TPTV Schedule January 7Th - 13Th 2019
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In Action Issue No 1 - 2012 £2.50
in Action issue No 1 - 2012 £2.50 News Reviews Tameside Hippodrome May Fair - Disney Insurance One-Act Festival The Magazine for the Association of Community Theatre From the Chair A message from John We said we will do it and we have! Your magazine “ACT in Action” is here, the magazine that you have been waiting for. All your production reviews, news, ACT business and much, much more. It is up to you now! ACT is run by its members for its members; it is now time for you to take the lead. Only through your input will ACT grow and grow. Let us know how you want your association run? What areas of community theatre you want discussing? How do you want the ACT website to develop? We want to hear from you via the ACT website, Facebook, ACT Newsletter, blog, ACT Magazine or e-mail. ACT is the new voice for community theatre and only you can let it be heard loud and clear. Thank you for your invitations to your productions. I have enjoyed the opportunity of meeting committee members and cast, and finding out how important it is for you to have a magazine tailored to your needs. Enjoy this first issue and don’t forget let us know your thoughts. Cover picture: Yssy Pierce-Higham as Maureen in Curtain Up’s production of Rent 3 Contents Index to Shows Reviewed From the Chair 3 Breezeblock Park PADOS 10 Who’s Who 3 Broadway Rocks PADOS Youth Theatre 19 The Lost Theatre of Ashton 5 Camelot Ulverston AOS 11 Sullivan at the Pavilion 6 Chess South Manchester AOS 22 Royal Exchange 7 Cranford Burnley Garrick 18 Golden St Lukes 7 Flint Street Nativity, -
Witness for the Prosecution by Agatha Christie
IMAGE RELEASE – 27 November 2019 Twitter | Facebook | Instagram | Website Eleanor Lloyd Productions and Rebecca Stafford Productions present Witness for the Prosecution By Agatha Christie • First look at the fifth cast of hit production Witness for the Prosecution now in its killer third year • The production welcomes new cast members including Taz Skylar as the accused Leonard Vole, Alexandra Guelff as Romaine Vole, Jo Stone-Fewings as Sir Wilfrid Robarts QC, Jeffery Kissoon as Mr Justice Wainwright and Crispin Redman as Mr Mayhew • Images can be downloaded HERE Taz Skylar as Leonard Vole and the cast of Witness for the Prosecution. Credit Ellie Kurttz Now in its third year, Witness for the Prosecution has today released a first glimpse at production images featuring its killer fifth cast, who had their first performance on 19 November 2019. Brand new production photography can be downloaded here. Set in the breathtaking Chamber space at London’s County Hall, director Lucy Bailey (Ghosts, Love From A Stranger) welcomes audiences to judge the Whodunnit classic for themselves, while seating them in “the comfiest seats in London” (New York Times). Agatha Christie’s gripping story of justice, passion and betrayal also allows audience members to join the Jury Box, casting their vote as the action unfolds before them. The new cast includes Taz Skylar (Warheads, Lie Low, The Kill Team) as the accused Leonard Vole, Alexandra Guelff (Gaslight, Ghosts, The Busy Body) in the role of Romaine Vole, Jo Stone-Fewings (Trust, Home I’m Darling, King John) as Sir Wilfrid Robarts QC, Kevin McMonagle (A Midsummer Night’s Dream, People, Places and Things, Bramwell) playing Mr Myers QC, Jeffery Kissoon (EastEnders, Grange Hill, Julius Caesar/ The Meeting/ Antony and Cleopatra) as Mr Justice Wainwright, Crispin Redman (Law & Order, Love From A Stranger, Yes, Prime Minister) as Mr Mayhew. -
Chronological Table of Productions at the Theatre Royal
1 CHRONOLOGICAL TABLE OF PRODUCTIONS AT THE THEATRE ROYAL 1884 17 - 20 December Richelieu 22 - 24 December Belphegor The Loan of a Lover 26 December-9 Jan Proof 1885 10 January The Lady of Lyons 12 - 17 January The Duke’s Motto 19 - 21 January East Lynne 22 - 23 January Leah 24 - 30 January Richard III 31 January The Stranger Robert Macaire 2 - 6 February Ambition (Catherine Howard) 7 February William Tell East Lynne 9 - 21 February Never Too Late to Mend 23 - 28 February Drink 2 - 4 March Macbeth 5-7 March Hamlet 9 - 14 March The Danites 16 - 20 March Streets of London 21 March Don Caezar de Bazan Black Eyed Susan 23 - 25 March The Octoroo 26 - 27 March The Merchant of Venice The Royalist and the Republican 28 March The Bells Black Eyed Susan 30 March - 1 April The Colleen Bawn 2 April Ingomar The Watermen 3 April CLOSED (GOOD FRIDAY) 4 April Othello 6 - 11 April Mazeppa The Little Pest 13 - 14 April Othello 15 - 16 April Belphegor 17 April Ingomar 18 April Pizarro Cartouche 20 - 22 April Ticket of Leave Man 23 April The Honeymoon Withered Leaves 24 April Ticket of Leave Man 25 April - 1 May Forsaken 2 May The Beggar’s Petition Forsaken (two acts) 4 - 5 May Rob Roy 2 6 May The Shaughraun 7 May Don Caesar de Bazan 8 May The Shaughraun 9 May The Devil in Paris Poor Joe 11 May Chevalier St George 12 May Richelieu 13 May Hamlet 14 May Romeo and Juliet 15 May Richard III 16 May Romeo and Juliet 18 - 20 May My Comrade 21 May Arra-na-pogue 22 May My Comrade 23 - 30 May Uncle Tom’s Cabin 1 - 13 June My Sweetheart 15 - 20 June Mardo 22 June - -
PAPERS of SÉAMUS DE BÚRCA (James Bourke)
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 74 PAPERS OF SÉAMUS DE BÚRCA (James Bourke) (MSS 34,396-34,398, 39,122-39,201, 39,203-39,222) (Accession Nos. 4778 and 5862) Papers of the playwright Séamus De Búrca and records of the firm of theatrical costumiers P.J. Bourke Compiled by Peter Kenny, Assistant Keeper, 2003-2004 Contents INTRODUCTION 12 The Papers 12 Séamus De Búrca (1912-2002) 12 Bibliography 12 I Papers of Séamus De Búrca 13 I.i Plays by De Búrca 13 I.i.1 Alfred the Great 13 I.i.2 The Boys and Girls are Gone 13 I.i.3 Discoveries (Revue) 13 I.i.4 The Garden of Eden 13 I.i.5 The End of Mrs. Oblong 13 I.i.6 Family Album 14 I.i.7 Find the Island 14 I.i.8 The Garden of Eden 14 I.i.9 Handy Andy 14 I.i.10 The Intruders 14 I.i.11 Kathleen Mavourneen 15 I.i.12 Kevin Barry 15 I.i.13 Knocknagow 15 I.i.14 Limpid River 15 I.i.15 Making Millions 16 I.i.16 The March of Freedom 16 I.i.17 Mrs. Howard’s Husband 16 I.i.18 New Houses 16 I.i.19 New York Sojourn 16 I.i.20 A Tale of Two Cities 17 I.i.21 Thomas Davis 17 I.i.22 Through the Keyhole 17 I.i.23 [Various] 17 I.i.24 [Untitled] 17 I.i.25 [Juvenalia] 17 I.ii Miscellaneous notebooks 17 I.iii Papers relating to Brendan and Dominic Behan 18 I.iv Papers relating to Peadar Kearney 19 I.v Papers relating to Queen’s Theatre, Dublin 22 I.vi Essays, articles, stories, etc. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
The British War Film, 1939-1980: Culture, History, and Genre
The British War Film, 1939-1980: Culture, History, and Genre by Kevin M. Flanagan B.A., College of William and Mary, 2006 M.A., North Carolina State University, 2009 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Kevin M. Flanagan It was defended on April 15, 2015 and approved by Colin MacCabe, Distinguished Professor, Department of English Adam Lowenstein, Associate Professor, Department of English David Pettersen, Assistant Professor, Department of French and Italian Dissertation Advisor: Lucy Fischer, Distinguished Professor, Department of English ii Copyright © by Kevin M. Flanagan 2015 iii THE BRITISH WAR FILM, 1939-1980: CULTURE, HISTORY, AND GENRE Kevin M. Flanagan, Ph.D. University of Pittsburgh, 2015 This dissertation argues that discussions of war representation that privilege the nationalistic, heroic, and redemptively sacrificial strand of storytelling that dominate popular memory in Britain ignore a whole counter-history of movies that view war as an occasion to critique through devices like humor, irony, and existential alienation. Instead of selling audiences on what Graham Dawson has called “the pleasure culture of war” (a nationally self-serving mode of talking about and profiting from war memory), many texts about war are motivated by other intellectual and ideological factors. Each chapter includes historical context and periodizing arguments about different moments in British cultural history, explores genre trends, and ends with a comparative analysis of representative examples. -
Patrick Barr and Russell Napier Star in Fifties Sci-Fi ”The Brain Machine” (U)
PATRICK BARR AND RUSSELL NAPIER STAR IN FIFTIES SCI-FI ”THE BRAIN MACHINE” (U) Part of “The British Film” Collection Patrick Barr and Scotland Yard stalwart Russell Napier star in this sci-fi flavoured mid-fifties thriller, a rarely seen early feature by Ken Hughes – later to score box-office hits with “Chitty Chitty Bang Bang” and the BAFTA-nominated “The Trials of Oscar Wilde”. Produced at Merton Park Studios for Anglo-Amalgamated, THE BRAIN MACHINE is presented here in a brand-new transfer from original film elements in its as-exhibited cinema aspect ratio. Own it for the first time on 4 November, RRP £9.99. A murderer, Edward Jarrit, is brought into a mental health institution to be tested by Dr Philippa Roberts using an electro-encephalograph – the remarkable machine that can reveal abnormalities within the brain. At the same hospital, a man suffering from amnesia is questioned under the influence of a drug; he reveals his name and states that his life is in danger. After examining him on the ‘brain machine’, Philippa is alarmed to find the results are identical to those of Jarrit… Special Features Italian titles Trailer Image Gallery. ENDS NOTES TO EDITORS THE BRAIN MACHINE Release Date: 4 November 2013 RRP: £9.99 Running Time: 90 mins (approx.) Screen Ratios: 1.33.1 No. of Discs: 1 Catalogue no. 7953960 For further information visit: www.networkonair.com www.facebook.com/TheBritishFilm www.twitter.com/networktweets #TheBritishFilm For media enquiries contact: Luciano Chelotti, Sabina Maharjan Network, 19-20 Berghem Mews, Blythe Road, London, W14 0HN Tel: 020 7605 4422 or 020 7605 4424 Fax: 020 7605 4421 Email [email protected] or [email protected]. -
Robert Hartford-Davis and British Exploitation Cinema of the 1960S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of East Anglia digital repository Corrupted, Tormented and Damned: Reframing British Exploitation Cinema and The films of Robert Hartford-Davis This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Michael Ahmed, M.A., B.A. PhD University of East Anglia Faculty of Film and Television Studies January 2013 Abstract The American exploitation film functioned as an alternative to mainstream Hollywood cinema, and served as a way of introducing to audiences shocking, controversial themes, as well as narratives that major American studios were reluctant to explore. Whereas American exploitation cinema developed in parallel to mainstream Hollywood, exploitation cinema in Britain has no such historical equivalent. Furthermore, the definition of exploitation, in terms of the British industry, is currently used to describe (according to the Encyclopedia of British Film) either poor quality sex comedies from the 1970s, a handful of horror films, or as a loosely fixed generic description dependent upon prevailing critical or academic orthodoxies. However, exploitation was a term used by the British industry in the 1960s to describe a wide-ranging and eclectic variety of films – these films included, ―kitchen-sink dramas‖, comedies, musicals, westerns, as well as many films from Continental Europe and Scandinavia. Therefore, the current description of an exploitation film in Britain has changed a great deal from its original meaning. -
Literariness.Org-Beatrix-Hesse-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fi ction has never been more popular. In novels, short stories, fi lms, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground- breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fi ction. Every aspect of crime writing, detective fi ction, gangster movie, true- crime exposé, police procedural and post- colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER- HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Barry Forshaw BRITISH CRIME FILM Subverting the Social Order Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian -
Notre Dame Alumnus, Vol. 32, No. 03
The Archives of The University of Notre Dame 607 Hesburgh Library Notre Dame, IN 46556 574-631-6448 [email protected] Notre Dame Archives: Alumnus Volume 32, No. 3 May-June I . 1954 James E. Armstrong, '2 Editor John N. Cacklcy, Jr., ' DAME Managing Editor ALUMNUS HAMMES GIFT WILL PROVIDE BUILDING ALL OF THIS FOR ^20 A new building to house the Notre Dame Bookstore will be erected on the Class Reunion Weekend campus in die near future, it was an nounced recently by the Rev. Theodore June li-12-13 M. Hesburgh, C.S.C., university presi Class of 1904 Howard Hall Class of 1929 Lyons Hall dent. Class of 1909 Howard Hall Class of 1934 Morrissey Hall Construction of tlie building has Class of 1914 Howard Hali Class of 1939 Morrissey Hall been made possible by a gift from Mr, Class of 1919 Howard Hall Class of 1944 Walsh Hall and Mrs. Romy Hammes of Kankakee, Class of 1924 Howard Hall Class of 1949 Sorin Hall 111., Father Hesburgh said. As presi dent of Romy Hammes Enterprises, Inc., Hammes operates auto dealer Friday, June i ships in Kankakee and South Bend, General Registration—^Law Building. One fee, $20, will be collected at Ind., and has established housing de velopments in Kankakee and Joliet, registration n'hich will cover all of the general and class expenditures. 111., Fort Lee, N. J., and Las Vegas, Class Registration and Room—Registradon will be in the halls as listed Nev. above. "Notre Dame is deeply grateful to Weekend golf tournament beginning Friday. -
TPTV Schedule July 30Th - August 5Th 2018
TPTV Schedule July 30th - August 5th 2018 DATE TIME PROGRAMME SYNOPSIS Mon 30 6:00 Scotland Yard 1957. The White Cliffs Mystery. Directed by Montgomery Tully. Starring Jul 18 Russell Napier, Yvonne Andre and Peter Bathurst. A dead rocket engineer was being blackmailed. But why - and by whom? (S1, E25) Mon 30 6:35 Sailor Beware! 1956. Comedy. Director: Gordon Parry. Stars Gordon Jackson, Peggy Jul 18 Mount, Ronald Lewis & Shirley Eaton. A seaman gets cold feet about his wedding when his mother-in-law to be takes control. Mon 30 8:15 Treasure Island 1972. Adventure. Directors: John Hough, Andrea Bianchi & Antonio Jul 18 Margheriti. Stars Orson Welles, Lionel Stander & Kim Burfield. Young Jim Hawkins has a map to a pirate's buried treasure. Mon 30 10:05 Our Weekends in Narrated by Ralph Richardson. A Charming short film made in 1949 Jul 18 1949 following London workers on their weekends in the country. Cricket of The Green, Picnics at the Lido, Boating, Bowling & Fishing. Mon 30 10:35 Della 1964. Directed by Robert Gist and starring Joan Crawford. Della Jul 18 (Crawford), a reclusive, wealthy matriarch of Royal Bay, watches over the affluent coastal town. Possession, for her, is everything. Mon 30 11:55 Defence Of The 1985. Thriller. Directed by David Drury and stars Gabriel Bryne, Greta Jul 18 Realm Scacchi, Denholm Elliott and Robbie Coltrane. After an expose article is published, an MP dies in mysterious circumstances. Mon 30 13:55 The Bargee 1964. Comedy. Directed by Duncan Wood. Stars Harry H. Corbett, Hugh Jul 18 Griffith & Ronnie Barker. -
Papers of Patricia Lynch and R. M. Fox
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 79 PAPERS OF PATRICIA LYNCH AND R. M. FOX (MSS 34,923-34,931; 40,248-40,419) (Accession No. 4937) Patricia Lynch (1898-1972) was the author of children’s stories mostly set in Ireland; her husband, R.M. (Richard Michael) Fox (1891-1969), was an historian, journalist, and socialist. Compiled by Margaret Burke Contents Introduction 8 I Papers of Patricia Lynch 10 I.i Literary works 10 I.i.1 Novels 10 I.i.1.A The Green Dragon (1925) 10 I.i.1.B The Cobbler’s Apprentice (1930) 10 I.i.1.C The Turf-cutter’s Donkey (1934) 10 I.i.1.D The Turf-cutter’s Donkey Goes Visiting (1935) 11 I.i.1.E The King of the Tinkers (1938) 11 I.i.1.F The Turf-cutter’s Donkey Kicks Up His Heels (1939) 11 I.i.1.G The Grey Goose of Kilnevin (1939) 11 I.i.1.H Fiddler’s Quest (1941) 12 I.i.1.I Long Ears (1943) 12 I.i.1.J Brogeen of the Stepping Stones (1947) 12 I.i.1.K The Mad O’Haras (1948) 12 I.i.1.L The Dark Sailor of Youghal (1951) 13 I.i.1.M The Boy at the Swinging Lantern (1952) 13 I.i.1.N Brogeen Follows the Magic Tune (1952) 14 I.i.1.O Brogeen and the Green Shoes (1953) 14 I.i.1.P Delia Daly of Galloping Green (1953) 14 I.i.1.Q Brogeen and the Bronze Lizard (1954) 14 I.i.1.R Orla of Burren (1954) 14 I.i.1.S Brogeen and the Princess of Sheen (1955) 15 I.i.1.T Tinker Boy (1955) 15 I.i.1.U The Bookshop on the Quay (1956) 15 I.i.1.V Brogeen and the Lost Castle (1956) 16 I.i.1.W Fiona Leaps the Bonfire (1957) 16 I.i.1.X Brogeen and the Black Enchanter (1958) 16 I.i.1.Y The Old Black Sea