DOCSLIB.ORG

Program for "Barefoot in the Park;" Sept. 9-14, 1969

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Program for AUDITORIUM THEATRE ROCHESTER SEPTEMBER 9- 14 THEATRE CLUB 1968 FEATURING OUR SATURDAY NITE SPECIAL Prime Rib of Beef Au Jus Baked Potato with Sour Cream & Chives Vegetable - Salad - Co ffee $3.50 ALSO MANY OTHER DELICIOUS ITEMS Stop in for dinner before the show or after the show for a late evening snack SERVING 7 DAYS & NITES FROM 11 A.M. till 2 A.M. 1501 UNIVERSITY AVE. EXTENSION PlENTY OF FREE PARKING For Reservations Call: 271 - 9635 or 271 - 9494 PARTY AND BANQUET ACCOMMODATIONS Consul t Us For Your Banquets And Part i es . we w i ll be glad to h a v e y o u. STAN SEIDEN & HARRY ZEVIN present VIRGINIA PATTY MAYO McCORMACK JACK MULLANEY LYLE TALBOT in NEIL SIMON'S Comedy Hit BAREFOOT IN THE PARK with DON McART Directed by THOMAS MONTGOMERY Scenic Design Wardrobe OLIVER SMITH MARGE MANN OF HOLLYWOOD MISS MAYO'S WARDROBE RY VIRGINIA MAYO, lnc. BRIDES' SHOWCASE GREECE TOWNE .MALL A COMPLETE BRIDAL SERVICE FOR THE BRIDE AND HER WEDDING PARTY ALL ACCESSORIES GOWNS FOR MOTHER WEDDING INVITATIONS PHOTOGRAPHY IN THE SALON TO 9 P.M. WEEKDAYS* 5:45P.M. SATURDAYS YOUR HOSTS HELEN AND TOM HALL 225-3500 KAWAI the mark of excel lance Pianos Of Precision And Craftmanship REED MUSIC ORGAN & PIANO 80 EAST AVENUE ROCHESTER NEW YORK 14604 716-232-5540 BEST DEAL IN TOWN It's COMPLETE In HOME FURNISHINGS To Be Thin CHARLOTTE FOR MEN AND WOMEN J 0 IN APPLIANCES THE DIET WORKSHOP 3200 LAKE AVENUE 473-1555 663-5050 CAST (In Order of Appearance) Corie Bratter .. ... ... ... ..... .... ... ... .... ... ..... .. ......... .................... ..... ... ....... .. .... PATTY McCORMACK Telephone Repair Man .... ....... .. ... .................. ......... ... ... ... ..... ...... .. .. ..... .. ................ DON McART Paul Bratter ... .......................... .......... ... .. ... .... ... ....................................... .... JACK MULLANEY Corie's Mother, Mrs. Banks ..................... ...................... ............................ VIRGINIA MAYO Victor Velasco ...................... .... .... ....................................................................... LYLE TALBOT GEORGE M. CLANCY CARTING CO. INC. Moving Packing Crating Storage -A GENT- Geo. M. Clancy Jr. President NORTH AMERICIAN VAN LINES unwind at Sheraton Great place for relaxation All conversation. See yo u tonight? Ancl cock tails JUS[ the way you like them - made by bartenders who really know their business and are famous for @ SHERATON I l l Eo st Aven e/232-1700 James D. C oromel, Gen. Mgr. "The Career Girl's Specialty Shop" 39 WEST MAIN STREET WEBSTER, NEW YORK 872-3322 Open daily from 9 A.M. to 5:45P.M. Thurs. & Fri . Nites to 8:45P.M. "DE ROOTER" of course! FOR CLOGGED SEWERS & DRAINS 254-3321 IF NO ANSWER CALL 663-1335 ROTATING KNIVES CUT A Radio Dispatched OUT ALL Service Truck Is As ROOTS Near As Your Phone AND DEBRIS LEAVING YOUR SEWEk LIKE NEW T WAUGH A SPECIALIZED SERVICE Since 1936- ROCHESTER ROOTER CO. INC. 105 LEXINGTON AVE COR. LAKE AYE VAN ZILE TRAVEL ESCORTED FAlL VA CATIONS HAWAII ... NOVEMBER 9 - 23 BERMUDA ... NOVEMBER 9 - 16 NASSAU ... DECEMBER 7- 14 VAN ZILE TRAVEL SERVICE 1786 Monroe Avenue Rochester, N.Y. -14618 Tel. 244-8300 ACT I The top floor of a brownstone on East 48th St., New York City About 5:30 on a cold February afternoon. - INTERMISSION - ACT II Scene 1: Four days later. About seven in the evening. Scene 2: Later that night. About 2 A.M: - INTERMISSION ACT III The following day. About five in the afternoon. Congratulations Shakespeare On Opening in the New Xerox Towers UNUSUAL CUSTOM FRAMING ON DISPLAY BY !:b~~~::.v,!~~~!o .~~~HN~~!~~~ FINE PORTRAITURE CUSTOM FRAMING Call 381-8100 for appointment distinctive mirrors and lamps Who's Who in the Cast VIRGINIA MAYO (Mrs. Banks). "As a child," said Miss Mayo, "all I ever want- ed was to be in some form of show busi- ness. My first ambition was to be good enough for the St. Louis Municipal Op- era." The lovely blonde actress-singer-danc- er obviously overshot her mark, going . on to become one of the most popular motion picture stars of all time. 32 North Main Street Born Virginia Jones in St. Louis, the daughter of a Globe-Democrat news re- Pittsford, New York porter, Virginia started her show busi- 381-3830 l0-4 daily ness career at the tender age of. eight, studying acting and dancing with the Alice Jones Wintage School of Dra- Do Your Shopping At matics. At 16 she was enrolled in the Corps de Ballet of the St. Louis Municipal Op- ATLANTIC SUPPLY era, thereby reaching her first mile- stone. A year later she was appearing at the Jefferson Hotel in St. Louis with HOUSE, INC. fellow members of the Ballet Corps when spotted by a man named Andy fancied canned goods Mayo. and condiments Andy Mayo had one of the most pop- ular night club acts of that time and in- vited the young dancer to join him. NUT MEATS To protect the young girl from the CANDlED FRUITS wolves on the entertainment road, he DRIED FRUITS changed her name to Mayo and intro- FOODS IN BULK duced her as his sister. She toured the 350 CLINTON AVE. NORTH United States for approximately five years in vaudeville, playing every the- atre in New York City and the Eastern "Where Shopping Is A Pleasure" and Southern states. Virginia's career shot upward. Her FREE PARKING performances at Radio City Music Hall OR in New York brought her a leading role PHONE YOUR Phone: in "Banjo Eyes" with Eddie Cantor ORDER FOR DELIVERY then a starring role at Billy Rose's Dia~ 232-- 1828 mond Horseshoe in a part especially created for her by Mr. Rose, displaying her dancing and acting abilities. Make Your Next It was there she was seen by film pro- Theatre Evening Complete ducer Samuel Goldwyn who suggested to Rose that Virginia visit him the next START WITH DINNER day. According to Virginia, Goldwyn was at the brief and direct. He asked her if she \\·ould like to work in films. MILL After careful coaching and training, she made her film debut with Danny Kaye in "Up In Arms." She subsequently Treadway Inn worked with Kaye in five other films a nd soon became known as "The World's 384 East Ave. *325-50 10 Most Beautiful Blonde." Her first real opportunity to prove her acting forte came in the multi-Oscared "The Best Years of Our Lives," portraying the ABC LETTER SERVICE g rasping gold-digging wife. In 1948 she was signed by Warner 198 JEFFERSON RD. Brothers. This proved to be a long and happy association - eleven years and 40 motion pictures. ROCHESTER, N.Y. 14623 Bringing Virginia Mayo's biography more up to date, without going into scores of past motion pictures and tele- 436-7504 vision appearances, her latest films up to 1966 were "Young Fury" for Para- mount and "Revolt of the Mercenaries" which was filmed in Italy. On TV it was Before and After The Show " Daktari" and a Bob Hope Special. In the legitimate theatre, between 1963 and Stop at '67 it was "George Washington Slept CEORCE'S Here," "Life With Father" "Fiorello "The Loving Couch," and Just last De COCKTAIL LOUNGE cember she completed an eight months .success at the Thunderbird Hotel, Las Serving the Finest Food & Cocktails. Try our Friday Nite Vegas in the Broadway musical, "That Fish Fry Certain Girl." In private life Virginia is the wife of 858 HUDSON AVE. actor Michael O'Shea. Their daughter, 266-3440 Mary Catherine, was born in 1953. The O'Sheas live in Thousand Oaks, Cali- fornia. PATTY McCORMACK (Corie Bratter), TUXEDO SHOP who achieved national fame as the child AJ's star of the Broadway hit "The Bad Formal Wear Seed," and won an Oscar nomination for the movie ver sion, is back on the stage "Looking Your Formal Best Is Our Business" in this national tour of "Barefoot in the Park." Morvin Barkin- G i lbert Cresov Patty's meteoric career commenced on 325-5958 Broadway when the critics applauded 129 Clinton Ave. So. her outstanding performace as the Opp. Xerox Square spoiled child in "The Bad Seed," and she topped this performance by winning a Motion P icture Academy Award for 1384 Empire Blvd. her role in the fil m. W hile still in her pre-t eens she turned out more films such 288-3065 as "H uckleberry F inn ," "Kathy-O," and " E xplosive Gener ation." " Late Supper Toda y, a mature entertainer of twenty our Spec ial it y" two a nd a Hollywood veteran. she has recently com pleted such movies as "The Mini-Skirts," "The Young; Run- BUCCANEER aways," and "The Blow Off." Restaurant and Cocktail lounge Perhaps the role for which she is best "High Adventure in Fine Dining" remember ed is her TV por tr ayal of Hel- en Keller in "The Miracle W or ker" on Playhouse 90, a television spectacular that won the Sylvania Award. Her TV CASAL HOF career matches her stage and film per- TRAVEL AGENTS formances via top T roles in "Route 66," "Rawhide," "Wagon Train," and "I 7 Main St. East Remember Mama," which she also did on stage a nd ''Wild Wild West.'' ' ' 'When Adventure CaII s You Call Us " JACK MULLANEY (Paul Bratter) boasts a background of roles in the the- atre, motion pictures, and t elevision 325-4614 which wculd be a credit to many actors twice hi age. His Broadway debut in "The Remarkable :Mr. Penny-Packer" led to a tour with Eva Marie Saint in "The Rainmaker." The tour eventually NEW YORK brought him to Hollywood a nd as t ht y say the rest is history. BAKERY One of televisions most familiar faces, he ha . tarred in four series: " It's About "BUTTER MAKES T ime," My Living Doll," " Ensign O'Toole," and "The Ann thern Show." THE DIFFERENCE " He first came to the attention of critics and audiences in au auspicious debut on "T he Philco Televis.ion Playhou.se" some 399 JOSEPH AVENUE t en years ago.
Load more

Recommended publications
  • Play-Guide Sunshine-Boys-FNL.Pdf
    TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 MEET THE CREATOR 2 MEET THE CHARACTERS 4 COMMENTS ON THE PLAY 4 COMMENTS ON THE PLAYWRIGHT 6 THE HISTORY OF VAUDEVILLE 7 FamOUS VAUDEVILLIANS 9 A VAUDEVILLE EXCERPT: WEBER AND FIELDS 11 MEDIA TRANSITIONS: THE END OF AN ERA 12 REFERENCES IN THE PLAY 13 DISCUSSION QUESTIONS AND ACTIVITIES 19 The Sunshine Boys Play Guide written and compiled by Katherine Monberg, ATC Literary Assistant. Discussion questions and activities provided by April Jackson, Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS John and Helen Murphy Foundation The Maurice and Meta Gross Arizona Commission on the Arts National Endowment for the Arts Foundation Bank of America Foundation Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Blue Cross Blue Shield Arizona PICOR Charitable Foundation The Stocker Foundation City of Glendale Rosemont Copper The William l and Ruth T. Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company Fund The Johnson Family Foundation, Inc Freeport-McMoRan Copper & Gold Foundation The Lovell Foundation JPMorgan Chase The Marshall Foundation ABOUT ATC Arizona Theatre Company is a professional, not-for-profit
    [Show full text]
  • Barefoot in the Park Audition / Rehearsal / Performance Information
    Barefoot in the Park Audition / Rehearsal / Performance Information Prattville’s Way Off Broadway Theatre announces auditions for Barefoot in the Park, by Neil Simon, which will be presented through special arrangement with Samuel French. The production will be directed by Blair Dyson, who last directed Merry Christmas, Dear Gramdpa at WOBT. AUDITION DETAILS Auditions will be held Monday & Tuesday, May 23 & 24, from 7-9:30pm at the Prattville Cultural Arts Center at 203 West 4th Street, Prattville, Alabama 36067. Please plan to attend both days, if possible. Character Descriptions are included below. Auditions are open to anyone interested, and no prepared pieces are required. We will be doing cold readings from the script. Acting resumes & pictures are appreciated, but not necessary. Please bring ALL available information as far as scheduling conflicts from June-September with you. REHEARSAL/PRODUCTION DETAILS Rehearsals will typically be held on Monday-Thursday nights (probably about 3 days/week) from 6:45-9:30, and will begin in early June. Barefoot in the Park will open on Thursday, August 25 at 7:30pm with an Opening-Night Reception to follow. All remaining performances will be August 26-September 11, on Fridays & Saturdays at 7:30pm, and Sundays at 2pm (10 performances total over 3 weekends). ROLES TO BE CAST Ages listed are the CHARACTER’s approximate age. Actors can be younger or older, but must be able to play the approximate age listed, especially in relation to the other actors cast. CORIE BRATTER (25ish) A newlywed, married only six days at the beginning of the play.
    [Show full text]
  • Theatre Review: 'Ruthless! the Musical' at Heritage Players
    Home About Us Write for Us Auditions and Opportunities Advertising Contact Us ! " # $ Theatre Guide What’s Playing Half-Price Tickets Reviews Columns News * ! ! ! ! ! ! LATEST POSTSTheatre News: Announcement of Awards of 20th Annual Washington Area Theatre Community Honors (WATCH) ) Theatre News:2:49:48 2020 ‘Contemporary American Theater Festival’ Canceled WHAT’S PLAYING Theatre Review: ‘Ruthless! The Musical’ at Heritage Players Posted By: Timoth David Copney on: October 30, 2019 % Print ' Email SUBSCRIBE TO NEWSLETTER Weekly email with links to latest posts. (Be sure to answer confirmation email.) Name Name Brooke Webster as Tina. Email “Ruthless! The Musical” (exclamation mark included) is one of the quirkiest pieces of musical Email theatre to come down the pike in a long while and I am flat-out delighted it’s parked at Heritage Players in Catonsville. Submit Heritage Players is not known for presenting outré productions, but if this is a new directional trend then I am all for it. This weird mishmash of The Bad Seed, Gypsy, All About Eve, A Chorus Line and every bad mother/daughter/sociopathic killer movie is so tragically flawed as a story that it takes a while to realize that it has its tongue so firmly in its own cheek that it can’t possibly be meant to be taken seriously. And that’s what makes it so much fun. With a book and lyrics by Joel Paley and music by Marvin Laird, the musical made its Off- Broadway debut in 1992. It’s the ridiculous story of Judy Denmark, a Stepford-wife homemaker and her darling psychopath of a daughter, Tina.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Comedy; *Content Analysis; *Drama; *Literary Criticism; *Playwriting; Stereotypes Specifically Examines "God's Favorite,&Qu
    DOCUMENT RESUME ED 103 890 CS 201 950 AUTHOR McMahon, Helen TITLF A Rhetoric of American Popular Drama: TheComedies of Neil Simon. PUB DATM Mar 75 NOTE 18p.; Paper presented at the National Convention of the Popular Culture Association (5th, St. Louis, March 20-22, 1975) EDRS PRICE MF-$0.76HC-$1.58 PLUS POSTAGE DESCRIPTORS Analytical Criticism; *Characterization (Literature); Comedy; *Content Analysis; *Drama; *Literary Criticism; *Playwriting; Stereotypes IDENTIFIERS *Simon (Neil) ABSTRACT This paper discusses generally Neil Simon's plays; specifically examines "God's Favorite," "Plaza Suite," "Barefootin The Park," "Star Spangled Girl," "Come Blow Your Horn,"and "Last of the Red Hot Lovers"; and quotes reviews of the plays. Anexamination of the composition of the plays reveals that they all more orless share certin topics and plot structure, have a veneerof topicality, and are supported by gags, jokes, and absurd behavior.Variations on the themes of unobtainable vain fantasies are played out;the plays all end in the marriage bed, however devious anddeceitful the way has been. The vagaries of sex and guilt, inadequacy andmachismo are all circumscribed and made manageable. It isconcluded that Simon's plays are telhnically unsatisfying because he uses adisjointed tragicomic story line with an enormous number of realistic andcliche details and gags to distract from the disjointed story. His exploitation of the familiar prevents explorationof the serious or the comic. And, for the same reasons, the plays arethematically unsatisfying as well. (T3) U S DEPARTMEWTOF HEALTH. EDUCATION & WELFARE NATIONAL INSTITUTE OF EDUCATION THIS DOCUMENT HAS BEEN REPRO OuCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGIN AT1NG IT POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRE SENT OF F IciAL NATIONAL INSTITuTE OF Helen McMahon EDUCATION POSITION OR POLICY English Department State University College Fredonia, New York 14063 f4141:.,,,IIIN 14 Ow f mv, iliGHttMA') Ham HA.
    [Show full text]
  • Brighton Beach Memoirs by Neil Simon
    2012 – 2013 SEASON BRIGHTON BEACH MEMOIRS by Neil Simon CONTENTS Directed by Steven Woolf 2 The 411 3 A/S/L & HTH 4 FYI 6 F2F 7 RBTL 8 B4U 10 IRL 12 SWDYT? MAJOR SPONSORS: Ann & Hugh Scott WELCOME! At The Rep, we know The desire to learn, insatiable when awakened, can that life moves fast— sometimes lie dormant until touched by the right teacher or okay, really fast. But the right experience. We at The Rep are grateful to have the we also know that opportunity to play a role supporting you as you awaken the some things are desire for learning in your students. worth slowing down Neil Simon is considered one of America’s leading for. We believe that live theatre is one of those playwrights for a good reason. He has the ability to tell pit stops worth making and are excited that you are going a story of specific people in a specific time and yet, also to stop by for a show. To help you get the most bang for make it timeless and universal. This is definitely the case in your buck, we have put together WU? @ THE REP—an Brighton Beach Memoirs. Though Eugene’s story is set in the IM guide that will give you everything you need to know to 1930s, his journey through adolescence is one to which your get at the top of your theatergoing game—fast. You’ll find students can relate. This play will remind them (and us) that character descriptions (A/S/L), a plot summary (FYI), family may drive you crazy but they are still your family and biographical information (F2F), historical context (B4U), in the end, they are your anchor as you navigate life.
    [Show full text]
  • The Keep Eastern Illinois University
    Eastern Illinois University The Keep 1997 Press Releases 3-26-1997 03/26/1997 - University Board Presents Barefoot in the Park.pdf University Marketing and Communications Follow this and additional works at: http://thekeep.eiu.edu/press_releases_1997 Recommended Citation University Marketing and Communications, "03/26/1997 - University Board Presents Barefoot in the Park.pdf" (1997). 1997. 103. http://thekeep.eiu.edu/press_releases_1997/103 This Article is brought to you for free and open access by the Press Releases at The Keep. It has been accepted for inclusion in 1997 by an authorized administrator of The Keep. For more information, please contact [email protected]. University Board ILLINOIS UNIVERSITY 201 University Union Charleston, IL 61920-3099 Office: 217-581-5117/3117 Email: [email protected] March 26, 1997 UNIVERSITY BOARD PRESENTS BAREFOOT IN THE PARK CHARLESTON-- University Board Performing Arts committee presents a dessert theater production, Barej()()f in the Park. The performance will be held at 8 p.m. April 1 in the Rathskeller in the Martin Luther King Jr. University Union. The classic Neil Simon play is put on by the Alpha Omega players, part <?f the Repertory Theater of America. A nationally acclaimed touring company, the RTA has performed over 13,000 times in various productions in the United States and Canada since its creation in 1968. The RTA players toUi for ten months at a time with three different units, each with four actors ready to perform one of any three to four other plays. Barefoot in the Park, a romantic comedy about a couple's first week of marriage, opened in I 963 and had a three year running on Broadway.
    [Show full text]
  • Barefoot in the Park Explores the Timeless Struggles of Young Love
    Barefoot in the Park Explores the Timeless Struggles of Young Love Barefoot in the Park, which recently opened at Trinity Repertory Company, is a silly, lightweight confection that coasts on the appeal of the stars: real-life engaged couple Rebecca Gibel and Charlie Thurston. Gibel and Thurston play Corie and Paul, newlyweds who move into a fifth floor apartment in New York City. The place is threadbare: no furniture, no heat and no bathtub, with a leaky closet, and a hole in the skylight. And there is a running gag of characters nearly collapsing from exhaustion after climbing up five flights of stairs. Corie is a bit ditzy – she packs firewood in her suitcase and wears frilly lingerie. Paul is a straight-laced lawyer who won’t walk “barefoot in the park” to Corie’s disappointment. After a wild night at an Albanian restaurant on Staten Island, Paul and Corie decide to get a divorce. As in his other shows including The Odd Couple and Laughter on the 23rd Floor, playwright Neil Simon proves he is a master at crafting funny dialogue and wacky, larger-than-life personalities. Gibel and Thurston are both charming and hilarious in their roles, and Thurston proves he can do slapstick when an intoxicated Paul effortlessly slides from the living room coach onto the floor. There are some terrific supporting performances from Phyllis Kay as Corie’s sex-starved mother who lives in New Jersey, and Stephen Berenson channels Nathan Lane as the oily upstairs neighbor Victor Velasco. Uche Elueze has some fun as a telephone repair man who pays a visit to Corie and Paul.
    [Show full text]
  • Download Show Archive
    1959 - 1960 6O NOTEWORTHY PERFORMANCE NO. OF PRODUCTION PERFORMERS DATES PERFORMANCES VENUE SEASON SPONSOR Business Professional Women’s Club ODD MAN IN Ann Sheridan, Scott McKay 10/26/59 1 HHS THE DARK AT THE Joan Blondell 1 HHS TOP OF THE STAIRS TWO FOR THE SEESAW Hal March 2 HHS LOOK HOMEWARD, Miriam Hopkins 1 HHS ANGEL 1960 - 1961 6O SEASON SPONSOR Business Professional Women’s Club THE PLEASURE OF Joan Bennett, Donald Cook 10/ 7/1960 1 HHS HIS COMPANY ONCE UPON A MATTRESS Edward Everette Horton, 12/1/1960 1 HHS Imogene Coca, King Donovan J. B. John Carradine 3/16/1961 1 HHS ANDERSONVILLE TRIAL Brian Donlevy 4/10/1961 1 HHS 1961 - 1962 5O SEASON SPONSOR Business Professional Women’s Club A THURBER CARNIVAL Arthur Treacher, Imogene Coca, 1 HHS King Donovan THE MIRACLE WORKER Eileen Brennan 1 HHS THE BEST MAN Don Porter, Scott Brady 1 HHS CRITICS CHOICE Jeffrey Lynn, Wanda Hendrix 1 HHS 1962 - 1963 6O NOTEWORTHY PERFORMANCE NO. OF PRODUCTION PERFORMERS DATES PERFORMANCES VENUE SEASON SPONSOR Business Professional Women’s Club A SHOT IN THE DARK Annie Farge 10/ 20/1962 1 HHS CARNIVAL Elaine Malbin 12/1/1962 1 HHS MARY, MARY Jeffrey Lynn 2/2/1963 1 HHS THE PREMISE Theodore Flicker 1 HHS (New York cast flew in for performance) 1963 - 1964 6O SEASON SPONSOR Business Professional Women’s Club A THOUSAND CLOWNS John Ireland 1 HHS A MAN FOR ALL Robert Harris, Jeff Morrow 1 HHS SEASONS THE BOYS FROM Chet Summers, Eddie Roll, 1 HHS SYRACUSE Ralph McWilliams CAMELOT Jeannie Carson, Biff McGuire, 3/11/1964 1 HHS Melville Cooper 1964 - 1965 6O SEASON SPONSOR Business Professional Women’s Club LUTHER Alan Bergmann 1 HHS SPOON RIVER Original Cast - Barbara Gilbert, Carl 1 HHS Esser, Linda Seff, William Severs OLIVER! Jules Munchin, Joan Eastman, 1 HHS Christopher Spooner NEVER TOO LATE Lyle Talbot, Penny Singleton 1 HHS 1965 - 1966 6O NOTEWORTHY PERFORMANCE NO.
    [Show full text]
  • A Tribute to Michael Curtiz 1973
    Delta Kappa Alpha and the Division of Cinema of the University of Southern California present: tiz November-4 * Passage to Marseilles The Unsuspected Doctor X Mystery of the Wax Museum November 11 * Tenderloin 20,000 Years in Sing Sing Jimmy the Gent Angels with Dirty Faces November 18 * Virginia City Santa Fe Trail The Adventures of Robin Hood The Sea Hawk December 1 Casablanca t December 2 This is the Army Mission to Moscow Black Fury Yankee Doodle Dandy December 9 Mildred Pierce Life with Father Charge of the Light Brigade Dodge City December 16 Captain Blood The Private Lives of Elizabeth and Essex Night and Day I'll See You in My Dreams All performances will be held in room 108 of the Cinema Department. Matinees will start promptly at 1:00 p.m., evening shows at 7:30 p.m. A series of personal appearances by special guests is scheduled for 4:00 p.m. each Sunday. Because of limited seating capacity, admission will be on a first-come, first-served basis, with priority given to DKA members and USC cinema students. There is no admission charge. * If there are no conflicts in scheduling, these programs will be repeated in January. Dates will be announced. tThe gala performance of Casablanca will be held in room 133 of Founders Hall at 8:00 p.m., with special guests in attendance. Tickets for this event are free, but due to limited seating capacity, must be secured from the Cinema Department office (746-2235). A Mmt h"dific Uredrr by Arthur Knight This extended examination of the films of Michael Only in very recent years, with the abrupt demise of Curtiz is not only long overdue, but also altogether Hollywood's studio system, has it become possible to appropriate for a film school such as USC Cinema.
    [Show full text]
  • SHSU Video Archive Basic Inventory List Department of Library Science
    SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.
    [Show full text]
  • The Dark Side of Hollywood
    TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment.
    [Show full text]