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Men, Women, and Property in Trollope's Novels Janette Rutterford
Accounting Historians Journal Volume 33 Article 9 Issue 2 December 2006 2006 Frank must marry money: Men, women, and property in Trollope's novels Janette Rutterford Josephine Maltby Follow this and additional works at: https://egrove.olemiss.edu/aah_journal Part of the Accounting Commons, and the Taxation Commons Recommended Citation Rutterford, Janette and Maltby, Josephine (2006) "Frank must marry money: Men, women, and property in Trollope's novels," Accounting Historians Journal: Vol. 33 : Iss. 2 , Article 9. Available at: https://egrove.olemiss.edu/aah_journal/vol33/iss2/9 This Article is brought to you for free and open access by the Archival Digital Accounting Collection at eGrove. It has been accepted for inclusion in Accounting Historians Journal by an authorized editor of eGrove. For more information, please contact [email protected]. Rutterford and Maltby: Frank must marry money: Men, women, and property in Trollope's novels Accounting Historians Journal Vol. 33, No. 2 December 2006 pp. 169-199 Janette Rutterford OPEN UNIVERSITY INTERFACES and Josephine Maltby UNIVERSITY OF YORK FRANK MUST MARRY MONEY: MEN, WOMEN, AND PROPERTY IN TROLLOPE’S NOVELS Abstract: There is a continuing debate about the extent to which women in the 19th century were involved in economic life. The paper uses a reading of a number of novels by the English author Anthony Trollope to explore the impact of primogeniture, entail, and the mar- riage settlement on the relationship between men and women and the extent to which women were involved in the ownership, transmission, and management of property in England in the mid-19th century. INTRODUCTION A recent Accounting Historians Journal article by Kirkham and Loft [2001] highlighted the relevance for accounting history of Amanda Vickery’s study “The Gentleman’s Daughter.” Vickery [1993, pp. -
Framley Parsonage: the Chronicles of Barsetshire Pdf, Epub, Ebook
FRAMLEY PARSONAGE: THE CHRONICLES OF BARSETSHIRE PDF, EPUB, EBOOK Anthony Trollope,Katherine Mullin,Francis O'Gorman | 528 pages | 01 Dec 2014 | Oxford University Press | 9780199663156 | English | Oxford, United Kingdom Framley Parsonage: The Chronicles of Barsetshire PDF Book It is funny too, because I remember the first time I read this series almost 20 years ago I did not appreciate the last four nearly so much at the first two. This first-ever bio… More. Start your review of Framley Parsonage Chronicles of Barsetshire 4. George Gissing was an English novelist, who wrote twenty-three novels between and I love the wit, variety and characterisation in the series and this wonderful book is no exception. There is no cholera, no yellow-fever, no small-pox, more contagious than debt. Troubles visit the Robarts in the form of two main plots: one financial, and one romantic. The other marriage is that of the outspoken heiress, Martha Dunstable, to Doctor Thorne , the eponymous hero of the preceding novel in the series. For all the basic and mundane humanity of its story, one gets flashes of steel, and darkness, behind all the Barsetshirian goodness. But this is not enough for Mark whose ambitions lie beyond the small parish of Framley. Lucy, much like Mary Thorne in Doctor Thorne acts precisely within appropriate boundaries, but also speaks her mind and her conduct does much towards securing her own happiness. Lucy's conduct and charity especially towards the family of poor priest Josiah Crawley weaken her ladyship's resolve. Audio MP3 on CD. On the romantic side there are also some more love stories with a lot less passion, starring some of our acquaintances. -
Dickens, Trollope, Thackeray and First-Person
‘ALLOW ME TO INTRODUCE MYSELF — FIRST, NEGATIVELY’: CHARLES DICKENS, ANTHONY TROLLOPE, WILLIAM MAKEPEACE THACKERAY AND FIRST-PERSON JOURNALISM IN THE 1860S FAMILY MAGAZINE HAZEL MACKENZIE PHD THE UNIVERSITY OF YORK DEPARTMENT OF ENGLISH AND RELATED LITERATURE SEPTEMBER 2010 ABSTRACT This thesis examines the editorial contributions of W.M. Thackeray, Charles Dickens and Anthony Trollope to the Cornhill Magazine, All the Year Round and Saint Pauls Magazine, analyzing their cultivation of a familiar or personal style of journalism in the context of the 1860s family magazine and its rhetoric of intimacy. Focusing on their first-person journalistic series, it argues that these writers/editors used these contributions as a means of establishing a seemingly intimate and personal relationship with their readers, and considers the various techniques that they used to develop that relationship, including their use of first-person narration, autobiography, the anecdote, dream sequences and memory. It contends that those same contributions questioned and critiqued the depiction of reader-writer relations which they simultaneously propagated, highlighting the distinction between this portrayal and the realities of the industrialized and commercialized world of periodical journalism. It places this within the context of the discourse of family that was integral to the identity of these magazines, demonstrating how these series both held up and complicated the idealized image of Victorian domesticity that was promoted by the mainstream periodical culture of the day, maintaining that this was a standard feature of family magazine journalism and theorizing that this was in fact a large part of its popular appeal to the family market. The introductory chapter examines the discourse of family that dominated the mid-range magazines of the 1860s and how this ties in with the series’ rhetoric of intimacy. -
THE TROLLOPE CRITICS Also by N
THE TROLLOPE CRITICS Also by N. John Hall THE NEW ZEALANDER (editor) SALMAGUNDI: BYRON, ALLEGRA, AND THE TROLLOPE FAMILY TROLLOPE AND HIS ILLUSTRATORS THE TROLLOPE CRITICS Edited by N. John Hall Selection and editorial matter © N. John Hall 1981 Softcover reprint of the hardcover 1st edition 1981 978-0-333-26298-6 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1981 by THE MACMILLAN PRESS LTD London and Basingstoke Companies and representatives throughout the world ISBN 978-1-349-04608-9 ISBN 978-1-349-04606-5 (eBook) DOI 10.1007/978-1-349-04606-5 Typeset in 10/12pt Press Roman by STYLESET LIMITED ·Salisbury· Wiltshire Contents Introduction vii HENRY JAMES Anthony Trollope 21 FREDERIC HARRISON Anthony Trollope 21 w. P. KER Anthony Trollope 26 MICHAEL SADLEIR The Books 34 Classification of Trollope's Fiction 42 PAUL ELMER MORE My Debt to Trollope 46 DAVID CECIL Anthony Trollope 58 CHAUNCEY BREWSTER TINKER Trollope 66 A. 0. J. COCKSHUT Human Nature 75 FRANK O'CONNOR Trollope the Realist 83 BRADFORD A. BOOTH The Chaos of Criticism 95 GERALD WARNER BRACE The World of Anthony Trollope 99 GORDON N. RAY Trollope at Full Length 110 J. HILLIS MILLER Self and Community 128 RUTH apROBERTS The Shaping Principle 138 JAMES GINDIN Trollope 152 DAVID SKILTON Trollopian Realism 160 C. P. SNOW Trollope's Art 170 JOHN HALPERIN Fiction that is True: Trollope and Politics 179 JAMES R. KINCAID Trollope's Narrator 196 JULIET McMASTER The Author in his Novel 210 Notes on the Authors 223 Selected Bibliography 226 Index 243 Introduction The criticism of Trollope's works brought together in this collection has been drawn from books and articles published since his death. -
Gamblers and Gentlefolk: Money, Law and Status in Trollope's England
Gamblers and Gentlefolk: Money, Law and Status in Trollope’s England Nicola Lacey LSE Law, Society and Economy Working Papers 03/2016 London School of Economics and Political Science Law Department This paper can be downloaded without charge from LSE Law, Society and Economy Working Papers at: www.lse.ac.uk/collections/law/wps/wps.htm and the Social Sciences Research Network electronic library at: http://ssrn.com/abstract=2745378. © Nicola Lacey. Users may download and/or print one copy to facilitate their private study or for non-commercial research. Users may not engage in further distribution of this material or use it for any profit-making activities or any other form of commercial gain. Gamblers and Gentlefolk: Money, Law and Status in Trollope’s England Nicola Lacey* Abstract: This paper examines the range of very different conceptions of money and its legal and social significance in the novels of Anthony Trollope, considering what they can tell us about the rapidly changing economic, political and social world of mid Victorian England. It concentrates in particular on Orley Farm (1862) — the novel most directly concerned with law among Trollope’s formidable output — and The Way We Live Now (1875) — the novel most directly concerned with the use and abuse of money in the early world of financial capitalism. The paper sets the scene by sketching the main critiques of money in the history of the novel. Drawing on a range of literary examples, it notes that these critiques significantly predate the development of industrial let alone financial capitalism. Probably the deepest source of ambivalence about money in the novel has to do with ‘commodification’. -
Trollopiana 100 Free Sample
THE JOURNAL OF THE Number 100 ~ Winter 2014/15 Bicentenary Edition EDITORIAL ~ 1 Contents Editorial Number 100 ~ Winter 2014-5 his 100th issue of Trollopiana marks the beginning of our FEATURES celebrations of Trollope’s birth 200 years ago on 24th April 1815 2 A History of the Trollope Society Tat 16 Keppel Street, London, the fourth surviving child of Thomas Michael Helm, Treasurer of the Trollope Society, gives an account of the Anthony Trollope and Frances Milton Trollope. history of the Society from its foundation by John Letts in 1988 to the As Trollope’s life has unfolded in these pages over the years present day. through members’ and scholars’ researches, it seems appropriate to begin with the first of a three-part series on the contemporary criticism 6 Not Only Ayala Dreams of an Angel of Light! If you have ever thought of becoming a theatre angel, now is your his novels created, together with a short history of the formation of our opportunity to support a production of Craig Baxter’s play Lady Anna at Society. Sea. During this year we hope to reach a much wider audience through the media and publications. Two new books will be published 7 What They Said About Trollope At The Time Dr Nigel Starck presents the first in a three-part review of contemporary by members: Dispossessed, the graphic novel based on John Caldigate by critical response to Trollope’s novels. He begins with Part One, the early Dr Simon Grennan and Professor David Skilton, and a new full version years of 1847-1858. -
The Art of Popular Fiction
THE ART OF POPULAR FICTION GENDER, AUTHORSHIP AND AESTHETICS IN THE WRITING OF OUIDA A thesis submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy in English in the University of Canterbury by Carla Molloy University of Canterbury 2008 Table of Contents Acknowledgments............................................................................................3 Abstract ............................................................................................................4 Introduction ......................................................................................................6 i. Introducing Ouida.................................................................................7 ii. Ouida: A Critical Survey ...................................................................15 iii. Ouida and Women's Authorship in the Nineteenth Century..............40 iv. Outline of Thesis...............................................................................46 Chapter 1: Beginnings. Strathmore, Gender and Authorship..........................52 Chapter 2: Tricotrin, Professionalism and High Art .....................................101 Chapter 3: Women, Realism and Friendship ................................................157 Chapter 4: Aestheticism and Consumer Culture in Princess Napraxine .....................................................................................................228 Afterword .....................................................................................................284 -
Anthony Trollope and His Contemporaries
Anthony Trollope and his Contemporaries A Study in the Theory and Conventions of Mid-Victorian Fiction David Skilton Published in Great Britain by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world First edition (Longman) 1972 Reissued with alterations (Macmillan) 1996 A catalogue record for this book is available from the British Library. ISBN 978-0-333-62887-4 ISBN 978-1-349-24693-9 (eBook) DOI 10.1007/978-1-349-24693-9 First published in the United States of America 1996 by ST. MARTIN'S PRESS, INC., Scholarly and Reference Division, 175 Fifth Avenue, New York, N.Y. 10010 ISBN 978-0-312-15879-8 Library of Congress Cataloging-in-Publication Data Skilton, David. Anthony Trollope and his contemporaries : a study in the theory and conventions of mid-Victorian fiction I David Skilton p. em. Originally published: London : Longman, 1972. Includes bibliographical references (p. ) and index. ISBN 978-0-312-15879-8 I. Trollope, Anthony, 1815-1882-Aesthetics. 2. English fiction-19th century-History and criticism-Theory, etc. 3. Trollope, Anthony, 1815-1882-Contemporaries. 4. Great Britain -History-Victoria, 1837-1901. 5. Aesthetics, British--19th century. I. Title. PR5687.S5 1996 823' .8-dc20 96-7527 CIP © David Skilton 1972, 1996 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W 1P 9HE. -
Dissent Women in Anthony Trollope's Fiction: a Sympathetic Portrayal
UNLV Retrospective Theses & Dissertations 1-1-1993 Dissent women in Anthony Trollope's fiction: A sympathetic portrayal Elisabeth Morton McLaren University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation McLaren, Elisabeth Morton, "Dissent women in Anthony Trollope's fiction: A sympathetic portrayal" (1993). UNLV Retrospective Theses & Dissertations. 2982. http://dx.doi.org/10.25669/uqts-wcbg This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced frommicrofilm the master, UMI film s the text directly from theoriginal or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent uponq u a lity theof the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandardmargins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. -
Boucher, Abigail Kate (2015) Representations of the Aristocratic Body in Victorian Literature
Boucher, Abigail Kate (2015) Representations of the aristocratic body in Victorian literature. PhD thesis. https://theses.gla.ac.uk/7059/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Representations of the Aristocratic Body in Victorian Literature Abigail Kate Boucher MScR: Victorian Literature; B.A. (hons): English Literature Submitted in fulfilment of the requirements for the Degree of Ph.D. in English Literature School of Critical Studies College of Arts University of Glasgow October 2015 2 ABSTRACT This thesis examines the representations of the aristocratic body in Victorian literature. This thesis argues that the authors often wrote, coded, and interpreted an aristocrat’s physical form as a paradoxical object which reflected many of the complex interclass issues and socio-economic transitions seen throughout the Victorian era. By exploring distinct, sequential genres and types of ‘popular’ fiction in this dissertation, I investigate a broad-spectrum literary treatment of aristocratic bodies as cultural paradoxes: for the same usage of the aristocratic body to crop up again and again in disparate, discrete, and hugely popular forms of literature speaks to the nineteenth-century resonance of the aristocratic body as a codeable symbol and textual object. -
Dickens, Trollope, Thackeray and First-Person
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by White Rose E-theses Online ‘ALLOW ME TO INTRODUCE MYSELF — FIRST, NEGATIVELY’: CHARLES DICKENS, ANTHONY TROLLOPE, WILLIAM MAKEPEACE THACKERAY AND FIRST-PERSON JOURNALISM IN THE 1860S FAMILY MAGAZINE HAZEL MACKENZIE PHD THE UNIVERSITY OF YORK DEPARTMENT OF ENGLISH AND RELATED LITERATURE SEPTEMBER 2010 ABSTRACT This thesis examines the editorial contributions of W.M. Thackeray, Charles Dickens and Anthony Trollope to the Cornhill Magazine, All the Year Round and Saint Pauls Magazine, analyzing their cultivation of a familiar or personal style of journalism in the context of the 1860s family magazine and its rhetoric of intimacy. Focusing on their first-person journalistic series, it argues that these writers/editors used these contributions as a means of establishing a seemingly intimate and personal relationship with their readers, and considers the various techniques that they used to develop that relationship, including their use of first-person narration, autobiography, the anecdote, dream sequences and memory. It contends that those same contributions questioned and critiqued the depiction of reader-writer relations which they simultaneously propagated, highlighting the distinction between this portrayal and the realities of the industrialized and commercialized world of periodical journalism. It places this within the context of the discourse of family that was integral to the identity of these magazines, demonstrating how these series both held up and complicated the idealized image of Victorian domesticity that was promoted by the mainstream periodical culture of the day, maintaining that this was a standard feature of family magazine journalism and theorizing that this was in fact a large part of its popular appeal to the family market. -
THE EUSTACE DIAMONDS by Anthony Trollope
THE EUSTACE DIAMONDS by Anthony Trollope THE AUTHOR Anthony Trollope (1815-1882) was born in London to a failed barrister and a novelist whose writing for many years supported the family. Financial difficulties forced him to transfer from one school to another and prevented a university education. At age 19 he began work for the Post Office, for which he labored for more than thirty years. His earliest novels, written in Ireland in the late 1840s, were not especially successful, but with the publication of The Warden in 1855, he began the series of six Barsetshire novels, known as the Barchester Chronicles, focusing on the daily issues of church politics in upper middle-class England, that would prove to be the foundation of his reputation. Trollope was by personal profession a High Churchman, but sought to find good in evangelicals and reformers as he skewered their enthusiasm; he consistently attacked, not the Church, but its foibles. His writing technique was disciplined to say the least. Rising daily at 5:30 and writing at the steady rate of a thousand words per hour until time to report to the Post Office (from which he finally retired in 1867 to devote his full time to writing, after which he worked until 11:00 A.M.), he methodically produced sixty-five books, forty-seven of which were novels, writing even while he was traveling abroad to places as far-flung as Australia, Ceylon, Iceland, and even America (of which, like Dickens, he was very critical). He continued to write until the end, and died of a sudden stroke at the age of 67.