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Ufg Faculdade De Artes Visuais Programa De Pós-Graduação Em Arte E Cultura Visual UNIVERSIDADE FEDERAL DE GOIÁS – UFG FACULDADE DE ARTES VISUAIS PROGRAMA DE PÓS-GRADUAÇÃO EM ARTE E CULTURA VISUAL LÍGIA MARIA DE CARVALHO BANDEIRANTE BOCÓ: Uma aventura quadrinística nas terras dos Goyazes TESE DE DOUTORADO GOIÂNIA 2019 UNIVERSIDADE FEDERAL DE GOIÁS – UFG FACULDADE DE ARTES VISUAIS PROGRAMA DE PÓS-GRADUAÇÃO EM ARTE E CULTURA VISUAL LÍGIA MARIA DE CARVALHO BANDEIRANTE BOCÓ: Uma aventura quadrinística nas terras dos Goyazes Tese apresentada à Banca Examinadora do Programa de Pós-Graduação em Arte e Cultura Visual – Doutorado da Faculdade de Artes Visuais da Universidade Federal de Goiás, como exigência parcial para obtenção do título de DOUTORA EM ARTE E CULTURA VISUAL, linha de pesquisa: Poéticas Visuais e Processos de Criação, sob a orientação do Professor Doutor Edgar Silveira Franco. GOIÂNIA 2019 Ficha de identificação da obra elaborada pelo autor, através do Programa de Geração Automática do Sistema de Bibliotecas da UFG. Carvalho, Lígia Maria de Bandeirante Bocó: uma aventura quadrinística nas terras dos Goyazes [manuscrito] / Lígia Maria de Carvalho. - 2019. 253 f.: il. Orientador: Prof. Dr. Edgar Silveira Franco. Tese (Doutorado) - Universidade Federal de Goiás, Faculdade de Artes Visuais (FAV), Programa de Pós-Graduação em Arte e Cultura Visual, Goiânia, 2019. Bibliografia. Apêndice. Inclui lista de figuras. 1. Pateta. 2. Anhanguera. 3. Groo, o Errante. 4. Histórias em Quadrinhos. 5. Goofy. I. Franco, Edgar Silveira , orient. II. Título. CDU 7 Ao Lorde Sith AGRADECIMENTOS Ao querido amigo e professor Edgar Franco que, ao orientar meu trabalho, levou até às últimas consequências a sua máxima de “ter uma reputação a zerar” Ao querido amigo Ademir Luiz por sempre acreditar que eu fosse uma pateta digna de nota Ao talentoso desenhista e bom amigo Cláudio Dutra, que foi corajoso o suficiente para encarar esta aventura patética Aos meus amados pais, que sempre me incentivaram, mesmo sabendo que tinham uma filha apatetada Às minhas preciosas irmãs por sempre estarem lá para recolher e colar os cacos A todos os amigos que me sustentaram quando o peso das trapalhadas ficou grande demais Resumo O presente trabalho é o resultado de um esforço reflexivo que buscou subsídios: iconográficos (na personagem disneyana conhecida como Pateta e em Groo, o Errante, de Aragonés) e argumentativos (no clássico documento intitulado A Bandeira do Anhanguera a Goiás em 1722 – Reconstrução dos roteiros de José Peixoto da Silva Braga e Urbano do Couto), com a finalidade de criar uma narrativa em forma de Histórias em Quadrinhos que contasse – de maneira criativa e engraçada - as peripécias do Bandeirante Bocó, ou seja, as aventuras de Bartolomeu Bocoeno da Silva, o “Anhanguará”. Para tanto, foram utilizadas as fontes bibliográficas pertinentes; as apropriações oficiais e populares do mito do bandeirante; e a coleção quadrinística Pateta Faz História que recriou, a seu modo, as biografias de ilustres personagens históricos. Palavras-Chave: Pateta; Goofy; Anhanguera; Groo, o Errante; História em Quadrinhos Abstract The present work is the result of a reflexive effort that sought subsidies iconographic (in the Disney’s character known as Goofy and so as Groo, The Wanderer, by Aragonés) and argumentative (in the classic document titled The Flag of Anhanguera to Goiás in 1722 - Reconstruction of the scripts of José Peixoto da Silva Braga and Urbano do Couto). The purpose of research it was creating a narrative in the form of Comic Books that told a creative and funny way - the adventures of Bandeirante Bocó, that was, the adventures of Bartolomeu Bocoeno da Silva, the "Anhanguará" . To do so, the relevant bibliographic sources was used: The official and popular appropriations of the bandeirante myth; And the Goofy As… collection, which recreates, in its own way, the biographies of illustrious historical figures. Keywords: Goofy As... Collection; Anhanguera; Groo, The Wanderer; Comics Resumen Esta ponencia es el resultado de un esfuerzo de reflexión que busca datos iconográficos (en el personaje Disneyano conocido como Tribilín o Goofy y tambien en Groo, de Aragonés) y argumentativos (en el clásico documento titulado A Bandeira do Anhanguera a Goiás em 1722 – Reconstrução dos roteiros de José Peixoto da Silva Braga e Urbano do Couto) con el fin de crear una narrativa bajo la forma de Comics que cuenta - de manera creativa y divertida - las aventuras de Bandeirante Bocó, o las aventuras de Bartolomeu Bocoeno da Silva, el "Anhanguará". Por lo tanto, serán utilizadas: las fuentes bibliográficas pertinentes; la toma o apropiación del mito de lo Pionero, hecha por oficiales y populares; y la recogida Pateta Faz História que recrea, a su manera, las biografías de personajes famosos de la historia Occidental. Palabras-Clave: Tribilín; Anhanguera; Comics LISTA DE FIGURAS Figura 1 – Bandeira de Goiânia. ................................................................................ 43 Figura 2 – Folder do filme Hang the superstars: causos do rock proibidão ............... 45 Figura 3 – Flora e Elias Disney .................................................................................. 54 Figura 4 – Primeira aparição do Pateta. .....................................................................59 Figura 5 – Cena de The crazy crime wave ................................................................. 60 Figura 6 – Pinto Colvig .............................................................................................. 61 Figura 7 – Pateta em Mickey’s Mellerdrammer ......................................................... 63 Figura 8 – Chaplin em The Property Man ................................................................. 63 Figura 9 – Pateta em Moving Day ............................................................................. 63 Figura 10 – Chaplin em His Musical Career .............................................................. 63 Figura 11 – Pateta em The Art of Self Defense ......................................................... 64 Figura 12 – Chaplin em The Cahampion .................................................................. 64 Figura 13 – Cartaz do filme Goofy and Wilbur .......................................................... 67 Figura 14 – Disney trabalhando em seu rancho ....................................................... 67 Figura 15 – El Gaucho Goofy ................................................................................... 69 Figura 16 – Diseny, na Argentina, em traje típico de gaúcho ................................... 69 Figura 17 – Pateta pilota seu pogo stick ................................................................... 70 Figura 18 – Cena de Home Made Home .................................................................. 73 Figura 19 – Sequência de Motor Mania .................................................................... 74 Figura 20 – Cena de Father’s are People ................................................................. 75 Figura 21 – Cena de Father’s Lion, de 1952 ..............................................................76 Figura 22 – Cena de Lion Down, de 1951 ................................................................. 77 Figura 23 – Segmento de How To Ride a Horse, de 1941 ........................................ 79 Figura 24 – How To Play Golf de 1944 ..................................................................... 79 Figura 25 – Pateta como Dom Quixote ..................................................................... 89 Figura 26 – Pateta como Cristóvão Colombo ............................................................ 90 Figura 27 – Capa da Coleção Pateta Faz História, vol. 2 ......................................... 97 Figura 28 – Capa da Coleção Pateta Faz História, vol. 3 ......................................... 97 Figura 29 – A queda de Aníbal, em Pateta Faz História, vol. 10 .............................. 98 Figura 30 – Pateta Faz História como Ulisses .......................................................... 105 Figura 31 – Pateta Faz História como Ulisses .......................................................... 106 Figura 32 – Pateta Faz História como Ulisses ..........................................................107 Figura 33 – Pateta Faz História como Ulisses ......................................................... 108 Figura 34 – Pateta Faz História como Ulisses ......................................................... 109 Figura 35 – Pateta Faz História como Ulisses ......................................................... 110 Figura 36 – Pateta Faz História como Ulisses ......................................................... 111 Figura 37 – Pateta Faz História como Ulisses ......................................................... 112 Figura 38 – Pateta Faz História como Ulisses ......................................................... 115 Figura 39 – Pateta Faz História como Genghis Khan ............................................... 116 Figura 40 – Pateta Faz História como Genghis Khan ............................................... 116 Figura 41 – Pateta Faz História como Genghis Khan ............................................... 121 Figura 42 – Pateta Faz História como Genghis Khan ............................................... 122 Figura 43 – Pateta Faz História como Genghis Khan ............................................... 124 Figura 44 – Pateta Faz História como Genghis Khan ............................................... 125 Figura 45 – Pateta Faz História como Genghis Khan ..............................................
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