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Religious Studies 181B Political Islam and the Response of Iranian
Religious Studies 181B Political Islam and the Response of Iranian Cinema Fall 2012 Wednesdays 5‐7:50 PM HSSB 3001E PROFESSOR JANET AFARY Office: HSSB 3047 Office Hours; Wednesday 2:00‐3:00 PM E‐Mail: [email protected] Assistant: Shayan Samsami E‐Mail: [email protected] Course Description Artistic Iranian Cinema has been influenced by the French New Wave and Italian neorealist styles but has its own distinctly Iranian style of visual poetry and symbolic lanGuaGe, brinGinG to mind the delicate patterns and intricacies of much older Iranian art forms, the Persian carpet and Sufi mystical poems. The many subtleties of Iranian Cinema has also stemmed from the filmmakers’ need to circumvent the harsh censorship rules of the state and the financial limitations imposed on independent filmmakers. Despite these limitations, post‐revolutionary Iranian Cinema has been a reGular feature at major film festivals around the Globe. The minimalist Art Cinema of Iran often blurs the borders between documentary and fiction films. Directors employ non‐professional actors. Male and female directors and actors darinGly explore the themes of Gender inequality and sexual exploitation of women in their work, even thouGh censorship laws forbid female and male actors from touchinG one another. In the process, filmmakers have created aesthetically sublime metaphors that bypass the censors and directly communicate with a universal audience. This course is an introduction to contemporary Iranian cinema and its interaction with Political Islam. Special attention will be paid to how Iranian Realism has 1 developed a more tolerant discourse on Islam, culture, Gender, and ethnicity for Iran and the Iranian plateau, with films about Iran, AfGhanistan, and Central Asia. -
Gefesselter Blick, Freies Urteil Asghar Farhadis Realismus – Eine Werksichtung
Jörn Glasenapp Gefesselter Blick, freies Urteil Asghar Farhadis Realismus – Eine Werksichtung I. Der Regisseur der gemäßigten Fremdheit Ob es Asghar Farhadi nicht zuletzt Donald Trump zu verdanken hat, dass er Ende Februar 2017 bei der 89. Oscarverleihung für sein Whodunit- Ehedrama The Salesman (Foruschande, 2016) den Oscar für den bes- ten fremdsprachigen Film erhielt? Wir wissen es nicht. Und doch wird man getrost annehmen dürfen, dass das grosso modo liberale, eher dem demokratischen Lager nahestehende Hollywood die Prämierung des ira- nischen Films als opportunes Zeichen betrachtete, um Stellung gegen die von der Trump-Administration einen Monat zuvor verabschiedete Exe- cutive Order 13769 zu beziehen, den sogenannten »Muslim ban«, der Bürgerinnen und Bürgern aus dem Iran und sechs weiteren mehrheitlich muslimischen Staaten 90 Tage, Flüchtlingen 120 Tage und Flüchtlingen aus Syrien dauerhaft die Einreise in die USA untersagte. Darüber, ob die US-Grenzbehörden Farhadi eine Einreise-Sondergenehmigung erteilt hätten, lässt sich ebenfalls nur spekulieren. Denn wenig überraschend ließ es sich der Regisseur nicht nehmen, die Verleihung zu boykottieren und sein Fernbleiben zum Signum des Protests gegen Trumps xenophobe und muslimfeindliche Politik zu machen, die er nicht zuletzt im folgen- den, die menschen- und völkerverbindende Kraft des Films beschwören- den Statement kritisierte, das er in der Oscarnacht verlesen ließ: »I’m sorry I’m not with you tonight. My absence is out of respect for the people of my country, and those of the other six nations who have been disrespected by the inhumane law that bans entry of immigrants to the U. S. Dividing the world into the ›us‹ and ›our enemies‹ categories creates fear – a deceitful justification for aggression and war. -
C O N T E N T S 34Th Fajr Film Festival 2 22 Movies to Compete in 34Th
مجله داخل پروازی هواپیمایی ماهان فجر Mahan Inflight Magazine Fajr Proprietor: Mahan Air Co. Managing Director: Mehdi Aliyari Central Office: Communication and International Relations Department, 4th Floor, Mahan Air Tower, Azadegan St., Karaj High- way, Tehran,Iran P.O.Box: 14515411 Tel: 021-48381752 Fax: 021- 48381799 Email: [email protected] Advertisement: Tel: (+9821) 24843 Fax: (+9821) 22050045 Cellphone: 09121129144 Email: [email protected] CONTENTS 34th Fajr Film Festival 2 22 Movies to Compete in 34th Fajr Film Festival 3 Top Rivals at 34th Fajr Film Festival 4 Nine foreign Plays to Compete in Fajr Festival 7 Fajr Theater Festival to Host 30 Special Int'l Guests 8 Top 100 Most Anticipated Foreign Films of 2016: #23. Asghar Farhadi’s The Salesman 9 34th Fajr Film Festival 1-11 February 2016 Tehran, Iran Fajr Film Festival is Iran's annual film festival, held every February from 1-11 in Tehran, Iran. The festival, started in 1982, is under the supervision of the Ministry of Culture and Islamic Guidance in Iran. It takes place every year on the anniversary of the Iranian revolution. Page 3 | Health Page 4 | Fajr 22 Movies to Compete in 34th Fajr Film Festival 22 domestic movies would compete in the biggest cinematic event of the country to be held in February. A total of 22 movies, including Bodyguard, 'Wooden Lollipop', 'The Dragon Enters', 'Lanturi' (literally meaning numpty), 'Being Born', 'The World Redemption', 'The Girl', 'Barcode', 'Anger and Hubbub', 'Cyanide', 'Scandal', 'Malaria', 'Breath', 'Blind Point', 'Midnight' and 'Inversion' compete in the section. Top Rivals at 34th Fajr Film Festival Films by famous young and veteran directors vie for the Crystal Simorgh awards at the 34th Fajr Film Festival next month. -
Asghar Farhadi Uscita Al Cinema 5 Gennaio 2017
MIGLIORE SCENEGGIATURA E IL MIGLIOR ATTORE PROTAGONISTA AL FESTIVAL DI CANNES 2016 presenta IL CLIENTE un film di ASGHAR FARHADI USCITA AL CINEMA 5 GENNAIO 2017 Tutti i materiali stampa sono disponibili nell’area press del sito www.luckyred.it/press durata 125’ UFFICIO STAMPA Alessandra Tieri (+39 335.8480787 [email protected]) Georgette Ranucci (+39 335.5943393 [email protected]) Olga Brucciani (+39 388.4486258 [email protected]) SINOSSI Emad (Shahab Hosseini) e Rana (Taraneh Alidoosti) sono una giovane coppia di attori costretta a lasciare la propria casa al centro di Teheran a causa di urgenti lavori di ristrutturazione. Un amico (Babak Karimi) li aiuta a trovare una nuova sistemazione, senza raccontare nulla della precedente inquilina che sarà invece la causa di un ”incidente” che sconvolgerà la loro vita... Dal regista di Una separazione (premio Oscar per il Miglior Film Straniero) un thriller psicologico che colpisce e affronta la complessità delle relazioni umane. 2 CAST ARTISTICO Emad Shahab HOSSEINI Rana Taraneh ALIDOOSTI Babak Babak KARIMI Il cliente Farid SAJJADIHOSSEINI Sanam Mina SADATI Kati Maral BANI ADAM Siavash Mehdi KOOSHKI Ali Emad EMAMI Esmat Shirin AGHAKASHI Madjid Mojtaba PIRZADEH Mojgan Sahra ASADOLLAHE Signora Shahnazari Ehteram BOROUMAND Sadra Sam VALIPOUR 3 CAST TECNICO Sceneggiatura e regia Asghar FARHADI Direttore della fotografia Hossein JAFARIAN Montaggio Hayedeh SAFIYARI 1° assistente alla regia Kaveh SAJADI HOSSEINI Suono Yadollah NAJAFI Hossein BASHASH Musica Sattar ORAKI Capo operatore Peyman -
Nader Und Simin - Eine Trennung
präsentiert NADER UND SIMIN - EINE TRENNUNG Ein Film von Asghar Farhadi mit Leila Hatami, Peyman Moadi, Sareh Bayat, Shahab Hosseini, Sarina Farhadi uvm. Kinostart: 14. Juli 2011 PRESSEHEFT Verleih: Pressebetreuung: Alamode Film Media Office Dachauer Str. 233 Kurfürstendamm 11 80637 München 10719 Berlin Tel: 089 / 17 99 92 0 Tel: 030 / 88 71 44 0 Fax: 089 / 17 99 92 13 Fax: 030 / 88 71 44 22 [email protected] [email protected] Auf der Seite www.alamodefilm.de stehen Ihnen unter PRESSE-SERVICE alle Pressematerialien, Fotos und weitere Informationen als Download zur Verfügung. INHALTSVERZEICHNIS Cast & Crew S. 3 Kurzinhalt & Pressenotiz S. 4 Inhalt S. 5 Interview mit dem Regisseur Asghar Farhadi S. 8 Iranisches Kino S. 10 Biografie & Filmografie Asghar Farhadi S. 13 Vor der Kamera S. 14 Für ein selbstbestimmtes Leben von Mädchen und Frauen – Die Aktivitäten von TERRE DES FEMMES S. 16 Deutsche Pressestimmen zur Berlinale S. 17 Internationale Pressestimmen zur Berlinale S. 19 2 STAB UND BESETZUNG Besetzung Simin Leila Hatami Nader Peyman Moadi Hodjat Shahab Hosseini Razieh Sareh Bayat Termeh Sarina Farhadi Richter Babak Karimi Naders Vater Ali-Asghar Shahbazi Simins Mutter Shirin Yazdanbakhsh Somayeh Kimia Hosseini Frl. Ghahraei Merila Zarei Stab Regie Asghar Farhadi Buch Asghar Farhadi Kamera Mahmood Kalari Schnitt Hayedeh Safiyari Ton Mahmood Sammakbashi Tonschnitt Reza Narimizadeh Mischung Mohammad Reza Delpak Szenenbild, Ausstattung Keyvan Moghadam Kostüm Keyvan Moghadam Maske Mehrdad Mirkiani Produzent Asghar Farhadi Ausführender Produzent Negar Eskandarfar Eine Produktion von Asghar Farhadi in Zusammenarbeit mit DreamLab Films im Verleih von Alamode Film TECHNISCHE DATEN: Länge: 123 Minuten Produktionsland/-jahr: Iran 2011 Format: 1:1.85 / Farbe 3 KURZINHALT Nader und Simin sitzen vor dem Scheidungsrichter. -
December 4, 2012 (XXV:14) Asghar Farhadi, a SEPARATION (2011, 123 Min)
December 4, 2012 (XXV:14) Asghar Farhadi, A SEPARATION (2011, 123 min) Directed, produced and written by Asghar Farhadi Original Music by Sattar Oraki Cinematography by Mahmoud Kalari Film Editing by Hayedeh Safiyari Academy Award Best Foreign Language Film of the Year (Iran) Peyman Moadi…Nader Leila Hatami…Simin Sareh Bayat…Razieh Shahab Hosseini…Hojjat Sarina Farhadi…Termeh Merila Zare'i…Miss Ghahraii Ali-Asghar Shahbazi…Nader's Father Babak Karimi…Interrogator Kimia Hosseini…Somayeh Night, 2006 Fireworks Wednesday, 2004 Beautiful City, 2003 Shirin Yazdanbakhsh…Simin's Mother Dancing in the Dust, 2002 Low Heights, 2002 “Yadashthaye Sahabanu Zolghadr…Azam koodaki”, 2000 “Roozegare javani”, 2000 “Dastane yek shahr.” Mohammadhasan Asghari…Creditor Shirin Azimiyannezhad…Woman in the Bus MAHMOUD KALARI (b. April 31, 1951, Tehran, Iran) has 60 Hamid Dadju…Creditor cinematographer credits, some of which are 2012 I'm his wife, 2011 A Mohammad Ebrahimian…Judge Separation, 2010 40 years old, 2010 Adamkosh, 2009 7:05, 2009 Samad Farhang…Interrogator's Office Manager Love at 40, 2008 Shirin, 2008 Khake ashena, 2006 Mainline, 2006 Ali Fattahi…Soldier The Fish Fall in Love, 2006 Havana File, 2006/I Offside, 2006 Nafise Ghodrati…School Teacher Fereshte va farsh, 2005 Yek boos-e koochooloo, 2005 Bab'Aziz - The Roya Hosseini…Police Officer Prince That Contemplated His Soul, 2005 The Willow Tree, 2005 Seyyed Jamshid Hosseini…Accused Man “Cinema Iran”, 2005 Tickets, 2004 Al-Ghazali: The Alchemist of Hamid Janane…Soldier Happiness, 2004 Abadan, 2004 Friday's -
7 Minuti Di Michele Placido ANNO XVI - NUOVA SERIE - N
numero52016 Bimestrale d’informazione cinematografica edito dalla FICE - Federazione Italiana Cinema d’Essai 7 minuti di Michele Placido ANNO XVI - NUOVA SERIE - N. 5 - SETTEMBRE/OTTOBRE 2016 - Euro 3,00 - SPED. ABBONAMENTO POSTALE 70% - FILIALE DI ROMA SERIE - N. 5 SETTEMBRE/OTTOBRE 2016 Euro 3,00 SPED. ABBONAMENTO POSTALE ANNO XVI - NUOVA interviste Arriva la Tom Ford Palma d’oro Bellocchio, Comencini Io, Daniel Blake Danieli, Dardenne, di Ken Loach Farhadi, Johnson, Pif, Segato Il Neruda di Pablo Larrain VALERIO MASTANDREAMASTTAANDREA BÉRÉNICE BEJOBEJO LAZIO SEGUICI SU 01 DISTRIBUTION 52016 numero Federazione Italiana Cinema d’Essai dalla FICE - edito ematografica one cin ormazi n.5/2016 editoriale rale d’inf Bimest Cover story 22 7 minuti I numeri della qualità di Michele Placido 7 minuti o ele Placid di Mich (Anna Maria Pasetti) Arriva la Chiuso il sipario sugli “Incontri del Cinema d’Essai”, una Palma d’oro l Blake Io, Danie Loach ANNO XVI - NUOVA SERIE - N. 5 - SETTEMBRE/OTTOBRE 2016 - Euro 3,00 - SPED. ABBONAMENTO POSTALE 70% - FILIALE DI ROMA ROMA DI FILIALE - 70% POSTALE ABBONAMENTO SPED. - 3,00 Euro - 2016 SETTEMBRE/OTTOBRE - 5 N. - SERIE NUOVA - XVI ANNO interviste di Ken In copertina: Ambra Angiolini Ford Il Neruda Tom in Pablo Larra Bellocchio, Comencini di Danieli, Dardenne, Farhadi, Johnson, Pif, Segato riflessione sul senso del fare cinema d’autore e su come lavorare al meglio in futuro, anche grazie alla nuova legge cinema Interviste 6 Ken Loach (Anna Maria Pasetti) 8 Marco Danieli (Barbara Corsi) ••• Gli Incontri del -
Irel Cinema, Identidade E Política Externa
UNIVERSIDADE DE BRASÍLIA - UnB INSTITUTO DE RELAÇÕES INTERNACIONAIS - IREL LIA OLIVEIRA LIMA SERAPIÃO Sob orientação do Prof. Dr. Luiz Daniel Jatobá França CINEMA, IDENTIDADE E POLÍTICA EXTERNA: ATÉ QUE PONTO A REALIDADE DO IRÃ ESTÁ REPRESENTADA NOS FILMES DO DIRETOR ASGHAR FARHADI? Brasília 2017 UNIVERSIDADE DE BRASÍLIA Instituto de Relações Internacionais - IREL/UnB Lia Oliveira Lima Serapião Cinema, Identidade e Política Externa: até que ponto a realidade do Irã está representada nos filmes do diretor Asghar Farhadi? Monografia apresentada como requisito para conclusão da disciplina ‘’Dissertação em Relações Internacionais’’, como item opcional de conclusão do Bacharelado em Relações Internacionais da Universidade de Brasíli Orientador: Prof. Dr. Luiz Daniel Jatobá França Brasília - 2017 Oliveira, Lia. Cinema, Identidade e Política Externa: até que ponto a realidade do Irã está representada nos filmes do diretor Asghar Farhadi? 74 f Monografia (Graduação) - Universidade de Brasília, Instituto de Relações Internacionais, 2017. Orientador: Luiz Daniel Jatobá França 1. Irã 2. Cinema 3. Identidade; 4. Política Externa Iraniana. I. Título. II. Título: Até que ponto a realidade política doméstica do Irã está representada nos filmes do diretor Asghar Farhadi? UNIVERSIDADE DE BRASÍLIA Instituto de Relações Internacionais - IREL/UnB Lia Oliveira Lima Serapião CINEMA IRANIANO E POLÍTICA EXTERNA Até que ponto a realidade política doméstica do Irã está representada nos filmes do diretor Asghar Farhadi? Monografia apresentada como requisito para conclusão da disciplina ‘’Dissertação em Relações Internacionais’’, como item opcional de conclusão do Bacharelado em Relações Internacionais da Universidade de Brasília. Banca Examinadora ____________________________ _________________________ Prof. Dr. Rodrigo Pires de Campos Prof. Dr. Thiago Gehre Galvão ______________________________ Prof. -
The Salesman (Forushande)
Presseheft THE SALESMAN (FORUSHANDE) Buch & Regie: Asghar Farhadi mit Shahab Hosseini, Taraneh Alidoosti, Babak Karimi u.v.a. Im Verleih von Prokino (Iran / Frankreich, Länge: 125 Min.) OT: “Forushande” Kinostart: 02. Februar 2017 Pressematerial erhältlich unter: www.prokino.medianetworx.de VERLEIH PROKINO Widenmayerstr. 38 80538 München Tel.: (089) 210 114 - 0 Fax: (089) 210 114 – 11 E-Mail: [email protected] PRESSEBETREUUNG VERMIETUNG MEDIA OFFICE 24 Bilder Filmagentur Pestalozzistraße 72 Barnsteiner & Ritter GbR 10627 Berlin Boosstr. 6 Tel: 030 – 88 71 44 - 0 81541 München Fax: 030 – 88 71 44 – 22 Tel: 089 – 44 23 27 6 – 0 Fax : 089 – 44 23 27 6 – 20 INHALT BESETZUNG ……………………………………………………………………………….3 STAB ………………………………………………………………………………………...3 KURZINHALT UND PRESSENOTI Z…….......………………………………………….4 LANGINHALT ………………………………………………………………………………5 INTERVIEW MIT ASGHAR FARHADI ........................................................................8 TEHERAN – EINE STADT IM UMBRUCH ................................................................11 BIO- & FILMOGRAPHIEN ……………………………….................…………..............12 ASGHAR FARHADI (REGIE) ....................................................................................12 SHAHAB HOSSEINI (EMAD) ...................................................................................14 TARANEH ALIDOOSTI (RANA) ...............................................................................14 BABAK KARIMI (BABAK) ........................................................................................15 -
Law of the Director: Questioning the Unquestioned in Asghar Farhadi's
Advances in Language and Literary Studies ISSN: 2203-4714 www.alls.aiac.org.au Law of the Director: Questioning the Unquestioned in Asghar Farhadi’s Movies The Beautiful City, Fireworks Wednesday and The Salesman Ma’soome Sehat, Hossein Jahantigh* Faculty of Foreign Languages, Yazd University, Yazd-Iran Corresponding Author: Hossein Jahantigh, E-mail: [email protected] ARTICLE INFO ABSTRACT Article history Asghar Farhadi, the Iranian Oscar winning writer and director, employs a bitter reality, i.e. the Received: March 19, 2018 clash between tradition and modernity, as the main motif of his works up to 2016. His depicted Accepted: June 27, 2018 characters always attempt to act rational, a prerequisite of modern time, but something traditional Published: August 31, 2018 almost by an accident pushes them back, and as a result, tradition comes out as the winner. The Volume: 9 Issue: 4 key concern in this paper is to examine how Farhadi, apparently, tries to portray the Iranian Advance access: July 2018 society by exercising an objective stance to raise his fundamental question. The paper analyzes how he presents the challenge to his audiences’ judgment by letting them choose freely between modernism and tradition. However, the semiotic study of some of his movies shows his viewpoint Conflicts of interest: None is not completely objective and preference of one side over the other is apprehended. This paper Funding: None seeks to prove that the author is inclined toward modernity in the titular three movies: The Beautiful City, Fireworks Wednesday and The Salesman, which the viewers might miss out on their first seeing of the movies. -
IL CLIENTE Di ASHGAR FARHADI
in collaborazione con: Scheda n. Cinema Sociale Società Operaia di Mutuo Soccorso 26 (1028) Giovedì PIEMONTE AL CINEMA - IL CINEMA DIFFUSO 19 aprile 2018 www.cineforumomegna.it promosso da Regione Piemonte, AIACE, AGIS IL CLIENTE di ASHGAR FARHADI Titolo originale: FORUSHANDE . Regia e sceneggiatura: ASGHAR FARHADI . Fotografia: HOSSEIN JAFA- RIAN . Musiche: SATTAR ORAKI . Interpreti: SHAHAB HOSSEINI (Emad), TARANEH ALIDOOSTI (Rana), BABAK KARIMI (Babak), FARID SAJJADIHOSSEINI (Il cliente), MINA SADATI (Sanam). Pro- duzione : MEMENTO FILM PRODUCTION . Distribuzione : LUCKY RED . Durata : 125’. Origine : IRAN , 2016. ASHGAR FARHADI È uno dei più importanti registi iraniani di oggi. Asghar Farhadi è nato nel 1972 a Khomeyni Shahr, capoluogo dello shahrestān, ossia la provincia di Khomeynishahr, nella regione di Esfahan. La città dove è nato Farhadi è stata chiamata così in onore dell’ayatollah Khomeyni. Anti- camente si chiamava Sedeh. Farhadi si è laureato in regia nel 1998 all’università di Teheran. Dopo aver diretto alcune serie televisive, ha esordito nel cinema nel 2003 con Dancing in the Dust , nel 2004 ha diretto The Beautiful City e nel 2006 Chaharshanbe Suri . Questi primi tre film non sono stati distribuiti in Italia. Si è fatto conoscere a tutti con About Elly che ha vinto l’Orso d’argento a Berlino 2009 e che abbiamo presentato al cineforum. Del 2011 è Una separazione , Orso d’Oro a Berlino, Golden Globe e Oscar come miglior film straniero (visto al cineforum). Del 2013 è Il passato (visto al cineforum) . Del 2017 è il film di stasera, Il cliente , Oscar come miglior film straniero. A causa dell’ordine ese- cutivo del 27 gennaio 2017 di Donald Trump, l’iraniano Farhadi non avrebbe potuto recarsi alla cerimonia degli Oscar. -
Fecha De Estreno: 3 De Marzo De 2017 EL VIAJANTE
Los protagonistas de El viajante son una pareja iraní que, debido a unos ha sentado las bases para la creación futura de división y enemistad ", ha problemas con la estructura de su casa, se ven obligados a cambiarse tempo - declarado el realizador que ha asegurado que no viajará a Hollywood aunque ralmente de domicilio. Pero Emad y Rana , el hombre y la mujer sobre los se le conceda el correspondiente permiso. La protagonista femenina de El que se levanta esta historia, son también los actores de una versión teatral de viajante , Taraneh Alidoosti , que interpretaba a Elly en la película de 2009 Muerte de un viajante en torno a cuyas vivencias se irán tejiendo los ele - del propio Farhadi , tampoco asistirá a la ceremonia de los Oscar: “ La prohi - mentos que acaben por alimentar bición de visado a los iraníes de Trump una venganza. es racista. Tanto si incluye un evento cul - El realizador iraní Asghar tural como si no, no asistiré a los Farhadi ha sido el creador de #PremiosdelaAcademia 2017 en protes - este relato y también quien lo ha ta ”, ha dicho la actriz, una de las más llevado a la pantalla. Autor de reconocidas en su país. obras de teatro antes que director El viajante , una producción de Irán y de de cine, Farhadi ha estado siem - Francia, ha sido rodada íntegramente en pre interesado en el lenguaje tea - farsi. La acción transcurre en Teherán, tral y en los montajes escénicos, una ciudad que el realizador ha llegado a un campo en el que ha puesto en comparar con el Nueva York que dibujó marcha varios proyectos.