Hate, Anti-Semitism, & Propaganda in the Holocaust
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Contemporaneity: Historical Presence in Visual Culture
Vol 8, No 1 (2019) | ISSN 2153-5914 (online) | DOI 10.5195/contemp/2019.286 http://contemporaneity.pitt.edu The Canaries of Democracy Imagining the Wandering Jew with Artist Rosabel Rosalind Kurth-Sofer Rae Di Cicco and Rosabel Rosalind Kurth-Sofer Introduction by Thomas M. Messersmith About the Authors Rae Di Cicco is a PhD candidate in the History of Art and Architecture Department at the University of Pittsburgh, specializing in Central European Modernism. Research for her dissertation, “The Body, the Kosmos, and the Other: The Cosmopolitan Imagination of Erika Giovanna Klien,” was supported by a Fulbright-Mach Fellowship in Austria in 2018-2019. The dissertation traces Klien’s career from her beginnings as a member of the Vienna-based modernist movement Kineticism (Kinetismus) to her immigration to the United States and subsequent work depicting indigenous groups of the American Southwest. Rosabel Rosalind Kurth-Sofer is an artist from Los Angeles. She graduated from the School of the Art Institute of Chicago in 2017 with a focus in printmaking, drawing, and painting. Rosabel received a Fulbright Combined Study-Research Grant in Austria for 2018-2019 to investigate Jewish caricatures in the Schlaff collection at the Jewish Museum Vienna. She currently lives in Chicago and continues to explore her Jewish identity through comics, poetry, and illustrated narratives. Thomas Messersmith is a PhD candidate at the University of Maryland, College Park. He was a recipient of the Fulbright-Mach Study Award in Austria for 2018-2019, where he conducted research for his dissertation, tentatively titled “‘God Rather than Men:’ Austrian Catholic Theology and the Development of Catholic Political Culture, 1848-1888.” This dissertation utilizes both lay and Church sources to explore the ways in which theological and political shifts in the late Habsburg Monarchy influenced each other, ultimately creating a new national and transnational Catholic political culture. -
Teaching American Literature: a Journal of Theory and Practice Fall 2017 (9:2)
Teaching American Literature: A Journal of Theory and Practice Fall 2017 (9:2) Ascending the Scaffold: Knowing and Judging in Hawthorne's The Scarlet Letter David Rampton, University of Ottawa, Canada Abstract: Reminding students that Hawthorne's The Scarlet Letter begins with an exercise in public shaming helps them relate to the novel. It is set in the mid-17th century, a long time ago, yet the continuities persist. Hester Prynne is forced to mount the scaffold and expose herself and her child to the citizens of Boston, who want to see her degraded and to learn the name of her partner in moral crime. Today convicted criminals in the American justice system are routinely required to make a similar sort of public display. The desire to know how the battle between good and evil is going in Puritan Boston, Hawthorne says, is something that binds the community together and threatens to tear it apart. Knowing can mean sympathy and compassion, but it can also involve a pernicious desire to trespass in the interior of another's heart. Our exercises in close reading reveal that the desire to "know" someone, as the novel's slow motion "whodunit" clearly shows, can lead to deeper intimacy, or a denial of their quintessential humanity. Analyzing the shaming scenes that organize the narrative means helping students to see more clearly the structure of the novel, the issues at stake in it, and the ambiguities of guilt and innocence that dominate in our meditations on our own lives. Teaching The Scarlet Letter is one of the great experiences in the career of any teacher, for reasons that are not far to seek: it is arguably the most widely read 19th-century American novel; its subject, adultery, still has a magnetic attractiveness for us; and the story it narrates is firmly inscribed in the history of America and its culture. -
The Duality of Hester Prynne's Image
Cultural Communication and Socialization Journal (CCSJ) 2(1) (2021) 09-12 Cultural Communication and Socialization Journal (CCSJ) DOI: http://doi.org/10.26480/cssj.01.2021.09.12 ISSN: 2735-0428 (Online) CODEN: CCSJAJ REVIEW ARTICLE THE DUALITY OF HESTER PRYNNE’S IMAGE: SUBVERSION AND SUBMISSION Huimin Liu English Language Literature and Culture Department, Beijing International Studies University, Dingfuzhuang Nanli No.1, Chaoyang District, Beijing City, China. *Corresponding author Email: [email protected] This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. ARTICLE DETAILS ABSTRACT Article History: Hester Prynne is a young woman of The Scarlet Letter. She has borne a child out of wedlock and been sentenced to wear the scarlet letter A, a symbol of committing adultery for the rest of her life. She refuses to take the Received 14 January 2021 scarlet A as a token of outlaw. With her needlework, she struggles to subvert the original signification of the Accepted 19 February 2021 letter A and to build her new identity as an able, angelic and admirable woman. She transforms the letter A for Available online 9 March 2021 herself outside the patriarchal signifier. However, her return to Boston, where she voluntarily wears the letter illustrates that Hester acknowledges the importance of the social order and her submission to the public. She has the rebellious spirit but it is not strong enough to overthrow the patriarchy. Hester’s dual image of subversion to submission is attributed to Hawthornes’ ambiguous attitude toward women. -
Individualism of Hester Prynne in the Seventeenth Century Puritan Society: the Scarlet Letter
International Journal on Studies in English Language and Literature (IJSELL) Volume 4, Issue 2, February 2016, PP 100-106 ISSN 2347-3126 (Print) & ISSN 2347-3134 (Online) www.arcjournals.org Individualism of Hester Prynne in the Seventeenth Century Puritan Society: The Scarlet Letter Ms. Mursalin Jahan Assistant Professor and Research Scholar, Integral University, Lucknow, Uttar Pradesh, India Prof. Syed Zaheer Hasan Abidi Senior Professor, Head in the Department of English/Languages & Dean Faculty of Humanities & Social Sciences, Integral University, Lucknow,India. Abstract: In Nathaniel Hawthorne‟s The Scarlet Letter Hester Prynne, the female protagonist living amidst the strict puritans is a typical individualist. After being charged with adultery, she is shunned, mocked and viewed as a living allegory of sin. Her punishment is to wear the scarlet letter „A‟, a symbol of sin, on her bosom throughout her life. She does not dramatically and apologetically beg for forgiveness; instead, she endures her punishment and ultimately, with her “natural dignity and force of character”, she turns a symbol of sin into a symbol of strength. She is an emersonian self-reliant woman as she trusts her deepest instincts and values her own inner truth in making her judgments. The present paper focuses on how she crushes the puritan‟s codes of conduct and moves forward in her life based on her own principles of right and wrong. Keywords: Adultery, allegory of sin, codes of conduct, Emersonian self-reliant, individuality, puritans The Scarlet Letter, published in 1850, is Nathaniel Hawthorne‟s the most renowned and well- received romance. It is set in the seventeenth century puritan society. -
USHMM Finding
- https://collections.ushmm.org Contact [email protected] for further information about this collection Holocaust Survivor Questions to Consider Questions to Consider Jacob Hennenberg When Viewing Video Filmed on October 24, 2006 1. What was Jacob’s home town called when he was born? What did the Nazis later call this town? 2. Why was Jacob’s town one of the first to be taken over by the Nazi forces? 3. Jacob talks of two times as a 15-year-old when he attempted to save his father. What were they? 4. Give an example of a courageous act performed by one of Jacob’s sisters. 5. Jacob was sent to a number of different camps. How many were there and what were the names? 6. Give two examples of when Jacob was actually helped by a guard or kapo in the camps. 7. What was the significance of the marking of a “T” or “U” during a selection in the camp? 8. Why was Jacob so anxious that his number in the camp be 18? 9. What kind of attitude did Jacob have while going “I put my mind someplace else.” through the camps? Why do you think this attitude was so import for his survival? -Jacob Hennenberg 10. What is the message expressed by Jacob in the poem that he read at the end of his talk? Face to Face A Holocaust Education Program at Congregation Shaarey Tikvah Beachwood, Ohio https://collections.ushmm.org Contact [email protected] for further information about this collection Jacob Hennenberg was born in 1924 in Oswiecim, A Nazi guard came to the room and ordered Poland, the town which was later renamed Jacob’s father to leave; Jacob volunteered to go Auschwitz by the Nazis. -
An Analysis of Antisemitic Political Cartoons in Fin-De-Siècle Vienna
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 4-2013 The Origins of Hatred: An Analysis of Antisemitic Political Cartoons in Fin-de-Siècle Vienna Meredith Lee Duffy College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the History Commons Recommended Citation Duffy, Meredith Lee, "The Origins of Hatred: An Analysis of Antisemitic Political Cartoons in Fin-de-Siècle Vienna" (2013). Undergraduate Honors Theses. Paper 617. https://scholarworks.wm.edu/honorstheses/617 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. THE ORIGINS OF HATRED: AN ANALYSIS OF ANTISEMITIC POLITICAL CARTOONS IN FIN-DE-SIÈCLE VIENNA A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in History from the College of William and Mary in Virginia, Meredith Lee Duffy Accepted for _______________________________ _________________________________ Leslie Waters, Director _________________________________ Tuska Benes _________________________________ Marc Raphael Williamsburg, Virginia 24 April 2013 TABLE OF CONTENTS LIST OF IMAGES ................................................................................. IV LIST OF TABLES ....................................................................................V -
A Badge of Honor Not Shame: an Afrolatina Theory of Black-Imiento for U.S Higher Education Research
University of Pennsylvania ScholarlyCommons GSE Faculty Research Graduate School of Education 2019 A Badge of Honor not Shame: An AfroLatina Theory of Black- imiento for U.S Higher Education Research Amalia Dache University of Pennsylvania, [email protected] Jasmine Marie Haywood Christina Mislán Follow this and additional works at: https://repository.upenn.edu/gse_pubs Part of the Education Commons Recommended Citation Dache, A., Haywood, J. M., & Mislán, C. (2019). A Badge of Honor not Shame: An AfroLatina Theory of Black-imiento for U.S Higher Education Research. The Journal of Negro Education, 88 (2), 130-145. Retrieved from https://repository.upenn.edu/gse_pubs/556 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/gse_pubs/556 For more information, please contact [email protected]. A Badge of Honor not Shame: An AfroLatina Theory of Black-imiento for U.S Higher Education Research Abstract The ways in which U.S. scholars and researchers of higher education conceptualize “race” shapes inquiry and ultimately knowledge creation and dissemination of scholarship, research, and policy contributing to the U.S. Latinx education pipeline. This conceptual study addresses the symbolic violence of what “passing for White” as Latinxs mean for studies of colleges and universities, and how centering our African and Black identities calls these manifestations into question. The focus of this study is to juxtapose themes in the U.S. higher education literature, to the experiences of AfroLatina scholars demonstrating shortcomings of “passin’ for Latinx,” which they construct as the under-theorization of the role U.S. anti-Blackness and Blackness plays in the construct of U.S. -
Constructing Jewish Bodies in Germany Through Physical Culture and Racial Pseudo-Science
Constructing Jewish Bodies in Germany through Physical Culture and Racial Pseudo-Science By: Marissa Alperin May, 2018 Abstract As industrialization heightened in Europe, so did science and technological innovation. The expanded focus on human biology, evolution and genetics coincided with the growth of racism in Europe. In Germany, one group of people who were subjugated, was the Jewish population. Since, Jewish racism was a phenomenon in Europe during the physical culture movement, scientific “findings” were used in Germany to suggest that the intellectual abilities and physical beauty of Jews were inferior to the Nordic race. As a result of social, political, economic, religious, and cultural factors, Jewish bodies were projected as being abnormal. Thus, pseudoscience was used as a tool for reinventing/protecting the German nation by preserving the blood of the glorious bodily conception of the German people. Keywords History, racism, pseudoscience, phrenology, physiognomy, eugenics, Jews, and Germany. During the physical culture movement in Europe (1850s-1920s), there was a desire to improve the health, strength, diet, athleticism, fitness, and appearance of the human body. The physical culture movement was centered on the natural living conditions of people (conditions of development and growth). In an effort to relieve human suffering caused by an increase in urbanization and industrialization and to heighten the prosperity and wellbeing of people, science and medicine were used by many Europeans, as instruments for improving health. The physical culture movement also inspired people to study and compare the physical beauty and intellectual attributes of the body to an individual’s race, in an effort to maximize the potential of the body. -
Anti-Semitism in History and Literature
1 Anti-Semitism in History and Literature Fall 2015 Instructor: John Hoberman Office: BUR 322 Class Meetings: TTH 2:00 – 3:30 Classroom GEA 114 Office hours: MWF 9:00-10:00 Email: [email protected] August 27. 1. Introduction to the Course: Basic Concepts The Major Western Racial Doctrines: Anti-Semitism Anti-Black-African Racism Other Major Themes: Imagining the Normal Human Being Racial Folklore as Doctrine and Medium of Transmission Talking About Jews: What Counts as Socially Acceptable Speech? Imagining the “Jew” Can Jews Be Racists? 2 September 1. 2. Ancient and Modern Resentment of Jews: 1. “The Globalization of Antisemitism,” Forward (May 2, 2003). 2. "Corpus Christi Controversy," Forward (April 23, 1999). 3. “Ward Refers Writers to Bible” (2001) 4."A 'Christ-Killer Slur Stirs Rightist Tussle in D.C.," Forward (April 27, 2001). 5. “Syrian’s ‘Christ-Killer’ Charge Threatens” (2001) 6. "What's Taught, Learned About Who Killed Christ," New York Times (April 29, 2001). 7. David I. Kertzer, “The Modern Use of Ancient Lies,” New York Times (May 9, 2002). 8. "Right Rallies for 'Christ-Killer' Pundit," Forward (May 4, 2001). 9. "Fired Scribe Says 'Christ-Killer' Conservative Is Sorry," Forward (July 6, 2001). 10. “Billy Graham Apologizes to Jews For His Remarks on Nixon Tapes,” New York Times (March 3, 2002). September 3. 3. Are the Jews a “Race”? 11. Ashley Montagu, "Are 'the' Jews a Race?" in Man's Most Dangerous Myth: The Fallacy of Race (1974): 353-377. September 8, 10. 4. Early Christian Origins of Anti-Semitism 12. Léon Poliakov, "Anti-Semitism and Early Christianity," in The History of Anti- Semitism, Vol. -
Electronic ''Scarlet Letter'': Criminal Backgrounding and a Perpetual
Archived version from NCDOCKS Institutional Repository http://libres.uncg.edu/ir/asu/ The Electronic ‘‘Scarlet Letter’’: Criminal Backgrounding and a Perpetual Spoiled Identity Author: DANIEL S. MURPHY, BRIAN FULEIHAN, STEPHEN C. RICHARDS, RICHARD S. JONES Abstract Crimes are multifaceted events that are not adequately explained with basic descriptors, yet a considerable amount of significance is afforded to relatively few simplistic labels that make up the contemporary ‘‘scarlet letter.’’ Today’s criminal records create a lifetime of stigmatization for a person. These public records employ a limited range of information. By acknowledging the deleterious effects of even one documented criminal event on an individual’s self-concept and status in society, we cannot avoid being faced with a serious moral dilemma in light of society’s prevalent reliance upon electronic criminal records. The electronic brand carried for life poses great challenges to offender rehabilitation and reintegration. DANIEL S. MURPHY, BRIAN FULEIHAN, STEPHEN C. RICHARDS, RICHARD S. JONES(2011) The Electronic ‘‘Scarlet Letter’’: Criminal Backgrounding and a Perpetual Spoiled Identity. Journal of Offender Rehabilitation ( 50: 3, 101-118) ISSN(1050-9674) DOI (10.1080/10509674) The Electronic ‘‘Scarlet Letter’’: Criminal Backgrounding and a Perpetual Spoiled Identity DANIEL S. MURPHY Department of Government & Justice Studies, Appalachian State University, Boone, North Carolina, USA BRIAN FULEIHAN Department of Criminology and Criminal Justice, University of South Carolina, -
Looking Back at Auschwitz and Forward to Israel
Looking Back at Auschwitz and Forward to Israel Rabbi Stuart Weinblatt April 13, 2013 Walking through Auschwitz a few weeks ago with members of our synagogue I came face to face for the first time in my life with the place that has become a synonym for the Holocaust. The German form of the word for the nearby Polish town, Oswiecim has become a metaphor for the efforts to annihilate the Jewish people and to extinguish the Jewish religion. Standing and looking at the magnitude of the largest concentration and extermination camp and seeing the crematoria that burned bodies, the piles of ashes and the barracks where people were crowded into cramped, unsanitary conditions, it was clear that Auschwitz is more than a symbolic metaphor. It was real, a place where the massive systematic murder of over a million and a half people was carried out; where, first hundreds, and eventually, thousands of lives were extinguished each and every day, for a period lasting several years, in the effort to exterminate the Jewish people, up until its liberation in 1945. Because of its central location Jews were transported on rail cars from all over Nazi-occupied Europe to Auschwitz to be killed. Despite the cynical words that greeted them, “Arbeit macht frei: work makes free”, despite the deceptive tactics, such as having an orchestra play music when people arrived, contrary to the lies told to them that they were going to take a shower, we know what really transpired there. Upon their arrival inmates were forced to write postcards home telling their families that they had arrived safely, that they should not worry about them, and that they were being treated well. -
Representation of Jews in the Media: an Analysis of Old Hollywood Stereotypes Perpetuated in Modern Television Minnah Marguerite Stein
)ORULGD6WDWH8QLYHUVLW\/LEUDULHV 2021 Representation of Jews in the Media: An Analysis of Old Hollywood Stereotypes Perpetuated in Modern Television Minnah Marguerite Stein Follow this and additional works at DigiNole: FSU's Digital Repository. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATIONS REPRESENTATION OF JEWS IN THE MEDIA: AN ANALYSIS OF OLD HOLLYWOOD STEREOTYPES PERPETUATED IN MODERN TELEVISION By MINNAH STEIN A Thesis submitted to the Department of Communications and Media Studies in partial fulfillment of the requirements for graduation with Honors in the Major Degree Awarded: Summer, 2021 The members of the Defense Committee approve the thesis of Minnah Stein defended on April 2, 2021. Dr. Andrew Opel Thesis Director Dr. Martin Kavka Outside Committee Member Dr. Arienne Ferchaud Committee Member 2 Abstract Anti-Semitism in the United States is just as prevalent today as it has ever been. How does this cultural anti-Semitism translate into the media? Through portraying Jews as greedy, neurotic, pushy, money obsessed, cheap, and a myriad other negative stereotypes, the media often perpetuates long standing anti-Semitic tropes. This thesis analyzes the prevalence of Jewish stereotypes in modern television through the analysis and discussion of three of the most popular current television shows, getting into the nuance and complexity of Jewish representation. Through the deliberate viewing of Big Mouth, The Goldbergs, and Schitt’s Creek, the conclusion is that although an effort is being made to debunk some stereotypes about Jews, there are other Jewish stereotypes that have remained popular in television media. These stereotypes are harmful to Jews because they both feed and fuel the anti-Semitic attitudes of viewers.