Tom Paulin Papers, 1969-2008
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Anti-Semitism?
'p IsnlaWklmnicf" ,4MONS[ER CRthL T'HEHOLOCAUS r.rHE HOL ANTI..ZIONISM IN GREAT BRITAIN AND BEYOND A "Respectable" Anti-Semitism? ALVIN H. ROSENFELD THE AMERICAN JEWISH COMMITTEE The American Jewish Committee protects the rights and freedoms of Jews the world over; combats bigotry and anti-Semitism and promotes human rights for all; works for the securityofIsraeland deepened understanding between Americans and Israelis; advocates public policy positions rooted in American democratic values and the perspectives of the Jewish heritage; and enhances the cre- ative vitality of the Jewish people. Founded in 1906, itis the pioneer human-relations agency in the United States. To learn more about how the American Jewish Committee fightshatred and anti-Semitism,visit our website at www.ajc.org and see related publications on the inside back cover. ANTI-ZIONISM IN GREAT BRITAIN AND BEYOND: A "Respectable" Anti-Semitism? ALVIN H. ROSENFELD THEAMERICAN JEWISH COMMITTEE ACKNOWLEDGMENTS A number of friends and colleagues read earlier versions of this essay and suggested ways to improve it. 'While they are not responsible for any shortcomings still present, I am certain the final version is better for their efforts. I would like to thank the following: Edward Alexan- der, Tamar Benjamin, Paul Bogdanor, Todd Endelman, Harry Geduld, Barbara Krawcowicz, Vivian Liska, Daniel Nichols, Gale Nichols, Aron Rodrigue, Erna Rosenfeld, Gavriel Rosenfeld, Natania Rosenfeld, Sidney Rosenfeld, Roger Temam, and Leona Toker. Alvin Rosenfeld Foiuwoiu Two popular national magazines have recently carried cover stories exploring "The New Face of Anti-Semitism" and "The New Anti- Semitism." One would think that a hatred as old and long-lasting as anti-Semitism could hardly be described as "new." Yet this protean virus has reared its head again, in its most recent incarnation, as a pattern of discourse that poses "merely" as criticism of Israel, but in reality propagates classic hatred and distrust of Jews. -
Tom Paulin's Poetry
PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO GRANDE DO SUL FACULDADE DE LETRAS ANDREA FERRÁS WOLWACZ TOM PAULIN’S POETRY: POLITICS, HISTORY AND LANGUAGE PORTO ALEGRE 2014 2 ANDREA FERRÁS WOLWACZ TOM PAULIN’S POETRY: POLITICS, HISTORY AND LANGUAGE Tese apresentada como requisito para obtenção do grau de doutor pelo programa de Pós-Graduação da Faculdade de Letras da Pontifícia da Universidade Católica do Rio Grande do Sul ORIENTADOR: PROF. DR. BIAGIO D’ANGELO PORTO ALEGRE 2014 3 CIP - CATALOGAÇÃO NA PUBLICAÇÃO W869t Wolwacz, Andrea Ferrás Tom Paulin poetry: politics, history and language / Andrea Ferrás Wolwacz ; orientador Biagio D’Angelo - - 2014. 159 f. ; 30 cm Tese (Doutorado) - Programa de Pós-Graduação em Letras, Pontifícia Universidade Católica do Rio Grande do Sul, Porto Alegre. 1. Paulin, Thomas, 1949- 2. Literatura irlandesa - História e Crítica. 3. Poesia irlandesa - Crítica e interpretação. 4. Estudos irlandeses. 5. Análise crítica. I. Título. II D’Angelo, Biagio. CDU 1987 820(416)-1.09 Bibliotecária responsável: Maria Joaquina Medeiros Sene CRB-10/966 4 ANDREA FERRÁS WOLWACZ TOM PAULIN’S POETRY: POLITICS, HISTORY AND LANGUAGE Tese apresentada como requisito para a obtenção do grau de Doutor, pelo Programa de Pós-Graduação em Letras da Faculdade de Letras da Pontifícia Universidade Católica do Rio Grande do Sul Aprovada em: ____de__________________de________. BANCA EXAMINADORA: ______________________________________________ Biagio D’angelo ______________________________________________ Prof. Dr. Marçal de Menezes Paredes ______________________________________________ Maria Tereza Amodeo ______________________________________________ Profa. Dra. Sandra Sirangelo Maggio ______________________________________________ Profa. Dra. Mara Ferreira Jardim 5 For my daughter Natasha. 6 AGRADECIMENTOS Aos meus pais, Maria Rachel Ferrás Wolwacz e Victor Wolwacz, por proporcionarem minha educação e incentivarem a aquisição de conhecimento intelectual. -
'Bodily Abjection and the Politics of Resistance in Tom Paulin's Greek Tragedies'
Bodily Abjection and the Politics of Resistance in Tom Paulin’s Greek Tragedies Isabelle Torrance (Aarhus University) Accepted Manuscript Published: 21 December 2020 Classical Receptions Journal, claa030, https://doi.org/10.1093/crj/claa030 Abstract Tom Paulin’s Greek tragedies present extremes of bodily abjection in order to service of a politics of resistance that is tied, in each case, to the political context of the drama’s production. The Riot Act (1984), Seize the Fire (1989), and Medea (2010), share a focus on the degradation of oppressed political groups and feature characters who destabilize the status quo. Yet the impact of disruptive political actions is not ultimately made clear. We are left wondering at the conclusion of each tragedy if the momentous acts of defiance we have witnessed have any power to create systemic change within politically rigged systems. The two 1980s plays are discussed together and form a sequence, with The Riot Act overtly addressing the Northern Irish conflict and Seize the Fire encompassing a broader sweep of oppressive regimes. The politics of discrimination in Medea are illuminated by comparison with similar themes in Paulin’s Love’s Bonfire (2010). Unlike other Northern Irish adaptations of Greek tragedy, Paulin’s dramas, arrested in their political moments, present little hope for the immediate future. Yet in asking us to consider if individual sacrifice is enough to achieve radical change they maintain an open channel for political discourse. Paulin’s Greek Tragedies Tom Paulin has published versions of three Greek tragedies, reworking Sophocles’ Antigone and Aeschylus’ Prometheus Bound in the 1980s and returning to Greek tragedy in 2010 with his Medea. -
3934/ BBC Poet A5 Booklet 10/15/03 3:18 PM Page 2 3934/ BBC Poet A5 Booklet 10/15/03 3:18 PM Page 3
3934/ BBCPoetA5Booklet10/15/033:18PMPage1 poets & writers 3934/ BBC Poet A5 Booklet 10/15/03 3:18 PM Page 2 3934/ BBC Poet A5 Booklet 10/15/03 3:18 PM Page 3 travelling without passport... travelling without passport "The light of imagination transcends decay." (Brian Patten,The Story Giant) This exhibition celebrates the diverse and abundant talents of local writers who have had an association with the BBC. It profiles the work of poets, playwrights, novelists and critics and acknowledges their contribution to broadcasting and wider cultural and community life over almost 80 years of programme-making by the BBC in Northern Ireland. Poets and Writers looks back to some of the defining personalities and achievements of the past and forward to the creative possibilities that are being explored by a new generation of local writers. It chronicles a succession of social and technological changes and also the recurring themes and pre-occupations of broadcasting in a diverse society. Whilst no such exhibition can offer a definitive summary of all that has been accomplished, or work that is still in the making, what is presented here usefully illustrates the range and scale of material that the BBC has produced for local and Network audiences. BBC NI has a long-established and unique role as a supporter of the arts. It has worked hard to encourage creative excellence and remains committed to risk-taking and innovation, and to facilitating "those adventures of the spirit" that lie at the heart of all good broadcasting and literary activity. Preserving the BBC’s past, whilst building on its legacy by seeking out different voices and audiences, will present inevitable challenges over the coming period. -
Derek Mahon Was Born in Belfast, North Lreland, in T94t
Derek Mahon Derek Mahon was born in Belfast, North lreland, in t94t. He was educated at Trinity College in Dublin. His books of poetry include The Hudson Letter (Wake Forest University Press, 1996); Selected Poems (1993); The Yadda Letter (t992); Selected Poems (1991); Antarctica (1985); A Kensington Notebook (t98,a); The Hunt by Night (1982); Courtyards in Delft (1981); poems, 1962-1978 (1979); The Sea in Winter (1979); In Their Element: A Selection of Poems (with Seamus Heaney, t977); Light Music (t977); The Snow Party (L975); The Man Who Built His City in Snow (1972); Lives (t97z); Beyond Howth Head (1970); Ecclesíastes (1970); Night-Crossing (1968); Design far a Grecian Llrn (1967); and Twelve Poems (1965). Derek Mahon's published plays include The Bacchae: After Euripides (1991), The Schoal for Wives: a play in two acts after Moliére (1986), and High Time, an adaptation of a play by Moliére. He has also edited Ifie Penguin Book of Contemporary Irish Poetry (1990) and Modern Irish Paetry G97Z). He has translated Racine's Phaedra (1996); Selected Poenls by Philip ]accottet (1987), which won the Scott-Manriet Translation Prize; and lhe Chimeras by Nerval (1982). His honors include the lrish American Foundation Award, a Lannan Foundation Award, a Guggenheim Fellowship, the American Ireland Fund Literary Award, the Arts Council Bursary, and the Eric Gregory Award. rllI: SN()l\, í,/\íi IY ECCLESIASTES for Louis Astko|f God, you could grow to love it, God-fearing, God- I}.lslró, ctrrllirrg chosen purist little puritan ihat, Ttr tI11, 611r. tlf N.lgtlya, for all your wiles and smiles, you are (the Is askctl t() a sn()1r, part),. -
Field Day Papers
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 148 Field Day Papers (MSS 46,873-47,333, MS L 168-171, and MS 42,038-42,039) (Accession No. 6764) Papers of the Field Day Theatre Company, covering dramatic productions and Field Day publications from 1980-2008. The archive includes play-scripts, programmes, box office and show reports, flyers, press releases, press-clippings, photographs, correspondence (letters, emails and faxes), administrative files, and drafts, proofs and first editions of Field Day publications. Also included are audio tapes, dvd documentaries, and theses and articles on Field Day. This multimedia material is currently unavailable. Compiled by Dr. Emma Saunders, 2010 1 Table of Contents INTRODUCTION ................................................................................................11 FIELD DAY PRODUCTIONS & DRAMATIC PERFORMANCES, 1980-1998 ...17 FIELD DAY PUBLICATIONS COVERED BY THE ARCHIVE ...........................18 I. THEATRE........................................................................................................21 I.i Translations ............................................................................................................................................ 21 I.i.1 Script of Translations....................................................................................................................... 21 I.i.2 Irish tour.......................................................................................................................................... -
Gendered Spaces in Contemporary Irish Poetry
Gendered Spaces in Contemporary Irish Poetry Sarah Fulford Peter Lang Gendered Spaces in Contemporary Irish Poetry This page intentionally left blank Gendered Spaces in Contemporary Irish Poetry Sarah Fulford PETER LANG Oxford • Bern • Berlin • Bruxelles • Frankfurt am Main • New York • Wien Die Deutsche Bibliothek – CIP-Einheitsaufnahme Fulford, Sarah: Gendered spaces in contemporary Irish poetry / Sarah Fulford. – Bern ; Berlin ; Bruxelles ; Frankfurt am Main ; New York ; Oxford ; Wien : Lang, 2002 ISBN 3-906766-89-6 British Library and Library of Congress Cataloguing-in-Publication Data: A catalogue record for this book is available from The British Library, Great Britain, and from The Library of Congress, USA Cover Illustration: Anna Livia Millennium Fountain (1988), O’Connell Street, Dublin. Cover design: Thomas Jaberg, Peter Lang AG ISBN 3-906766-89-6 US-ISBN 0-8204-5605-5 © Peter Lang AG, European Academic Publishers, Bern 2002 Hochfeldstrasse 32, Postfach 746, CH-3000 Bern 9, Switzerland [email protected], www.peterlang.com, www.peterlang.net All rights reserved. All parts of this publication are protected by copyright. Any utilisation outside the strict limits of the copyright law, without the permission of the publisher, is forbidden and liable to prosecution. This applies in particular to reproductions, translations, microfilming, and storage and processing in electronic retrieval systems. Printed in Germany Contents Acknowledgements ……………………………………………….… 7 Main Introduction …………………………………………………… 9 Part One: Ireland and the Post-Colonial Introduction to Part One .…………………………………………... 17 1 Seamus Heaney: Between Past and Future ……………………... 29 2 Liminal Spaces: Tom Paulin Walking a Line ……………….…... 71 3 Paul Muldoon, Partition and Hybridity ………………………... 101 Part Two: Ireland, Nationalism and Feminism Introduction to Part Two ……….………..………………………. -
Irish Antigones
IRISH ANTIGONES by Aikaterini Gotsi A Thesis Submitted for the degree of Doctor of Philosophy in COMPARATIVE LITERATURE UNIVERSITY COLLEGE LONDON FEBRUARY 2012 1 ABSTRACT This thesis examines the reception of Sophocles’ Antigone in Ireland from 1984 to 2004, in the light of the social and political developments that took place in the country during that period. Chapter 1 examines the textual elements of translation, as well as the different ways in which the mythic element of the tragedy and the characterisation are ‘translated’ in different versions. Chapters 2-4 explore particular dimensions of contextual significance: politics, religion, gender. Each chapter first offers a brief discussion of the relevant Irish circumstances, comparing and contrasting them with the socio-political context of Sophocles’ Athens. Then, it examines the extent, the degree and the different ways in which the translations reflect and engage with aspects of the writers’ contemporary reality. Chapter 5, finally, deals with the scenic representation of the plays as a different and complementary aspect of translation, looking at the degree and the ways in which the different stagings reflect the Sophoclean play, the translations in question and the larger social and political contexts of adaptation. Antigone proves to be a remarkably flexible medium for the expression of strikingly different social and political agendas over time. Overall the thesis finds that, while the writers of the earlier versions reflect through the Sophoclean tragedy the turbulent Irish society of the early 1980s, the writers of the turn of the millennium, living in a globalised era, and with a more settled Ireland, locate the reworking of the myth within a more international outlook. -
The Use of Ulster Speech by Michael Longley and Tom Paulin
Text Matters: A Journal of Literature, Theory and Culture Number 1 Women and Authority / Word Image Article 18 Sound 11-23-2011 The Use of Ulster Speech by Michael Longley and Tom Paulin Joanna Kruczkowska University of Łódź Follow this and additional works at: https://digijournals.uni.lodz.pl/textmatters Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Kruczkowska, Joanna. "The Use of Ulster Speech by Michael Longley and Tom Paulin." Text Matters: A Journal of Literature, Theory and Culture, no.1, 2020, pp. 241-253, doi:10.2478/v10231-011-0018-3 This Article is brought to you for free and open access by the Arts & Humanities Journals at University of Lodz Research Online. It has been accepted for inclusion in Text Matters: A Journal of Literature, Theory and Culture by an authorized editor of University of Lodz Research Online. For more information, please contact [email protected]. https://doi.org/10.2478/v10231-011-0018-3 Joanna Kruczkowska University of Łódź The Use of Ulster Speech by Michael Longley and Tom Paulin A BSTRACT The article examines the application and exploration of Ulster dialects in the work of two poets of Northern Irish Protestant background, Tom Paulin and Michael Longley. It depicts Paulin’s attitude to the past and the present of their community of origin, the former positive and the latter negative, which is responsible for the ambiguities in his use of and his comments on the local speech. Both poets employ the vernacular to refer to their immediate context, i.e. -
Postwar British and Irish Poetry
9781405129244_1_pre.qxd 09/02/2009 16:43 Page iii A Concise Companion to Postwar British and Irish Poetry Edited by Nigel Alderman and C. D. Blanton 9781405129244_1_pre.qxd 09/02/2009 16:43 Page i A Concise Companion to Postwar British and Irish Poetry 9781405129244_1_pre.qxd 09/02/2009 16:43 Page ii Blackwell Concise Companions to Literature and Culture General Editor: David Bradshaw, University of Oxford This series offers accessible, innovative approaches to major areas of literary study. Each volume provides an indispensable companion for anyone wishing to gain an authoritative understanding of a given period or movement’s intellectual character and contexts. Published Modernism Edited by David Bradshaw Feminist Theory Edited by Mary Eagleton The Restoration and Edited by Cynthia Wall Eighteenth Century Postwar American Literature Edited by Josephine G. Hendin and Culture The Victorian Novel Edited by Francis O’Gorman Twentieth-Century Edited by Stephen Fredman American Poetry Chaucer Edited by Corinne Saunders Shakespeare on Screen Edited by Diana E. Henderson Contemporary British Fiction Edited by James F. English English Renaissance Literature Edited by Donna B. Hamilton Milton Edited by Angelica Duran Shakespeare and the Text Edited by Andrew Murphy Contemporary British and Edited by Nadine Holdsworth Irish Drama and Mary Luckhurst American Fiction 1900–1950 Edited by Peter Stoneley and Cindy Weinstein The Romantic Age Edited by Jon Klancher Postwar British and Edited by Nigel Alderman and Irish Poetry C. D. Blanton Middle English Literature Edited by Marilyn Corrie Forthcoming Terror and the Postcolonial Edited by Elleke Boehmer and Stephen Morton Postcolonial Literature Edited by Shirley Chew and David Richards 9781405129244_1_pre.qxd 09/02/2009 16:43 Page iii A Concise Companion to Postwar British and Irish Poetry Edited by Nigel Alderman and C. -
Guide to the Seamus Heaney Collection, 1969-2016
Bridgewater State University Maxwell Library Archives & Special Collections Seamus Heaney Collection 1969 - 2016 (MSS-006) Finding Aid Compiled by Orson Kingsley Last Updated: October 24, 2016 Maxwell Library Bridgewater State University 10 Shaw Road / Bridgewater MA 02325 / 508-531-1389 Finding Aid: Seamus Heaney Collection (MSS-006) 2 Volume: 2.5 linear feet (7 document boxes, 2 oversized items) Acquisition: Nearly all items in this manuscript group were donated to Bridgewater State University by Maureen Connelly from 2012-2016. Access: Access to this record group is unrestricted. Copyright: The researcher assumes full responsibility for conforming with the laws of copyright. Whenever possible, the Maxwell Library will provide information about copyright owners and other restrictions, but the legal determination ultimately rests with the researcher. Requests for permission to publish material from this collection should be discussed with the University Archivist. Seamus Heaney Collection Biographical Sketch Seamus Heaney was a renowned poet out of Ireland and in 1995 won the Nobel Prize for Literature. He was born in 1939 in Northern Ireland. Many of his childhood experiences growing up on a farm in County Derry would resonate in his poetry throughout his life. Heaney’s first major work of poetry was Death of a Naturalist, published in 1966. The first poem in this publication, Digging, would be among Heaney’s most famous, and helped him establish his reputation as a poetic voice of Ireland. Heaney would continue to achieve acclaim though numerous publications of poetry collections. In the mid-1970s Heaney began to give poetry readings in the United States and in 1981 became a visiting professor at Harvard University. -
Durham E-Theses
Durham E-Theses The Eastern European Context of Poetry in English after 1950 CLEGG, JOHN,RICHARD How to cite: CLEGG, JOHN,RICHARD (2014) The Eastern European Context of Poetry in English after 1950, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9507/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Abstract This thesis investigates some developments in English poetry brought about by the rapid influx of translated work from Eastern and Central Europe (especially Poland, Hungary and former Yugoslavia) in the period following the Second World War. As well as providing models for many English poets at the level of technique and motif, this work served as catalyst in wider poetical and political debates, especially concerning literalism in translation, issues of persona arising from psuedo-translation, and propriety of response when dealing with atrocity.