DOCSLIB.ORG

Phineas Redux PDF Book

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Phineas Redux PDF Book PHINEAS REDUX PDF, EPUB, EBOOK Anthony Trollope,John Bowen | 640 pages | 17 Dec 2011 | Oxford University Press | 9780199583485 | English | Oxford, United Kingdom Phineas Redux PDF Book Ch The Two Gladiators. Books by Anthony Trollope. His innate ability to charm the fairer sex is his Achilles heel but also maybe his secret superpower. Ch The Last Visit to Saulsby. But I can't help but feel he's so touchy and fickle that he's tiresome. External Websites. To ask other readers questions about Phineas Redux , please sign up. The is a level of cynicism here not present in the first outing of Phineas Finn. It was fun to have another book dedicated to him. The Duchess of Omnium. Ch Phineas Finn's Success. In a stroke, then, Trollope restores him as a protagonist capable of getting caught in the turmoil of Parliament. User icon An illustration of a person's head and chest. Ch The Address. What would you do without a bevy of beauties to guide you and love you? Lady Laura becomes gradually unhinged from her miserable marriage, the loneliness of isolation from the society she loves due to her separation from her overly religious, rigid and unloving husband, and bitterness over her loss of Phineas' love. The Prime Minister. So as much as I enjoyed their romance, it truly was superfluous to Phineas's story and a cruel distraction. Afterwards, Finn, worn out by the ordeal and disillusioned with politics, refuses an invitation to take office in the government, and marries Madame Max. Ch Tankerville. You said people wanted women with more backbone. I have enjoyed each volume of the Palliser series which is themed around, you guessed it, politics and hunting immensely, each in its own right, and as a series. Upon returning to London, Phineas innocently accepts a few invitations from old friends, one of whom is Lady Laura Kennedy. Sign up Log in. One character remarked to her friend, who was a Member of Parliament: What a pleasure! Its a classic piece on scapegoating and jealousy. As you can tell, not a favourite in what has been up to no The "weakest" link in The Palliser series to date. He and Bonteen had been seen to quarrel publicly on the night of the murder and all the circumstantial evidence points to him, while Emilius did not have a key to exit his lodgings with. Trouble ensues. Yet Trollope's effort to derive some drama from putting his central character on trial doesn't work as well as it should. Or Madame Goestler? You want copy, so I just go on for a few pages describing what happened over the weekend down in the country. Details if other :. That is to say he has returned from Ireland, where his inconvenient wife has conveniently died. In the Barsetshire series, we are introduced to the structure of government paid clergyman and the the rise and fall of these men. The first half is taken up with Phineas' return to London, and the wrangling to get back into a seat in Parliament. This could be read as a stand alone novel because Trollope provides as much backstory as you need to understand the current events. They rang from love stories, political intrigue and of course, the Fox Hunt and issues surrounding the hunt like horses, fox, land use, poachers, etc. Are these series connected? Ch Copperhouse Cross and Broughton Spinnies. In that case, we can't One must be very hard driven for amusement! Women still love Phineas, but the shine is a little tarnished. Ch "I would do it now". Spooner of Spoon Hall stands out. Phineas Finn is living in Dublin, alone, since his wife has died, and though he has a good job and a healthy income he is bored. Eventually he is acquitted and leaves political life in disgust. Phineas Redux is no exception. Her husband, on the other hand, was concerned that he would be ineligible to be chancellor of the exchequer again, and that he may not be able to see his work to reform the currency through to the end. Download as PDF Printable version. Phineas Redux Writer New evidence of the duplicity of Emilius was found through the ingenuity of Madame Goesler , and Phineas was acquitted. Let us know if you have suggestions to improve this article requires login. But he's boring in his innocence. His life as definitely not turned out like he thought it would at the end of Phineas Finn. She closed her heart to him One character remarked to her friend, who was a Member of Parliament: What a pleasure! Phineas can still be a rather frustrating hero, but I do think that he is able to remain true to his convictions and come off well generally. That blatant anti-Semitism — trust me, Emilius is identified as a Jew a good two dozen times — comes without apology. There are many issues developed among many characters. He falls in love--almost immediately--with Laura Standish who's the daughter of an Earl. They had house-guests, and that set off a subplot — a love triangle that had echoes of one from an earlier book and yet was quite different. He does not forget his characters and what purpose they serve to the story, the stories are entwined together. But that's another article More Details Phineas Finn is the fourth in Trollope's series of six Palliser novels. Ch Coming Home from Hunting. Ch The Second Thunderbolt. I love the contrast of the starchy, reticent, but very noble and devoted Plantagenet to Glencora's impulsive, headlong enthusiasm. This is what I want from Trollope! And she proved to be the best of friends to Phineas. Anthony Trollope. But with the other books I enjoyed being as concerned as the characters about the silly bullshit of their privileged lives. I was a tiny bit hesitant to embark on Phineas Redux within mere days of finishing The Eustace Diamonds. More filters. I have a trip to Egypt coming up, so all of my extra mural reading is shifting in that direction. Ch Trumpeton Wood. And what characters they are. Phineas is a man whose feminine qualities make him too beloved of women. However it is the female characters who again take centre stage and shine through. I Only Anthony Trollope could make British parliamentary politics and fox hunting two topics that I had barely considered before reading these books so interesting, so full of personal intrigue, and so deliciously page-turning. There is insightful character development, romance, there is politcs, there is humour, there is conflict--in essense there are are all of the things that make the Palliser novels, even though I didn't like this one quite as much as the previous three but certainly loved parts of it. Phineas Redux Reviews In "Phineas Redux" Trollope shows us how politics never changes though the issues maybe different. Nearly the full cast from his previous novels in the series makes an appearance, even if a couple of them feel shoehorned in. Phineas Redux. This could be read as a stand alone novel because Trollope provides as much backstory as you need to understand the current events. Start your review of Phineas Redux Palliser, 4. As you can tell, not a favourite in what has been up to no The "weakest" link in The Palliser series to date. He wakes up out of his dream as a result. Images Donate icon An illustration of a heart shape Donate Ellipses icon An illustration of text ellipses. Laura, as ideal, has lost her youth, therefore her beauty, and therefore what she once represented to Phineas. Makes me want to leave the room, it really does. Most important of all there is Lady Glencora, now the Duchess of Omnium, and her circle, which includes the talented and enigmatic Madame Max Goesler. As we meet Phineas again, though, things have changed. Emilius and Lady Eustace. True, the hero gets married off to a rich and sexy lady at the end, but along the way the meandering plot touches on madness, murder and shady politics. Open Preview See a Problem? Ch The End of the Story of Mr. Ch Political Venom. As in the first book, Phineas is irresistible to women. The second half of 'Phineas Redux' is a murder trial, and I don't think it works with the "not important, very predictable, but fun! View all 5 comments. Trollope at his best; if you like him you'll love this. She remained a good friend to the Duke, whose health was failing, and whose death would bring her a bequest that she was not prepared to accept. We need more Madame Goestler. The issue brought forward in The House of Commons is changing of the whole Church and State structure. Facebook Twitter. Ch Phineas Finn is Re-elected. But the salacious press gets wind of the story when Robert Kennedy makes public his efforts to "get his wife back" and blames Phineas Finn for her leaving, implying an affair. Ch The Meager Family. Phineas Redux Read Online In short, they are, by Victorian standards, totally bad-ass. Co-founder, The Fortnightly Review. In a stroke, then, Trollope restores him as a protagonist capable of getting caught in the turmoil of Parliament. Are these series connected? Goodreads helps you keep track of books you want to read. Spooner of Spoon Hall stands out. Lady Laura Kennedy had fled to the continent, to escape her cold, unsympathetic husband. I don't think I would have called him that because he certainly was deceived by Laura who certainly tried him and brought the jealousy to the couple which certainly was justifiable from the way that Laura rejected him, though his way of life different from hers.
Load more

Recommended publications
  • Men, Women, and Property in Trollope's Novels Janette Rutterford
    Accounting Historians Journal Volume 33 Article 9 Issue 2 December 2006 2006 Frank must marry money: Men, women, and property in Trollope's novels Janette Rutterford Josephine Maltby Follow this and additional works at: https://egrove.olemiss.edu/aah_journal Part of the Accounting Commons, and the Taxation Commons Recommended Citation Rutterford, Janette and Maltby, Josephine (2006) "Frank must marry money: Men, women, and property in Trollope's novels," Accounting Historians Journal: Vol. 33 : Iss. 2 , Article 9. Available at: https://egrove.olemiss.edu/aah_journal/vol33/iss2/9 This Article is brought to you for free and open access by the Archival Digital Accounting Collection at eGrove. It has been accepted for inclusion in Accounting Historians Journal by an authorized editor of eGrove. For more information, please contact [email protected]. Rutterford and Maltby: Frank must marry money: Men, women, and property in Trollope's novels Accounting Historians Journal Vol. 33, No. 2 December 2006 pp. 169-199 Janette Rutterford OPEN UNIVERSITY INTERFACES and Josephine Maltby UNIVERSITY OF YORK FRANK MUST MARRY MONEY: MEN, WOMEN, AND PROPERTY IN TROLLOPE’S NOVELS Abstract: There is a continuing debate about the extent to which women in the 19th century were involved in economic life. The paper uses a reading of a number of novels by the English author Anthony Trollope to explore the impact of primogeniture, entail, and the mar- riage settlement on the relationship between men and women and the extent to which women were involved in the ownership, transmission, and management of property in England in the mid-19th century. INTRODUCTION A recent Accounting Historians Journal article by Kirkham and Loft [2001] highlighted the relevance for accounting history of Amanda Vickery’s study “The Gentleman’s Daughter.” Vickery [1993, pp.
    [Show full text]
  • Framley Parsonage: the Chronicles of Barsetshire Pdf, Epub, Ebook
    FRAMLEY PARSONAGE: THE CHRONICLES OF BARSETSHIRE PDF, EPUB, EBOOK Anthony Trollope,Katherine Mullin,Francis O'Gorman | 528 pages | 01 Dec 2014 | Oxford University Press | 9780199663156 | English | Oxford, United Kingdom Framley Parsonage: The Chronicles of Barsetshire PDF Book It is funny too, because I remember the first time I read this series almost 20 years ago I did not appreciate the last four nearly so much at the first two. This first-ever bio… More. Start your review of Framley Parsonage Chronicles of Barsetshire 4. George Gissing was an English novelist, who wrote twenty-three novels between and I love the wit, variety and characterisation in the series and this wonderful book is no exception. There is no cholera, no yellow-fever, no small-pox, more contagious than debt. Troubles visit the Robarts in the form of two main plots: one financial, and one romantic. The other marriage is that of the outspoken heiress, Martha Dunstable, to Doctor Thorne , the eponymous hero of the preceding novel in the series. For all the basic and mundane humanity of its story, one gets flashes of steel, and darkness, behind all the Barsetshirian goodness. But this is not enough for Mark whose ambitions lie beyond the small parish of Framley. Lucy, much like Mary Thorne in Doctor Thorne acts precisely within appropriate boundaries, but also speaks her mind and her conduct does much towards securing her own happiness. Lucy's conduct and charity especially towards the family of poor priest Josiah Crawley weaken her ladyship's resolve. Audio MP3 on CD. On the romantic side there are also some more love stories with a lot less passion, starring some of our acquaintances.
    [Show full text]
  • Dickens, Trollope, Thackeray and First-Person
    ‘ALLOW ME TO INTRODUCE MYSELF — FIRST, NEGATIVELY’: CHARLES DICKENS, ANTHONY TROLLOPE, WILLIAM MAKEPEACE THACKERAY AND FIRST-PERSON JOURNALISM IN THE 1860S FAMILY MAGAZINE HAZEL MACKENZIE PHD THE UNIVERSITY OF YORK DEPARTMENT OF ENGLISH AND RELATED LITERATURE SEPTEMBER 2010 ABSTRACT This thesis examines the editorial contributions of W.M. Thackeray, Charles Dickens and Anthony Trollope to the Cornhill Magazine, All the Year Round and Saint Pauls Magazine, analyzing their cultivation of a familiar or personal style of journalism in the context of the 1860s family magazine and its rhetoric of intimacy. Focusing on their first-person journalistic series, it argues that these writers/editors used these contributions as a means of establishing a seemingly intimate and personal relationship with their readers, and considers the various techniques that they used to develop that relationship, including their use of first-person narration, autobiography, the anecdote, dream sequences and memory. It contends that those same contributions questioned and critiqued the depiction of reader-writer relations which they simultaneously propagated, highlighting the distinction between this portrayal and the realities of the industrialized and commercialized world of periodical journalism. It places this within the context of the discourse of family that was integral to the identity of these magazines, demonstrating how these series both held up and complicated the idealized image of Victorian domesticity that was promoted by the mainstream periodical culture of the day, maintaining that this was a standard feature of family magazine journalism and theorizing that this was in fact a large part of its popular appeal to the family market. The introductory chapter examines the discourse of family that dominated the mid-range magazines of the 1860s and how this ties in with the series’ rhetoric of intimacy.
    [Show full text]
  • THE TROLLOPE CRITICS Also by N
    THE TROLLOPE CRITICS Also by N. John Hall THE NEW ZEALANDER (editor) SALMAGUNDI: BYRON, ALLEGRA, AND THE TROLLOPE FAMILY TROLLOPE AND HIS ILLUSTRATORS THE TROLLOPE CRITICS Edited by N. John Hall Selection and editorial matter © N. John Hall 1981 Softcover reprint of the hardcover 1st edition 1981 978-0-333-26298-6 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1981 by THE MACMILLAN PRESS LTD London and Basingstoke Companies and representatives throughout the world ISBN 978-1-349-04608-9 ISBN 978-1-349-04606-5 (eBook) DOI 10.1007/978-1-349-04606-5 Typeset in 10/12pt Press Roman by STYLESET LIMITED ·Salisbury· Wiltshire Contents Introduction vii HENRY JAMES Anthony Trollope 21 FREDERIC HARRISON Anthony Trollope 21 w. P. KER Anthony Trollope 26 MICHAEL SADLEIR The Books 34 Classification of Trollope's Fiction 42 PAUL ELMER MORE My Debt to Trollope 46 DAVID CECIL Anthony Trollope 58 CHAUNCEY BREWSTER TINKER Trollope 66 A. 0. J. COCKSHUT Human Nature 75 FRANK O'CONNOR Trollope the Realist 83 BRADFORD A. BOOTH The Chaos of Criticism 95 GERALD WARNER BRACE The World of Anthony Trollope 99 GORDON N. RAY Trollope at Full Length 110 J. HILLIS MILLER Self and Community 128 RUTH apROBERTS The Shaping Principle 138 JAMES GINDIN Trollope 152 DAVID SKILTON Trollopian Realism 160 C. P. SNOW Trollope's Art 170 JOHN HALPERIN Fiction that is True: Trollope and Politics 179 JAMES R. KINCAID Trollope's Narrator 196 JULIET McMASTER The Author in his Novel 210 Notes on the Authors 223 Selected Bibliography 226 Index 243 Introduction The criticism of Trollope's works brought together in this collection has been drawn from books and articles published since his death.
    [Show full text]
  • Gamblers and Gentlefolk: Money, Law and Status in Trollope's England
    Gamblers and Gentlefolk: Money, Law and Status in Trollope’s England Nicola Lacey LSE Law, Society and Economy Working Papers 03/2016 London School of Economics and Political Science Law Department This paper can be downloaded without charge from LSE Law, Society and Economy Working Papers at: www.lse.ac.uk/collections/law/wps/wps.htm and the Social Sciences Research Network electronic library at: http://ssrn.com/abstract=2745378. © Nicola Lacey. Users may download and/or print one copy to facilitate their private study or for non-commercial research. Users may not engage in further distribution of this material or use it for any profit-making activities or any other form of commercial gain. Gamblers and Gentlefolk: Money, Law and Status in Trollope’s England Nicola Lacey* Abstract: This paper examines the range of very different conceptions of money and its legal and social significance in the novels of Anthony Trollope, considering what they can tell us about the rapidly changing economic, political and social world of mid Victorian England. It concentrates in particular on Orley Farm (1862) — the novel most directly concerned with law among Trollope’s formidable output — and The Way We Live Now (1875) — the novel most directly concerned with the use and abuse of money in the early world of financial capitalism. The paper sets the scene by sketching the main critiques of money in the history of the novel. Drawing on a range of literary examples, it notes that these critiques significantly predate the development of industrial let alone financial capitalism. Probably the deepest source of ambivalence about money in the novel has to do with ‘commodification’.
    [Show full text]
  • Trollopiana 100 Free Sample
    THE JOURNAL OF THE Number 100 ~ Winter 2014/15 Bicentenary Edition EDITORIAL ~ 1 Contents Editorial Number 100 ~ Winter 2014-5 his 100th issue of Trollopiana marks the beginning of our FEATURES celebrations of Trollope’s birth 200 years ago on 24th April 1815 2 A History of the Trollope Society Tat 16 Keppel Street, London, the fourth surviving child of Thomas Michael Helm, Treasurer of the Trollope Society, gives an account of the Anthony Trollope and Frances Milton Trollope. history of the Society from its foundation by John Letts in 1988 to the As Trollope’s life has unfolded in these pages over the years present day. through members’ and scholars’ researches, it seems appropriate to begin with the first of a three-part series on the contemporary criticism 6 Not Only Ayala Dreams of an Angel of Light! If you have ever thought of becoming a theatre angel, now is your his novels created, together with a short history of the formation of our opportunity to support a production of Craig Baxter’s play Lady Anna at Society. Sea. During this year we hope to reach a much wider audience through the media and publications. Two new books will be published 7 What They Said About Trollope At The Time Dr Nigel Starck presents the first in a three-part review of contemporary by members: Dispossessed, the graphic novel based on John Caldigate by critical response to Trollope’s novels. He begins with Part One, the early Dr Simon Grennan and Professor David Skilton, and a new full version years of 1847-1858.
    [Show full text]
  • The Art of Popular Fiction
    THE ART OF POPULAR FICTION GENDER, AUTHORSHIP AND AESTHETICS IN THE WRITING OF OUIDA A thesis submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy in English in the University of Canterbury by Carla Molloy University of Canterbury 2008 Table of Contents Acknowledgments............................................................................................3 Abstract ............................................................................................................4 Introduction ......................................................................................................6 i. Introducing Ouida.................................................................................7 ii. Ouida: A Critical Survey ...................................................................15 iii. Ouida and Women's Authorship in the Nineteenth Century..............40 iv. Outline of Thesis...............................................................................46 Chapter 1: Beginnings. Strathmore, Gender and Authorship..........................52 Chapter 2: Tricotrin, Professionalism and High Art .....................................101 Chapter 3: Women, Realism and Friendship ................................................157 Chapter 4: Aestheticism and Consumer Culture in Princess Napraxine .....................................................................................................228 Afterword .....................................................................................................284
    [Show full text]
  • Anthony Trollope and His Contemporaries
    Anthony Trollope and his Contemporaries A Study in the Theory and Conventions of Mid-Victorian Fiction David Skilton Published in Great Britain by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world First edition (Longman) 1972 Reissued with alterations (Macmillan) 1996 A catalogue record for this book is available from the British Library. ISBN 978-0-333-62887-4 ISBN 978-1-349-24693-9 (eBook) DOI 10.1007/978-1-349-24693-9 First published in the United States of America 1996 by ST. MARTIN'S PRESS, INC., Scholarly and Reference Division, 175 Fifth Avenue, New York, N.Y. 10010 ISBN 978-0-312-15879-8 Library of Congress Cataloging-in-Publication Data Skilton, David. Anthony Trollope and his contemporaries : a study in the theory and conventions of mid-Victorian fiction I David Skilton p. em. Originally published: London : Longman, 1972. Includes bibliographical references (p. ) and index. ISBN 978-0-312-15879-8 I. Trollope, Anthony, 1815-1882-Aesthetics. 2. English fiction-19th century-History and criticism-Theory, etc. 3. Trollope, Anthony, 1815-1882-Contemporaries. 4. Great Britain­ -History-Victoria, 1837-1901. 5. Aesthetics, British--19th century. I. Title. PR5687.S5 1996 823' .8-dc20 96-7527 CIP © David Skilton 1972, 1996 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W 1P 9HE.
    [Show full text]
  • Dissent Women in Anthony Trollope's Fiction: a Sympathetic Portrayal
    UNLV Retrospective Theses & Dissertations 1-1-1993 Dissent women in Anthony Trollope's fiction: A sympathetic portrayal Elisabeth Morton McLaren University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation McLaren, Elisabeth Morton, "Dissent women in Anthony Trollope's fiction: A sympathetic portrayal" (1993). UNLV Retrospective Theses & Dissertations. 2982. http://dx.doi.org/10.25669/uqts-wcbg This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced frommicrofilm the master, UMI film s the text directly from theoriginal or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent uponq u a lity theof the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandardmargins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted.
    [Show full text]
  • Boucher, Abigail Kate (2015) Representations of the Aristocratic Body in Victorian Literature
    Boucher, Abigail Kate (2015) Representations of the aristocratic body in Victorian literature. PhD thesis. https://theses.gla.ac.uk/7059/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Representations of the Aristocratic Body in Victorian Literature Abigail Kate Boucher MScR: Victorian Literature; B.A. (hons): English Literature Submitted in fulfilment of the requirements for the Degree of Ph.D. in English Literature School of Critical Studies College of Arts University of Glasgow October 2015 2 ABSTRACT This thesis examines the representations of the aristocratic body in Victorian literature. This thesis argues that the authors often wrote, coded, and interpreted an aristocrat’s physical form as a paradoxical object which reflected many of the complex interclass issues and socio-economic transitions seen throughout the Victorian era. By exploring distinct, sequential genres and types of ‘popular’ fiction in this dissertation, I investigate a broad-spectrum literary treatment of aristocratic bodies as cultural paradoxes: for the same usage of the aristocratic body to crop up again and again in disparate, discrete, and hugely popular forms of literature speaks to the nineteenth-century resonance of the aristocratic body as a codeable symbol and textual object.
    [Show full text]
  • Dickens, Trollope, Thackeray and First-Person
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by White Rose E-theses Online ‘ALLOW ME TO INTRODUCE MYSELF — FIRST, NEGATIVELY’: CHARLES DICKENS, ANTHONY TROLLOPE, WILLIAM MAKEPEACE THACKERAY AND FIRST-PERSON JOURNALISM IN THE 1860S FAMILY MAGAZINE HAZEL MACKENZIE PHD THE UNIVERSITY OF YORK DEPARTMENT OF ENGLISH AND RELATED LITERATURE SEPTEMBER 2010 ABSTRACT This thesis examines the editorial contributions of W.M. Thackeray, Charles Dickens and Anthony Trollope to the Cornhill Magazine, All the Year Round and Saint Pauls Magazine, analyzing their cultivation of a familiar or personal style of journalism in the context of the 1860s family magazine and its rhetoric of intimacy. Focusing on their first-person journalistic series, it argues that these writers/editors used these contributions as a means of establishing a seemingly intimate and personal relationship with their readers, and considers the various techniques that they used to develop that relationship, including their use of first-person narration, autobiography, the anecdote, dream sequences and memory. It contends that those same contributions questioned and critiqued the depiction of reader-writer relations which they simultaneously propagated, highlighting the distinction between this portrayal and the realities of the industrialized and commercialized world of periodical journalism. It places this within the context of the discourse of family that was integral to the identity of these magazines, demonstrating how these series both held up and complicated the idealized image of Victorian domesticity that was promoted by the mainstream periodical culture of the day, maintaining that this was a standard feature of family magazine journalism and theorizing that this was in fact a large part of its popular appeal to the family market.
    [Show full text]
  • THE EUSTACE DIAMONDS by Anthony Trollope
    THE EUSTACE DIAMONDS by Anthony Trollope THE AUTHOR Anthony Trollope (1815-1882) was born in London to a failed barrister and a novelist whose writing for many years supported the family. Financial difficulties forced him to transfer from one school to another and prevented a university education. At age 19 he began work for the Post Office, for which he labored for more than thirty years. His earliest novels, written in Ireland in the late 1840s, were not especially successful, but with the publication of The Warden in 1855, he began the series of six Barsetshire novels, known as the Barchester Chronicles, focusing on the daily issues of church politics in upper middle-class England, that would prove to be the foundation of his reputation. Trollope was by personal profession a High Churchman, but sought to find good in evangelicals and reformers as he skewered their enthusiasm; he consistently attacked, not the Church, but its foibles. His writing technique was disciplined to say the least. Rising daily at 5:30 and writing at the steady rate of a thousand words per hour until time to report to the Post Office (from which he finally retired in 1867 to devote his full time to writing, after which he worked until 11:00 A.M.), he methodically produced sixty-five books, forty-seven of which were novels, writing even while he was traveling abroad to places as far-flung as Australia, Ceylon, Iceland, and even America (of which, like Dickens, he was very critical). He continued to write until the end, and died of a sudden stroke at the age of 67.
    [Show full text]