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Bibliography Bibliography Abizadeh, Arash, ‘Liberal Nationalist versus Postnational Social Integration: On the Nation’s Ethno-Cultural Particularity and “Concreteness”’, Nations and Nationalism, 10.3 (2004), 231-50 Affleck, Colin, ‘Windows of Opportunity: The Scottish-English Career of Robert Kellie Douglas’, The Drouth, 38 (2010-11), 37-49 Aikman, James, Poems: Chiefly Lyrical, Partly in the Scottish Dialect (Edinburgh: Macredie, Skelly, and Muckersy, 1816) Ainslie, Hew, A Pilgrimage to the Land of Burns (Deptford: the author, 1822) Alker, Sharon, and Holly Faith Nelson, ‘Transatlanticism and Beyond: Robert Burns and the World Wide Web’, in Sharon Alker, Leith Davis, and Holly Faith Nelson, eds, Robert Burns and Transatlantic Culture (Farnham: Ashgate, 2012), pp. 247-60 Anderson, Benedict, Imagined Communities: Reflections on the Origin and Spread of Nationalism (London: Verso, 1991) Andrews, Corey E., ‘“Almost the Same, but Not Quite”: English Poetry by Eighteenth-Century Scots’, Eighteenth Century: Theory and Interpretation, 47.1 (2006), 59-79 ——— ‘Burns the Critic’, in Gerald Carruthers, ed., The Edinburgh Companion to Robert Burns (Edinburgh: Edinburgh University Press, 2009), pp. 110-24 ——— ‘Footnoted Folklore: Robert Burns’s “Halloween”’, in Patrick Scott and Kenneth Simpson, eds, Robert Burns and Friends: Essays by W. Ormiston Roy Fellows Presented to G. Ross Roy (Columbia: University of South Carolina Press, 2012), pp. 24-37 ——— ‘The Genius of Scotland: Robert Burns and his Critics’, International Journal of Scottish Literature, 6 (2010), 1-16 ——— Literary Nationalism in Eighteenth-Century Scottish Club Poetry (Lewiston: Mellen, 2004) ——— ‘Venders, Purchasers, Admirers: Burnsian “Men of Action” from the Nineteenth to the Twenty-First Century’, Scottish Literary Review, 2.1 (2010), 97-115 ——— ‘“Work Poems”: Assessing the Georgic Mode of Eighteenth-Century Working-Class Poetry’, in Sandro Jung, ed., Experiments in Genre in Eighteenth-Century Literature (Ghent: Academic Scientific, 2011), pp. 105-33 Axelsson, Karl, The Sublime: Precursors and British Eighteenth-Century Conceptions (Bern: Peter Lang, 2007) Balfour, Alexander, Contemplation (Edinburgh: Watson, 1820) ——— ‘Elegy to the Memory of Robert Burns’, Edinburgh Magazine or Literary Miscellany, 8 (1796), 465-67 Ball, Margaret, Sir Walter Scott as a Critic of Literature (New York: Columbia University Press, 1907) Basker, James, ‘Scotticisms and the Problem of Cultural Identity in Eighteenth- Century Britain’, in John Dwyer and Richard B. Sher, eds, Sociability and Society in Eighteenth-Century Scotland (Edinburgh: Edinburgh University Press, 1993), pp. 82-95 Beattie, James, Essays on Poetry and Music, 3rd edn (London: Creech, 1779) 268 Bibliography ——— The Minstrel; or, The Progress of Genius, 8th edn (London: Dilly and Creech, 1784) ——— Scotticisms Arranged in Alphabetical Order, Designed to Correct Improprieties of Speech and Writing (Edinburgh: Creech, 1787) Benjamin, Walter, ‘The Work of Art in the Age of Mechanical Reproduction’, in Hannah Arendt, ed., Illuminations, trans. by Harry Zohn (New York: Schocken, 1969), pp. 217-52 Bentman, Raymond, ‘Robert Burns’s Declining Fame’, Studies in Romanticism, 2 (1975), 207-25 Biester, James, ‘Gender and Style in Seventeenth-Century Commendatory Verse’, SEL: Studies in English Literature, 1500-1900, 33.3 (1993), 507-22 Billig, Michael, Banal Nationalism (London: Sage, 1995) Blair, Hugh, A Critical Dissertation on the Poems of Ossian the Son of Fingal (London: Becket and De Hondt, 1763) ——— Lectures on Rhetoric and Belles-Lettres, 2 vols (London: Strahan and Cadell, 1783) Blind Harry, Wallace, trans. by William Hamilton of Gilbertfield (Glasgow: Duncan, 1722) Bloom, Harold, The Anxiety of Influence (New York: Oxford University Press, 1973) ——— Genius: A Mosaic of One Hundred Exemplary Creative Minds (New York: Warner Books, 2002) ——— A Map of Misreading (New York: Oxford University Press, 1975) Bold, Valentina, James Hogg: A Bard of Nature’s Making (Oxford: Peter Lang, 2007) ——— ‘Janet Little “The Scotch Milkmaid” and “Peasant Poetry”’, Scottish Literary Journal, 20.2 (1993), 21-30 Bourdieu, Pierre, Distinction: A Social Critique of the Judgement of Taste, trans. by Richard Nice (Cambridge: Harvard University Press, 1984) ——— The Field of Cultural Production: Essays on Art and Literature, ed. by Randal Johnson (New York: Columbia University Press, 1993) ——— ‘The Forms of Capital’, in Hugh Lauder and others, eds, Education, Globalisation and Social Change (Oxford: Oxford University Press, 2006), pp. 105-19 ——— The Rules of Art: Genesis and Structure of the Literary Field, trans. by Susan Emanuel (Stanford: Stanford University Press, 1996) Brown, Marshall, Preromanticism (Stanford: Stanford University Press, 1991) Brown, Rhona, ‘Allan Ramsay, Robert Fergusson and Robert Burns’, in Sergeant and Stafford, eds, Burns and Other Poets, pp. 23-38 ——— ‘“Guid Black Prent”: Robert Burns and the Contemporary Scottish and American Periodical Press’, in Sharon Alker, Leith Davis, and Holly Faith Nelson, eds, Robert Burns and Transatlantic Culture (Farnham: Ashgate, 2012), pp. 71-86 ——— Robert Fergusson and the Scottish Periodical Press (Farnham: Ashgate, 2012) Buchan, James, Crowded with Genius, The Scottish Enlightenment: Edinburgh’s Moment of the Mind (New York: Harper Collins, 2003) Bunyan, John, Pilgrim’s Progress (New York: Collier, 1909) Burd, Henry Alfred, ‘Joseph Ritson: A Critical Biography’ (unpublished doctoral dissertation, University of Illinois, 1915) .
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