, our parent society, and the American Academy of Forensic Sciences agreed recently to forge scientific and academic ties to provide even more opportunities and access for the budding scientists. As genetic technology in forensics overlaps with genetic anthropology, for the past decade we have included anthropologic sessions into the program. At the same time, Mayo Clinic joined the effort. It provided the critical link into the cutting-edge clinical applications of genetics. The overall effort culminated in the incorporation of individualized medicine as the third cornerstone, together with forensic and anthropologic genetics, of our programs. -
Lessons Learned from 9/11: DNA Identification in Mass Fatality Incidents
SEPTEMBER 2006 Lessons Learned From 9/11: DNA Identification in Mass Fatality Incidents PRESIDENT’S DNA I N I T IA T I VE www.DNA.gov U.S. Department of Justice Office of Justice Programs 810 Seventh Street N.W. Washington, DC 20531 Alberto R. Gonzales Attorney General Regina B. Schofield Assistant Attorney General Glenn R. Schmitt Acting Director, National Institute of Justice Office of Justice Programs Partnerships for Safer Communities www.ojp.usdoj.gov Lessons Learned From 9/11: DNA Identification in Mass Fatality Incidents SEPTEMBER 2006 National Institute of Justice This document is not intended to create, and may not be relied upon to create, any rights, substantive or procedural, enforceable at law by any party in any matter civil or criminal. The opinions, factual and other findings, conclusions, or recommendations in this publication represent the points of view of a majority of the KADAP members and do not necessarily reflect the official position or policies of the U.S. Department of Justice. NCJ 214781 Preface n September 11, 2001, 2,792 people This report discusses the incorporation of DNA were killed in terrorist attacks on the identification into a mass fatality disaster plan, O World Trade Center (WTC) in New York including how to: City. The number of victims, the condition of their ■ Establish laboratory policies and procedures, remains, and the duration of the recovery effort including the creation of sample collection made the identification of the victims the most documents. difficult ever undertaken by the forensic commu nity in this country. ■ Assess the magnitude of an identification effort, and identify and acquire resources to In response to this need, the National Institute of respond. -
Señora De Las Cuatro Décadas
www.e-compos.org.br | E-ISSN 1808-2599 | “Señora de las cuatro décadas”: un estudio sobre el vínculo entre 1 música, mujeres y edad Carolina Spataro 1 Introducción 1/16 Mi marido me dice: “vos te casaste para ser libre”. Resumen En mi época para salir tenías que pedir permiso, El objetivo del trabajo es indagar el papel de todo muy estructurado, no me dejaron ir al viaje la música en la configuración de feminidades de egresados, soy muy… estaba muy contenida. contemporáneas y, específicamente, estudiar los clivajes etarios y generacionales que informan dicho Y a lo mejor todo eso me llamó la atención vínculo. En primer lugar realizaremos un recorrido precisamente por eso, porque ví cosas distintas, sobre tres paradigmas que informan los estudios sobre música y sociedad: resonancia estructural, su forma de expresarse, las letras (Ana, 51 años). interpelación e identidad narrativa. A partir de allí relocalizaremos la discusión: las personas se Desde hace dieciséis años un grupo de apropian de la música de modos en que ésta se alrededor de 30 personas, en su mayoría constituye en un dispositivo habilitante y promotor de la acción (DeNora, 2000). mujeres, se reúne los primeros sábados de En segundo lugar, analizaremos el relato de cada mes en un bar céntrico de la ciudad de dos mujeres que forman parte un club de fans de Ricardo Arjona en la Argentina, un cantante Buenos Aires. Ellas forman parte del club de y compositor guatemalteco de gran éxito hace fans oficial de Ricardo Arjona en la Argentina, más de una década en la industria discográfica un cantante y compositor guatemalteco de gran hispanohablante. -
Appendix A. Natioan Commission on Forensic Science Commissioners
Reflecting Back—Looking Toward the Future: Appendix A Appendix A. National Commission on Forensic Science Commissioners and Biographies Co-Chairs: Arturo Casadevall, Ph.D. Marc LeBeau, Ph.D. Acting Deputy Attorney General Gregory Champagne Julia Leighton Dana J. Boente Cecelia Crouse, Ph.D. Hon. Bridget Mary McCormack Acting NIST Director and Under Gregory Czarnopys Peter Neufeld Secretary of Commerce for Standards & Technology Kent Deirdre Daly Phil Pulaski Rochford, Ph.D. M. Bonner Denton, Ph.D. Matthew Redle Vice-Chairs: Jules Epstein Sunita Sah, Ph.D. Nelson Santos John Fudenberg Michael “Jeff” Salyards, Ph.D. John Butler, Ph.D. S. James Gates, Jr., Ph.D. Ex-Officio Members: Commission Staff: Dean Gialamas Rebecca Ferrell, Ph.D. Jonathan McGrath, Ph.D. (DFO) Paul Giannelli David Honey, Ph.D. Danielle Weiss Randy Hanzlick, M.D. Marilyn Huestis, Ph.D. Lindsay DePalma Hon. Barbara Hervey Gerald LaPorte Susan Howley Commission Members: Patricia Manzolillo Ted Hunt Thomas Albright, Ph.D. Hon. Jed Rakoff Linda Jackson Suzanne Bell, Ph.D. Frances Schrotter Hon. Pam King Frederick Bieber, Ph.D. Kathryn Turman Troy Lawrence Former Chairs: Former Commission Members: James M. Cole Thomas Cech, Ph.D. Patrick Gallagher, Ph.D. William Crane Willie E. May, Ph.D. Vincent DiMaio, M.D. Sally Q. Yates Troy Duster, Ph.D. Andrea Ferreira-Gonzalez, Ph.D. Former Commission Staff: Andrew J. Bruck Stephen Fienberg, Ph.D. Robin Jones John Kacavas Brette Steele Ryant Washington Victor Weedn, M.D. Former Ex-Officio Members: Mark Weiss, Ph.D. 1 Reflecting Back—Looking Toward the Future: Appendix A NCFS Co-Chairs Dana J. -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
HECTOR DEL CURTO Bandonéonist
HECTOR DEL CURTO Bandonéonist Praised by The New York Times as a “splendid player,” Argentinean bandoneonist Héctor Del Curto’s career, spanning for more than twenty–five years, has encompassed the traditional Tango, New Tango, Jazz, Classical and World music. As one of the most sought–after bandoneonist, he has performed with luminaries across many musical genres including the Tango legends, Astor Piazzolla and Osvaldo Pugliese, latin jazz giant Paquito D’Rivera, jazz violinst Regina Carter, saxophonist Joe Lovano, violinist Cho–Liang Lin and appeared with prestigious orchestras such as Metropolitan Opera Orchestra, St Louis Symphony Orches- tra, National Symphony Orchestra, Orpheus Chamber Orchestra, Rochester Philharmonic Orchestra, Mobile Symphony and Buenos Aires Symphony Orchestra. Born into a family of bandoneon players, Mr. Del Curto was introduced to the world of Tango and bandoneon by his grandfa- ther, Héctor Cristobal. By the age of 17, he had won the title “Best Bandoneon Player Under 25” in Argentina, and was invited to join the orchestra of the legendary Osvaldo Pugliese, the “Last Giant of Tango.” In 1999, Mr. Del Curto received the Golden Note Award from the Italian–American Network in recognition of his artistic achievements. As a music director, he directed the spectacular show Forever Tango on Broadway and founded the Eternal Tango Orchestra, a ten piece ensemble. Since the Lincoln Center début in 2003, the Eternal Tango Orchestra (now the Hector Del Curto Tango Orchestra) returned to Lincoln Center for three more engagements and performed at other various venues including the Skirball Center for Performing Arts. His celebrated quintet has appeared in venues and festivals such as Lincoln Center, Hobby Center for the Performing Arts, Richard B. -
Ricardo Arjona, Minutos El Reloj De Pared Anunciando Las 6:23
Ricardo Arjona, Minutos El reloj de pared anunciando las 6:23. El pasado con sed, Y el presente es un atleta sin pies. Ya son las 6:43 Y el cadver del minuto que paso, Me dice as se vive aqu te guste o no. Y la nostalgia pone casa en mi cabeza, Y dan las 6 con 50. Quien te dijo que yo Era el sueo que soaste una vez, Quien te dijo que t Voltearas mi futuro al revs, Ya son las 7:16, Y el cadver del minuto que pasó, Me dice tu estrategia te arruinó, No queda ms que ir aprendiendo a vivir solo, Si te quedan agallas. La casa no es otra cosa, Que un cementerio de historias, Enterradas en fosas, Que algunos llaman memorias. Minutos, Como sal en la herida, Se me pasa la vida, Gastando el reloj, Minutos, Son la morgue del tiempo, Cadveres de momentos, Que no vuelven jams, No hay reloj que de vuelta hacia atrs. Como duele gastar, El instante en el que tu ya no estas, Como cuesta luchar Con las cosas que no vuelven mas, Ya son las 9:23 Y el cadver del minuto que paso, Se burla de mis ganas de besar la foto que dejaste puesta en el buró, Mi soledad es tu venganza, El ministerio del tiempo, Puso sede en mi almohada, Ah te encuentro a momentos Aunque no sirve de nada. Minutos, Como sal en la herida, Se me pasa la vida, Gastando el reloj, Minutos, Son la morgue del tiempo, Cadveres de momentos, Que no vuelven jams, No hay reloj que de vuelta hacia atrs. -
18LG Nominees English
Nominee_Export Latin Academy of Recording Arts & Sciences, Inc. List of Nominees for the 18th Annual Latin GRAMMY Awards Nominee Name Category #s Combined Category Names Ainhoa Ábaunz 41 Best Latin Children’s Album Alejandro Abeijón 4 Best New Artist Adam Abeshouse 42 Best Classical Album Julie Acosta 22 Best Ranchero/Mariachi Album Antonio Adolfo 31 Best Latin Jazz/Jazz Album Camilla Agerskov 47 Best Short Form Music Video Gilberto Aguado 48 Best Long Form Music Video Gustavo Aguado 17, 48 Best Contemporary Tropical Album, Best Long Form Music Video Leonardo Aguilar 25 Best Norteño Album Yuvisney Aguilar 28 Best Folk Album Yuvisney Aguilar & Afrocuban Jazz Quartet 28 Best Folk Album Cheche Alara 2 Album Of The Year Rubén Albarrán 13 Best Alternative Music Album Albita 18 Best Traditional Tropical Album Daniel Alvarez 10 Best Rock Album Diego Álvarez 48 Best Long Form Music Video Hildemaro Álvarez 42 Best Classical Album J Álvarez 8 Best Urban Music Album Oscar Álvarez 23 Best Banda Album Andrea Amador 11 Best Pop/Rock Album Vicente Amigo 30 Best Flamenco Album AnaVitória 34 Best Portuguese Language Contemporary Pop Album Julio Andrade 35 Best Portuguese Language Rock or Alternative Album Marc Anthony 41 Best Latin Children’s Album Page 1 Nominee_Export Gustavo Antuña 13 Best Alternative Music Album Eunice Aparicio 22 Best Ranchero/Mariachi Album The Arcade 2 Album Of The Year Rafael Arcaute 1, 2, 9, 14 Record Of The Year, Album Of The Year, Best Urban Song, Best Alternative Song Paula Arenas 4 Best New Artist Ricardo Arjona 3 Song Of -
Presse Gaby Moreno
Medieninformation Gaby Moreno (GT / USA) Ihre Musik trifft mitten ins Herz Als Singer- und Songwriterin stattet Gaby Moreno ihre englisch- und spanischsprachigen Songs mit einem liebenswerten Charme aus: Elegante Harmonien, unerwartete Klangfarben und eine schlichte Instrumentierung vereinen sich auf wunderbare Weise und sorgen auf ihren Konzerten für große Begeisterung. 2006 gewann sie den John Lennon Songwriting Contest und veröffentlichte schließlich zwei Jahre später ihr Debütalbum „Still the Unknown“. Es begeisterte auf Anhieb Kritiker und Fans. So schrieb der STERN: „Ihre Lieder trägt sie, an Norah Jones und Tori Amos erinnernd, so gelassen vor, als wüsste sie ganz genau: Sie wird keine Unbekannte bleiben.“ Es folgten Tourneen mit Tracy Chapman und Ani DiFranco. 2010 kürte das „Latina Magazine“ sie zum „Best New Latin Artist 2010“. Im selben Jahr erhielt die talentierte Künstlerin gemeinsam mit Vincent Jones eine Emmy-Nominierung für die Komposition der Titelmelodie der NBC-Fernsehserie „Parks and Recreation“. Außerdem wurde ihre Komposition „Greenhorne Man“ in Fernsehshows wie „Lincoln Heights“, „Ghost Whisperer“ und MTVs „The Hills“ eingesetzt. Ein weiterer Höhepunkt ihrer Karriere war das 50-jährige Jubiläum von Amnesty International, wo sie mit Stars wie Kris Kristofferson und Johnny Lang in Jay Lenos „The Tonight Show“ sang. Einige Wochen später folgte ein Auftritt im Rahmen des Konzertes „Electric Burma“ – zu Ehren der Nobelpreisträgerin Aung San Suu Kyi – gemeinsam mit Bono, Damien Rice, Bob Geldof, Angelique Kidjo u.a. 2011 sang Gaby Moreno das von Charlie Chaplin komponierte Lied „Smile“ im Dokumentarfilm The Cove (Die Bucht), der in der Kategorie „Bester Dokumentarfilm“ mit einem Oscar ausgezeichnet wurde. Es folgten zwei weiteren Grammy Nominierungen für die Kategorien „Song des Jahres“ und „Aufnahme des Jahres“ für das Duett „Fuiste Tu“ mit dem ebenfalls aus Guatemala stammenden Latin-Superstar Ricardo Arjona (2012). -
Ricardo Arjona Historias Mp3, Flac, Wma
Ricardo Arjona Historias mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Latin / Pop Album: Historias Country: Argentina Released: 1994 Style: Acoustic, Soft Rock, Pop Rock MP3 version RAR size: 1577 mb FLAC version RAR size: 1622 mb WMA version RAR size: 1924 mb Rating: 4.9 Votes: 894 Other Formats: WAV APE AUD TTA ADX AU MIDI Tracklist 1 Sí Yo Fuera 4:26 2 Señora De Los Cuatro Décadas 5:05 3 Casa De Locos 2:59 4 Historia De Taxi 6:44 5 La Noche Te Trae Sorpresas 4:09 6 Amor De Tele 3:17 7 Te Conozco 4:09 8 Historia Del Portero 5:11 9 Realmente No Estoy Tan Solo 3:51 10 Del Otro Lado Del Sol 4:42 11 Me Están Jodiendo La Vida 4:28 12 Ayudame Freud 6:24 13 Libre 3:28 14 Chicos De Plástico 4:17 Credits Acoustic Guitar – Bud Guin (tracks: 6), Miguel A. Villagran, Roberto Arballo (tracks: 6, 8) Arranged By – M.A.F. (tracks: 13), Miguel A. Villagran (tracks: 1 to 3, 5, 7, 10, 12, 14), Ricardo Arjona (tracks: 1 to 12, 14), Roberto Arballo (tracks: 4, 8, 9, 11) Backing Vocals – Cheryl Cleavenger (tracks: 10), Debi Lee (tracks: 10), Elizabeth Meza, Eric Tagg (tracks: 10), Steve Haas (tracks: 10) Banjo – Kim Platco Bass – George Anderson Bassoon – Will Roberts Cello – John Meyers , Mimi McShane Clarinet – Randy Lee Double Bass – Roger Fratern Drums – Mike Gage Electric Guitar – Mike Gallagher (tracks: 13), Roberto Arballo Engineer – Tim Kimsey Engineer [Assistant] – Sterling Winfield Flute – Jeannie Larson Lyrics By – Ricardo Arjona Music By – Miguel Luna (tracks: 11), Ricardo Arjona Oboe – David Matthews Organ [Hammond] – Johnny Marshall Percussion – Gene Glover Piano – Eugene Gwozdz Producer – Ricardo Arjona Saxophone [Baritone] – Pete Brewer Saxophone [Tenor, Soprano] – Ron Jones Trombone – Dave Butler , John Wasson Trumpet – Chuck Schmidt, Jay Saunders Viola – Barbara Hustis, Ellen Rose, Kay Gardner , Mitta Angell, Tom Demer, Valerie Dimond Violin – Andrzej Kapica, Delmar Pettys, Diane Kitzman, Gloria Stroud, Mary Reynolds, Melvin Baer, Norma Davidson, Peggy Zimmers, Susan Ager Violin [Solo] – Tom Demer Notes (P) & (C) 1994 Sony Discos Inc. -
Forensic Science Research and Evaluation Workshop: a Discussion on the Fundamentals of Research Design and an Evaluation of Available Literature
U.S. Department of Justice Offi ce of Justice Programs National Institute of Justice National Institute of Justice Forensic Science Research and Evaluation Workshop: A Discussion on the Fundamentals of Research Design and an Evaluation of Available Literature May 26–27, 2015 Washington, D.C. NCJ 250088 U.S. Department of Justice Office of Justice Programs 810 Seventh St. N.W. Washington, DC 20531 Loretta E. Lynch Attorney General Karol V. Mason Assistant Attorney General Nancy Rodriguez, Ph.D. Director, National Institute of Justice This and other publications and products of the National Institute of Justice can be found at: National Institute of Justice Strengthen Science • Advance Justice http://www.nij.gov Office of Justice Programs Innovation • Partnerships • Safer Neighborhoods http://www.ojp.usdoj.gov The National Institute of Justice is the research, development and evaluation agency of the U.S. Department of Justice. NIJ’s mission is to advance scientific research, development and evaluation to enhance the administration of justice and public safety. The National Institute of Justice is a component of the Office of Justice Programs, which also includes the Bureau of Justice Assistance; the Bureau of Justice Statistics; the Office for Victims of Crime; the Office of Juvenile Justice and Delinquency Prevention; and the Office of Sex Offender Sentencing, Monitoring, Apprehending, Registering, and Tracking. Forensic Science Research and Evaluation Workshop A Discussion on the Fundamentals of Research Design and an Evaluation of Available