Indigo Girls Nobel Winner Rage!
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QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
Dean O'hara Accepts Roanoke Position
CONCOKD1A COLLtGC, MUOKHLAD, MIN.NLbOTA THE ONCO Friday, April 16, 2004 Volume 14, Issue No. 25 Dean O'Hara accepts Roanoke position years as president, also served at •• •* '••-•; -;• «P Sarah Hoffman i Concordia as dean and vice-president •>• Staff Writer for academic affairs. O'Hara said •• • • V t •y _• Sabinc O'Hara, vice-president of Gring's leadership has provided a •'•• academic affairs and dean of the col- solid footing for Roanoke as an edu- lege, accepted the presidency of cational institution. Roanoke College March 30 after "Sometimes you get offered a pres- receiving a unanimous vote from idency and you know it's a salvage • Roanoke\s board of trustees. O'Hara, type of opportunity, but this institu- who has served in her current position tion is in a strong place, so it's excit- 'l -. i at Concordia since 2002, will begin ing," O'Hara said. her tenure as Roanoke's president on According to O'Hara, Roanoke has August 1. a strong financial record as well as a O'Hara said she looks forward to history of academic excellence. The the opportunity to provide leadership college was also recently recognized for an institution like Roanoke. as a member of the academic honor "It's a great privilege to be elected society Phi Beta Kappa. In light of to such a position," O'Hara said. "I these values and recent accomplish- was very honored." ments, O'Hara said she feels that her Although honored to be offered the leadership style will be a good match position, O'Hara said considerations for the college. -
Metropolitan Evolution Fans, Some Say Leaders of SJSU Cultural Groups See Challenges Ahead for Spartan Boosters
SERVING SAN JOSE STATE UNIVERSITY SINCE 1934 SPARTANSPARTAN DAILYDAILY WWW.THESPARTANDAILY.COM VOLUME 122, NUMBER 54 MONDAY, APRIL 26, 2004 Asians not football Metropolitan evolution fans, some say Leaders of SJSU cultural groups see challenges ahead for Spartan boosters By John Kim Students, the Interfraternity Daily Staff Writer Council, the Panhellenic Council — they all need to get involved.” Mike Ra, a senior majoring in Melanie Cavero of Alpha Kappa electrical engineering, considers Delta Phi, an Asian sorority, agreed himself an avid fan of the NFL. He that the football program wasn’t played football in high school. In getting enough attention. She said his six years at San Jose State Uni- she believed “hype” was necessary versity, however, he never attended to attract Asian interest. a Spartan football game, nor has he “A lot of the Asian population ever paid attention to how the team isn’t culturally adapted to football,” is doing season to season. she said. “Football’s mainly an Ra, who is Korean, said he American sport.” believed the majority of SJSU’s James Mao, president of the Asian students are apathetic to- Chinese Culture Club, said, ward the school’s 110-year football “Cultural differences matter a lot.” program. He said he didn’t believe any of the “A good majority of Asian stu- 120 members of his organization dents go to college, and their focus followed football, and instead were is almost exclusively on academics,” interested in racquet sports, such as he said. tennis and badminton. Founded in 1857, SJSU is not Like Cavero of Alpha Kappa only the oldest institution of higher Delta Phi, Mao doesn’t believe learning on the West Coast, but SJSU should abandon its football also one of the most ethnically di- program. -
Indigo Girls the Indigo Girls Amy Ray (Left) and Emily Saliers Performing at by Carla Williams Park West, Chicago, in 2005
Indigo Girls The Indigo Girls Amy Ray (left) and Emily Saliers performing at by Carla Williams Park West, Chicago, in 2005. Encyclopedia Copyright © 2015, glbtq, Inc. Image appears under the Creative Commons Entry Copyright © 2002, glbtq, Inc. Attribution ShareAlike Reprinted from http://www.glbtq.com License. Photograph by Lesbians Amy Ray and Emily Saliers are Indigo Girls, one of the most successful folk/ Wikimedia Commons pop duos in recording history. Ray and Saliers have carved out an enduring career that contributor Andreac. is due largely to the fierce loyalty of their fans, many of them lesbians. Ray, a native Atlantan, and Saliers, a transplant from Connecticut, met in grade school in Atlanta and became friends. They shared a talent for writing and music and began playing together in Ray's parents' basement. During college at Emory University, they played club dates in and around Atlanta as the "B Band" and later "Saliers and Ray," developing their following and reputation as a particularly strong band in live performance. Beginning in 1981 they released several independent records on tape and in 1985 released a vinyl single, "Crazy Game." That same year Ray selected the name Indigo Girls on "sort of a whim," she explained in an interview years later. "I found it in the dictionary . it's a deep blue, a root--real earthy." The duo signed with Epic Records in 1988. Their first record for Epic, the multi-platinum Indigo Girls, included their best-known song, "Closer to Fine." That year they were nominated for two Grammy awards-- Best New Artist (they narrowly lost to Milli Vanilli) and Best Contemporary Folk Album, which they won. -
At a Time When Hope and Forgiveness Seem in Short Supply, Roots Singer
At a time when hope and forgiveness seem in short supply, roots singer-songwriter Amy Ray gives us all a shot in the arm with her ninth solo album, Holler, due this fall from Daemon Records. Still thriving as one half of GRAMMY-winning folk duo Indigo Girls, Ray has also produced a vital body of solo work over five studio albums and three live records (beginning with 2001’s Stag) that explores more deeply her roots in punk and classic country music. Last time, on 2014’s Goodnight Tender, she gathered a band of mostly Southern players and immersed into the rich sonic tradition of old-style country music-making that had long-captured her imagination, but never fully made it into work. The result was equal-parts Appalachian gospel and late-night honky tonk. That song cycle navigated themes of darkness and heartbreak, calling to mind the words of Southern greats like Hank Williams and Eudora Welty. From songs like “Let the Spirit” and “More Pills” emerged Ray’s own bucolic vision of mortality, true love, and the afterlife. American Songwriter called it “beautifully well-done” and PopMatters called it “wise” and “vulnerable.” But, while many of those reviews rightly focused on Ray’s ability to embody her songwriting, few focused on the impressive work of her backing musicians. Finding their spark on Goodnight Tender, Ray’s firecracker band has evolved into a tight unit over four years of on and off touring. Critics are unlikely to miss them on Holler. Led by shape-shifting multi-instrumentalist Jeff Fielder on guitars, dobro, bass, and mandolin; Ray’s band—Matt Smith on pedal steel, dobro, and guitar; Adrian Carter on fiddle and guitar; Kerry Brooks on upright bass and mandolin; Jim Brock on drums and percussion; Alison Brown on banjo, and Kofi Burbridge of Tedeschi Trucks Band on keys—has long since fused into a level of cohesion more typical of a family band. -
UD Restricts Farm Access
An Associated Collegiate Press Pacemaker Award Winner THE Bring a New Orleans Hens beat Seahawks in worthy night to Newark, bird·battle at the Bob, Bl Cl 250 University Center University of Delaware Newark, DE 19716 Tuesday & Friday • • FREE Volume 130, Issue 32 l,Vvyw.review.udel.edu February 24. 2004 UD restricts Groups file farm access mercUry suit BY ALIZA ISRAEL authorized personnel gain access BY STEPHEN MANGAT The mercury is used in Contribllling Editor to poultry farms on the Staff Reporter the electrolysis process when As of last week, the Delmarva Peninsula. Two environmental electricity is passed through Delaware Secretary of The gates leading to these groups filed a complaint Feb. saltwater to make chlorine. Agriculture ordered all poultry trails are locked in compliance 17 objecting to federal regu with this order, she said. Muller said while farms on the Delmarva lations on factories that use Peninsula to be restricted to only Morgan said she authorized Occidental Chemical is in authorized personnel because of the sign posted at the gym. mercury to produce chlorine, charge of the factory, the real the recent outbreak of the H7N2 A flier stating the same including one factory 10 problem lies in the political avian· influenza. information was distributed to miles south ofNewark. process. In compliance with this all university farm personnel, The complaint, filed by "In Delaware, industry is order, the university posted a she said. the Natural Resources in control of the political sys sign on the front door of the "The people who work on Defense Council and the tem, so enforcement of envi Carpenter Sports Building warn our farms really need to know Sierra Club in the U.S. -
Mary Vingoe Opening Words
Mary Vingoe Opening Words Celebrated director, actor, and playwright Mary Vingoe was one of two keynote speakers at the Shifting Tides: Atlantic Canadian Theatre Yesterday, Today, and Tomorrow conference. The following is a revised version of her opening presentation. hen I was asked to speak here today, I asked my friend Sarah WStanley what I should talk about at this conference. Sarah is myArtisticAssociate at Magnetic North Theatre Festival and she is a director whom I like and respect. She has worked with Live Bait in New Brunswick and Artistic Fraud in Newfoundland and she’s a friend of Jest in Time. “Oh God,”she said,“there’s so much wit, and depth, and despair, and poetry, and colour, and….” “And you can’t make a living there,”I said,“period.” “No,”she said,“that part is pretty hard.” This seemed like as good a place as any to start. I first ‘left’ Nova Scotia in 1976, in the time-honoured tradi- tion of all Dalhousie theatre graduates, to come to Toronto where I had a scholarship to do graduate work at the University of Toronto. But of course, I wasn’t all that interested in doing graduate work. What I really wanted was to get to Toronto where things were happening, where Factory Theatre Lab (as it was known then), Theatre Passe Muraille, and Tarragon were all in their glorious first decade of existence. I didn’t want to be studying Canadian theatre history—I wanted to be making it. Unbeknownst to ourselves in those first Toronto years, we were actually making it. -
Popular Music and Gays, Lesbians, Bisexuals, and Transgender People: an Annotated Bibliography and Discography
Page 1 of 35 Popular Music and Gays, Lesbians, Bisexuals, and Transgender People: An Annotated Bibliography and Discography. Compiled by Walt “Cat” Walker. Approved by the GLBTRT Resources Committee. Last revised January 12, 2017. TABLE OF CONTENTS Introduction 2 I. General Nonfiction 3 II. Memoirs & Biographies 9 III. Fiction 32 IV. Drama 33 V. Children & Teens 34 VI. DVDs 35 Page 2 of 35 Introduction Gays, lesbians, bisexuals, and transgender people have always participated in creating popular music. In recent years, the visibility of LGBTQ people in the music world has increased, and more popular music has been created that openly describes the LGBTQ experience. There has also been an increase in books and films related to LGBTQ visibility in popular music, both in fiction and nonfiction. This bibliography includes resources about gay men, lesbians, bisexuals, and transgender persons involved in the popular music field. The books have all been published in print, and many of them may also be found as e-books. Separate sections contain memoirs, novels, plays, and children’s and teen books. Several LGBT popular music-related DVDs are also listed. Each book and DVD has a link to the OCLC WorldCat record (when available) where you can see which libraries hold the item. Most of this resource is comprised of a discography of popular music recordings by LGBTQ artists. It is not meant to be complete, but many recordings still available in CD format for each artist are listed, and several are annotated. Many of these performers’ songs can now also be found on streaming music services and online digital music websites. -
Board of Trustees Ohio Universit 7
OHIO UNIVERSITY Board of Trustees Ohio Universit 7 Minutes April 15, 2005 • MINUTES OF THE MEETING OF • THE BOARD OF TRUSTEES OF OHIO UNIVERSITY Friday, April 15, 2005 Ohio University, Athens Campus • THE OHIO UNIVERSITY BOARD OF TRUSTEES • MINUTES OF April 15, 2005 MEETING TABLE OF CONTENTS Minutes of April 15, 2005 • President's Report 243 • Interim Provost's Report 244 Academic Quality Committee (Tab 1) • Academic Quality Committee Minutes 259 • Faculty Fellowship Awards, Resolution 2005 — 1979 264 • Faculty Erneriti/Emerita Awards, Resolution 2005 — 1980 272 Audit, Finance, Facilities, and Investment Committee (Tab 2) • Audit, Finance, Facilities, and Investment Committee Minutes 273 • Approval and Authorization to Hire Consultants and Develop Construction Documents for Basic Renovations Funding in FY 2005-2006, • Resolution 2005 — 1981 277 • Approval of Construction Documents and Authority to Receive Bids and Enter into Construction Contracts, Resolution 2005 — 1982 278 • Approval of Consultant for Chillicothe Parking and Roadway Improvements, and Shoemaker Center, Chillicothe Campus, Resolution 2005 — 1983 279 • Zanesville Campus Wetlands Easement, Resolution 2005 — 1984 280 • Fiscal Year 2005-2006 Instructional Fee, General Fee, and Non-Resident Surcharge, Resolution 2005 — 1985 281 • Fiscal Year 2005-2006 Residence and Dining Hall Fec Rates, Resolution 2005 — 1986 291 Student Life, Human Resources & Athletics (Tab 3) • Student Life, Human Resources and Athletics Committee Minutes 294 Executive Session Minutes (Tab 4) • Honorary Degree Awards, Resolution 2005 — 1987 296 • ROLL CALL Seven Trustees were present — Chairman Robert D. Walter, C. Daniel DeLawder, R. Gregory Browning, M. Mamette Perry, M. Lee Ong, Larry L. Schcy, and C. David Snyder. Trustees C. Robert Kidder and Gene T. -
Personality:Layout 1 11/21/08 5:41 PM Page 141
47990 2 Personality:Layout 1 11/21/08 5:41 PM Page 141 141 PERSONALITY BILL FRISELL JUAN GABRIEL THE BEST OF BILL AND GLORIA BILL FRISELL: SONGS OF GAITHER FOR SOLO AN ANTHOLOGY JUAN GABRIEL PIANO – Cherry Lane Music This popular com poser and VOLUME I performer has been touring 82 songs from this prolific Word Music jazz guitarist. This collect - continually since his first hit The marriage of an exqui site ible edi tion also features in 1971 and has received lyric with a timeless melody illustrations, a preface, and numerous awards, including is the highest aspira tion for a bio by Frisell as well as a an induction into the Bill - a songwriter. It is also one of timeline and complete board Latin Music Hall of the consistent characteristics distinctive of the music of discog raphy. As a bonus, Fame. This folio features 20 Bill and Gloria Gaither. Their songs have placed an Frisell’s hand-written arrangement of “Hard Plains of his most popular songs in Spanish as well as a indelible imprint on the hearts of believers in their Drifter” is also included. biography in English and Spanish. Songs include: Amor generation. Arranged by some of the finest keyboard ______02500341 Guitar and Other Eterno (El Mas Triste Recuerdo) • Asi Fue • artists in Christian music, these songs will be imme - Instruments.....................$19.95 Costumbres • El Destino • El Mexico Que Se Nos Fue • Esta Noche Voy a Verla • and more. diately recognized by congregations and audiences ______00313129 P/V/G...............................$14.95 around the world. Spiral bound. -
A Nnu a L Report
2 0 1 9 - 2 0 A N N U A L R E P O R T Photo of Monice Peter and Adrian Shepherd-Gawinski in Every Day She Rose by Cylla Von Tiedemann. Set Design by Michelle Tracey, Costume Design by Ming Wong, Lighting Design by Rebecca Picherack R E P O R T F R O M T H E A R T I S T I C D I R E C T O R Nightwood Theatre’s 2019-2020 Season - my first year as Artistic Director of Nightwood Theatre - was a time of settling in and engaging in relationships and partnerships that I both gratefully inherited and planted as new beginnings within the company. It was a year of trust building, deepening relationships and working practices, and of course, reacting and responding to the enormity of the pandemic we are still deep in the midst of. Andrea Donaldson by Graham Isador Though we never could have anticipated how our season would end, our 2019-2020 Season began with The Groundswell Festival - a longstanding tradition in celebration of new works. The line up included five brand new offerings from our Write From The Hip playwrights unit, as well as a reading of Children of Fire by Sharhzad Arshadi and Anna Chatterton. As part of the festival we also launched our inaugural Feminist Unconference, a provocative daylong event for theatre practitioners to unpack all things feminist, that immediately became a new tradition. We had three live productions this season: The Election, a Theatre Passe Muraille presentation of a Common Boots Theatre Production in association with Nightwood Theatre and Theatre Direct; Every Day She Rose at Buddies at Bad Times Theatre; and The Solitudes at Harbourfront Centre Theatre, an Aluna Theatre production in association with Nightwood Theatre. -
Holladay Dissertation
ABSTRACT Jesus on the Radio: Theological Reflection and Prophetic Witness of American Popular Music Meredith Anne Holladay, Ph.D. Mentor: Christopher Marsh, Ph.D. The image of God in humanity is the image of the creator, the creative spirit, the imagination, manifest in our ability to understand, appreciate, and reflect on the beauty of God in creation. Therefore, the spirit of imagination, beauty, and creativity is intrinsic to the fullness of a life of faith. Art is a boon to a life of faith; additionally art and creativity allow for and create a space for genuine theological reflection. Arguments made about art in general can be applied to forms of popular culture. The foundation for this project explores the nuances between definitions of “popular culture”, and asserts that popular culture can be and often is meaning-making and identity-forming. The theological significance of popular culture is couched in terms of theological reflection and prophetic witness. The implicit assumption that anything dubbed “Christian” maintains theological depth, and creations lacking that distinction are ‘secular,’ or ‘profane,’ and therefore devoid of any moral good or theological import, is false, and a distinction this project serves in dissolving. The third chapter asserts a strong link between theological and prophetic tasks, one flowing from the other. Genuine theological reflection must result in an outward and public response. Theological reflection connects to the truth of one’s lived experience, and speaks honestly about the human story; out of that experience, voices of prophetic witness speak truth to power, out of and in solidarity with lived experiences.